The Eternals #1, 1976

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You know something, Jack Kirby’s return to Marvel yielded some comics that most think are slightly odd, but if you look closely, you’ll find a real gem in The Eternals! This fantastic book only lasted nineteen issues (plus one annual), but it really set a tone for things to come in the Marvel Universe. My favorite story of all time, is one that involves the Eternals. The story is called “Thor: The Eternals Saga”, and it’s an incredible journey through the history of not just Thor, but the Eternals, and the Asgardians as well!

In this first issue, we see Ikaris, as he’s befriended two humans. The humans are researchers that are looking through ancient ruins for proof of life beyond the stars. With the help of “Ike Harris”, they find more than they bargained for, and might not survive to tell the story!

Checkout these awesome pages drawn by Kirby (inked by John Verpoorten). You really see his unique style on full display! Enjoy!

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Fantastic Four Annual #5, 1967

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In this fantastic story, you get to see the incredible Silver Surfer, the way only Jack Kirby could draw him! As the Surfer is flying around, taking in Earth’s beauty, he’s nearly shot by some duck hunters. He gives them a warning shot, and continues on his way. He then stumbles upon a computer, inside an abandoned laboratory, formerly a hideout for the Mad Thinker! Inside this normal looking computer lies a secret, and its name is Quasimodo! This creature was created with the sole purpose of destroying the enemies of the Mad Thinker. The Fantastic Four thwarted his plans, and the evil villain left the computer to rot. It’s kind of sentient though, and mentally cried out to someone. The Silver Surfer was passing by, and heard the cries for help.

Well, I wont spoil it, but needless to say that an evil genius conceived this computer, so when the Surfer helps it escape its prison, it’s not as grateful as one would hope. A battle at the rooftops of New York City, between the cosmic powered Silver Surfer, and Quasimodo, the living computer! My copy is from an issue of Marvel Milestones that includes one of the best Dr. Strange stories ever told as well! Enjoy!

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Cinema Sunday: Clash of The Titans (1981)

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Title: Clash of The Titans

Distributor: MGM

Writer: Beverley Cross

Director: Desmond Davis

Producer: Ray Harryhausen & Charles H. Schneer

Starring: Harry Hamlin, Lawrence Olivier, Judie Bowker, Maggie Smith, Burgess Meredith

Released: June 12th, 1981

MPAA: PG

In this edition of Cinema Sunday, I’ll be spotlighting a movie that means more to me than any other. Why, you ask? Well, simply put, this is the first movie that I saw in the theater, that left me feeling anything was possible. It was the first movie that made me seek out the creators (later in life), and discover a man named Ray Harryhausen. This one man, has revolutionized film making, and especially, special effects. At this point in my life, I’d seen Star Wars, The Empire Strikes Back, and a number of other films that were considered to be a big deal. But, this film, Clash of The Titans, is the one the resounds in my mind, and always will. A strong hero, a damsel in distress, the evil Calibos, the vengeful goddess Thetis, and who can forget, The Kraken! In this swan song for Ray Harryhausen, there was magic, might, and creatures that we will never forget!

The film opens with a young woman, as she and her newborn son, Perseus are being punished, by her own father, King Acrisius of Argos. He orders his soldiers to place them in a casket, and toss them into the sea. He does this, to appease the gods, but doesn’t realize that he’s actually doomed his city, because the child of his daughter, is the son of Zeus (Lawrence Olivier). The next scene shows the gods, Zeus, Thetis (Maggie Smith), Poseidon, Aphrodite, Athena, and Hera, as they converse about these happenings. Zeus then commands Poseidon to raise the winds and rains, and to release the most terrifying of all the Titans, the Kraken, to destroy Argos. The city is decimated by the beast, and weather, but Perseus (image below) and his mother Danaë, are brought safely to the shores of Seriphos.

