The Brave and the Bold 119, 1975 “Bring Back Killer Krag”

After sitting down and thinking about what book to cover next on my blog, it seemed like quite a while since I covered a DC book. Looking back, it has been, and to be specific, it was all the way back on November 11th! Since then, I’ve acquired a few more DC books, this awesome issue of The Brave and the Bold being one of them!

The creative team on this one (and many awesome DC books from the Bronze Age) is fantastic, but we’ll get to them later. For now, I’ll just say that this crazy (or zany) story has Batman investigating a murder at an equestrian event. The murder makes the newspaper, and Dr. Kirk Langstrom sees it. He realizes a reward of one-hundred thousand dollars could benefit him quite a bit, so he ingests his formula, and the Man-Bat is back! This one has it all, a Great White Shark (remember, it’s 1975) restless natives, real bats, and a second Man-Bat…?

As usual, this book is super entertaining for me. Mostly because I enjoy Bob “Zany” Haney (writer) and Jim Aparo (interior and cover art, Tatjana Wood colors). These two creators are probably my favorite team from DC comics. The stories are always solid and borderline on the bizarre, which suits my tastes perfectly. From an artistic standpoint, I can’t get over how much Aparo reminds me of my favorite artist, Gene Colan. He’s the perfect artist for Batman, Phantom Stranger, The Spectre, etc. His moody pencils create an atmosphere I don’t see consistently from any other artist from this era in DC books (not even Neal Adams).

 

 

 

 

 

 

 

 

 

Fantastic Four 52, 1966 “The Black Panther!”

Today, in the U.S., it’s the observance of Martin Luther King Jr. I thought it fitting to spotlight a character from comics that represents a strong belief in something. We all know Reverend King certainly did, and so does T’Challa! He cares abundantly about human life (as did MLK), and the safety of his people, so much so that he’s traveled the world, fighting against evil. In this, his first appearance, we see he started out with some trickery to lure the Fantastic Four to Wakanda, in an effort to see if his skills are ready for combat outside of his kingdom.

The epic battle that was actually training, included the FF, The Black panther, and Wyatt Wingfoot! The Panther defeats the FF, but didn’t count on the young, resourceful Wingfoot. He helps the FF turn the tables on T’Challa, who then unmasks, and begins to tell the FF his incredible origin!

The character of the Black Panther was one that came in a time where we needed him most. Just one year earlier in 1965, this country saw one of the most awful, brutal acts near Selma, Alabama. For Marvel comics to put a black man in their most popular comic book was nothing short of groundbreaking. It showed exactly how Marvel (or at least those doing the day to day work) felt about the Civil Rights Movement. Thank you, Jack Kirby (pencils, cover and interior), Stan Lee (writer), Joe Sinnott (inks) and Sam Rosen (letters).

 

 

 

 

 

 

Strange Tales 159, 1967 “Spy School”

This book has only been in my collection for a few months, but I knew it would be one that I’d spotlight sooner rather than later. Especially when you consider the talent that went into it’s creation! Just based off of the cover alone, who wouldn’t want to own this one! Two big stories with top notch creative teams means a Silver Age classic from the House of Ideas!

First up, we get Nick Fury and his Howling Commandos! They’ve transitioned from military life to working for the government (SHIELD). After a night on the town, Fury goes home, but the next day is full of training at a S.H.I.E.L.D. facility. He then must face Captain America in a sparring session in front of the newest recruits!

Awesome story, as you can really see the cool story and art by an ambitious Jim Steranko (story, art, and cover). He really knows how to tell a story with Fury and his supporting cast. He also does a fine job with Cap as well. Letters by Jerry Feldmann.

The second story is another chapter in the life of Doctor Strange! The Doc returns home to find that his Sanctum Sanctorum has been leveled, by none other than Umar herself! Once he finds a counter-spell to bring his home back, he then sets out to fight a band of sorcerers that are attempting to bring back Baron Mordo! Written by Roy Thomas, art by Marie Severin and Herb Trimpe, and letters by Al Kurzrok.

 

 

 

 

 

 

 

Doc Savage 8, 1976 “The Crimson Plague!”

The black and white magazine market was absolutely booming in the 1970s. Warren Publishing had already been producing exemplary material since the late 1950s, but in 1964 is when they went full on horror with Creepy and Eerie! Both of these mags had top notch creators on them, and still stand the test of time with excellent stories and artwork by some of the giants of the industry. In typical Marvel fashion, they didn’t waste any time copying the business model of Warren (once the CCA relaxed a bit), and began manufacturing a ton of magazine content.

The content was mostly horror and Sci-fi, but Marvel had other books like Rampaging Hulk, Savage Tales, Conan, Deadly Hands of Kung-Fu, Planet of the Apes, and of course, Doc Savage! In this, the final issue, you’ll see madness like never before!

The Doc and the crew head to Acapulco for a funeral, little do they know that they must then contend with a Lovecraftian creature that can completely absorb someone’s mind, turning them into a zombie! Meanwhile, back at the ranch, Renny gets beaten down by some thugs. Later, Doc and Monk come face to face with Randolph Dorn and his Brain Bank!

This insane story was scripted by Doug Moench, from a plot by John Warner and John Whitmore, art by Ernie Chan, letters by Joe Rosen (and Gaspar Saladino). The incredible cover is by the awesome artist, Ken Barr! There are also two pinups I’ve included. The first (inside cover) is from perennial horror artist of the Bronze Age, Tom Sutton, the second by Bob Layton and Dick Giordano!