Werewolf by Night 9, 1973 “Terror Beneath the Earth!”

Well, the day finally came. The day that I finally bought the first appearance of my favorite wacky Bronze Age villain! As some of you know, there was a podcast episode where my partner and I discussed our Top 5 Wacky Bronze Age Villains! If you haven’t listened to that one yet, please do, and I’ll only say that this guy is my number one, but I won’t reveal the others! The Tatterdemalion is  by far the craziest villain for me and he really is an oddity.

In this first appearance, he’s more of a sinister villain that’s on a mission for a “higher power.” The higher power is called Sarnak, and for some insidious reason, he wants the Werewolf! The first attempt to kidnap Jack doesn’t go well, but after a night in jail, Jack gets accosted a second time by the Tatterdemalion, and some other hellish goons!

This crazy tale was written by Gerry Conway, a guy more known for writing drama like “The Death of Gwen Stacy.” He can write any genre though, and this horror story is proof. The artwork is a huge part of why this one is awesome though, and we have Tom Sutton to thank for that (and the letters, and cover along with Frank Giacoia inking)! Some very vibrant colors by George Roussos, and editor Roy Thomas!

 

 

 

 

 

 

Strange Adventures 234, 1972 “The Human Icicle!”

It’s been quite a long time (4 1/2 years!) since I spotlighted an issue from this series, and I’m not sure why. This is definitely one of my favorite Bronze Age (and Silver) titles from DC comics. These quirky sci-fi stories are a lot of fun. You either get something that mirrors the time period (scientifically), or a story that’s so far out there, you can laugh about it. The book held a few memorable runs in its day, including Deadman (some stories illustrated and written by Neal Adams), Animal Man, and Adam Strange.  This issue is all reprints, but they pack a punch!

There are four big stories in this issue, and the first one is something really out of this world. “The Human Icicle” is featured on the cover (a spectacular cover by Joe Kubert), and showcases a man with amnesia, and a power that turns everything he touches to ice! The writer does a fantastic job of keeping the man’s “secret” until the perfect time in the story. Written by Otto Binder, with art by Carmine Infantino and Bernard Sachs.

The second story is a Star Rovers tale called “Where is the Paradise of Space?” This trio is a a non-team that comes together to figure out certain anomalies. Homer (no, not that Homer), Karel, and Rick are up to their eyeballs in mayhem in this one, as they are on a floating island in space that’s full of the wonderful and the weird! Written by Gardner Fox, with art by Sid Greene.

Next we have “The World that Vanished!” There’s an alien invasion coming, and it looks like the only thing that may be able to stop it is a cosmic ray weapon! Written by John Broome, and art by Sy Barry.

The last chapter in this book stars Adam Strange! This space faring superhero has a jetpack and a laser pistol and he knows how to use them! What happens when a man must face himself? Do not miss “The Spaceman Who Fought Himself!” Written by Gardner Fox, with art by Carmine Infantino and Murphy Anderson.

 

 

 

 

 

 

 

 

 

 

Haunt of Horror 3, 1974 “Featuring Gabriel Devil Hunter!”

After recently acquiring this magnificent magazine, I thought it was only fitting to spotlight here on my blog! For anyone that’s been thinking about grabbing some of these black and white marvels, do not wait, as they do nothing but climb in price (seemingly by the day!). In this awesome issue, we get four original stories, and one reprint. This title had an ongoing feature of a little known character called Gabriel Devil Hunter. This was in the height of the Exorcist craze, so Marvel had no shame in creating their own guy to jump on the bandwagon.

The first story, “House of Brimstone” is another chapter starring Gabriel and his lady friend, Desadia. You see they’ve received a phone call about a possession, and that is Gabriel’s specialty! In this one though, he’ll be faced with not only a powerful demon, but a no win situation. Script by Doug Moench, with art by Billy Graham, Pablo Marcos, Frank Giacoia, and Mike Esposito!

Next up is “The Restless Coffin!” Sounds like a vampire story, right? But it is not! It is a short story (only 3 pages) that shows the rise and fall of a Canadian that wanted to become an actor, but a gypsy warned him about his future, and that he would die soon after becoming a success! Written by Doug Moench, art by Pat Broderick and Al Milgrom.

The third story is called “The Swamp Stalkers!” and it’s got a murder, a hanging, and the undead! A story of revenge if there ever was one. Written by Larry Lieber and art by Win Mortimer.

We then get a reprint from 1956, in “They Wait Below.” It’s about the classic creatures called Sirens (click here for info), and their enchanting ways! Art by Bernie Krigstein (the story has no writer credits readily available).

Finally we get to see a match-up between Satan and Death, in “Last Descent to Hell.” This is one bizarre story that shows a confrontation between the two supernatural beings. Written by Doug Moench, and art by Frank Springer!

There are several super cool ads in this one, and I’ll include them below! The cover is by Jose Antonio Domingo (JAD), and the back cover by Pablo Marcos!

 

 

 

 

 

 

 

 

 

 

 

The Spectre 9, 1969 “Journal of Judgement!”

