Unknown Worlds of Science Fiction Giant Size Special 1, 1976

Well, it’s finally here. This is the last issue of the series. It has been all sorts of fun going through them, and I hope you all have enjoyed it as well. This issue sports a fantastic cover by Don Newton, then a frontispiece by Rick Bryant, followed by a text piece by Roy Thomas with an illustration by Mike Kaluta!

The first story is “A Martian Odyssey” which is an adaptation of a story by Stanley Weinbaum. He was a science fiction writer that was revolutionary for his time (1930s-1940s). A mission to Mars turns deadly in this story! An awesome story indeed! Script by Don Glut, art by Ruben Yandoc!

Next up is an interview with none other than Theodore Sturgeon (IT!, Killdozer)! A wonderful interview conducted by Alan Brennert.

After that, we get “Journey’s End.” This story is set in the future, and spotlights something called cerebral imagery in the year 2036! Written by Bruce Jones, with art by Alex Niño!

The Forest for the Trees” follows that one, and we get two of my favorite things- laser guns and dinosaurs! Very cool story by Bruce Jones and equally as cool art by Vicente Alcazar!

The beginning of a great installment of Fantastic Worlds by Don and Maggie Thompson discusses some very good anthology recommendations!

Another offering from Bruce Jones (writer and artist) is called “Clete.” The visuals are very “Gorn” from Star Trek, but this one is based on Earth, and an apocalyptic version at that!

Preservation of the Species” is another offering from Bruce Jones, but only the story, with art by Ruben Yandoc (miscredited to Redondo). Another futuristic tale involving mankind, and mutations! This one is interesting to say the least.

After the warning by Roy Thomas in the previous issue, I’m surprised we didn’t get one on this story. “Sinner” by Archie Goodwin (writer/art) takes a pretty good jab at religion in this one.

Speaking of the Gorn/Star Trek, “Arena” adapts a story by Frederic Brown. And, well, it pits a man against a lizard-like creature! Yes, this was the inspiration for the television episode from 1967.

Finally, the story “Threads” closes out the issue and series. Two children using a toy laser gun are playing together. They get called in for dinner. The television tells the viewers there are atmospheric disturbances occurring, and things get darker from there. Written by Mat Warrick, with art by Adrian Gonzales!

If you haven’t figured it out by now, you need these magazines for your sci-fi collection. They’re such an incredible snapshot of the time, and really chocked full of great material.

 

 

 

 

 

 

 

 

 

 

 

 

 

Unknown Worlds of Science Fiction 6, 1975

The last regular issue of this series is upon us. Only one more issue to go after this one (Giant Size Special 1), and it does make me a a little sad, as I’ve been enjoying blogging about them immensely. That being said, let us traverse this issue, which has a brilliant cover by Frank Brunner, and the inside cover has a very awesome piece by Pat Broderick!

The issue begins with a foreword by Roy Thomas, instructing any readers of a religious persuasion to please not bombard the office with hate mail, especially after reading a certain story in the issue. I find it fascinating that he felt it necessary to include the mild warning, but I guess in 1975 it was something he felt was needed. With a crucifixion on the cover, it’s definitely a polarizing book.

The issue begins with another edition of “Slow Glass” as all have before. We get an interesting scene that is brought to us by Roy Thomas, Gene Colan, and Dan Adkins.

The first story, “Behold the Man,” is an interesting one to say the least (and the one Thomas warned about in the foreword). A time machine slings a man into the distant past (biblical times), but we also get flashbacks to present day. The story has accurate biblical passages, but does its own thing as well. Script by Doug Moench, art by Alex Niño (original story by Michael Moorcock).

After this, we get a four page look into the life of Slow Glass creator, Bob Shaw. Sort of a bio piece, but definitely worth reading.

Old Soldier” is the next story, and is certainly deserving of being in a title about unknown worlds and sci-fi! Written and drawn by Bruce Jones!

Up next, is “Mind Games.” Even though the Vietnam War was over by now, creators (and society) were still very much engrossed with it, and its repercussions. Both of these stories reflect that in one way or another. Written and illustrated by John Allison.