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We watch, as Perseus (Harry Hamlin) grows to be a young man, and the gods watch him, especially Zeus and Thetis. Thetis also has a son, Calibos, and he was spoiled by her, and was prince of the city of Joppa. Zeus was angry about this, as Calibos used his advantages to seek out and kill Zeus’s winged horses, and only one, Pegasus, remains. Zeus then uses his godly powers to deform Calibos, and banish him to the swamps. Thetis grows jealous of Zeus’ treatment of Perseus, so she punishes all of Joppa, with a plague of flies, and a curse on the Princess Andromeda (Judi Bowker). The princess must not marry until a suitor can solve a riddle, and if he doesn’t, he’s burned alive at the stake.

As Perseus slumbers on the shores one evening, Thetis, places him in the amphitheater of Joppa, and defies Zeus. Perseus awakens, and is greeted by Ammon (Burgess Meredith). They surmise that the gods have done this, and the next day, Zeus commands that his fellow gods endow his son with weapons to protect himself. He’s given a sword (that can slice through anything), a shield, and a helmet (which renders the wearer invisible). He journeys to Joppa, and learns of the beautiful princess, and the curse on her and the city. He visits her one night, and she’s having a nightmare. He witnesses a giant vulture, as it brings a cage, and her spirit rises, and enters the cage. The vulture picks it up, and takes Andromeda to the swamps of Calibos. There, he gives her another riddle to torment her, and Joppa. The next scene brings another trip to the swamps, but this time, Perseus follows riding a recently acquired Pegasus! In the swamps, Calibos gives Andromeda another riddle, but notices footprints being pressed into the sand. He follows the steps back into the depths of the swamp, and attacks Perseus. The two struggle, but Perseus escapes.

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The following day, the Queen is holding court, and asking if any man has the courage to ask for her daughter’s hand in marriage. The doors burst open, and Perseus steps through. He accepts the challenge, and Andromeda asks her riddle. Perseus solves it easily, and shows the people of Joppa that he has defeated Calibos, and cut off his hand. As the two prepare to wed, Calibos (image below) appears to the statue of his mother, Thetis, and begs for her to help him get revenge. She appears to the people during the wedding ceremony, and tells them that in thirty days, Andromeda must be sacrificed to the Kraken, or the beast will kill everyone in the city. So, it’s up to Perseus, and the elite guard of Joppa, to find a way to stop the Kraken, and save the life of Andromeda!

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My thoughts on the movie:

As I said earlier, this movie has left more of an impression on me than any other in my lifetime. It made me seek out the special effects creator, Ray Harryhausen, and become a life long fan of his tremendous work. Most don’t consider this film to be his finest, but I disagree. This was Ray’s swan song, and I believe it’s one of his best works. The Kraken was incredible even if it did borrow some features from one of his earlier works (20 Million Miles to Earth). Medusa, the Gorgon, was absolutely terrifying, especially to a young child as I was when I saw this film (6 years old). The mythical two-headed dog, Dioskilos, giant scorpions, and the winged horse, Pegasus, were also quite magnificent. You’ll not find a finer film of this time in history that had as many cool creatures.

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An ages old story of love, adventure, and everything else you can imagine from a fantasy aspect, are in this movie. Burgess Meredith does a good job at being a mentor to Perseus, and Sir Lawrence Olivier is without a doubt, the best Zeus I’ve ever seen! Click on this link (Clash of the Titans), which is the official website for the movie. It’s now out on Blu-ray, so get out there and grab this movie, you wont be disappointed. Thank you, Mr. Ray Harryhausen (promo pic below with Ray and the head of Medusa)!

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Thor #163, 1969. “Where Dwell The Demons”

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If you haven’t figured it out by now, this month will feature nothing but work from the king himself, Jack Kirby! So far we’ve seen a Fantastic Four book, and one awesome Captain America issue as well! This time around, we’ll look at The Mighty Thor! In this specific issue, we see the mad god Pluto, as he’s recruited some other-dimensional mutates, to help him take over the world. of course the mighty Thor is standing in his way, but can he stop the mad god, along with his army?

Thor is dragged inside a strange energy barrier that has appeared on Earth, and he soon finds his lover, Sif, is being held captive there by Pluto and his mutates. You see, Pluto has traveled to the future, and found this planet has been decimated by war. He stops Thor and Sif, and is holding both prisoner, but then finds a cocoon, and something is stirring inside it, and it seems to be a man!

