Dark Horse Comics: Frankenstein Underground!

It’s Halloween, so I had to fire up the blog for a couple of posts! Just a quick one here to notify everyone that this book is a must have for anyone that loves anything Mike Mignola! His work with Hellboy, BPRD, and everything else is fantastic! The artwork by Ben Stenbeck (pencils/inks), Dave Stewart (colors), and Clem Robins (letters), is nothing short of spectacular! You’ll see the Monster in every situation possible in this book, and Mignola does an incredible job with this book.

 

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Cinema Sunday: Top Ten Hammer Films!

Lets cut to the chase, I’m a Hammer studios addict, and that being said, we all know they’re the greatest studio to produce horror films that ever was, is, and will be. With stars like Peter Cushing, Christopher Lee, Barbara Shelley, Veronica Carlson, then adding great character actors like Michael Ripper, Oliver Reed, Andrew Keir, Andre Morell, etc., and under the direction of Terence Fisher, John Gilling, Anthony Hinds, and Jimmy Sangster, their films have no competition (overall in the broad sense).

Obviously an argument could be made for Universal, but I tend to look at it as Universal being the foundation and Hammer being the house. Yes, you do need a solid foundation but no one looking to be a home owner is excited about stone and mortar. When is the last time a party-goer entered a house and complimented the owner on the cinder blocks? Important, yes. The best part, I think not.

So, with all that being said, here are my top ten Hammer Studio films! Keep in mind, just straight up horror films here for the most part! Enjoy!

 

10. Frankenstein Must Be Destroyed (1969)

  • This film isn’t perfect by any means, and the rape scene is absolutely ludicrous (Dr. Frankenstein would never commit that act). But when there is action a-plenty, gruesome murders, and one scene of dialogue in particular that sums up the good doctor perfectly. Cushing is on top of his game for sure in this film, as usual. Oh, and the gorgeous (and most beautiful Hammer girl in my humble opinion) Veronica Carlson is in this film.

9. The Abominable Snowman of the Himalayas (1957)

  • A Hammer film about a Yeti? Yes! This black and white gem is nothing short of incredible. It’s not because a Yeti invades an encampment and starts tearing people’s limbs off, then beating them over the head with them (although that would be cool), it’s because the film builds tension and the suspense is great. Think John Carpenter’s The Thing (1982). Yes, in that film there are plenty of gruesome moments, but its the suspense he builds that makes the film outstanding.

8. The Reptile (1966)

  • 1966 was a great year for Hammer studios. Five films and four of them were very solid films. This one in particular is a favorite of mine because of Jacqueline Pearce. She portrays a young woman who is seemingly kept prisoner by her own father. We later find out why he’s so overbearing. Her performance is quite good along with a larger than usual role for Hammer stalwart, Michael Ripper. Anytime he gets more screen time, the film is better for it! Good sets and atmosphere in this flick.

7. Dracula: Prince of Darkness (1966)

  • Not wanting to be typecast, Christopher Lee bowed out of playing Dracula after Hammer’s first film starring the count (more on that one later). The franchise did suffer without him briefly, but he returned to the role that put him on the map a few years later in this film. With no dialogue (Lee has his version why and so does Jimmy Sangster (the writer) about why), Lee manages to be extremely menacing and cements himself as the best Dracula ever.

6. The Plague of the Zombies (1966)

  • In this movie, André Morell shows us just how good he can be in a horror film. Not only is he the “hero,” but also a concerned, loving father, a friend, a smartypants, and a gentleman, all at once. throw in another appearance by the lovely Jacqueline Pearce, along with Diane Clare, John Carson (a great lout in this one!), and once again, Michael Ripper! Great atmospherics, music (James Bernard), and sets in this one.

5. The Gorgon (1964)

  • This one is based on a classic Greek myth of old and stars Cushing, Lee, Shelley, and had Terence Fisher directing, and John Gilling writing. The gang’s all here for this one, and it really does put on quite a show. An insane asylum, a corrupt town hiding a secret, Cushing in more of a heel role with Lee more of the hero along with a fine performance by Richard Pasco. This is a film that can be watched every so often and never get tiresome. Another film with a noteworthy musical score as well as excellent sets.

