Cinema Sunday: The Two Faces of Dr. Jekyll

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Title: The Two Faces of Dr. Jekyll

Distributor: British Lion Films

Writer: Wolf Mankowitz (based on the story by Robert Louis Stevenson)

Director: Terence Fisher

Producers: Michael Carreras, Anthony Nelson-Keys

Starring: Paul Massie, Dawn Addams, Christopher Lee, Oliver Reed

Released: October 24, 1960

MPAA: PG-13

 

This film is the best adaptation I’ve ever seen of the Robert Louis Stevenson story. It’s also the only film I’ve ever seen where Christopher Lee goes out like a punk. Oh, and so does the rough and tumble Oliver Reed! Hold on, we’re getting ahead of ourselves! Let me start out by simply saying that this movie is one of the most entertaining films you’ll ever see. Certainly one of Hammer’s best, and Terence Fisher, Michael Carreras, and the rest of the crew are who we have to thank for that! Lets get down to the film, shall we?

The opening scene shows Dr. Henry Jekyll (Paul Massie), and a colleague of his, Dr. Littauer (David Kossoff), as the two men observe, and discuss a group of children playing in his garden. They see two of the children get into a fight, and Jekyll believes that there is something inside each human being, a dark side, if you will, that is merely a slight push away from coming out. Dr. Littauer thinks Jekyll is off in his assessment, and feels he’s pushing himself too hard in his laboratory, and should take a break. Jekyll then brings him into his lab, and shows him his progress. He injects a serum into the animal, and it goes wild. He explains to Dr. Littauer, that he can harness that evil side of man, and will do miraculous things with this serum.

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Next, we see Paul Allen (Christopher Lee), an old friend of Jekyll’s, as he shows his “true colors” immediately, by asking Jekyll for money to pay off his gambling loans, and also by kissing his wife! Yes, Paul and Kitty (Dawn Addams), we are led to believe that they’ve had a relationship for some time. Later, Kitty tells Jekyll that she’s going out for the evening, but Jekyll tells her to go alone, as he has work to complete. She leaves, and then Jekyll injects himself with the serum. At a local club, Kitty and Paul are having a good time, dancing and drinking. As Jekyll awakens from passing out, we see that he’s changed, but not into a gruesome monster, but just the face of a different, ordinary man (he does look a bit off kilter, but not deranged or like a monster in other films).

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Jekyll then goes to the club, and is approached by two prostitutes. He dances with one of them, but then notices Kitty and Paul in the corner at a table. He disengages from the prostitute, and she gets angry because he didn’t give her any money. Jekyll walks over to Paul and Kitty, and tells them that he’s an old friend of Dr. Jekyll’s, named Edward Hyde! The three talk for a while, but then Kitty gets mad at Paul and asks Hyde to dance with her. He does, and Paul gets jealous. The two finish, but then the prostitute and the club bouncer (Oliver Reed-pic below) approach Hyde about the earlier incident. Paul and Hyde bet the crap out of him, and then leave for the night. Back at the house, Jekyll is back to his old “self”, and is destroyed knowing that Kitty and Paul are having an affair. He tries to talk to her about their relationship, but she scoffs at him, and then goes to sleep.

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As the film proceeds, Jekyll begins to lose his grip on reality, and Edward Hyde is more than happy to take the reins. He concocts a plan to win Kitty over, but she tells him that no matter how unscrupulous Paul is, she’d never leave him, especially not for Hyde, because she finds him repulsive. This sets off Hyde even more, and he and Paul explore some of the more seedy parts of London. After a weeks time, Hyde tells Paul that he wants Kitty, and Paul, who actually seems to have feelings for her, is shocked at the request, and leaves Hyde on his own for good. In the meantime, Hyde has developed a bit of a relationship with an exotic dancer from the club, that does some tricks with a snake, during her show.

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In the end, Hyde puts another plan in motion to kill everyone, including Jekyll! Sound crazy? It is and it is not at the same time. There’s only one way to find out what happens in this crazy psychological thriller!

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OK, here are my thoughts:

As I said before, this film is absolutely entertaining. The cast is marvelous, and really carries this film to great heights. Paul Massie delivers an incredible performance, both as Jekyll and Hyde. His portrayal as Hyde really steals the show though, but Christopher Lee adds his normal brilliance to the film as well. You know you can always count on him to deliver, and this role, which is more of an opposite than what we’re used to seeing, really is one that makes him ascend above most others in the genre (or any genre for that matter).

Two more things of note. The musical score was fantastic in this one, and we have David Heneker & Monty Norman. The music was really strong and lent itself to the more critical scenes of the movie. Secondly, we must give a shout out to Mayo (Antoine Malliarakis) for the beautiful costume designs in this film. Many scenes were filmed in the “club” scenes, and the costumes were fabulous!

Get out and grab this one, as it’s in a cool four movie set called “Hammer Films: Four Creepy Classics”! A great set that has three other Hammer favorites, and doesn’t disappoint.

 

Click here for the trailer!

Cinema Sunday: The Reptile (1966)

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Title: The Reptile

Distributor: 20th Century Fox

Writer: Anthony Hinds

Director: John Gilling

Producer: Anthony Nelson Keys

Starring: Noel Willman, Jennifer Daniel, Ray Barrett, Michael Ripper

Released: April 6th, 1966

MPAA: Unrated

Hammer Studios is certainly most well-known for their interpretations of the Dracula, Frankenstein, and Werewolf franchises, but it would behoove you to also look deeper into their library for classics like this one! This film is one that I didn’t discover until a few years ago, but it quickly has become one of my favorites. Oh, it’s not the best of Hammer films, but it does have a couple of performances that really help it to rise above mediocrity. Lets get down to the plot!

