Unknown Worlds of Science Fiction 6, 1975

The last regular issue of this series is upon us. Only one more issue to go after this one (Giant Size Special 1), and it does make me a a little sad, as I’ve been enjoying blogging about them immensely. That being said, let us traverse this issue, which has a brilliant cover by Frank Brunner, and the inside cover has a very awesome piece by Pat Broderick!

The issue begins with a foreword by Roy Thomas, instructing any readers of a religious persuasion to please not bombard the office with hate mail, especially after reading a certain story in the issue. I find it fascinating that he felt it necessary to include the mild warning, but I guess in 1975 it was something he felt was needed. With a crucifixion on the cover, it’s definitely a polarizing book.

The issue begins with another edition of “Slow Glass” as all have before. We get an interesting scene that is brought to us by Roy Thomas, Gene Colan, and Dan Adkins.

The first story, “Behold the Man,” is an interesting one to say the least (and the one Thomas warned about in the foreword). A time machine slings a man into the distant past (biblical times), but we also get flashbacks to present day. The story has accurate biblical passages, but does its own thing as well. Script by Doug Moench, art by Alex Niño (original story by Michael Moorcock).

After this, we get a four page look into the life of Slow Glass creator, Bob Shaw. Sort of a bio piece, but definitely worth reading.

Old Soldier” is the next story, and is certainly deserving of being in a title about unknown worlds and sci-fi! Written and drawn by Bruce Jones!

Up next, is “Mind Games.” Even though the Vietnam War was over by now, creators (and society) were still very much engrossed with it, and its repercussions. Both of these stories reflect that in one way or another. Written and illustrated by John Allison.

What would a good magazine be without a witch burning by the Puritans? But, this story has something else…Spacemen! “Visitation” is written by Don Glut with art by Ruben Yandoc!

 

 

 

 

 

 

 

 

 

 

 

 

 

Unknown Worlds of Science Fiction 5, 1975

As I wind down the last three issues of this series, beginning with the fifth installment, you’ll see a few different names in this one, previously unseen. With an anthology title, that’s usually the method most publishers roll with, and it can be very exciting. I think it can be slightly problematic when a certain creator did a fantastic job in a previous issue (or is just a fan favorite). There are a couple of familiar names, but lets not get ahead of things. The cover is by an artist that isn’t one I’ve heard before. Boada Puigdomènech (cover), an artist with only this one credit for Marvel, and a few for Skywald Publishing, does a fair job, but it’s definitely a step back from the previous four issues. A frontispiece by Howard Chaykin (more on him later) leads us into the action!

First up we get…Slow Glass, revisited! I know last time I said that was the end, but it was a ruse (by myself and Marvel)! We thought we saw the last of this story (and Mister Tyme), but not so. We see something very creepy from Roy Thomas and the art team of Gene Colan and Frank Chiaramonte!

Up first is “Paradise Found.” We see a space traveler arrive on a planet named Terra 2. He’s greeted by another guy that treats the aliens there horribly, but don’t worry, he gets his in the end. Written by Bruce Jones, with art by Gray Morrow!

The next few pages bring an interview with Larry Niven (conducted by Alan Brennert)! There are some super cool illustrations by Eliot R. Brown and Rick Bryant.

Next up is “All the Myriad Ways,” an adaptation of a Larry Niven story. A police detective investigating a murder, parallel universes, time travel, it’s all here! And, brought to you by Howard Chaykin (script, art)!

Don and Maggie Thompson bring us another great edition of “Fantastic Worlds” next! In it they discuss the Hugo and Nebula awards, rumors of a Star Trek movie, and some sci-fi conventions!

Addict” is the next story in the book, and it is a wild one! We see a junkie in an alleyway beat his own dealer for some drugs. Well, not conventional drugs, that is. We also see some bureaucrats talking their usual disturbing rhetoric about needing to keep the populace under control (hmmm…nothing to see here, move along). Really good stuff here by Don Glut (story) and Virgil Redondo (art)!

The final story in this magazine, “Half Life,” is another solid entry. We see a monster-sized spaceship called The USS Agamemnon, that at first seems like a pleasure cruise. But, things don’t always work out the way they should, do they? Story and art by John Allison.

 

 

 

 

 

 

 

 

 

Unknown Worlds of Science Fiction 4, 1975

Back once again to keep plowing forward through this great sci-fi magazine run from Marvel Comics. Names on the cover are a big thing with these mags, as they wanted to pull in not only comic book readers, but the science fiction crowd as well. A spectacular cover by Frank Brunner certainly raises the chances of people buying this one as well!