4. (Horror of) Dracula (1958)

  • The first Dracula film by Hammer, and it’s still probably the best Cushing/Lee team up of all time. Cushing is an excellent Dr. Van Helsing, and Lee was born to wear the fangs and hiss at audiences with blood dripping from his lips. Michael Gough is also on top of his game here with George Woodbridge in a small role as he had in multiple Hammer films. Never miss an opportunity to see this film.

3. The Mummy (1959)

  • Hammer really went away from the original 1932 film (Boris Karloff), borrowing elements from other films and adding in their own ingredients, and mixing it all together. This film is definitely in Peter Cushing’s top five performances of all time. He really commands the scenes and shows why he, along with Lee are the faces of Hammer films. Very good sets, and the action scenes are tremendous.

2. The Hound of the Baskervilles (1959)

  • Another film with the dual threat of Cushing and Lee, we also get André Morell as well! In this adaptation of Sir Arthur Conan Doyle’s famous novel, we see Cushing (Sherlock Homes) and André Morell (Dr. Watson), play off of each other wonderfully. Throw in a solid performance by Christopher Lee, an incredible score by James Bernard, all under the watchful eye of director Terence Fisher, and you get one of Hammer’s best films no matter what genre you compare it to!

And the number one film is…

 

The Curse of Frankenstein (1957)

  • In this first horror film collaboration between Cushing and Lee, you can see the teamwork and power these two have together. Cushing is perfect for his role as the morally ambiguous doctor, as is Lee in his depiction of the unfortunate creature. Good performances by Robert Urquhart, Hazel Court, and Valerie Gaunt, add to the great gift this film truly is for film addicts. The beginning of the film, the flashback that dovetails around right back to the beginning/end is marvelous in every sense that a film can be. This is the one that started it all (the great horror run for Hammer)!

Honorable mention for films that didn’t quite make the cut (pardon the pun)!

Brides of Dracula (1961)

Dracula Has Risen from the Grave (1968)

The Curse of the Werewolf (1961)

Frankenstein Created Woman (1967)

 

 

Cinema Sunday: The Flesh and the Fiends (1960)

Title: The Flesh and the Fiends (Mania- U.S. title)

Distributor: Regal Film Distributors

Writers: John Gilling (and Leon Griffiths)

Director: John Gilling

Producers: Robert S. Baker, Monty Berman

Starring: Peter Cushing, June Laverick, Donald Pleasance, George Rose

Released: February 1960 (U.K.)

MPAA: UR

 

 

By the time the year 1960 rolled around, Peter Cushing was blooming into a horror film star. He’d already launched Hammer Studios into the atmosphere (along with others like Christopher Lee), with films such as Frankenstein (1957), Dracula (1958), and The Mummy (1959). As if his incredible presence wasn’t enough, we get a very young Donald Pleasance (Circus of Horrors– 1960, Halloween– 1978, Escape from New York– 1981) as one of the main players as well!

Based off of a true story (Burke and Hare), this film is considered a horror film but is more like a noir film with other elements, like mystery, crime, etc. Let’s get on with the synopsis!

 

 

The film begins with some grave-robbers in a cemetery. They’re digging up a corpse, but for what purpose, we do not know. The scene then switches to a street in Edinburgh, and the Academy of Dr. Knox (the year 1828). We see a beautiful young lady, Martha Knox,  (June Laverick) the niece of Dr. Knox, as she’s exiting a coach. She knocks on the door, and is greeted by Dr. Geoffrey Mitchell (Dermot Walsh). They exchange pleasantries, and he explains that he didn’t recognize her at first because she’s been gone for three years (she’s matured a lot apparently).