What would a good magazine be without a witch burning by the Puritans? But, this story has something else…Spacemen! “Visitation” is written by Don Glut with art by Ruben Yandoc!

 

 

 

 

 

 

 

 

 

 

 

 

 

Unknown Worlds of Science Fiction 5, 1975

As I wind down the last three issues of this series, beginning with the fifth installment, you’ll see a few different names in this one, previously unseen. With an anthology title, that’s usually the method most publishers roll with, and it can be very exciting. I think it can be slightly problematic when a certain creator did a fantastic job in a previous issue (or is just a fan favorite). There are a couple of familiar names, but lets not get ahead of things. The cover is by an artist that isn’t one I’ve heard before. Boada Puigdomènech (cover), an artist with only this one credit for Marvel, and a few for Skywald Publishing, does a fair job, but it’s definitely a step back from the previous four issues. A frontispiece by Howard Chaykin (more on him later) leads us into the action!

First up we get…Slow Glass, revisited! I know last time I said that was the end, but it was a ruse (by myself and Marvel)! We thought we saw the last of this story (and Mister Tyme), but not so. We see something very creepy from Roy Thomas and the art team of Gene Colan and Frank Chiaramonte!

Up first is “Paradise Found.” We see a space traveler arrive on a planet named Terra 2. He’s greeted by another guy that treats the aliens there horribly, but don’t worry, he gets his in the end. Written by Bruce Jones, with art by Gray Morrow!

The next few pages bring an interview with Larry Niven (conducted by Alan Brennert)! There are some super cool illustrations by Eliot R. Brown and Rick Bryant.

Next up is “All the Myriad Ways,” an adaptation of a Larry Niven story. A police detective investigating a murder, parallel universes, time travel, it’s all here! And, brought to you by Howard Chaykin (script, art)!

Don and Maggie Thompson bring us another great edition of “Fantastic Worlds” next! In it they discuss the Hugo and Nebula awards, rumors of a Star Trek movie, and some sci-fi conventions!

Addict” is the next story in the book, and it is a wild one! We see a junkie in an alleyway beat his own dealer for some drugs. Well, not conventional drugs, that is. We also see some bureaucrats talking their usual disturbing rhetoric about needing to keep the populace under control (hmmm…nothing to see here, move along). Really good stuff here by Don Glut (story) and Virgil Redondo (art)!

The final story in this magazine, “Half Life,” is another solid entry. We see a monster-sized spaceship called The USS Agamemnon, that at first seems like a pleasure cruise. But, things don’t always work out the way they should, do they? Story and art by John Allison.

 

 

 

 

 

 

 

 

 

Unknown Worlds of Science Fiction 4, 1975

Back once again to keep plowing forward through this great sci-fi magazine run from Marvel Comics. Names on the cover are a big thing with these mags, as they wanted to pull in not only comic book readers, but the science fiction crowd as well. A spectacular cover by Frank Brunner certainly raises the chances of people buying this one as well!

In this issue, we get an awesome interview with A.E. Van Vogt! The interview was conducted by none other than future Batman scribe, Alan Brennert! This is followed by a short one-pager (by David Anthony Kraft) talking about Otis Adelbert Kline, and his stories set on Venus (see the link about his feud with ERB). Lastly, there is a column titled “Fantastic Worlds” by Don and Maggie Thompson, that talks about all elements of sci-fi (books, shows, etc.). Now onto the stories!

First up is the final entry in the “Slow Glass” story that has been the bookends for the magazine so far. In this one, the final chapter does not disappoint, as Mr. Tyme must answer to a board of aliens as to where and how he obtained slow glass!  Tony Isabella script, Don Heck and Frank Chiaramonte on art duties.

The A.E. van Vogt adaptation is up next, and “The Enchanted Village” is probably the best story of the book. The script is by Don and Maggie Thompson, with art by Dick Giordano!

A Vision of Venus” brings a tale of space travelers that have been captured by aliens! As mentioned above, the source material is from Otis Adelbert Kline, the script and art by Tim Conrad.

