Cinema Sunday: Top Ten Hammer Films!

Lets cut to the chase, I’m a Hammer studios addict, and that being said, we all know they’re the greatest studio to produce horror films that ever was, is, and will be. With stars like Peter Cushing, Christopher Lee, Barbara Shelley, Veronica Carlson, then adding great character actors like Michael Ripper, Oliver Reed, Andrew Keir, Andre Morell, etc., and under the direction of Terence Fisher, John Gilling, Anthony Hinds, and Jimmy Sangster, their films have no competition (overall in the broad sense).

Obviously an argument could be made for Universal, but I tend to look at it as Universal being the foundation and Hammer being the house. Yes, you do need a solid foundation but no one looking to be a home owner is excited about stone and mortar. When is the last time a party-goer entered a house and complimented the owner on the cinder blocks? Important, yes. The best part, I think not.

So, with all that being said, here are my top ten Hammer Studio films! Keep in mind, just straight up horror films here for the most part! Enjoy!

 

10. Frankenstein Must Be Destroyed (1969)

  • This film isn’t perfect by any means, and the rape scene is absolutely ludicrous (Dr. Frankenstein would never commit that act). But when there is action a-plenty, gruesome murders, and one scene of dialogue in particular that sums up the good doctor perfectly. Cushing is on top of his game for sure in this film, as usual. Oh, and the gorgeous (and most beautiful Hammer girl in my humble opinion) Veronica Carlson is in this film.

9. The Abominable Snowman of the Himalayas (1957)

  • A Hammer film about a Yeti? Yes! This black and white gem is nothing short of incredible. It’s not because a Yeti invades an encampment and starts tearing people’s limbs off, then beating them over the head with them (although that would be cool), it’s because the film builds tension and the suspense is great. Think John Carpenter’s The Thing (1982). Yes, in that film there are plenty of gruesome moments, but its the suspense he builds that makes the film outstanding.

8. The Reptile (1966)

  • 1966 was a great year for Hammer studios. Five films and four of them were very solid films. This one in particular is a favorite of mine because of Jacqueline Pearce. She portrays a young woman who is seemingly kept prisoner by her own father. We later find out why he’s so overbearing. Her performance is quite good along with a larger than usual role for Hammer stalwart, Michael Ripper. Anytime he gets more screen time, the film is better for it! Good sets and atmosphere in this flick.

7. Dracula: Prince of Darkness (1966)

  • Not wanting to be typecast, Christopher Lee bowed out of playing Dracula after Hammer’s first film starring the count (more on that one later). The franchise did suffer without him briefly, but he returned to the role that put him on the map a few years later in this film. With no dialogue (Lee has his version why and so does Jimmy Sangster (the writer) about why), Lee manages to be extremely menacing and cements himself as the best Dracula ever.

6. The Plague of the Zombies (1966)

  • In this movie, André Morell shows us just how good he can be in a horror film. Not only is he the “hero,” but also a concerned, loving father, a friend, a smartypants, and a gentleman, all at once. throw in another appearance by the lovely Jacqueline Pearce, along with Diane Clare, John Carson (a great lout in this one!), and once again, Michael Ripper! Great atmospherics, music (James Bernard), and sets in this one.

5. The Gorgon (1964)

  • This one is based on a classic Greek myth of old and stars Cushing, Lee, Shelley, and had Terence Fisher directing, and John Gilling writing. The gang’s all here for this one, and it really does put on quite a show. An insane asylum, a corrupt town hiding a secret, Cushing in more of a heel role with Lee more of the hero along with a fine performance by Richard Pasco. This is a film that can be watched every so often and never get tiresome. Another film with a noteworthy musical score as well as excellent sets.

4. (Horror of) Dracula (1958)

  • The first Dracula film by Hammer, and it’s still probably the best Cushing/Lee team up of all time. Cushing is an excellent Dr. Van Helsing, and Lee was born to wear the fangs and hiss at audiences with blood dripping from his lips. Michael Gough is also on top of his game here with George Woodbridge in a small role as he had in multiple Hammer films. Never miss an opportunity to see this film.