 

Inside the classroom, Dr. Knox (Peter Cushing) is teaching a room full of students hoping to become doctors themselves one day. He jokes with them, but also tries to impress upon them the importance of striving to push forward and break down barriers. He gets a standing ovation, then exits the hall. He’s pursued by one student in particular, a young man named Chris Jackson (John Cairney). He wants some input about how he can get better and graduate, something he believes he would’ve done by now. Dr. Knox tells him that he can get some extra tutoring but must pay for it by helping out around the school to earn extra money.

 

Afterward, Dr. Knox comes into the living room (apparently the school is attached to his home), and i surprised by his niece. Before they can get the conversation going, Chris comes in and tells Dr. Knox that some gentlemen are around back with a “stiff.” Knox chides him for using such terms, and then heads back to inspect the corpse. He pays the men for it, then sends them on their way.

Later that evening, the men are at a local pub (The Merry Duke) getting drunk and tell about how Dr. Knox pays well for cadavers. Two other men that are on hard times financially overhear this. Both William Burke (George Rose), and William Hare (Donald Pleasance) realize this is a way to make a quick buck, so they begin digging up fresh corpses for the good doctor to use at his school. Burke and Hare are an unscrupulous lot, and after a short spell, the fresh corpse market dries up. The two then resort to murder, and their reign of terror haunts the back alleys of Edinburgh.

 

Meanwhile, the good doctor to be, Chris, finds himself a girlfriend. The only problem is that Mary Patterson (Billie Whitelaw) is a rather seedy type herself, and eventually breaks his heart. She just cannot turn away from her promiscuity and drinking, no matter how much Chris seems to love and care for her. As this is going on, Burke and Hare manage even to murder a poor, local boy, Daft Jamie (Melvyn Hayes), but as they do, a witness sees the deed going on, and informs the authorities.

 

Will Burke and Hare pay for their crimes? And what fate will befall Dr. Knox for his role in this murderous scheme? You must watch to find out the surprise ending to this film!

 

OK, here are my thoughts:

This story is a good one, and the fact that it’s based on a true story makes it all the better. Another fact is that the film being in black and white is for the best as well. As usual, Cushing delivers a rock-solid performance, and his fans expect nothing less. His ability to lift inferior scripts, casts, etc., to greater heights. Not that he needs to necessarily in this film, but the cast isn’t over the top great. There is one other outstanding performance, and that is the one portrayed by Donald Pleasance. He really turns on the creep factor, and is a very evil person in this film. Billie Whitelaw is also quite good in her role, if not slightly outrageous.

The sets, costumes, and music (Stanley Black), are all splendid. There are a couple of surprises in this one, and they’ll not be spoiled in this review, so no worries. The director, John Gilling, is most known for his work with Hammer Studios, as is Cushing, of course, but this film was actually put out by a smaller production company (Triad Productions). But don’t let that fool you, the film is a winner, and more than worth your time! This company had a few good films including one of my favorite sci-fi/horror films, The Trollenberg Terror!

 

Click here for the trailer!

 

The Man-Thing! by Steve Gerber!

I know the Silver Age was the foundation for just about everything (except most notably Captain America, the Human Torch, and Namor) at Marvel, but the Bronze Age was the age that brought comics into the modern era, because it explored ideas that were previously ignored or even taboo. Drugs, violence, religion, you name it, this time in comics was exactly what the industry needed. One of the creators that helped lead the way with his unique style of storytelling was Steve Gerber. He was a shot in the arm no doubt as the pages were filled with social issues galore, and along with his idiosyncratic style, humor, and tons of off-the-wall stories readers were enthralled with these books!

 

Imagine if you will, trying to write stories in which the main character cannot speak. Taking over the character Man-Thing in only its third appearance, Gerber immediately turned the direction of the book/character from a straight up horror character, to one that is centric to stories with social issues, but you still get the horror angle as well (just not the main point of the story). The issues of (Adventures Into) Fear that featured Gerber’s work did lean slightly more towards more horror than anything, but once Manny transitioned to his own title, the restraints were completely off.