This issue started a great story line that involves not only Pluto, but the fantastic Adam Warlock (Him) as well! Kirby’s work is fantastic as usual, and of course, you have some fans that don’t care for Vince Colleta’s inks, but honestly, these pages look great! This happens to be the one and only comic book I won that has been CGC’d, and it will probably be the only one I ever own (I won it in a contest). I’m not a fan of putting something that’s to be read behind plastic.

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Captain America #103, 1968

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All month-long I’ll be spotlighting the work of Jack Kirby, and the last post showed his awesomeness on the Fantastic Four. Honestly though, I loved his run on Captain America just as much! He made Steve look very handsome, and Sharon Carter was very sexy in her panels as well! In this specific issue, Steve and Sharon are trying to enjoy a quiet evening out on the town, but suddenly, their dance is interrupted by some of the Red Skull’s henchmen. They use knockout gas on Steve (not realizing it’s Captain America), and kidnap Sharon. The Skull wants to lure Cap to his island base, where he can destroy him for good!

Cap fights his way through the Skull’s minions (no, not the ones from Despicable Me), and he finds Sharon, chained up in a cell. He frees her, but then must face the Skull and his generals. Cap manages to escape with Sharon, but the Skull is confident that he wont get far. The Skull holds a detonator in his hands, and prepares to hit the switch! Will Cap and Sharon survive? I hope you enjoy my Kirby tribute this month, and rest assured, it’ll stay at this height for the month! See you in three days!

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Marvel’s Greatest Comics #57, 1975 (originally FF #75, 1968)

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You know, I think Marvel reprints are great. Yeah, it would be nice to own the original books, but since I’m a pauper, this is the only way I’ll ever see these great stories (or in trade)! Seeing the wondrous artwork by Jack ‘King’ Kirby always puts me in a good mood, if I wasn’t in one already. In this feature, Lee and Kirby give us a wonderful tale about the Fantastic Four, as they prepare for another visit from Galactus. Well, before that visit is upon them, Reed, Johnny, and Ben, must battle duplicates of themselves that are programmed to kill them!

We also get some incredible cosmic work by Kirby, as he illustrates the awesome Silver Surfer, as he scours the space-ways! Sue however, is down and out, and being cared for by Crystal (of the Inhumans). By issues end, the team is making a deal with Galactus that will either save the world, or bring it to its doom! Check out these cool panels below by the one and only king of comics! See you back here in three days!

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Cinema Sunday: House of Wax (1953)

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Title: House of Wax

Distributor: Warner Bros.

Writer: Charles S. Belden (play), Crane Wilbur (screenwriter)

Director: André de Toth

Producer: Bryan Foy

Starring: Vincent Price, Frank Lovejoy, Charles Bronson, Carolyn Jones, Phyllis Kirk

Released: April 10th, 1953

MPAA: NR

To say that Vincent Price is an icon, is a bit of an understatement. The guy has been in more great horror movies than I can count. All of the great Edgar A. Poe adaptations, The House on Haunted Hill, The Last Man on Earth, The Fly, and all the others that will just creep you out. Of course, everyone has their favorite, and House of Wax, is mine. I love a story that revolves around a good guy done wrong, then turns evil. When you have a character that goes off the deep end mentally from some sort of trauma, it isn’t too far away from reality, so that is a fascination. This film was part of the 3-D craze of the decade, and like most others, wasn’t defined by it, and the effects were mostly forgettable, but the film is not. So, from 1953, I give you, House of Wax…

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The movie begins with a scene from inside a wax museum, and Professor Jarrod (Vincent Price) is working on one of his figures. His partner, Matthew Burke drops by to take a look at the financial records. He isn’t pleased with the moderate business they’ve done, so he suggests to Jarrod that they set fire to the building and collect the insurance money. This infuriates Jarrod, who looks at his figures as if they are real people. Burke scoffs at his partners feelings, and lights the building on fire anyway. He and Jarrod get into a fist fight, and Jarrod ends up on the wrong end of that scuffle. He’s presumed dead, although we never actually see it happen.