3. The Mummy (1959)

  • Hammer really went away from the original 1932 film (Boris Karloff), borrowing elements from other films and adding in their own ingredients, and mixing it all together. This film is definitely in Peter Cushing’s top five performances of all time. He really commands the scenes and shows why he, along with Lee are the faces of Hammer films. Very good sets, and the action scenes are tremendous.

2. The Hound of the Baskervilles (1959)

  • Another film with the dual threat of Cushing and Lee, we also get André Morell as well! In this adaptation of Sir Arthur Conan Doyle’s famous novel, we see Cushing (Sherlock Homes) and André Morell (Dr. Watson), play off of each other wonderfully. Throw in a solid performance by Christopher Lee, an incredible score by James Bernard, all under the watchful eye of director Terence Fisher, and you get one of Hammer’s best films no matter what genre you compare it to!

And the number one film is…

 

The Curse of Frankenstein (1957)

  • In this first horror film collaboration between Cushing and Lee, you can see the teamwork and power these two have together. Cushing is perfect for his role as the morally ambiguous doctor, as is Lee in his depiction of the unfortunate creature. Good performances by Robert Urquhart, Hazel Court, and Valerie Gaunt, add to the great gift this film truly is for film addicts. The beginning of the film, the flashback that dovetails around right back to the beginning/end is marvelous in every sense that a film can be. This is the one that started it all (the great horror run for Hammer)!

Honorable mention for films that didn’t quite make the cut (pardon the pun)!

Brides of Dracula (1961)

Dracula Has Risen from the Grave (1968)

The Curse of the Werewolf (1961)

Frankenstein Created Woman (1967)

 

 

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Cinema Sunday: The Flesh and the Fiends (1960)

Title: The Flesh and the Fiends (Mania- U.S. title)

Distributor: Regal Film Distributors

Writers: John Gilling (and Leon Griffiths)

Director: John Gilling

Producers: Robert S. Baker, Monty Berman

Starring: Peter Cushing, June Laverick, Donald Pleasance, George Rose

Released: February 1960 (U.K.)

MPAA: UR

 

 

By the time the year 1960 rolled around, Peter Cushing was blooming into a horror film star. He’d already launched Hammer Studios into the atmosphere (along with others like Christopher Lee), with films such as Frankenstein (1957), Dracula (1958), and The Mummy (1959). As if his incredible presence wasn’t enough, we get a very young Donald Pleasance (Circus of Horrors– 1960, Halloween– 1978, Escape from New York– 1981) as one of the main players as well!

Based off of a true story (Burke and Hare), this film is considered a horror film but is more like a noir film with other elements, like mystery, crime, etc. Let’s get on with the synopsis!

 

 

The film begins with some grave-robbers in a cemetery. They’re digging up a corpse, but for what purpose, we do not know. The scene then switches to a street in Edinburgh, and the Academy of Dr. Knox (the year 1828). We see a beautiful young lady, Martha Knox,  (June Laverick) the niece of Dr. Knox, as she’s exiting a coach. She knocks on the door, and is greeted by Dr. Geoffrey Mitchell (Dermot Walsh). They exchange pleasantries, and he explains that he didn’t recognize her at first because she’s been gone for three years (she’s matured a lot apparently).

 

Inside the classroom, Dr. Knox (Peter Cushing) is teaching a room full of students hoping to become doctors themselves one day. He jokes with them, but also tries to impress upon them the importance of striving to push forward and break down barriers. He gets a standing ovation, then exits the hall. He’s pursued by one student in particular, a young man named Chris Jackson (John Cairney). He wants some input about how he can get better and graduate, something he believes he would’ve done by now. Dr. Knox tells him that he can get some extra tutoring but must pay for it by helping out around the school to earn extra money.

 

Afterward, Dr. Knox comes into the living room (apparently the school is attached to his home), and i surprised by his niece. Before they can get the conversation going, Chris comes in and tells Dr. Knox that some gentlemen are around back with a “stiff.” Knox chides him for using such terms, and then heads back to inspect the corpse. He pays the men for it, then sends them on their way.

Later that evening, the men are at a local pub (The Merry Duke) getting drunk and tell about how Dr. Knox pays well for cadavers. Two other men that are on hard times financially overhear this. Both William Burke (George Rose), and William Hare (Donald Pleasance) realize this is a way to make a quick buck, so they begin digging up fresh corpses for the good doctor to use at his school. Burke and Hare are an unscrupulous lot, and after a short spell, the fresh corpse market dries up. The two then resort to murder, and their reign of terror haunts the back alleys of Edinburgh.