In this issue, we get an awesome interview with A.E. Van Vogt! The interview was conducted by none other than future Batman scribe, Alan Brennert! This is followed by a short one-pager (by David Anthony Kraft) talking about Otis Adelbert Kline, and his stories set on Venus (see the link about his feud with ERB). Lastly, there is a column titled “Fantastic Worlds” by Don and Maggie Thompson, that talks about all elements of sci-fi (books, shows, etc.). Now onto the stories!

First up is the final entry in the “Slow Glass” story that has been the bookends for the magazine so far. In this one, the final chapter does not disappoint, as Mr. Tyme must answer to a board of aliens as to where and how he obtained slow glass!  Tony Isabella script, Don Heck and Frank Chiaramonte on art duties.

The A.E. van Vogt adaptation is up next, and “The Enchanted Village” is probably the best story of the book. The script is by Don and Maggie Thompson, with art by Dick Giordano!

A Vision of Venus” brings a tale of space travelers that have been captured by aliens! As mentioned above, the source material is from Otis Adelbert Kline, the script and art by Tim Conrad.

The following tale is not intended to be humorous (I think), but “Good News from the Vatican” comes off that way to me. It’s a story about a robot Pope (somewhere, my friend Herman is laughing)! Written by Gerry Conway, art by Adrian Gonzales.

The penultimate tales is “Encounter at War.” There is a bit of a forward on the previous page stating that this one is the conclusion to a story that was started in an underground comic. It’s a good one but not anything that hasn’t been seen before. A little bit of aliens, and a little bit of treachery! Written by Jan Strnad, with art by Richard Corben!

Finally, “Kick the Can” brings us to a close. The story revolves around a guy that is desperately trying to get off an alien planet, and back home. Some really neat flashback scenes and a giant Tarantula to boot!  Written and drawn by Bruce Jones!

A solid issue overall, but I can’t escape the feeling that it took a slight dip versus the previous three. Not sure why, but it could possibly be the Slow Glass story didn’t end that great or the art wasn’t as good as the previous installments (Gene Colan). Which of course, might just be my bias.

 

 

 

 

 

 

 

 

 

 

 

 

Unknown Worlds of Science Fiction 3, 1975

After a brief hiatus from the norm (click here for last week’s Super-Blog Team-Up entry), I’m diving back into the awesome, albeit grief run of Unknown Worlds of Science Fiction magazines! As I’ve said in the past, these are a really good snapshot of the times, and of the sci-fi genre as a whole up to this point in history. They pay a lovely homage to the creators that had made sci-fi what it was and still is to this day, through interviews, articles, and of course the adaptations! Everything inside is first presented by this awesome cover by Mike Whelan!

After a gorgeous frontispiece by the incredible artist, Gray Morrow (see below), we get a contents page that will blow your mind. Not only will you see an issue chocked full of content such as stories of science fiction with illustrations unparalleled, you also get an interview with Frank Herbert (Dune), and a look at the SFWA (by Don Thompson)! And not to be outdone, a super cool editorial by Rascally Roy Thomas!

The bookends in this magazine, once again, are entries featuring the Bob Shaw concept, Slow Glass. These stories don’t involve everyday people and their experience with the substance. Oh no, in this issue an actual alien approaches Mr. Tyme, and requests some of the material! Written by Tony Isabella, with art by Gene Colan!

The first full length story is “Occupation Force.” We see a man get abducted by an alien spaceship, but alas, no probing. The aliens eventually leave their ship, but what we see is definitely not what one would expect! Written by Gerry Conway, with art by George Pérez and Klaus Janson!

The next story (and my personal favorite) is titled “…Not Long Before The End.” This one features a classic story of a barbarian versus a sorcerer! A story akin to something you’d find in a Robert E. Howard story, but with a slight twist. Written by Doug Moench and art by Vicente Alcazar!

Gestation” is up next, and this one is about a space-faring team that touches down on a planet with a vast variety of vegetation. They eventually come upon a giant web resembling that of a spider! What happens next is truly bizarre! Written and illustrated by Bruce Jones!

The final story is from sci-fi legend, Harlan Ellison! Repent, Harlequin! Said the Ticktockman, is an interesting story, in that it is not straightforward in its delivery. It is however a dystopian future plot, which back in 1965 wasn’t the overwrought concept it is now. Adapted by Roy Thomas (script) and Alex Niño (art)!