The next thing we see, is Burke, as he’s romancing a girl (Carolyn Jones) that looks young enough to be his daughter. She’s a gold digger though, and doesn’t care about his age. He tells her about the twenty-five thousand dollar insurance money that he received, and they make plans to go to Niagara Falls, and get married. They both go home, and Burke immediately goes to his safe, and grabs a wad of cash. He doesn’t realize that there is someone else in the room with him, and this creepy looking, cape wearing dude, throws a rope around his neck, and strangles him to death. Next, the creepy guy drags the body out into the hallway, places a rope around Burke’s neck, and tosses him into the elevator shaft, making it look like suicide.

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The next day, Cathy Gray (Carolyn Jones), is talking with her roommate, Sue Allen (Phyllis Kirk), as she prepares to go out on another date…with another older man with money. She does, and Sue heads out to find a job. Sue comes in later at night, and after she gets harassed by her landlord, she heads upstairs to ask Cathy if she can borrow some money for rent. She discovers that Cathy has been murdered, and not only that, but the killer is still in the room! She jumps out of the window to the roof, and using a fire escape, gets to street level. The killer follows her, and a chase scene follows. Sue manages to get to a friend’s house, and she’s hysterical about the nights events. The next day, Sue tells the police what’s happened, and they’re skeptical about her story. As this is going on, the killer steals the body of Cathy Gray from the morgue.

We then see that Professor Jarrod survived the fire, and he meets with a rich finance man about opening a new museum. The man agrees, and Jarrod tells him that this museum will be different from the last, because he’ll be showcasing more macabre displays and not historical events. Jarrod also has two henchmen at his side, and they assist him because he’s now crippled and in a wheelchair.Sue and her boyfriend, Scott Andrews, (a talented sculptor) head to the new museum to check out what all the excitement is about in the city. They’re astonished at the reality of the wax figures, and especially, the Joan of Arc display. Sue is freaked out by the display, because it’s a dead ringer for her friend, Cathy Gray. Jarrod tells her that he uses photographs from the newspaper to use as reference for his wax figures. Jarrod then invites Scott to come over and sculpt at his museum, and he agrees. Scott then takes Cathy to a show to get her mind off of the murder, but she can’t shake the feeling that something is wrong about the museum.

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The police go to the museum to check things out (since Jarrod was supposed to be dead), and one of the officers remembers the face of the on assistant. He’s suspicious, so they bring in his assistant for questioning. They find a gold watch in his possession, and it has an inscription on it. It has the name of one of the murdered people on it, so they know he has something to do with the foul play. They question him, and he cracks and tells them everything. While this is going on, Sue went tot he museum to meet Scott, but he’d already left. Jarrod and his assistant grab Sue, and take her to the waxwork downstairs. Jarrod wants to use her to recreate his Marie Antoinette, and he’ll stop at nothing to do it.

Scott returns to the museum to check and see if Cathy is there, and he hears her scream. As he attempts to get down to her, he’s stopped by Igor, the other assistant. Igor knocks out Scott, and puts his head in the guillotine. Just as he’s about to decapitate him, the police arrive and stop him. They bust in downstairs, and a fight breaks out. Jarrod seems to have superhuman strength, as he fights off half a dozen officers. Eventually though, the knock him off of a staircase, and he falls into his own boiling barrel of wax. The police rescue Sue from her chains, and Scott and her are reunited.

Here’s my take on the movie:

This is undoubtedly one of the best horror movies of all time. It holds up over time, and Vincent Price performs wonderfully. He executes the wild imagination of an artist perfectly, and then in the same movie changes into a mentally deranged fiend. The policemen were both good actors (Frank Lovejoy, Dabbs Greer), and you’ll recognize both of them if you’re a fan of old T.V. and cinema. Phyllis Kirk is a good “damsel in distress”, and even though he didn’t speak (his character was deaf & mute), Charles Bronson was pretty good too, as the evil henchman! It was one of his earliest roles on the big screen. The music score was also very good, so I’d be remiss if I didn’t mention the name David Buttolph.