 

Meanwhile, the good doctor to be, Chris, finds himself a girlfriend. The only problem is that Mary Patterson (Billie Whitelaw) is a rather seedy type herself, and eventually breaks his heart. She just cannot turn away from her promiscuity and drinking, no matter how much Chris seems to love and care for her. As this is going on, Burke and Hare manage even to murder a poor, local boy, Daft Jamie (Melvyn Hayes), but as they do, a witness sees the deed going on, and informs the authorities.

 

Will Burke and Hare pay for their crimes? And what fate will befall Dr. Knox for his role in this murderous scheme? You must watch to find out the surprise ending to this film!

 

OK, here are my thoughts:

This story is a good one, and the fact that it’s based on a true story makes it all the better. Another fact is that the film being in black and white is for the best as well. As usual, Cushing delivers a rock-solid performance, and his fans expect nothing less. His ability to lift inferior scripts, casts, etc., to greater heights. Not that he needs to necessarily in this film, but the cast isn’t over the top great. There is one other outstanding performance, and that is the one portrayed by Donald Pleasance. He really turns on the creep factor, and is a very evil person in this film. Billie Whitelaw is also quite good in her role, if not slightly outrageous.

The sets, costumes, and music (Stanley Black), are all splendid. There are a couple of surprises in this one, and they’ll not be spoiled in this review, so no worries. The director, John Gilling, is most known for his work with Hammer Studios, as is Cushing, of course, but this film was actually put out by a smaller production company (Triad Productions). But don’t let that fool you, the film is a winner, and more than worth your time! This company had a few good films including one of my favorite sci-fi/horror films, The Trollenberg Terror!

 

Click here for the trailer!

 

Haunted Horror- A trip into Pre-code madness!

For all those that wonder in amazement over the horror comics they see today, do yourself a favor if you already haven’t. Go back in time (thanks to IDW and Yoe Books), before the CCA (Comics Code Authority) was instituted, and revel in the brilliant, thought-provoking, and outright envelope pushing work that was done in the era before that foolish code was created.

Kudos must be given to the creators of this incredible work, but also to Craig Yoe, for putting this all together, and reminding us all of those great times. Getting this material back in front of comic book buyers in this day through a big publisher like IDW is something to be lauded.

The stories are various in their subject matter, but the resounding theme was horror, straight up. Zombies, murderers, radioactive insects, vampires, werewolves, etc. These wild comic books were carefully hidden under the beds of kids everywhere back in the 1950’s, in hopes that mom wouldn’t find them and throw them away. Don’t let that fool you though, they’re still pretty edgy even in this era. Do yourself a favor, grab these issues before they get too expensive, because we all know how expensive the original comics are from this age!

 

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Cinema Sunday: It Came from Outer Space (1953)

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Title: It Came from Outer Space

Distributor: Universal-International

Writer: Harry Essex (novel by Ray Bradbury, and perhaps the screenplay as well)

Director: Jack Arnold

Producer: William Alland

Starring: Richard Carlson, Barbara Rush, Charles Drake, Russell Johnson, Joe Sawyer

Released: May 1953

MPAA: Approved

 

 

After a long winter hiatus, I wanted to return to my roots and review a film from the classic sci-fi (B-movie) genre! Along with classic horror, this category is near and dear to my heart, for reasons that would take forever to explain. Suffice to say they both are treasures from my youth that I still hold close, and got me through some adverse times.

One thing that makes B-movies from the 1950s and 1960s so good, was the “tough guy” lead actors. Perhaps none more so than Richard Carlson. A real life bad apple, serving in the United States Navy as a pilot, Carlson brought his fearlessness to the big screen (and small screen). A cigarette smoking, fist fighting, ladies man who had a very short list of peers in those categories (probably only John Agar), Carlson epitomized everything about that far gone era of films.

In this film however, Carlson is more of the reasonable man, than throwing punches every five minutes. Yes there is some action on his part, but he’s mostly the voice of reason that doesn’t use violence. OK, let’s get on with the show!

