Dracula Lives! 11, 1975 “Pit of Death!” and ” Lilith Unleashed!”

In trying to focus on more mags from the Bronze Age, I thought it was time Dracula made an appearance! The Count has a long history in Marvel Comics, and although the black and white mags are awesome, nothing compares to the Tomb of Dracula series that Marv Wolfman and Gene Colan worked on together. That said, don’t sell these stories short, because they have some fantastic creators on them! Speaking of which, inside the front cover, we see an incredible illustration by Bob Hall (first image after the cover)! It remains one of my all time favorite images of Dracula.

The meat of the book has some excellent work. The biggest part of the book is the adaptation of the Bram Stoker novel Dracula by Roy “The Boy” Thomas and Dick Giordano. It’s only one chapter but the pages are incredible. It was never finished in these format but both men finished it years later and it was reproduced in a trade/HC.

Another magnificent tale (part two) “Agents of Hell” is by Doug Moench and Tony DeZuniga. We see a young man trapped in the catacombs of a castle, and he must fight off the brides of Dracula, but even if he survives, can he defeat the greatest vampire that ever existed? That story is followed by “The Vampire of Mednegna.” This story shows a man named Arnold Paole, as he returns from a trip to Greece, but he has returned a very different man. Again, we get Doug Moench (writer) but the artwork was by Golden Age stalwart, Win Mortimer!

Finally we see a very graphic tale starring none other than Dracula’s daughter, Lilith! Within just a few short panels, she tears a rapist to pieces! This is a very different story though (not just blood and guts), and a must read because the author is none other than Steve “Baby” Gerber! The artwork is credited to three gentlemen that are names synonymous with the Bronze Age- Bob Brown, Frank Chiaramonte, and Pablo Marcos!

And let us not forget the cover that was painted by Steve Fabian!

 

 

 

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Monsters Unleashed 4, 1973

Slowly but surely I’m making the effort to collect all of Marvel’s magazines from the 1970s. They’re getting steep in price overall, but if you look closely, you can usually find them here or there in decent shape for a bargain. When I saw the chance to pick up this issue for a reasonable price, I grabbed it immediately. A cover with a werewolf, and advertising the Frankenstein Monster is awesome, and high on my buy list for sure.

In this awesome mag, you get a great little one page story inside the front cover by Tony “The Tiger” Isabella and Pablo Marcos! Next we switch gears and see the ongoing story (chapter two) of a tale involving the Frankenstein Monster, by “Groovy” Gary Friedrich and “Big” John Buscema! The story and artwork are absolutely incredible in that one! Next, the book provides a reprint of a story called “The Hands (Adventures into Terror 14, 1951).” The writer is unknown, but the artwork is by Gene “The Dean” Colan!  An interesting little 4 page story that has a twist ending. A prose story called “Our Martian Heritage” by Chris (Mr. X-Men) Claremont that has some photos accompanying it (most notably from Invasion of the Saucer Men- 1957). A new tale about Gullivar Jones Warrior of Mars (continuing from the pages of Creatures on the Loose), is nothing short of short of awesome. Brought to you by Tony Isabella and  “Dynamic” Dave Cockrum! A zombified story by Steve “Baby” Gerber and Pablo Marcos keeps the book rolling, and then we get another Atlas Age reprint (The Killers- Adventures into Weird Worlds 10, 1952), artist unknown and art by Bernie Krigstein! And finally, we see a gorgeous story by “Dapper” Don Perlin and Chris Claremont! A werewolf story that is one of the most (if not the most) beautifully penciled stories by Perlin I’ve ever seen! Cover by Albert Pujolar!

 

Marvel Spotlight 7, 1972 “Die, Die My Daughter!”

In the 1970s, there wasn’t a better time for comic book readers. You had Golden and Silver Age creators still pumping out material, but you also had younger writers and artists that had been inspired by those giants, and were determined to leave their own mark on the industry. There’s also another aspect to consider as far as the content, and that is what was in the zeitgeist of the times. One of those things was most certainly the occult. Marvel then decided to re-purpose a character from a western comic that was all but forgotten. His name was the Ghost Rider (later Phantom Rider), and this time around, he wasn’t going to be lassoing people or shooting at them with a six-shooter!