Even with issue three, this magazine is still going very strong, and hasn’t missed a beat. It will slow a good bit near the end, but for now, take a look at these fantastic pages (editors included- Roy Thomas, Gerry Conway, Marv Wolfman, Len Wein, and art director John Romita).

Marvel’s Unsung Heroes: David Anthony Kraft

Writing about creators that I never interacted with, and/or that have been gone from this Earth a long time, is never a difficult thing for me to do. It is however, the complete opposite feeling when someone passes away I’ve had time with talking about this medium I love. David Anthony Kraft, or more appropriately, DAK!, has been a creator I interacted with online now for a few years. He was extremely cordial to the unknown people on the other end of a fiber optic cable, so much so that I thought he was one of the nicest people I’ve ever met online.

I’d seen this name (DAK) in comic books from my favorite era, the Bronze Age, quite often as a fill-in writer, or as an editor. Getting to know him though, he shed a good bit of light on quite a few times where he did work, but didn’t receive credit (not for some nefarious reason, just because those were the times). Even doing some layouts/sketch ideas for covers and splash pages. This really made me look at his work in a very different way. It also made me go back and read some of these examples he recounted. He was always answering questions from fans, and almost always tagging people that he loved, especially Don McGregor (another great guy).

His window in the comics biz wasn’t decades long, and he’s probably most known for his comics magazine, Comics Interview (click here for an interview he did with Comic Book Historians). Here are a few off-beat selections from the Bronze Age. Godspeed, DAK!

 

 

 

 

 

 

 

 

 

Kurt Schaffenberger: The Definitive Lois Lane Artist of the Silver Age

Excellent look at one of the best Superman artists of all time!

In My Not So Humble Opinion

Welcome to the latest round of Super Blog Team-Up. We actually have TWO topics this time, “What If?” and Creators. I decided to spotlight a creator, because coming up with “What If” scenarios for how certain comic book stories could (or should) have gone is just too depressing. (What if Armageddon 2001 had used the original planned ending where Monarch was revealed to be Captain Atom? Sheesh, don’t get me started, we’ll be here all day!)

*AHEM!* So which comic book creator am I going to be spotlighting? The answer is Kurt Schaffenberger.

Kurt Schaffenberger, whose career stretched from 1941 to 1995, was born on December 15, 1920, meaning that TODAY is the 100th anniversary of his birth. I could not think of a more appropriate creator to blog about.

Superman’s Girl Friend, Lois Lane #42 (July 1963) written by Jerry Siegel and drawn by Kurt Schaffenberger

Much…

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Super-Blog Team-Up: Doctor Voodoo Avenger of the Supernatural!

 

SBTU is back and better than ever! “The Doctor is in!,” is a great concept, as the amount of doctors in comics/pop culture is plentiful. Of course, those who know me would expect me to roll with my Twitter namesake, Doc Strange, but, not so fast! A little swerve was in order, and the first thing that popped into my brain was this awesome mini series (I think it was initially supposed to be an ongoing) by Rick Remender (writer) and artist Jefte Palo! The awesome painted covers were by Marko Djurdjevic!

Paging Doctor Voodoo, Doctor Strange, Doctor Doom. Oh yes, all three of these doctors are a huge part of this story. And let us not forget doctor Hellstrom…well, OK, Daimon Hellstrom, isn’t actually a doctor, but he’s super cool and in this story as well!

To quickly catch up, Doctor Strange made a boo boo, and relinquished the powers of the sorcerer supreme. The Eye of Agamotto sought out a new champion, and Brother Voodoo was chosen! The series doesn’t waste any time getting frenetic, as Doctor Voodoo immediately taxes his powers and abilities too much (after being warned not to by Dr. Strange), and winds up getting a beat down by Dr. Doom. As if that wasn’t bad enough, his staff is broken so he gets stuck in an alternate dimension for a time as well. Enter Daimon Hellstrom. We all know he can be a wild card, but Doctor Voodoo trusts him, but immediately regrets it. You see, Hellstrom is under the influence of Nightmare, and while in this other dimension, Nightmare is wreaking havoc on Earth!