Monsters On The Prowl #16, 1972. “The Forbidden Swamp”

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It’s no secret I’m a big fan of Robert E. Howard. And my favorite creations of his is Kull! Not only does Kull predate Conan, but he’s more of a thinker, a better leader, and he has a cool dude named Brule, that has his back in a scrap! In this issue, Kull must face the serpent cult, and their leader, Thulsa Doom! You see, this wizard is a man now, but later on, he would become more of a demon of sorts, defying death for centuries! He would live long enough to plague Conan a few times as well.

In this, his first appearance (Thulsa Doom), we see him befriend Kull, and even after Brule’s warning, Kull says that they will allow Doom to go with them to their destination. Of course, we the reader can see the devil in Doom’s eyes, but Kull seemingly cannot. A bout with a giant Plesiosaur, the serpent cult gone wild, and a betrayal on the horizon! An action packed issue from the awesome mind of the best fantasy writer of his time or any other! All hail Robert E. Howard!

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The artwork by Marie & John Severin shows off what a great team they were indeed. The pencils, inks, and colors are all perfect for this genre. You really get a sense that they enjoyed working on a book like this, and I’m glad they did it! See you in three days for more comic book goodness, and don’t forget to check out my movie review (Cinema Sunday), too!

 

 

 

 

The Mighty Thor Annual #13, 1985 “And Evil Shall Inherit”

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It would be extremely difficult for me to find a better comic in my collection than this one. Some might argue it isn’t the greatest story ever told, and I’d probably agree, but when you get a cover by Walt Simonson, and interior pencils by “Big” John Buscema you must agree it’s a top-tier issue! So, basically, that’s enough for me to call it one of the best issues I own. This tale involves the dark lord, Mephisto, as he attempts to use Ulik, the troll, to fight Thor. The first few pages show Mephisto plotting in his fiery realm. He tortures some of the tenants (stepping on them as he walks around), and the visuals are just dynamite!

Mephisto tricks Ulik into his service, and then he and Thor do battle. You see, Mephisto thinks he can get to Thor’s soul, now that he’s a bit sorrowful over his father’s death (recently, Odin died fighting the fire demon Surtur). Thor defeats Ulik after some back and forth, but this is only the beginning for Thor. Before he can even take another breath, he’s transported to Mephisto’s realm, and must match wits and brawn against this seemingly unbeatable foe.

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The two spar verbally, and then physically, but Thor is no match for Mephisto in the demon’s home. The evil demon soon realizes though, that Thor has more resolve than he thought. Even after being tempted with the ghost of his dead father, and even his beloved Lady Sif, Thor will not be broken. Mephisto does show him that during his battle with Ulik, that a few bystanders were killed. Of course, Thor doesn’t believe him, as Mephisto is the father of lies. Mephisto releases Thor, but when he returns to Asgard, he realizes that Mephisto was telling the truth about the villagers. Thor then vows to use everything in his power to fight him forever. Mephisto laughs, as he basks in the hatred that flows from Thor this day.

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Alan Zelenetz does tell a good story, and his contributions should not be understated. Honestly though, it’s tough to outshine masters like Simonson and Buscema, no matter who you are! See you in three days!

Cinema Sunday: The Fog (1980)

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Title: The Fog

Distributor: AVCO Embassy Pictures

Writer: John Carpenter & Debra Hill

Director: John Carpenter

Producer: Debra Hill

Starring: Adrienne Barbeau, Jamie Lee Curtis, Tom Atkins, Janet Leigh, Hal Holbrook

Released: February 1st, 1980

MPAA: R

It’s confession time, ladies and gents. When I was a kid, I used to wait until my Mom (or Grandmother) would go to bed, then go watch movies that I wasn’t allowed to under normal circumstances. One of the earliest horror movies I can remember watching and being completely frightened of, is the John Carpenter classic, The Fog. Lets be honest for a second, shall we. What boy wouldn’t want to watch a scary movie with Adrienne Barbeau (her big screen debut) and Jamie Lee Curtis (Halloween) in it? Exactly my point. I was always fascinated by being scared, and movies by guys like Carpenter were just perfect. The film received mixed reviews, but did quite good at the box office. On a budget of around one million dollars, it brought in over twenty million. You’ll notice some familiar faces in this film from earlier Carpenter movies, and the mother of Jamie Lee Curtis, Janet Leigh, as well!

