Halloween Spectacular! Featuring DC comics “The Witching Hour!”

I really struggled with this year’s Halloween blog post at first. Typically I know well in advance what material I want to spotlight for Halloween, but 2020 was different (heh). In this issue of The Witching Hour, we get a ton of content, as this is a Super Spectacular 100 page issue! All started off by a fantastic cover by Nick Cardy! Thirteen unlucky stories reside within these pages (not counting the intro/outro), so there’s no time to waste pontificating!

 

 

First up, we have “Makers of the Mist.” This is a tale of a cursed village, and an unspeakable evil that resides in the nearby mountains! Written by Gerry Conway, with art by Murphy Anderson and letters by Irv Watanabe! Fun little tale, but the ending doesn’t really fit a horror book. Awesome art by Anderson, though.

 

 

Til Death Do Us Join,” is a very strange tale involving grave robbers, and one in particular that marries…a corpse? Written by Bob “Zany” Haney, and art by Pat Boyette (he did a lot of work for Charlton).

 

 

The next story, “The Ever Constant Drum” shows a slave trader in Africa that winds up on the wrong (or right) side of the whip! Story by David Kaler, art by Reginald and Stanley Pitt.

 

 

In “Save the Last Dance for Me,” we see a millionaire and former Broadway star that has a bad attitude and an incredibly awful moral compass, named Thurgood Trapley. He’s paid a scientist/inventor to invent a time machine. The man actually does it and we see the future which shows some wild scenes, one of which shows Trapley fighting a Dalek (not kidding here). Written by Denny O’Neil, with art by Pay Boyette.

 

 

The next story is called “Eternal Hour.” In this one we have a haunted clock tower, a diminutive person, and a shock ending! Written, penciled and inked by Alex Toth!

 

 

This next story might have the greatest name in the history of comic books. “The Perfect Surf or How to Make Waves Without Really Trying!” A fun tale that ends in a hilarious way! I can’t help but think of Point Break when I read this one! Art by Jack Sparling.

 

 

On to “The Man with the Stolen Eyes.” This Golden/Silver Age reprint (1956) has no creator credits, but is a gem of a story. Reminiscent of the EC comics stories of the time, it involves a blind man that uses bribery to get his sight back, but eventually, regrets it!

 

 

Other than inks by George Roussos, this is another tale with credits that are tough to find. “Brush with Death”  -Is there such a thing as a haunted painting? Well, after you read this story, you will believe!

 

 

Another reprint is upon us, and “Dream Girl” is one for the ages. A wizard, an occult convention, and a man obsessed with a vision of a woman he’s in love with are the subject of this wild one! Art by Bob Brown and Jim Mooney, with letters by Artie Simek.

 

 

Mildred is our host for this next story. “The Demon in the Mirror” is more of a standard horror story from the time (1952). A hood is taken out by a regular Joe, but he vows revenge by any means possible! Written by Robert Kanigher, art by Alex Toth and Sy Barry, with letters by Gaspar Saladino!

 

 

The Phantom Ship” is about a crook who’s breaking into cabins aboard a ship and looting them. He then slips on the deck and falls into the ocean. What happens after that is absolutely ghastly! Art by George Papp.

 

 

In the penultimate story “Round Trip to the Past,” Cynthia (the host) tells us about a man who inherits some antiques, one piece of which is a diary that tells a spooky tale about a wizard from the year 1297! Art by George Papp, and letters by Artie Simek.

 

 

Finally, we get “Trail of the Lucky Coin!” According to legend, if you find the lucky coin and then give it away to someone, you’ll be brought luck! A bus load of people that end up in a crash might not feel very lucky, though! Writer, Jack Miller, pencils by Mort Drucker, letters by Gaspar Saladino.

 

 

 

Supernatural Thrillers 6, 1973 “The Headless Horseman Rides Again!”

Being one of the last couple issues I needed from this series, it was always higher in price than I was willing to pay. Well, for a while anyway. The condition isn’t the greatest, but it’s complete so that’s all that matters to me. The reason that this comic is being spotlighted is two fold. First, obviously it’s the “season” for such a comic to be read. Honestly, it’s always that season for me, but the rest of humanity is celebrating the Halloween season. Secondly, I made a trip to Sleepy Hollow, New York, last year. Quite a bit of fun, even though I was only there for a quick trip. OK, onto the book.

In this modernized version, we see no Ichabod Crane on horseback, but a cop that recently had a partner die under mysterious circumstances. He was investigating a certain criminal that plays rough, and Duke intends to find out what happened to his buddy. Was it the criminal or was it something even more sinister?

This adaptation (if you can call it one) is a lot of fun. The original story is great, and a straight adaptation would’ve been OK for me as well, but Gary Friedrich (writer) does a great job with this story. The story is very spooky and has a great twist ending. The artwork is awesome as well, and we have George Tuska and Jack Abel to thank for that. The full page splash of the Headless Horseman is nothing short of spectacular. The colors were a big part of the art as well, and Glynis Wein should be lauded for that job. Artie Simek does his usual rock solid job on lettering to complete the creative team behind this incredibly fun issue! Oh, and before I forget, the cool cover is by none other than Gil Kane and Ernie Chan!