The following tale is not intended to be humorous (I think), but “Good News from the Vatican” comes off that way to me. It’s a story about a robot Pope (somewhere, my friend Herman is laughing)! Written by Gerry Conway, art by Adrian Gonzales.

The penultimate tales is “Encounter at War.” There is a bit of a forward on the previous page stating that this one is the conclusion to a story that was started in an underground comic. It’s a good one but not anything that hasn’t been seen before. A little bit of aliens, and a little bit of treachery! Written by Jan Strnad, with art by Richard Corben!

Finally, “Kick the Can” brings us to a close. The story revolves around a guy that is desperately trying to get off an alien planet, and back home. Some really neat flashback scenes and a giant Tarantula to boot!  Written and drawn by Bruce Jones!

A solid issue overall, but I can’t escape the feeling that it took a slight dip versus the previous three. Not sure why, but it could possibly be the Slow Glass story didn’t end that great or the art wasn’t as good as the previous installments (Gene Colan). Which of course, might just be my bias.

 

 

 

 

 

 

 

 

 

 

 

 

Unknown Worlds of Science Fiction 3, 1975

After a brief hiatus from the norm (click here for last week’s Super-Blog Team-Up entry), I’m diving back into the awesome, albeit grief run of Unknown Worlds of Science Fiction magazines! As I’ve said in the past, these are a really good snapshot of the times, and of the sci-fi genre as a whole up to this point in history. They pay a lovely homage to the creators that had made sci-fi what it was and still is to this day, through interviews, articles, and of course the adaptations! Everything inside is first presented by this awesome cover by Mike Whelan!

After a gorgeous frontispiece by the incredible artist, Gray Morrow (see below), we get a contents page that will blow your mind. Not only will you see an issue chocked full of content such as stories of science fiction with illustrations unparalleled, you also get an interview with Frank Herbert (Dune), and a look at the SFWA (by Don Thompson)! And not to be outdone, a super cool editorial by Rascally Roy Thomas!

The bookends in this magazine, once again, are entries featuring the Bob Shaw concept, Slow Glass. These stories don’t involve everyday people and their experience with the substance. Oh no, in this issue an actual alien approaches Mr. Tyme, and requests some of the material! Written by Tony Isabella, with art by Gene Colan!

The first full length story is “Occupation Force.” We see a man get abducted by an alien spaceship, but alas, no probing. The aliens eventually leave their ship, but what we see is definitely not what one would expect! Written by Gerry Conway, with art by George Pérez and Klaus Janson!

The next story (and my personal favorite) is titled “…Not Long Before The End.” This one features a classic story of a barbarian versus a sorcerer! A story akin to something you’d find in a Robert E. Howard story, but with a slight twist. Written by Doug Moench and art by Vicente Alcazar!

Gestation” is up next, and this one is about a space-faring team that touches down on a planet with a vast variety of vegetation. They eventually come upon a giant web resembling that of a spider! What happens next is truly bizarre! Written and illustrated by Bruce Jones!

The final story is from sci-fi legend, Harlan Ellison! Repent, Harlequin! Said the Ticktockman, is an interesting story, in that it is not straightforward in its delivery. It is however a dystopian future plot, which back in 1965 wasn’t the overwrought concept it is now. Adapted by Roy Thomas (script) and Alex Niño (art)!

Even with issue three, this magazine is still going very strong, and hasn’t missed a beat. It will slow a good bit near the end, but for now, take a look at these fantastic pages (editors included- Roy Thomas, Gerry Conway, Marv Wolfman, Len Wein, and art director John Romita).

Marvel’s Unsung Heroes: David Anthony Kraft

Writing about creators that I never interacted with, and/or that have been gone from this Earth a long time, is never a difficult thing for me to do. It is however, the complete opposite feeling when someone passes away I’ve had time with talking about this medium I love. David Anthony Kraft, or more appropriately, DAK!, has been a creator I interacted with online now for a few years. He was extremely cordial to the unknown people on the other end of a fiber optic cable, so much so that I thought he was one of the nicest people I’ve ever met online.