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The movie begins with an old sailor, as he tells a ghost story to a bunch of kids while camping on the beach (Boy Scouts?). He tells them of a ship that crashed on the shores of this very coastline, one-hundred years ago. He tells how they were killed because on an unearthly fog, that confused them on their location. Across town, Father Malone (Hal Holbrook), is startled when a stone from the wall pops out, crashing to the floor. Inside the wall he finds a journal, and begins to read. Over at the lighthouse, DJ Stevie Wayne (Adrienne Barbeau), is doing her nightly show, and settling in just before midnight. At that exact moment, the entire town goes absolutely bonkers. A small tremor hits the town, pay phones ring, car horns begin honking, dogs bark wildly, etc.

Next, we see Nick Castle, as he’s driving home. He sees a hitchhiker (Jamie Lee Curtis), so he picks her up. There’s also a small ship out at sea, and after getting drunk, the crew decide to head back home. Before they can though, they hear Stevie Wayne’s weather report, and she reports a fog bank coming this way. They see it, and before they know it, a ship is right next to them. As they proceed to the upper deck, two of them meet some ghastly figures in the dark. As they stand in fear, unable to move, both men are cut down by the zombie-like men. Below decks, the one man left is skewered by another of the ghostly figures. Over at Nick’s place, he’s already talked Elizabeth (Jamie Lee Curtis) into jumping in the sack with him. As they’re having some pillow talk, a knock at the door interrupts them. Nick gets up to answer it, but the clock face shatters, and strikes 1AM. As he answers the door, no one is there, just fog.

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The next day, Nick and Elizabeth charter a boat to go out and find his buddies that never came back the night before. They find the ship, but it seems that nobody is left aboard. As they go to the lower decks, they find that the ship was freezing cold, and also it’s taken on water. Nick knows this can’t be possible, but the evidence tells him otherwise. Back in town, Father Malone gets a visit from Kathy (Janet Leigh) and Sandy (Nancy Loomis), about the celebration tonight for the town anniversary. Father Malone, has basically had a breakdown over the journal from his grandfather. It told a story of how his grandfather, and five other founders of the town betrayed a ship full of lepers that wanted to buy land near Antonio Bay. The settlers built a fire near some huge rocks near the shoreline, and lured the ship full of lepers there, where they crashed and died, one hundred years ago.

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As night falls, Stevie heads to the radio station, and the fog slowly rolls in to town. Her son is at home with his geriatric babysitter, Mrs. Kobritz, who gets put out of her misery, but that leaves Stevie’s son alone against the horror in the fog. The power goes out in the town, the phone lines are down, and the fog begins to envelop Antonio Bay. It’s up to Stevie, Nick, Elizabeth, and a small group of townspeople, to find a way to stop the sinister beings in the fog!

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Alright, here we go with my thoughts:

Initially, people might dismiss this film for a myriad of reasons, but I choose to look at the positives. Adrienne Barbeau actually does a great job in this flick. She’s very convincing, especially at the part where her son is in jeopardy. She only speaks in person once on the film, and that’s with her son. Other than that, she talks on the radio and with the weatherman on the phone. Still, a great performance on her part, especially when you consider it was her first movie. Tom Atkins is a good “man of action” type, and even the small parts Janet Leigh, and Hal Holbrook played are done well. The real stars of the movie though are John Carpenter & Debra Hill. If you look at not only this film, but all of their collaborations, you really get a sense that they were made to work together. This film certainly exemplifies that statement. Some very intense scenes, and the music score (Carpenter as well), really added to the mood, and will give you shivers up your spine! It’s now also available on Blu-ray, so if you wan to go that route, you have that option.