In the late 1960s, DC comics decided to give The Spectre his own series. To say that this series was weird is an understatement. It’s not quite on the level of the Fleisher/Aparo stories (in Adventure Comics), but those are top of the food chain for Bronze Age comics. This title had a few different creative teams on it even though it was only a ten issue run. Some huge names involved and the stories are all over the place (in a good way).

In this issue (the main story), we see The Spectre as he’s chained to a “Journal of Judgement” for his failings in the eyes of the creator. We get to go back in time, as Jim Corrigan and his partner try to bust up a crime ring. The Sargent gets shot and killed and then another crook tries to shoot Jim in the back. The Spectre rises up and kills the man. Corrigan then confronts The Spectre, and the two fight. It appears as though he kills Corrigan, and that’s when he’s forced back to the spirit realm, and gets punished.

This story is pretty wild, but very consistent with the others from this run (and the subsequent Adventure Comics run). We see that the Spectre has no problem killing people, no matter what the cause! Written by Mike Friedrich, art by Jerry Grandenetti and Bill Draut. Another incredibly awesome fact about this issue is that it has a back up story (told by The Spectre) about a magician that runs afoul of the devil! Oh, and did I mention this story was written by Denny O’Neil and illustrated by Bernie Wrightson? There’s also a third story (Shadow Show, writer- Mark Hanerfeld, art by Jack Sparling), where The Spectre terrorizes a thief! All of this is kicked off by a great cover by Nick Cardy!

 

 

 

 

 

 

 

 

Moon Knight 2, 1980 “The Slasher”

It has been almost two years since I spotlighted a Moon Knight comic! This cannot stand! I know my podcasting partner on Into the Weird is a huge fan of this character, and rightly so. For anybody that’s looking for a title to start collecting, if you’re into thrillers, horror, action, etc., this is the title for you.

In this specific issue, we see a serial killer loose in the city, and he’s murdering homeless people. But this is no ordinary case, and Moon Knight quickly gets on the killer’s trail. After using his disguise as a cab driver (Lockley) to get some info, he then proceeds to go home and make a gameplan. Meanwhile, a friend of his (a transient) named Crawley gets attacked but not killed. These killings aren’t random, and Moon Knight and Crawley are about to find out why!

Even in this early stage of the title, you can see the beginnings of brilliance from Doug Moench (writer), and Bill Sienkiewicz (interior pencils and cover). Their collaboration on the title lasted quite a long time, and only gets better as you go! With inks by Frank Springer, Carl Gafford colors, Annette Kawecki on letters, and edited by Denny O’Neil!

 

 

 

 

 

Marvel Tales 59 and 60 (ASM 78 and 79, 1969) “The Prowler!”

For some reason I had an itch to spotlight my favorite childhood superhero, Spider-Man. Reruns of the 1968 cartoon, plus the live action show (starring Nicholas Hammond), fueled my love for superheroes (along with Wonder Woman and The Hulk TV shows). Once 1981 rolled around, another cartoon hit the airwaves, and I was fully immersed in wanting to be Spider-Man when I grew up! It’s true. Not an astronaut, doctor, or lawyer, I wanted to be a superhero and Spidey was my favorite among them all.

Peter Parker (and Spidey) has gone through some very tumultuous times, and some mundane ones as well. My favorite era is definitely the late Silver and Bronze Ages, and in particular the the period of Stan Lee writing, then handing off to Roy Thomas and Gerry Conway. The likes of “Big” John Buscema, John Romita, and Gil Kane penciling. These creators took Spidey to new heights, and new lows (personally), and he would never be the same again. These stories are nothing short of fantastic, and the new characters brought in were a big part of the book’s success.

In these two issues, we see the introduction of a new villain called The Prowler. At first, the story seems to just be about a kid with problems that just can’t find any answers in life. But honestly, the two issues are more about Peter and his relationships and insecurities when it comes to the women in his life. He sees Gwen in a restaurant talking to Flash Thompson, and immediately assumes she’s stepping out on him. She’s actually trying to find out what’s been bothering Peter lately, and knows that Flash has known Peter longer than her, so he might be able to give her some insight. Some really good moments in these two issues of not only action, but humor, and real pathos!

I know a lot of people decry Stan Lee‘s (writer) writing, but honestly, he knew how to write Peter Parker/Spider-Man. Throw in the brilliant pencils of “Big” John Buscema and the inks of Jim “Madman” Mooney, and you can’t deny the power of this title during this period (post Ditko). Letters by Sam Rosen, and two amazing covers by “Jazzy” John Romita!”

 

 

 

 

 

 

 

 

 

 

 

 

 

Showcase 82, 1969 “Nightmaster”

Sometimes when you buy a comic, you think you know what you’re in for. And then you read the book and get something totally different. That’s what happened when I read DC Showcase 82!

A hippie musician that gets teleported to an alternate dimension via a weird bookstore, then must pick up a sword and battle evil-doers, and save his girlfriend from them. The first few pages of this book give no indication that’s going to happen (OK, other than the splash page). This one is a fun romp that deserves your attention for sure. This book also has some of the best advertisements I’ve ever seen in a DC comic book (see 3 images below story)!