 

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The film begins with a spaceship crashing to Earth, on the outskirts of a small, middle-American town. A voice tells us that a little about the town, and the scenery there. We see inside the voice’s home, and as John Putnam (Richard Carlson), and his girlfriend, Ellen Fields (Barbara Rush) are sharing a quiet moment together, they head outside to stargaze. Putnam has a huge telescope, and he peeks through it, hoping to see something. Ass the two are about to start making out, they see a meteorite (or so the think)rocketing towards the nearby desert. It smashes into the Earth, and Putnam, being an amateur astronomer gets riled up about it.

 

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We the viewers get to see that it was no meteorite, but a space ship that crashed. As the smoke clears, we see a terrifying looking alien pop out of a door on the ship! It searches the nearby area, leaving a trail of slime behind it as it scares off the desert animals. The following day, John, Ellen, and a chopper pilot (Dave Willock) investigate. John heads down inside the crater to get a closer look, and when he does, he’s shocked to see an alien space craft! He approaches the open door, but it slams shut, causing some loose rocks to slide down over the craft. John manages to crawl out unscathed, but Ellen and Pete don’t believe him.

 

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As they’re trying to figure things out, Sheriff Matt Warren (Charles Drake) shows up with his deputy, and of course they laugh at Putnam, saying he’s nuts. Of course Ellen and Pete can’t verify the story since they didn’t go down to see it themselves. As they’re driving home, one of the creatures is standing right in the middle of the highway! It forces them off of the road, causing them to almost smash into a rock. As John gets out to investigate, the creature is in the brush, watching him.

The following day, the news media has found out about the “meteorite” crash, and is going crazy. Scientists, the military, and even the sheriff and his men are there lurking around. They continue to make fun of John, and even harass Ellen. The sheriff also tries to warn off John about being with Ellen (as he worked for her father and told him he’d look out for her after his death). John tells the sheriff that Ellen does what she wants, and that he isn’t telling her to do anything she doesn’t want to do.

 

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On their way home, John and Ellen run into a couple of friends that work for the utilities company. One of them, George (Russell Johnson) tells them that everything has been calm as far as they’ve seen. He and Frank (Joe Sawyer) let John listen to some strange noises over the phone lines, but they can’t figure out what is causing it.

Over the next few days, townspeople, begin to disappear for a day or so, only to return in a dazed state like they’ve been hypnotized. They seem to have an ulterior motive for everything they do, and that eventually gets the skeptical sheriff to wonder what is going on. John eventually searches the desert area by the crater, and finds an old abandoned mine. He tries to enter but is confronted by one of the aliens. The alien tells him they mean no harm but recruited the townspeople to help repair their ship, so they can return to the cosmos. Putnam believes the creature, but will the sheriff?

 

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OK, here are my thoughts:

One of the earliest films about this subject (you did already have The Thing from Another World, and The Day the Earth Stood Still at this point, plus some other notables), the angle of aliens that were not evil is something you really need to consider. That was not the norm and quite frankly still isn’t. We have Ray Bradbury to thank for that, and from some reading I’ve done, the man credited as screenwriter pretty much just took what Bradbury wrote and made extremely minor changes. We all know Bradbury is a beast at writing scary, weird stories, but he should get the credit for this one.

Most of the films from this era don’t have very notable music but Herman Stein did a good job on this one. Very threatening, and melodramatic when needed. Clifford Stine was on top of his game with the cinematography as well, especially in the scenes with the aliens.

Carlson is his usual awesome self. He’s a very strong presence in every film he’s been the lead in, and that is a fact. Barbara Rush is quite good as well. She does a fantastic job as John’s girlfriend, a concerned citizen, trying to balance being a school teacher and that usual form of reasoning versus her feelings for John and his beliefs and so on. It doesn’t hurt that she’s a very beautiful woman either (image below), as she’s basically the only woman in the entire film!

 

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Don’t hesitate, look this one up and give it a viewing. Set aside a rainy afternoon and check out this classic! You won’t be disappointed!

 

Click here for the trailer!

 

 

 

Batman Family 4, 1976 “Dangerous Doings for the Dynamite Duo!”