This five issue series (I believe it was supposed to be an ongoing but was cancelled) is a lot of fun, and it really brought Brother Voodoo out of the shadows and into a big spotlight. For an old school horror/Bronze Age fan like me, it was long overdue. During the series, we were also given a neat issue, as Marvel released a one-shot “The Origin of Jericho Drumm!” In this book, we get a framing sequence by none other than Rascally Roy Thomas, with art by Alex Massacci, colors by Chris Sotomayor, and letters by Dave Lanphear. The issue then gave us Strange Tales 169 and 170 (Brother Voodoo’s first appearance), plus a story from the excellent black and white horror magazine, Tales of the Zombie (6)!

 

 

 

 

 

 

 

Check out the other awesome participants in this round of Super Blog Team Up!

Between The Pages Blog – The World’s Most Popular Football Holder & Psychiatrist – Lucy van Pelt

Daves Comics Blog – Dr. Fate!

SuperHero Satellite-  The 1970s Incredible Hulk Television Series: The Lonely and Tragic Life Of Doctor David Banner

Comics Comics Comics – Dr. Who!

Pop Culture Retrorama-  Dr. Terrence the Ghost Breaker

Asterisk51- Doctor Bong: For Whom the Bell Tolls

Radulich Broadcasting Network – Dr. Doolittle

Radulich Broadcasting Network – Metal hammer of Doom

 

Unknown World’s of Science Fiction 2, 1975 “All-New! War Toy”

In this second week of my blog’s revival, I wanted to continue looking at this incredible sci-fi magazine series by Marvel Comics. Like the previous issue, this one has bookends featuring “Slow Glass” and it has an excellent lead story, along with more chapters of Day of the Triffids! Two very good articles are also included in this one, so strap yourself in, as this rocket ship is blasting off!

Another introduction to Slow Glass leads off, and this one is very intriguing. We see Mr Tyme heading into a lavish apartment complex (a deluxe apartment in the sky, you might even say). Once inside, he meets up with a rich man named Mr. Wilder. the two did some business in the past, but the consequences of that visit, are about to come home to roost! Written by Tony Isabella, with art by Frank Brunner and Klaus Janson!

After a peek into the Slow Glass, we see “War Toy!” A group of scientists/doctors are gathered around an operating table, but there patient isn’t a man, but a robot! He’s trained to be the perfect soldier, but what happens when the war is over? Written by Tony Isabella, art by George Pérez and Rico Rival!

An interview with author Alfred Bester (Demolished Man) is up next, and was conducted by Denny O’Neil! It’s accompanied by two illustrations by Rick Bryant, and a sample page from an Australian comic strip adaptation of The Stars my Destination (by Bester). The adaptation is by Steve Harper and Stanley Pitt.

The third installment is a story called “Adam…and No Eve.” An adaptation from Bester, this revolves around a man that creates a rocket fuel to get to space, but the mathematician he’s hired informs him that the fuel is deadly, and if even a single drop hits the Earth, it will kill billions. Written by Denny O’Neil, with art by Frank Robbins and Jim Mooney!

The Hunter and the Hunted” is up next, and the story and art are by Mike Kaluta (he created the awesome cover for this issue as well!). Full disclosure, I have no idea what he was going for here. Very minimalist story/art, but fascinating anyway.

The following addition shows an article by Don Thompson about the Hugo awards. There are photos and mentions of sci-fi stalwarts like Harlan Ellison, Frank Kelly Freas, and so forth.

Writer/artist Bruce Jones then gives us a tale called “Specimen.” This is a cool story that has a twist ending I definitely didn’t see coming! Kudos to Jones for this one, as it’s probably my favorite story of his I’ve ever read.

Two more chapters finish off “The Day of the Triffids” adaptation, and it was really a fun ride. Gerry Conway (John Wyndham novel) and Rico Rival do an excellent job!

The magazine is finished off by two more pages of the Slow Glass story by Isabella, Brunner, and Janson. Again, great work by these creators on this premise by Bob Shaw.

 

 

 

 

 

 

 

 

 

 

 

Unknown Worlds of Science Fiction 1, 1974 “Day of the Triffids”

At first sight, this magazine (published in 1975) doesn’t look like anything special. Oh the cover by Kelly Freas (with alterations by John Romita), is very cool, but sci-fi hadn’t really hit it big yet in the mainstream (pre- Star Wars, and Star Trek films). What Marvel did though, was bring in stories written by some of the greatest writers of the genre, and adapt them for comic book format. When you can slap the name Ray Bradbury on your cover, it’s going to sell some books for sure.