Let me be frank, Gerber could write any kind of story, not just one solely focused on social issues. He actually would write an issue or two with that as the main idea (Fear #12, 16), but then turn around and write a few issues in a row of just straight up horror (Fear #13-15). He wrote superhero stories (check out his trippy Daredevil run, Marvel Two-in-One, Omega the Unknown, and Guardians of the Galaxy!), and everything in between, but what most consider his crowning achievement is Howard the Duck. I’m partial to the Man-Thing  stories though, and if you read them, I guarantee you’ll become a fan!

Check out these images that really drive home how awesome the Gerber Man-Thing is! Enjoy!

 

 

 

Haunted Horror- A trip into Pre-code madness!

For all those that wonder in amazement over the horror comics they see today, do yourself a favor if you already haven’t. Go back in time (thanks to IDW and Yoe Books), before the CCA (Comics Code Authority) was instituted, and revel in the brilliant, thought-provoking, and outright envelope pushing work that was done in the era before that foolish code was created.

Kudos must be given to the creators of this incredible work, but also to Craig Yoe, for putting this all together, and reminding us all of those great times. Getting this material back in front of comic book buyers in this day through a big publisher like IDW is something to be lauded.

The stories are various in their subject matter, but the resounding theme was horror, straight up. Zombies, murderers, radioactive insects, vampires, werewolves, etc. These wild comic books were carefully hidden under the beds of kids everywhere back in the 1950’s, in hopes that mom wouldn’t find them and throw them away. Don’t let that fool you though, they’re still pretty edgy even in this era. Do yourself a favor, grab these issues before they get too expensive, because we all know how expensive the original comics are from this age!

 

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Cinema Sunday: Nightmare Castle (1965)

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Title: Nightmare Castle

Distributor: Allied Artists Pictures (U.S.)

Writers: Mario Caiano, Fabio De Agostini,

Director: Mario Caiano

Producer: Carlo Caiano

Starring: Barbara Steele, Lawrence Clift, Paul Miller, Helga Line

Released: July 1965 (Italy)

MPAA: UR

 

Taking a break from the Boris Karloff addiction, and roaming across the seas for a look at one of my favorite scream queens of all time, Barbara Steele! A while ago I reviewed Black Sunday, another film starring Miss Steele, and that one was a product of the late, great Mario Bava. This film didn’t have his legendary vision, but I’ll bet it will surprise you! Alright, let’s get down to business!

 

The film starts with a mad scientist guy experimenting on frogs. A beautiful woman approaches, and we find out then that Stephen Arrowsmith (Paul Muller) is on the precipice of a break through. His wife, Muriel (Barbara Steele), taunts him, as he’s about to leave on a trip to a science conference. The maid interrupts their little spat, and then later, Stephen leaves in a carriage. Before he leaves, he leaves instructions with the gardener, David (Rik Battaglia), that he needs to take care of a few things while he’s gone.

 

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After he leaves, David comes into the house and at this time we find out that he and Muriel have had an affair. As they run to the greenhouse to make whoopie, they’re both seen by the maid, and she has a sinister look on her face. The two begin making out in the greenhouse, but before things can get to crazy, they’re surprised by Stephen. Apparently he knew something was up and faked his departure earlier. He smashes the gardener over the head with a poker, then the next time we see the trio, Stephen has the two adulterers chained up in the basement, and is whipping the beejeesus out of them.

 

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As the torture is continuing, Muriel tells him that she knew that he was a beast, so she tore up the old will she had made that bequeathed everything to him, and made a new one that leaves every penny to her sister (who’s apparently mentally unstable).  Stephen then tries to get Muriel to tell him where the will is, and that if she does, he’ll not kill her and things can go back to normal. She refuses of course, and then we see him and the maid, Solange (Helga Liné), trying to formulate a plan. They resolve that they’ll kill the two in the basement, and then set their sights on the sister.

 

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He concocts a plan, and then executes it. He ties Muriel to the bed, then drops some acid on her! He then releases her boyfriend, who lunges to her side. At that moment, he electrocutes the two of them! Time passes, and we see Stephen continuing his experiments. He uses the blood from his dead wife and her lover to reverse the aging process on the maid, Solange (who’s now beautiful, and not old and decrepit).