I recently declared in a group on social media that I read the greatest Batman comic of all time, and could now die a happy man. Some thought I was joking…I wasn’t…not one bit. Yeah, I know The Dark Knight, Birth of the Demon, The Killing Joke, The Long Halloween, etc., etc. all get the critical praise, and rightly so, but my tastes are a little different (and I have read most of those stories). Batman meeting Fatman cannot be topped. A cover showing Robin getting the stuffing knocked out of him by a faux Santa Claus is pretty cool as well! The other stories in the book are good stuff and Elongated Man has always been one of my favorite ancillary characters in the DC universe. The Batgirl/Robin story is solid, but the real gem is the ludicrousness of the Batman/Fatman story. It is awesome.

When you see the glorious cover by Ernie Chan (pencils and inks), and Tatjana Wood (Colors), you know how awesome this book is going to be!  The interior pages hold more delight, as Elliot S. Maggin, Pablo Marcos, Vince Colletta, Bob Rozakis, José DelboBill Finger, Sheldon Moldoff, Carmine Infantino, Joe Giella, and more!

 

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Black Magic 8, 1975 “My Dolly the Devil!”

Back in the 1950s (before the Wertham crusades), Jack Kirby and Joe Simon were still chugging along with their creative partnership, and were producing comic books in their own shop. One of the companies they produced comic books for was Prize Comics (Crestwood Publications). This was the launching pad for titles like “Young Romance” (the first ever romance comic book), “Fighting American” and “Black Magic!” Before the Comics Code Authority was established, you had the awesomeness of EC Comics, and shops like Simon and Kirby’s churning out great stuff that really set the bar for horror of the time.

The book contains four stories (5, if you count a one page prose tale), that are all pretty good! Graveyards, ghosts, sinister dolls, killer dwarves, you name it, this one has it (*note- this book is a reprint of Golden Age stories, that explains all the pre-code talk!)! Credits include- Joe Simon, Jack Kirby, Jerry Grandenetti (cover), Bruno Premiani, Leonard Starr, and more! Enjoy!

 

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A Tribute to the late Joe Kubert!

On his birthday, I’d like to pay homage to Mr. Kubert! His pencils and inks were some of the finest to ever grace the pages of comics, and I for one am saddened by his passing (in 2012), but rejoice in the awesome legacy he left behind not only from his work, but also his school in Dover, New Jersey! Now, I give you some of the awesome covers (that I own) that the legendary Joe Kubert drew over the years! Enjoy!

 

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Cinema Sunday: The She-Creature (1956)

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Title: The She-Creature

Distributor: American International Pictures

Writer: Lou Rusoff

Director: Edward L. Cahn

Producers: Alex Gordon, Israel M. Berman, Samuel Z. Arkoff

Starring: Chester Morris, Marla English, Tom Conway, Cathy Downs, Lance Fuller

Released: August, 1956

MPAA: Approved

 

After a tumultuous month of June, I’m going to try to tackle two movie reviews this month to make up for that loss! This B movie might not be on the radar of some but definitely give it a chance. The original casting included horror stalwart, Peter Lorre, but he ended up pulling out for whatever reasons. Don’t worry though, AIP has always delivered in the genre, and whether it’s a solid film or so hokey it’s good for a laugh, Samuel Z. Arkoff knows how to get a reaction!

This film was part of a craze that had a scorned/enraged female monster-type character that would get revenge on men or just society. Of course, like everything, it was run into the ground after a while, but there are some good ones out there for sure (check out this one- Night Tide). Alright, let’s get on with the show!

 

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The film begins with some underwater shots, then topside we see a man thinking to himself. Doctor Carlo Lombardi (Chester Morris) is wavering about something he’s brought to life, something hideous, and “the world will never be the same!” He’s then approached by a barking dog that snarls as if it wants to attack. Lombardi stares at the beast, and within seconds, it turns tail and runs away, as if scared of him.

 

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Nearby, at a house party, Dr. Ted Erickson (Lance Fuller), and Dorothy Chappel (Cathy Downs) flirt with each other, then go for a walk along the shoreline. Dorothy’s mother worries that she’ll miss the appearance of Dr. Lombardi at the party, but her father shrugs it off, believing he’s just a two-bit, carny hypnotist. Dorothy’s mother says that Lombardi warned that tonight something sinister was afoot, and that an unspeakable horror would arise. As Ted and Dorothy walk along the beach, we see Lombardi enter a beach house. It’s been ransacked pretty bad, and then we see a woman, bound and quite dead. A man inside the home is dead as well, but there doesn’t seem to be any trace of what happened. As Lombardi leaves the home, Ted and Cathy see him leave. They investigate, and find the bodies as well, then call the police.