As if the spectacular cover wasn’t enough, we get a frontispiece by Spanish master, Esteban Maroto! Most of Marvel’s magazines had these pin ups inside the front cover, and some even at the end of the issue. Using Bradbury’s name on the cover was a good idea, but in all honestly, the name Bob Shaw should’ve been on there as well. His concept “slow glass” is the subject of this book, and sort of introduces the other stories (and bookends as well), as a portmanteau film executes for its audience. Those pages are by Tony Isabella (script, adapted from the Shaw idea), and the art team of Gene Colan and Tom Palmer!

The first chapter is “The Day of the Triffids!”In this story (based on the John Wyndham novel), we see a particular species of tree that not only seems to be able to think for itself, but has malice toward human being as well! Written  by Gerry Conway, with art by Ross Andru and Ernie Chan!

Next, we get a story written and drawn by Neal Adams! The story is an anti war/Vietnam piece told through the lens of sci-fi. The story is told almost like news blurbs, which is fascinating for 1975!

The third installment is a fabulous interview with Ray Bradbury. He speaks about his youth, and the formative that guided some of his writing. The interview is conducted by Sheldon Dorf.

Next up is a hilarious parody story (Smash Gordon!) by none other than Frank Brunner (story and art)! This one is not only comedic, but it is absolutely gorgeous to look at. If you’ve seen his work before, get ready, as this is on another level.

An atomic test in the New Mexico desert is the start of “Savage World!” Three of the people involved with the bomb test end up in an underground world. Are the rulers peaceful as they claim or not? Script by Wally Wood, and art by Al Williamson!

Another interview graces the pages of this magazine, and this time it’s with the cover artist (and artistic giant), Kelly Freas! They include a few images of his work on some science fiction books from yesteryear as well!

We then get another story that is pretty straightforward, but has a comedic ending. Automated cities of the future are now the only place you’ll find human beings. A plane crash strands a few people out in a wasteland, and as you can imagine, it doesn’t end well. Story and art by Mike Kaluta!

Finally, another chapter of Slow Glass, and this one is seven pages long! We watch as a couple who has traveled off the beaten path attempts to purchase some slow glass from an elderly man. But this man has a secret, and it’s one he doesn’t want people to know. Script by Tony Isabella, with art by Gene Colan and Mike Esposito!

As of this blog post being published, these magazines can still be had for reasonable prices on places like Ebay. Any interested parties should think about getting these sooner rather than later, as they probably won’t be reprinted any time soon (Marvel wqould probably need to get the rights to publish it again as the source material belongs to the book publisher or the estates).

 

 

 

 

 

 

 

 

 

 

 

 

Detective Comics 38, 1940 “Robin the Boy Wonder!”

In an effort to support local business, I stopped by an LCS (local comic shop) around the holidays to see what they had. The store has no back issues (sad face), but they do have a great deal of trades and new comics (along with gaming supplies and tournaments). I picked up a trade that will more than likely be spotlighted at some point here if not talked about on a podcast, but for now, I’ll be focusing on a reprint edition they had in stock! I’ve always wanted to read some stories from the Golden Age of comics of importance, and while most are available in some form or another, I couldn’t pass this one up. This book has nine stories in it (plus one prose tale), but I’m only focusing in on the Batman story.

The story is one that many already know, but just in case you don’t…We see a young Dick Grayson, as he’s eavesdropping outside the office of the circus owner (he and his parents work at a circus as trapeze artists). He hears some gangsters threaten the circus, and then they leave after the owner tells them to get lost. That night at the show, not only does the young boy see his parents plummet to their deaths, he then sees the goons return to threaten the owner again, and confess to the killing. Dick runs out to call the police but before he can, he’s stopped by The Batman! He explains to Dick that he can help him bring the killers to justice, but it will require training like he’s never had before. At this moment he decides to become a lifelong crime fighter, trained by the best. Batman and Robin, the Boy Wonder then set out to find and catch Boss Zucco, the man responsible for most of the crime in Gotham City!

This issue is one that everybody who’s a fan of Robin, or basically Batman and his corner of the DC universe needs to have. Look for this reprint or a trade that has it, as it’s a lot of fun. Just the grittiness of this story alone is a lot of fun, then throw in the origin of Robin and it’s just overall a great one. The other stories aren’t bad either, and definitely reflect the times (Depression era). Written by Bill Finger, art by Jerry Robinson and (maybe) Bob Kane.