 

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The scene changes again (some time passes I believe), and the carriage approaches the home. We now see Solange, as she comes outside to greet Muriel’s sister, Jenny (Steele again, but now blond, instead of her trademarked jet-black hair). Solange is startled at the uncanny resemblance of the girl, but also the fact that Stephen is with her, and announces that the two were married just this morning. The two then set out to drive Jenny insane, and then they’ll have the family fortune all to themselves. Stephen and Solange think they have Jenny trapped like a fly in the web of a spider…but what they don’t realize is that sometimes the spider becomes the fly, and can become the victim as well!

 

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OK, here are my thoughts:

This film is one that fits into the category of being better than it gets credit for. Of course you’ll have those that will say it’s cheesy, or cheap, or that it lacks quality in certain areas. While that may be true at times, you cannot deny the foundation of the film, which is the actors. Barbara Steele does a great job in her dual role (actually triple role, but I’ll let you figure that one out for yourself). She really has a knack for playing someone who is truly sinister. Between this film and Black Sunday, she should be mentioned in the same breath as the other female horror greats that have graced the screen.

The film is also slightly esoteric, but this is part of its charm (and all movies of this type). Some get put-off by dubbing, but this film does a decent job compared to some atrocities that are out there. The home where the film largely takes place, is atmospheric enough to lend some weight to help things along. A mediocre sound track also helps in a couple of spots as well. The two leading ladies are nothing short of gorgeous (images below), and that is something this era is spectacularly known for, and is expected by fans. Murder, betrayal, possession, ghosts, torture, you name it, you get it all in this must see film for any Barbara Steele fan!

 

Click here for the trailer (even though I believe the film is public domain)!

 

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Cinema Sunday: The Ape (1940)

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Title: The Ape

Distributor: Monogram Pictures

Writers: Richard Carroll, Kurt Siodmak

Director: William Nigh

Producer: William Nigh, William Lackey

Starring: Boris Karloff, Maris Wrixon, Gertrude W. Hoffmann

Released: Septmeber 1940

MPAA: Approved

 

The list of films I’d like to watch and review is about ten miles long. That’s OK though, as I’m only half way shot. Speaking of getting shot, Boris Karloff has been shot, stabbed, electrocuted, etc., more times than I can count. He’s really been in every situation you can imagine in his films, and he always looks brilliant doing it. Who else could star in a film called “The Ape” and sell tickets? No, this isn’t the most cerebral film you’re ever going to see, but Karloff can take any film and make it rise above an inferior script, cast, whatever. He was that great. OK, on with the film…

 

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The circus is in town! Of course everyone is excited, and the kids are jacked up to see the ferocious beasts. They sneak over to the “crazy doctor’s” house for some mischief. Over inside the town drug store, the townspeople are discussing this same doctor. They feel as if this doctor is using people and not healing them. Nobody seems to have the courage to do anything about it though. Just then, the doctor comes in, and everyone clams up. He then sees the druggist for some meds he needs. The two men retreat to another room for privacy, and the druggist tells him the townspeople are getting inquisitive about his motives.

 

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Later, Dr. Bernard Adrian (Boris Karloff) visits a patient of his named Miss Frances Clifford (Maris Wrixon). She’s wheelchair bound, and reminds him very much of his daughter, who passed away years ago. He buys her gifts to show his affection for her, but he also experiments on animals to try to find a cure for her affliction. He promises her she’ll walk again, and she tells him she’s scared when he talks so crazy. Her boyfriend Danny (Gene O’Donnell) shows up, and the doctor tells him that they’ll take Frances to the circus tonight.

 

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Later that night, the town is bustling as opening night is here. Dr. Adrian bows out from the trip though, and Danny and Frances go alone. Meanwhile, that same group of kids are sneaking to the front of the crowd. They remark at how big the gorilla is and that he’s the size “of six men.” Danny and Frances are having a good time, but back at the Doctor’s lab, we see him experimenting on a dog. The circus ends, and Danny and Frances head out. After everyone leaves, one of the employees is checking to make sure everything is as it should be. Over at the gorilla cage, an employee taunts the beast, and it begins to get wild. The owner comes by and reprimands him, but after he leaves the gorilla grabs the man and almost kills him. A cigar dropped by the man starts a fire, and they release the animals so they don’t get killed. The gorilla escapes in the confusion.