 

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As the police show up, they remark about how they’ve never seen a murder like this before, because the victims have had their neck’s snapped like a twig. For some reason though, the cops are letting Dr. Ted walk around, contaminating the crime scene. They ask him what he saw, but he can only tell them he was walking on the beach, then saw Lombardi walking out of the house, just before he got there. They also find a strange footprint, but cannot identify it. The one cop remarks about how Lombardi said something was coming from the distant past to kill.

 

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Lombardi returns to the carnival, and is approached by another guy that works there. He tells Lombardi he heard a scream coming from his house a while ago and went to see if everything was OK. Lombardi warns him to stay out of his business, but the man was worried about a certain female carnival follower that Lombardi has taken in. Lombardi then threatens the man and walks away. We see a poster telling people about the girl and how Lombardi, using his hypnotism, can make her remember a former life from hundreds of years ago.

 

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Inside the home, we see a beautiful woman, asleep on a couch. Lombardi walks over and we see he has her hypnotized, and in a deep sleep. The woman, Andrea Talbott (Marla English), looks as if she’s dead., but then he revives her. As she does, Lombardi looks out to the ocean, as if to see someone or something. Andrea finally comes to, and tells Lombardi that she hates this place and him, and that she wants to get away. At that moment, the police show up and arrest Lombardi. Ted seems smitten with Andrea, and as the two walk out together, he asks her to have a cup of coffee. At first, she seems very interested, but then she can see the piercing eyes of Lombardi in her mind. She then tells him that she can’t go with him, and walks off.

 

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The next morning, Dorothy’s father, Timothy Chappel (Tom Conway), is trying to persuade Ted to back him and some friends that want to hire Lombardi and make money off of his “talents.” Ted stoutly refuses,  and walks off in a huff. That evening at the carnival, Tim Chappel visits Lombardi, who knew he was coming and who he is already. The two discuss making a deal to make lots of money, but Lombardi seems a bit reluctant especially when Tim makes fun of his abilities. He warns Tim that tonight the monster will return , and murder again!

Will Lombardi be held responsible for this? Can Andrea get away from his slimy grasp? Which beautiful woman will Ted choose? Watch and find out the answers to these burning questions!

 

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OK, here are my thoughts:

This film is one of the hidden gems of the era. No, it’s not Oscar worthy or anything, but anyone that is into B movies needs to see this one. The hypnotism angle, using a woman as the scapegoat, the occult, etc. are all tropes that were big at this time. The film has a great atmosphere, and utilizes dark, shadowy scenes well. The soundtrack is standard fare but pretty good. Marla English (image below) is absolutely beautiful in this one, too.

As far as the acting goes, you get a couple of solid performances by Chester Morris and Lance Fuller. Both show that they’re above the rest of the cast. The actual monster is pretty cool, and we have legendary designer Paul Blaisdell to thank for it! His work is nothing short of cool, and for his time, he was a visionary.

Get out and watch this one for all the reasons that maker B movies awesome!

 

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Click here for the trailer!

 

 

 

Cinema Sunday: The Colossus of New York (1958)

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Title: The Colossus of New York

Distributor: Paramount Pictures

Writer: Thelma Schnee (screenplay), Willis Goldbeck (story)

Director: Eugène Lourié

Producer: William Alland

Starring: Ross Martin, Otto Kruger, Mala Powers, John Baragrey

Released: June 1958

MPAA: UR

 

After missing out on a movie review for the month of March, I thought it would be nice to double up for the month of April! So, in grand fashion, here comes a time-honored sci-fi classic from the greatest decade for the genre, the 1950s! Just do a quick search from this decade, and you’ll find a treasure trove of classics that still stand the test of time to this day.