I’d seen this name (DAK) in comic books from my favorite era, the Bronze Age, quite often as a fill-in writer, or as an editor. Getting to know him though, he shed a good bit of light on quite a few times where he did work, but didn’t receive credit (not for some nefarious reason, just because those were the times). Even doing some layouts/sketch ideas for covers and splash pages. This really made me look at his work in a very different way. It also made me go back and read some of these examples he recounted. He was always answering questions from fans, and almost always tagging people that he loved, especially Don McGregor (another great guy).

His window in the comics biz wasn’t decades long, and he’s probably most known for his comics magazine, Comics Interview (click here for an interview he did with Comic Book Historians). Here are a few off-beat selections from the Bronze Age. Godspeed, DAK!

 

 

 

 

 

 

 

 

 

Unknown World’s of Science Fiction 2, 1975 “All-New! War Toy”

In this second week of my blog’s revival, I wanted to continue looking at this incredible sci-fi magazine series by Marvel Comics. Like the previous issue, this one has bookends featuring “Slow Glass” and it has an excellent lead story, along with more chapters of Day of the Triffids! Two very good articles are also included in this one, so strap yourself in, as this rocket ship is blasting off!

Another introduction to Slow Glass leads off, and this one is very intriguing. We see Mr Tyme heading into a lavish apartment complex (a deluxe apartment in the sky, you might even say). Once inside, he meets up with a rich man named Mr. Wilder. the two did some business in the past, but the consequences of that visit, are about to come home to roost! Written by Tony Isabella, with art by Frank Brunner and Klaus Janson!

After a peek into the Slow Glass, we see “War Toy!” A group of scientists/doctors are gathered around an operating table, but there patient isn’t a man, but a robot! He’s trained to be the perfect soldier, but what happens when the war is over? Written by Tony Isabella, art by George Pérez and Rico Rival!

An interview with author Alfred Bester (Demolished Man) is up next, and was conducted by Denny O’Neil! It’s accompanied by two illustrations by Rick Bryant, and a sample page from an Australian comic strip adaptation of The Stars my Destination (by Bester). The adaptation is by Steve Harper and Stanley Pitt.

The third installment is a story called “Adam…and No Eve.” An adaptation from Bester, this revolves around a man that creates a rocket fuel to get to space, but the mathematician he’s hired informs him that the fuel is deadly, and if even a single drop hits the Earth, it will kill billions. Written by Denny O’Neil, with art by Frank Robbins and Jim Mooney!

The Hunter and the Hunted” is up next, and the story and art are by Mike Kaluta (he created the awesome cover for this issue as well!). Full disclosure, I have no idea what he was going for here. Very minimalist story/art, but fascinating anyway.

The following addition shows an article by Don Thompson about the Hugo awards. There are photos and mentions of sci-fi stalwarts like Harlan Ellison, Frank Kelly Freas, and so forth.

Writer/artist Bruce Jones then gives us a tale called “Specimen.” This is a cool story that has a twist ending I definitely didn’t see coming! Kudos to Jones for this one, as it’s probably my favorite story of his I’ve ever read.

Two more chapters finish off “The Day of the Triffids” adaptation, and it was really a fun ride. Gerry Conway (John Wyndham novel) and Rico Rival do an excellent job!

The magazine is finished off by two more pages of the Slow Glass story by Isabella, Brunner, and Janson. Again, great work by these creators on this premise by Bob Shaw.

 

 

 

 

 

 

 

 

 

 

 

Tales of the Zombie 1, 1973 “The Altar of the Damned!”

It took me quite a while, but I finally completed this series of magazines. One and four were pretty tough to find in my budget, as was the Annual, but it finally happened! This first issue is quite a treat, as it features not only super cool stories, but incredible artwork as well. Of course, the lead feature and star of the series, Simon Garth, the Zombie, is an interesting character. His stories slightly mirror that of the Man-Thing, because of one simple reason- he cannot speak. Not an easy task for any writer, but if anybody is up for it, Steve Gerber is the writer. Let us begin with an amazing cover by Boris Vallejo!