 

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Over at the doctor’s office, the circus men bring the man in that was almost killed by the ape. The doctor agrees to help the man, who’s clearly delusional. At this moment, the doc gets a sinister look in his eyes. We then get the impression that he’s going to use him as a guinea pig for his experiments on how to cure Frances. Meanwhile, the circus and townspeople are searching for the beast. Dr. Adrian visits Frances to encourage her that he’s found a way to cure her paralysis. He tells her it will be painful, but it will be a miracle. The following day, Frances actually has feeling in her legs after never having that sensation before.

 

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That evening, the doctor gets a surprise visit…from the ape! He bursts through the Doc’s window, and attacks him. The doctor quickly grabs a flask and tosses the liquid into the ape’s eyes. It blinds him and then the doctor kills the beast with a knife!

 

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I’m going to stop here because the thing that puts the film in a completely different direction begins here (plus the movie is public domain, so you can watch it for free anytime!).

 

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Here are my thoughts:

As I stated in the beginning, this film won’t win any awards for its script but the acting of Karloff brings the film to a good level. His interactions with Maris Wrixon (image above) are very good, and you really believe he’s a doctor trying to do everything he can to help her walk again. Of course his methods are unethical, but his heart is in the right place. Miss Wrixon is absolutely stunning and plays the part of the invalid very well.

The supporting cast isn’t too exciting, but they manage to keep the film rolling along. The sets are standard fare and don’t add or subtract from the film. The film is all about the oral dilemma Karloff’s character is in, and the sad turn it takes eventually. As i said, the film is public domain so get out there to Youtube or wherever and give it a screening. Any fan of Karloff or quirky B movies will enjoy it.

 

Click here for the trailer!

 

 

Ghost Rider 16, 1976 “Blood in the Waters”

The Bronze Age was an age of growing up for some preexisting characters, and the introduction of some new ones that were not only part of the zeitgeist  of the times, but ones that would last a very long time afterward. One of these characters is the Ghost Rider! Opinions vary on who created what exactly, but we know that Mike Ploog, Gary Friedrich, and Roy Thomas were involved. Over the decades, there have been a few different people to carry the mantle of the Ghost Rider, but honestly, none are better than the original, Johnny Blaze.

In this issue, we see Blaze and his alter-ego battle dolphin killers…and a great white shark! Yes, shortly after the frenzy that was Jaws (summer of 1975), Bill Mantlo (writer), George Tuska (pencils), Vince Colletta (inks), Janice Cohen (colors), and Karen Mantlo (letters), gave us the awesomeness of Ghost Rider fighting Jaws (edited by Marv Wolfman, cover by Bob Brown and Dave Cockrum)!

 

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Cinema Sunday: The Black Cat (1934)

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Title: The Black Cat

Distributor: Universal Pictures

Writers: Edgar G. Ulmer, Peter Ruric

Director: Edgar G. Ulmer

Producer: E. M. Asher

Starring: Boris Karloff, Bela Lugosi, David Manners, Julie Bishop (Jacqueline Wells), Lucille Lund

Released: May, 1934

MPAA: Approved

 

Welcome, fiends! Here we are on the cusp of Halloween, and I’ve selected another film starring the great Boris Karloff! Not only that, but we also get none other than Bela Lugosi as well! Without giving too much away, this film has both men as former friends, but those days are over (at least for one of them). Universal paired these two giants together for a few films over the years, and this one is right there at the top for me! Alright, let’s travel back in time to 1934!

 

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The film begins at a busy train station, where Peter and Joan Allison (David Manners and Julie Bishop) are getting cozy after getting aboard their train and into its compartment. These two honeymooners are settled in when a baggage man tells them that there’s been a mistake, and the compartment was double booked. After some deep sighs, they agree to let the man share with them for the ride. Enter Dr. Vitus Werdegast (Bela Lugosi). He tells the couple that he’s going to Hungary as well, to visit this old friend. He also tells them that he spent fifteen years in a Siberian prison after being captured during the war.