In Marvel Spotlight 5 (a lot of the newer characters started off in books like this one and once they proved themselves, were transitioned to their own book), we see the tragic story of Johnny Blaze. A young kid working at a carnival, and watching his father doing motorcycle stunts. His father ends up getting killed in an accident, and the carnival owners (The Simpsons…no, not Homer and Marge) adopt him. The show becomes a huge success but then his step-mother is killed, but right before she dies, she makes Johnny promise he won’t ride in the show anymore. He doesn’t ride but the show still gets even bigger than it was before. Johnny still practices privately, and becomes an excellent rider. One day, Crash Simpson gets a phone call and he’s made the big time, as his show will be at Madison Square Garden! He seems less than excited and then tells Johnny and Roxanne that he has “the disease” and the doctor told him he only has one month to live.

After thinking about this for thirty seconds, Johnny decides as any normal teenage in the 1970s would, he uses a book to summon “Satan” to grant him a wish to heal Crash Simpson (Satan is in quotes because Marvel would later retcon it wasn’t actually Satan himself, but a demon). Yes, he really did that…so, then “Satan” obliges him and tells him that he’ll be back to collect a fee in the future. We all know that means he’s in big trouble, but Johnny apparently doesn’t care because of dealing with the grief of his own father and step-mother dying. Of course, Crash dies not from cancer, but a motorcycle accident.  Then Johnny makes the jump, but is later confronted by “Satan” and his soul is bonded to a demon, which in-turn is why he changes into the new Ghost Rider!

In this issue, we see Johnny after a man named Curly, but we eventually see it’s actually a reanimated Crash Simpson! Curly is trying to sacrifice Roxanne to his master (again “Satan”), but Johnny will not allow the love of his life to perish! He fights off some occultists, then has a showdown with Crash himself!

The creative team on this issue is the same since the first appearance. Gary Friedrich (writer), Mike Ploog (art), Frank Chiaramonte (inks), Herb Cooper (letters), and Roy Thomas (editor). A few years back, there was a little controversy over who actually created most of the character of Ghost Rider. Friedrich claimed he did, and sued Marvel for creators rights. He lost of course, simply because everything was work for hire back then, and any attempts to seize control of a character simply fell short. Sadly, a lot of these creators have fallen on hard times, and could really use a helping hand from the companies that they helped become so financially robust. There is a great organization called The Hero Initiative, that can help creators in need. Definitely swing by and donate if you can at the next convention you visit.

 

 

 

Thor 229″Where Darkness Dwells, Dwell I!” and 230 “The Sky Above, The Pits Below!” 1974

There are certain quirky characters and areas of the comic book universe that I feel I might be the only fan of, either because they’re so odd or maybe just not well-known. The Fear Lords are one such group! Probably the most popular member of this group is definitely the Dr. Strange nemesis, Nightmare! Another heavyweight that’s a member is D’Spayre (see Fear Lords), and he had a memorable appearance in Marvel Team-Up (during the heralded Claremont/Byrne run), and a few others as well. All that said, in these two issues of Thor, we get to see another member of that group, in the form of the Dweller-in-Darkness!

In these two issues, we see Thor, and his good buddy Hercules! The two heroes are trying to unravel a mystery about why people in New York are going absolutely crazy, with seemingly no explanation. There is murder, robberies, suicide, muggings, etc., the city is in mass hysteria. Hercules tries to help, but is assaulted by a dark, mysterious figure wearing a trench coat. Before he knows what’s going on, he’s dragged into the sewers by a horde of demons! He returns to the surface later, but the son of Zeus is visibly shaken, and in fear for his life!

The creative forces behind these two issues are incredible but in two ways. The cover of the first issue is by Ron Wilson and Mike Esposito. Both men were awesome but vastly underappreciated. Do yourself a favor, and go to one of the many database websites and check out these two creators. Again with the same theme of being underappreciated, we have Rich Buckler (interior pencils on both issues, and cover pencils on #230). After his recent passing (May 2017), I really felt terrible because I’d only met him one time, and was sorry I didn’t talk to him more often, as he seemed like a great guy. The interior inkers are an interesting contrast. In #229, we have Chic Stone, whose style is a bit cartoony over Buckler’s pencils (see the splash/first page). Not bad, but definitely not the best either. The next issue sees Joe Sinnott inking (cover and interiors), and you can clearly see the detail and high level this man brought to the industry. The Bronze Age stalwart, Gerry Conway, is the writer for both issues. He had a pretty long run on the title (#193-238), following Stan Lee. Linda Lessmann, Stan Goldberg, and John Costanza round out the creative team.