The zombie stories in this magazines are three-fold. The first, “Altar of the Damned,” shows the second appearance of the character in comics. In this one, we see voodoo rituals, and some sleazy guy (“Gyps“) controlling the whole thing in order to get control of Simon Garth. This story (art by John Buscema and Tom Palmer) serves as sort of a precursor to the second story, which is actually the very first appearance of the character (Zombie! A Man Without a Soul! in Menace 5, 1953, story by Stan Lee and art by Bill Everett). So, in short, they did a retroactive continuity (retcon) story to flesh out the character for the readers. Not a bad idea, but one that has been beaten like a dead horse since (especially in more modern comics).

Next up is a reprint from the Golden Age (Journey into Mystery 1, 1952). “Iron-Head” is a story about a seedy guy that does whatever he can to survive, including murder for money! He spends time on a ship, diving for treasure, but then gets the idea that he can take out the middle men and have all the money for himself! He blows up the ship, and gets the last but most lucrative chest for himself. He then makes his way to a nearby island, but the local natives aren’t very kind to strangers! Art by Dick Ayers!

The Thing from the Bog!,” is a visually stunning work by artist Pablo Marcos, and the story by Marv Wolfman isn’t half bad either! We see a rotting corpse rise the from the bog, a witch casting a spell, and her untimely death! But her death was not in vain, as we see her “people” slowly rise from their graves! The last page of this story is nothing short of heart-wrenching, and deserving!

There is also a quick little two page story by horror master Tom Sutton! “Mastermind” is a Frankenstein’s Monster homage that has the good doctor regretting his action almost immediately!

The bookend story for Simon Garth, “Night of the Walking Dead!,” picks up where the first half left off, as the sleazy Gyps is dead, and Donna Garth identifies him for the coroner. She then obtains the voodoo coin from the police, and immediately gets a bad feeling. Meanwhile, in the graveyard, we see something or someone, stirring. Simon Garth rises from his grave, and is attacked by a dog (with a hunter). He kills the animal brutally, then makes his way towards the coin, as if its calling to him. Written by Steve “Baby” Gerber, art by “Big” John Buscema and Syd Shores.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Marvel Movie Premiere 1, 1975 “The Land that Time Forgot”

In week two of my Halloween bonanza, I’m spotlighting a book that isn’t necessarily “horror,” but one that’s more fantasy. Full disclosure, I forgot I had this magazine (plus a few horror books of the historical/biographical genre), as I’d bought it more for my son than for myself (He was a complete dinosaur addict when he was younger). In the last few weeks, I must have seen this book on social media, and it sparked a memory and I thought I had this book. I looked in all the places it should be, but then I remembered my son has a book shelf in his room, and voila, there it was! It was a feeling of joy I can’t really explain other than to say I felt compelled to blog about it.

For those that haven’t seen the film, don’t worry, you’re not missing much, but I’m sure the novel is excellent (no, I haven’t read it). I can however vouch for the awesomeness of this magazine. You get an adventure beyond belief with dinosaurs, cavemen, etc. The first twenty pages or so, involve intrigue aboard a ship, that ends up getting sunk by a submarine! It’s quite a story, and even includes some panels with no dialogue that are fantastic. Once the Submarine reaches the lost island, the action really ramps up. The dinosaurs are in full attack mode, and the natives are more than just restless!

Movie adaptations can be tricky, but as I said earlier, this book is actually way better than the film. Marv Wolfman (writer) does an excellent job with the script, and quite honestly we should expect nothing less from him. Can you remember the last time you picked up a comic written by him and thought it was bad? Me neither. There is nothing to do but praise Sonny Trinidad equally, as his artwork will dazzle you. His people are perfect, his dinosaurs are delineated perfectly, and his natives are noble (as in splendid). There is also a back up feature, written by Lin Carter ( a sci-fi/fantasy writer, and creator of the character Thongor, which Marvel Comics used in Creatures on the Loose), about films that mirrored this one in content. “Lost Races, Forgotten Cities” shows everything from King Kong (1933) to this film (1975).  This wonderfully imaginative magazine has a cover by long time DC Comics artist, Nick Cardy!