 

 

 

 

 

 

 

 

Haunt of Horror 1, 1974 “His Own Kind”

In the year 2020, there have been reasons to be down. But, not only do I try to always look at the positives, it was easier to do that during some tough times because of horror magazines from the Bronze Age. I managed to track down and complete a few different series. One I didn’t complete yet (the last issue is crazy expensive) but did manage to get the first issue, was The Haunt of Horror. This magazine eventually became the home for Gabriel, Devil Hunter after this issue, but for now, lets dive into this inaugural issue! (cover by Bob Larkin)

After a stunning frontispiece by Alfredo Alcala, we get “The Rats!” This tale (by Gerry Conway, writer, and Ralph Reese, artist) follows a few short years after a certain film about rats debuted (Willard, 1971). The lead character also has a striking resemblance to Roy “the boy” Thomas! A fun little yarn for sure!

The following story is a prose piece with a splash page and one other illustration. “HeartStop,” by noted science fiction writer George Alec Effinger, is quite long for a comic magazine (21 pages!), and split into three parts. The tale is about murder and madness in a small Pennsylvania town. The illustrations are by none other than Walt Simonson!

Next up is a reprint from 1953. “The Last Man,” shows a murderous streak of a man named Joe. His murdering streak comes to an end, but not because of why you’d think! Art by Russ Heath (no credits given on script)!

“His Own Kind,” is another story adapted by a science fiction writer, Thomas M. Disch. This is a classic werewolf story that will not leave you wanting! Script by Roy Thomas, art by Val Mayerik (pencils)and Mike Esposito (inks).

A war story called “The Nightmare Patrol” is next. This is one that slightly mirrors the DC comics Weird War Tales, but not exactly. For 90% of the book, it’s just a straight up war story, but then things get crazy! Writer Gerry Conway, art by Ernie Chan!

Finally, we get “In the Shadows of the City!” This is one weird, bizarre story, but I expect nothing less from Steve Gerber (writer) and Vicente Alcazar (art)! A man is telling a psychologist about his compulsion to murder, and it might already have been carried out!

 

 

 

 

 

 

 

 

 

 

 

The Phantom Stranger 23, 1973 “Panic in the Night!”

In this second week of October fun, it will be my last week spotlighting the Phantom Stranger, sadly. No worries though, as I’m sure he’ll make more appearances down the road. This is my last issue from this run, though. but the other issues that feature a different creative team are still pretty good. The character is awesome but for me, these two creators took him to heights no one else had before or since. Alright, onto the story…

The setting is Paris, France, and the police find a prowler in a cathedral. He’s ringing the bells and laughing at his behavior at the same time. The villain looks like the Gentleman Ghost, but the police refer to him as Quasimodo. A plane lands at the airport, and the Phantom Stranger and Cassandra Craft exit the aircraft, and she tells the Stranger that her powers of perception are telling her this is the place of a disturbance. The Stranger then begins to question some locals about an organization that calls itself the Dark Circle. Later that very same night, a crowd is horrified to see the same ghostly figure from the cathedral sawing through the chain of a huge chandelier. If it falls, it will surely kill a few dozen people at the least. The Stranger jumps in at the last moment to save the day. But he still must contend with the Dark Circle, and they have abducted Cassandra! Awesome story by Len Wein in this issue. He really gets this character perfectly, and I feel it’s one of his best jobs in comics. Jim Aparo (interior and cover art) has done more than a serviceable job on many characters/books, but this one for me is right up there with his best (The Spectre, The Brave and the Bold). What a great team.

The back up story in this book is something to be celebrated as well. Marv Wolfman and Mike Kaluta (via Mary Wollstonecraft Shelley) bring us “The Spawn of Frankenstein!” Two men digging in the Arctic find the remains of the Monster and are hell-bent on reanimating this abomination. A welcomed switch from Dr. 13. for sure!

 

 

 

 

 

 

 

 

 

 

The Phantom Stranger 21, 1972, “The Resurrection of Johnny Glory!”

October is finally here! As you can see, it might be a new month, but I’m going to continue to spotlight the Phantom Stranger! These issues by Wein and Aparo are right up there with any short run in comics for me. The stories are creepy and moody, and you also get a Twilight Zone vibe from them. This run needs to get more airtime, and I intend to give it to the masses. Both creators are nothing short of legends, and they deserve it.

The story starts out with a guy named Johnny, as he’s being led to the electric chair for his crimes (murder). The switch is thrown, and Johnny is toast. The onlookers flinch from the scene. Later at the morgue, two shady looking individuals show up with paperwork stating that the body of Johnny is now their property. They take the body to an underground cave, where the rest of their satanic buddies are hanging out. They perform a ritual and bring Johnny back to life! The head man tells Johnny he was resurrected to murder a saint! There’s a spiritual leader from a middle eastern country that is touring the area, and this group wants him dead! Written by Len Wein, with art by Jim Aparo!

As usual, we get a Dr. 13 backup story. “Woman of Stone” is the usual set up where he debunks something that appears to be magic/sorcery. Not a big fan of the character, but I do recognize good scripting by Len Wein and art by Tony DeZuniga.

The cover is super cool, but I do have a nitpick about it. It’s the exact same image from the first splash page inside the issue. And I mean exact, no variation whatsoever (except the background). So kudos to Aparo for the cover, but the fact that it’s reused for an interior page is not awesome.