 

The Avengers 131, 1974 “A quiet half hour in Saigon!”

It’s no secret that Stainless Steve Englehart is one of the best comic book writers from the Bronze Age (and maybe of all time?). One of his most important legacies is his work on The Avengers. Being only the third person to write that title (Lee and Thomas preceded him), is quite an honor in and of itself, but Englehart took what was there and built a mansion on top of that foundation. He took the team to new heights with his reality spanning story, The Celestial Madonna.

Kang, the main antagonist of the story, was elevated from a more simplified villain, to a complex character that had many layers. In this issue, we see him overpower not only another version of himself (Rama-Tut) but a third version (Immortus) all within mere pages! As if that wasn’t enough, Kang then summons (using the technology of the master of time, Immortus), six characters from the past- Midnight (from Shang-Chi), Wonder Man, Baron Zemo, The Ghost (from Silver Surfer), and Frankenstein’s Monster! He uses them as pawns to attack The Avengers inside a castle!

Top to bottom, Englehart, Sal Buscema and Joe Staton (artists), Tom Orzechowski (letters) and Phil Rachelson (colors), did a magnificent job on this book!

 

 

Marvel Triple Action 17, 1974 “Once an Avenger”

Let’s face it, villains are much cooler than heroes. Their ability to make us think, to challenge the hero, to explore boundaries, etc., is way beyond that of their counterparts. Take Kang the Conqueror for instance. He’s without a doubt a top-tier villain in any universe, and has proved that since 1964 (Avengers 8). This mag is a reprint of The Avengers 23, 1965, and the fourth appearance of the character in under two years! For any era, that’s pretty good, and shows what kind of staying power Kang would have for years to come!

In this issue, we see Cap leaves the team after some turmoil (he was a bit temperamental back then!), and attempts to take a job as a sparring partner for a boxing champion. That lasts about two seconds, and he returns to the team afterward. Just in time, as the rest of the team has been subdued by Kang! And immediately after taking down Earth’s Mightiest Heroes…Kang attempts to take Ravonna out on a date but her dad says no (panel below). No joke!

This epic tale was brought to you by Dashing Don Heck (pencils), Jazzy John Romita (cover and interior inks), Stan “the man” Lee (writer), Artie Simek (letters), and Jack “King” Kirby (cover pencils)!

 

 

Adventure Into Fear 10, 1972 “Cry Monster”

After getting an incredible deal on this comic, I figured I’d share this gem from the Bronze Age. This book contains the fourth appearance of the muck monster from the Florida Everglades! In this early appearance, Manny is caring for a baby that some animal threw over a bridge! After taking the child to a doctor’s home, he seeks revenge against the heartless man. We also get a quick two page recap of Manny’s origin. Gerry Conway (writer), and the art team of Howard Chaykin and Gray Morrow (cover art by Morrow as well) bring us this gruesome tale!

There are also two awesome back-up stories in this one too! “The Spell of the Sea Witch” (Allyn Brodsky writer, art by Jack Katz and Bill Everett!) is a tale about a crook that commandeers a boat that two young lovers are aboard. They run into some ghost pirates and then things really get crazy! Then we take a trip down to Davey Jones’ Locker, brought to you by Stan Lee and Don Heck!

 

Atlas/Seaboard Comics!

One might get a bit confused when they see the name “Atlas Comics.” For most, it means Marvel Comics between the Timely comics era (1930s-early 1950s) and the most notable Marvel Comics era (1961-present). But after leaving Marvel Comics in 1972, Martin Goodman soon after started a rival company called Atlas Comics in NYC. He would pay better, return artwork, and in doing so, attract some of the industry’s top talent to this upstart company. A few problems arose quickly though: first, the industry was beginning to sag and the big two were having sales problems, so imagine being the new kid on the block, trying to compete with two giants. Secondly, the staff was ill-equipped to handle the assignments in front of them (Goodman made some bad decisions that put his top two employees Larry Lieber and Jeff Rovin in a tough spot- per The Comic Book Journal and Comic Book Artists mags).