This film had one name on its lobby card that is synonymous with great films of the genre and decade, in William Alland (the Creature from the Black Lagoon trilogy,  This Island Earth, It Came from Outer Space, etc.). Just his name alone meant you were going to get our monies worth. Throw in some cool special effects, and a cast that had the experience to make the film feel real, and you’ve got a fantastic film that deserves your attention (provided you haven’t already seen it!). Alright, let’s get to the film…

 

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The film begins with a man, Jeremy Spensser (Ross Martin),  and his son, Billy, (Charles Herbert) watching a film with Henry Spensser (brother/uncle) (John Baragrey). The boy remarks about the robotic machinery in a factory that the movie shows, but suddenly, Anne Spensser (Mala Powers), bursts into the room to congratulate her husband on winning the “International Peace Prize!” After a trip overseas to claim the award, Jeremy and his family return and his father, world-renowned brain surgeon, William Spensser (Otto Kruger), is at the airport waiting for them. After a quick reuniting, Jeremy heads across the parking lot to get the car. He’s run down by a truck though, and dies on the scene.

 

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William believes that his son’s brilliance needs to be preserved though, and that the world needs it so badly, that he keeps the brain alive! A friend of the family, Dr. John Robert Carrington (Robert Hutton), urges the family to move on after the accident. Meanwhile, Henry begins to fall in love with Anne. William then reveals to Henry that he’s kept the brain alive, and that he wants him to make a mechanical body for the brain (since he’s an expert in robotics). He’s reluctant at first, but eventually builds the robot.

 

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At first, the robot (Ed Wolff) exhibits some of the traits of Jeremy’s personality, but over a short period, we see the deterioration of those characteristics. Slowly, over time he begins to see himself as more of a device for the destruction of the world, than a provider/savior. In the beginning, the robot will follow simple commands, and doesn’t really resist being told what to do. At one point, the robot begs to be destroyed, but William won’t do it.

 

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William eventually thinks the plug needs to be pulled, but just as he attempts to do it, “Jeremy” hypnotizes him with his glowing eyes, and stops him. He then proceeds to roam around the estate. Within a minute though, he runs into his son, Billy. He talks to him and tells him he’s a good giant, and not a bad giant. Anne begins to call for Billy and search for him, and ten actually gets a glimpse (from far away) of the giant. Billy tells her that he’s a good giant, and not to be scared. Later that night, Henry is in the garden making out with Anne. Jeremy shows up and gets furious. Anne faints, and Jeremy picks her up and carries her back to her room. Back at the lab, there is a device that William made to use as a fail-safe to shut Jeremy down, but Jeremy finds it and smashes it to piece.

 

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The following night, Henry is downtown and realizes that Jeremy is going off the deep end. He calls and asks his father for money to get out-of-town, but Jeremy is there, and hypnotizes William, and tells him to instruct Henry to meet at a quiet location in the city. Henry shows up, and we see Jeremy emerge from the Hudson river! He casually stalks Henry and when the time is right, he uses his disintegration eye beams to turn him into ash! Jeremy then returns home and begins to destroy his father’s lab.

Can anyone stop this out of control giant that seems to be bent on destruction? Will it/he ever regain his will to help and not destroy? Watch the film to find out, people!

 

OK, here are my thoughts:

The film is a morality play but they don’t beat you over the head with it. Yeah it’s a bit corny by today’s standards, but it is quite endearing as well to think there was a time when the majority of people actually cared about each other. OK, I’ll get off my soapbox. Anyway, the acting was pretty good in this one. Otto Kruger seemed a little off at times, forcing things to the point of being so deliberate with his lines, it was awkward. Other than that, the acting was solid and should be admired.

The “giant,” was pretty cool, and the special effects were great. The flashing eyes for the hypnotic effect, and the disintegration beams! One more small thing that was sort of odd, was the music. Mostly just piano music, especially at the beginning and end, but it was strange. A beautiful leading lady (image below!), a science experiment gone wrong, and New York City as a back drop…what else could you ask for in a B movie?

 

Click here for the trailer!