Very fun/cool story by Denny O’Neil, with artwork by Jerry Grandenetti and Dick Giordano! This one is something straight out of Dungeons and Dragons or slightly even a Tolkien story. If you see this one for a decent price, do not let it slip away. Oh, and of course it has a spectacular cover by DC’s best cover man, Joe Kubert!

 

 

 

 

 

 

 

 

 

 

 

Tomahawk 103, 1966 “The Frontier Frankenstein!”

I’ll be very honest here. Until a few months ago, I’d never even heard of this title. I didn’t have a clue about it. Then I saw an auction where I was educated a bit on them. When the opportunity arose to purchase some issues, especially with the covers I saw, I had to give Tomahawk a try!

This story is nothing short of wacky, which is probably why I love it. Anytime you have a Frankenstein Monster in a book, I’m there, especially when it’s a giant sized monster. Throw in the fact that these adventures take place during the Revolutionary War, and you have a recipe for some absolute craziness. There’s also a back up story in the book called “The Super-Ranger with Nine Lives!” But, “The Frontier Frankenstein” is certainly the gem of the book!

The script (for Frontier Frankenstein) is by Ed Herron, a writer I’m not too familiar with to be perfectly honest. The artwork is by one of my favorite lesser-known artists, Bob Brown. The first time I saw his work was in Daredevil from the Bronze Age. The second story has art by Fred Ray. No credits on GCD for writer, but at DC at this time that’s not very uncommon. The cover is also by Bob Brown, who died way too young (61 yrs old, from Leukemia). Definitely give his work a look if you haven’t so far!

 

 

 

 

 

 

 

 

 

Classic X-Men 23, 1988 “Psi War!”

I’ll freely admit that I love origin stories. I see people on social media decry films and comics that recount them, but I just can’t help myself. One of my favorite origin stories, is that of Professor Xavier (and the X-Men). Of course, Spider-Man is the one that gets retold a lot, but I can’t recall this one being retold many times. Honestly though, does anyone not get pumped when they see names like Chris Claremont (writer), John Byrne (pencils), and Terry Austin (inks)?

This reprint book gives us a tale from the youth of Professor Charles Xavier. But first, he’s talking with Lilandra in his office. You see, the X-Men are missing and presumed dead (after an altercation in the Savage Land). He then begins to think that maybe he should never have recruited them for his cause. His mind drifts back to a trip he made to Cairo years ago. As he was walking through the city, a girl (a young Ororo Monroe, A.K.A. Storm!) stole his wallet. He chased the girl down, and retrieved his wallet, but was struck down by a mental attack. He then makes his way inside a cafe to meet the person responsible. He then comes face to face with Amahl Farouk. He is a mutant, and a very powerful telepath, just like Xavier. The difference is that he’s evil, and uses his powers for personal gain. After a quick introduction, they meet on the Astral Plane for combat. The battle is fierce, but eventually, Xavier proves to be the superior combatant!

This story isn’t one filled with action, but it does show you not only the origin of Xavier but his first encounter with another mutant. Seeing Xavier in this different light (pre-X-Men) is quite a thrill and I can only imagine how much bigger of one it was for readers back in 1979. There’s also a back up story by Claremont and John Bolton. A neat little story involving Nightcrawler! And to top it all off, we get a cover (and pinup) by Art Adams! The original cover is by Dave Cockrum (X-Men 117, the last image).

 

 

 

 

 

 

 

 

 

 

The Brave and the Bold 119, 1975 “Bring Back Killer Krag”

After sitting down and thinking about what book to cover next on my blog, it seemed like quite a while since I covered a DC book. Looking back, it has been, and to be specific, it was all the way back on November 11th! Since then, I’ve acquired a few more DC books, this awesome issue of The Brave and the Bold being one of them!

The creative team on this one (and many awesome DC books from the Bronze Age) is fantastic, but we’ll get to them later. For now, I’ll just say that this crazy (or zany) story has Batman investigating a murder at an equestrian event. The murder makes the newspaper, and Dr. Kirk Langstrom sees it. He realizes a reward of one-hundred thousand dollars could benefit him quite a bit, so he ingests his formula, and the Man-Bat is back! This one has it all, a Great White Shark (remember, it’s 1975) restless natives, real bats, and a second Man-Bat…?

As usual, this book is super entertaining for me. Mostly because I enjoy Bob “Zany” Haney (writer) and Jim Aparo (interior and cover art, Tatjana Wood colors). These two creators are probably my favorite team from DC comics. The stories are always solid and borderline on the bizarre, which suits my tastes perfectly. From an artistic standpoint, I can’t get over how much Aparo reminds me of my favorite artist, Gene Colan. He’s the perfect artist for Batman, Phantom Stranger, The Spectre, etc. His moody pencils create an atmosphere I don’t see consistently from any other artist from this era in DC books (not even Neal Adams).