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The movie begins with a man, Charles Spalding,  wandering around the countryside. He then retreats to his home only to find a note on the table. He then sets out to the residence across the moors. He knocks but no one answers, so he wanders inside. He walks down a hallway, and as he turns around, a man, Dr. Franklyn (Noel Willman) shouts to him, warning him to get away. All of a sudden, something leaps out of the shadows and attacks him savagely. He falls down the stairs, and begins to have a seizure of some kind. As the man who warned him looks on in horror, another man steps out of the shadows, and disposes of the body on the moors.

The next scene shows us Harry and Valerie Spalding (Ray Barrett & Jennifer Daniel), as they are talking to a lawyer about his dead brothers (the man who was attacked in the fist scene) holdings. He informs them that his brother died without much wealth, but he did have a house in a rural town. They then take a train ride, and then walk to the village. At the local pub, Tom Bailey (Michael Ripper) is tending bar, but when Harry walks in, the patrons leave immediately. Tom Tells Harry where the house is located, and then they head out to the residence. As they open the front door, they see that the house has been ransacked. Harry returns to the pub later that day, and questions the patrons about the house. Again, they all leave, and Harry talks to Tom about what’s going on in this small village. As Harry makes his way home, he’s attacked by Mad Peter (John Laurie). Harry quickly realizes that Mad Peter is more of a foolish man, than a dangerous one. After some confusion, Harry invites Peter over for dinner, and to get some answers from him about his brother’s death.

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As they finish dinner, Harry asks Peter but his brother. Peter explains that he really isn’t “mad”, just that he doesn’t live by the same rules that govern most men. As they talk more, Peter explains that this village is evil, and that terrible things happen here. He tells him that someone killed his brother, and not some mysterious hear failure, as he was led to believe. Peter then hears some music nearby, freaks out,t hen leaves in a hurry. During the night, Harry is awakened by some noises downstairs. When he investigates, he finds Peter at his doorstep, on death’s door. He mentions the name Franklyn, and Harry rushes across the moors to get the good doctor. Dr. Franklyn doesn’t seem to care about Peter, but Harry urges him to come and see him. Dr. Franklyn then tells Harry he’s a doctor of theology, not medicine, but agrees to come anyway. By the time they get there, Pater is already dead though (image above), and Dr. Franklyn tells them that he’ll handle the arrangements.

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Valerie is visited the next day by Anna Franklyn, who seems a bit spooky, but nice all the same. Their little conversation is interrupted though, and Dr. Franklyn is furious at Anna for leaving the house. She did manage to invite the Spalding’s to dinner though, and later, we see that dinner date. Anna is not present, and Dr. Franklyn explains that she’s being punished for her earlier transgression. She joins them after dinner, and plays some music for them. The tune is almost hypnotic, and Anna seems to be getting into it, that is until her father erupts in anger, and smashes her instrument. Harry and Valerie leave in a rush, and head home.

Tom and Harry then formulate a plan to not only discover who or what is behind these killings, but also how to stop The Reptile!

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OK, here are my thoughts:

Alright, I’ll be the first to admit that the lead roles in this film aren’t the strongest in Hammer’s catalog. They’re not bad mind you, just not up to the Cushing and Lee standard. There are still two bright spots. First, Jacqueline Pearce is fantastic, and not only does she make a convincing “troubled daughter” but she’s also a beautiful woman! She really lights up a room when she appears on-screen. The other great role is played by Hammer stalwart, Michael Ripper. He really gets to shine in this one, and has a huge role compared to his usual minor parts. He has a strong presence from start to finish. John Laurie (Mad Peter) was indeed a very good addition to this movie as well. His eccentric personality was absolutely superb!

The music score was pretty good, starting off with the opening scene/credits. A thunderous clashing of cymbals, and loud roaring wind section, lead us into this creepy classic. The sets, as with the overwhelming majority of Hammer films, were absolutely amazing. The house, the bubbling pit of oozing death in the basement, and the foggy moors, all set an incredible mood for this film. Definitely check this one out, it’s more than worth your time!

Thor #163, 1969. “Where Dwell The Demons”

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If you haven’t figured it out by now, this month will feature nothing but work from the king himself, Jack Kirby! So far we’ve seen a Fantastic Four book, and one awesome Captain America issue as well! This time around, we’ll look at The Mighty Thor! In this specific issue, we see the mad god Pluto, as he’s recruited some other-dimensional mutates, to help him take over the world. of course the mighty Thor is standing in his way, but can he stop the mad god, along with his army?

Thor is dragged inside a strange energy barrier that has appeared on Earth, and he soon finds his lover, Sif, is being held captive there by Pluto and his mutates. You see, Pluto has traveled to the future, and found this planet has been decimated by war. He stops Thor and Sif, and is holding both prisoner, but then finds a cocoon, and something is stirring inside it, and it seems to be a man!

This issue started a great story line that involves not only Pluto, but the fantastic Adam Warlock (Him) as well! Kirby’s work is fantastic as usual, and of course, you have some fans that don’t care for Vince Colleta’s inks, but honestly, these pages look great! This happens to be the one and only comic book I won that has been CGC’d, and it will probably be the only one I ever own (I won it in a contest). I’m not a fan of putting something that’s to be read behind plastic.

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