 

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Cinema Sunday: Macabre (1958)

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Title: Macbre

Distributor: Allied Artists

Writer: Robb White

Director: William Castle

Producer: William Castle

Starring: William Prince, Jim Backus, Christine White, Jacqueline Scott, Susan Morrow

Released: March 1958

MPAA: Approved

 

As I march thru the holiday season, there are a couple more flicks I want to get out of the way. This one by William Castle and company is at the top of my list. For those who haven’t seen this film, you’re in for a treat. Imagine if you got home one day, and your child was missing. You frantically run through your entire house, but the child is nowhere to be found. A sinister voice over a phone tells you something nightmarish, and voilà, you have an incredible thriller! Oh, and when you see a familiar face as one of the main characters, try not to laugh! OK, here we go…

 

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The film begins with a funeral parlor director giving a statement to the sheriff (Jim Backus, yes, from Gilligan’s Island!) about how his establishment was broken into. He tells the sheriff that it was a child’s coffin, but the sheriff seems to think the man is probably trying to pull an insurance scam to pay off gambling debts. He then sees a man get out of a car across the street, and you can tell he’s got bad intentions towards the man. We are then introduced to Dr.Rod Barrett (William Prince), as he’s verbally accosted by the sheriff, who seems to have it in for him. Why? Because apparently the Doc won the affections of a woman who the  sheriff also loved (Alice, the Doc’s wife who died). The sheriff advises him to get out of town, but the Doc tells him to get lost, then heads inside to his office.

 

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Inside the office, we meet the Doc’s secretary, Polly Baron (Jacqueline Scott). She’s prettying herself up for the Doc, as she seems to be smitten with him. He enters the office and she lights up like a Christmas tree. They talk briefly about the sheriff, but the Doc (with Polly in-tow) eventually heads out and to his home. Once there, he looks for his daughter, who was with his girlfriend all afternoon, but returned home safely. The nanny, Miss Kushins (Ellen Corby), informs him that his daughter is probably just hiding, and that’s why he can’t find her. He frantically searches for her, but to no avail. He thinks maybe she’s gone back to his girlfriend’s house, so he heads over to her place. He arrives but she’s not there either, and he has a brief conversation with Sylvia Stevenson (Susan Morrow), but returns home quickly.

 

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Just before he reaches his home though, the telephone rings. Polly answers, rushing in front of the nanny. She gets a horrified look on her face, and then begins screaming at the caller. The Doc rushes in, and asks her what’s going on. She tells him that the unidentified caller told her that the Doc’s three-year old daughter has been kidnapped, and buried alive. They only have a few hours before she runs out of air, and dies. Polly, the Nanny, and the Doc are trying to piece together this insane assault on his family, but cannot figure it out. The Doc thinks she must be buried in the graveyard, so he and Polly head over there to try to find her. Meanwhile, the nanny goes to the grandfather (the Doc’s father-in-law), to inform him of the incident, even after the Doc requested she not tell him due to a bad heart condition he has recently acquired. She tells him what’s going on, and you can tell by his demeanor that he’s not going to take this lying down.

 

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Over at the graveyard, Polly and the Doc are still trying to piece this together while searching the area. They seem to feel like they’re being watched, and Polly tells him numerous times that she heard and saw something in the brush nearby. They see a fresh grave, so they begin digging. A few minutes in, and the Doc realizes it’s a ruse. They then head over to a crypt of the family’s but it’s so full of cobwebs, you know it hasn’t been disturbed in years. They get surprised by the grave keeper, but explain to him they’re not grave robbers. Jode Wetherby (the grandfather, real name Philip Tonge), surprises the grave keeper, and accidentally kills him. Polly rushes him back to the Doc’s house, where he accuses the nanny of possibly being the abductor.

 

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Is it the nanny, the sheriff, or another enemy of the Doc or Wetherby family? Find this movie and get the answers to this riddle!

 

OK, here are my thoughts:

This is one film for the time that was pretty morbid and outlandish. Think about it, the year is 1958, and most of us weren’t even in a dream in momma’s head yet. William Castle can be called nothing less than a revolutionary in the film industry. Yes, most will remember him for the gimmicks (this film had one- an insurance policy because you might die of fright! – image below), and rightly so, but dig deeper, and watch these films, and you’ll see the substance is there.

 

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Believe it or not, Jim Backus plays an incredible heel in this film. Most will remember him as Thurston Howell III, from Gilligan’s Island, of course, but put that role out of your head, because this is nothing like that show. William Prince does a good job portraying a tortured soul, and the frantic father. The supporting cast is above average, and we get a great mystery with a few red herrings to throw you off the scent. A couple of beautiful starlets are a treat as well (images below)!

Get out there and find this flick, you wont regret the time spent watching this thriller!

 

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Click here for the trailer!