Atlas may have only been in business for a couple of years, but they did produce some interesting books. I’ve got a few horror titles they released but they also had crime, military, superheroes, etc. Wonderful work by people like Neal Adams, Russ Heath, Rich Buckler, Howard Chaykin, Steve Mitchell, Steve Ditko, Gary Friedrich, Frank Thorne, and Wally Wood! Take a look!

 

 

 

 

 

 

 

 

 

 

 

 

 

Captain America – Top 5 Creative Teams

The character Captain America is not only the greatest superhero to ever don the red, white, and blue, but also the only hero from the Golden Age strictly born out of patriotism that survives today. That alone says something about the strength of the character, and in a small way about patriotism in general. That being said, Captain America has had some very thought-provoking story lines over the years, and a select few men have been responsible! Here are my choices for the five best of all time!

 

 

5. Joe Simon (writer) and Jack Kirby (artist)

There are two reasons I have these gentleman on this list (and where). First, I don’t believe you can have a list like this without the creators of the character. Not having read very much material from the Golden Age is why this team isn’t higher on the list. The fact that these men created one of the most iconic characters ever, but that they had him punching the ultimate personification of evil (Adolph Hitler) in the face is absolutely fantastic.

 

4. Stan Lee (writer) and Jack Kirby (artist)

In his second run with Cap, Kirby really cranked up the visual feasts. He took Cap to new heights that haven’t been reached again and probably never will be. The stories in this era (Silver Age in Tales of Suspense, and then his own title) had more intrigue and spy material than straight up war angles, and that fit perfectly with the Cold War going on at the time.

 

 

3. Roger Stern (writer) and John Byrne (artist)

If you sit back and think how great this run was and that it only encompassed nine issues, that alone tells you how great it truly was to read. Any creative team that can produce a serious story about Cap considering running for the presidency and you believe it, has to be near the top of any list. And just the creepy Baron Blood issues alone are incredibly good!

 

2. Ed Brubaker (writer) and Steve Epting (artist)

To say that Captain America (and a lot of the Marvel Universe) needed updating after the turn of the century is an understatement. The shot in the arm was delivered by this awesome team. And yes, this is a list of Cap creative teams, but this team bringing back Bucky, and turning him into Steve’s worst nightmare was pure genius. No one has come close to this level of writing since.

 

1. Steve Englehart (writer) and Sal Buscema (artist)

From issue #153-181 (with almost no interruptions), Steve and Sal gave the readers everything they could possibly want. The political intrigue, racial bigotry, disturbing truths about a government he trusted, etc. The best part though, was Cap’s friendship with the Falcon. He and Sam Wilson grew to be best of friends, and an awesome crime fighting team! The villains were a big part of this run as well- Dr. Faustus, the 1950s Cap and Bucky (click here for details), Red Skull, Yellow Claw, Serpent Squad, Baron Zemo, Moonstone, and more! All the while having guest stars like the X-Men, S.H.I.E.L.D., Black Panther, Iron Man, you name it. This creative team pulled out all the stops (even Cap quitting!), and that is why they are number one!

 

 

Honorable mentions; first, to the team of Jack Kirby (writer) and Jack Kirby (artist)! His return to Marvel in the mid-1970s ushered in some incredible trippy stories starring Cap, and even if the stories don’t grab you, the mind-numbing artwork will! Also, Stan Lee (writer) and Gene Colan (artist). Awesome run with more action than you can ever want, and a signature art style that is absolutely unique!

 

Creatures On The Loose 31, 32, 33 “Man-Wolf”

In the July 1974 issue of Creatures on the Loose, we saw a switch from the Sword and Sandal genre, starring “Thongor, Warrior of Lost Lemuria” to the horror genre starring the Man-Wolf! After the death of Gwen Stacey (and Norman Osborn), John Jameson was brought back into the Spider-realm. Marvel put him in Marvel Premiere as well for a short story-line, but once the horror craze finally died off, so did Wolfy’s career for quite some time. In these issues, we see him battling Simon Stroud, the police, Kraven the Hunter, and his own father, J. Jonah Jameson! Covers by Gil Kane, John Romita, and Rich Buckler (inks by Klaus Janson), respectively.