 

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After arriving at the train station, they all get on a bus to reach their destination. The bus driver tells the occupants about the atrocities that went on in this area during the war, and of someone who built a house nearby…suddenly, the bus veers off the road, and plummets down an embankment. The driver is dead, and Joan is unconscious, with a bad wound. They walk on foot to a nearby home, and the doorman answers and lets them in, with slight reluctance. After the doorman calls on a radio, we see a figure rise out of bed (with a beautiful blonde woman next to him sleeping). Dr. Werdegast then administers first aid to Joan, and as he’s finishing up, the door swings open, and  Hjalmar Poelzig (Boris Karloff) walks into the room.

 

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Later, Werdegast accuses Poelzig of betraying the Hungarians to the Russians. Poelzig sits silently and listens to Werdegast talk about his theories on what went down years ago. Eventually he brings up his wife, and how he knows that Poelzig told her that he was dead, in order to steal her away. As the two seem to be ready to come to blows, Peter walks in and they calm down. As they’re all having a drink together, a black cat walks into the room and frightens Werdegast. He picks up a letter opener, and hurls it like a dagger, killing the cat. At that moment, Joan walks into the room in a zombie-like state. She talks briefly, but then Peter takes her back to her room.

 

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In the middle of the night, we see Poelzig, as he’s creeping around the house. He then stops at a glass case, and its contents are not china or crystal, but the corpse of a woman, then proceeds to look at a few more he has standing around. We also see that he has another black cat to keep him company. He then enters the room where Werdegast is sleeping, but quickly finds out that he’s switched rooms with Peter so he could be in the adjoining room with his wife. The two then go to the other room and Poelzig agrees to show Werdegast his wife. He takes him to the basement where he shows him his wife, as she’s been preserved. Werdegast blames him for her death (he also tells him that their daughter is dead too), and pulls a gun out and tells Poelzig he’s going to kill him now. Suddenly, the black cat creeps in, and scares the crap out of Werdegast. He drops the gun, and falls into a glass case. Poelzig tells him that they’ll have time to settle things after the other guests have left.

 

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As Poelzig returns to his room, we see a beautiful blond woman again, and he calls her Karen (the daughter of Werdegast, Lucille Lund). He tells her to stay in her room all day tomorrow, so as not to arouse Werdegast. We also see him reading a book on satanic cults and such. The following morning, Werdegast is getting ready to check on Joan, and Poelzig comes in, and stares at her eerily. Werdegast knows that his look has something sinister behind it, and wants to stop him, whatever the cost.

 

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I’ll stop here, because going any further would ruin the film’s ending and grandiose show!

 

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OK, here are my thoughts:

This film is the culmination of the non-monster horror/thrillers of this decade. You cannot find a film with more atmosphere, or better performances from these two giants. Karloff is simply evil in this film, but Lugosi is as well, although he’s driven by revenge, not from a devilish perspective. There is also a ton of great music in this film, and not just at parts but from beginning to end.

The content of this film is more than edgy for its time. How many movies in 1934 were showing (in shadow) someone being skinned alive? There were other elements too, like the satanic cult angle, the dead woman being kept “fresh.” Other elements as well, but I’ll leave it at that.

This film is a “must see” for any horror fan, or the team of Lugosi and Karloff. Both men shaped this genre and forever left a stamp on the industry with very few other actors in their company. Get this film on DVD or BluRay immediately.

 

Click here for the trailer!

 

 

 

DC comics: The Unexpected!

As we creep closer to Halloween, I’d like to take time to spotlight some of the DC comics titles I’ve recently bought. One of my favorites is The Unexpected! An anthology book that never lacked cool stories, good artwork, and variety! Under the watchful eyes of editor Murry Boltinoff, the title gave us stories about madmen, murderers, ghosts, goblins, and grave robbers. An eclectic band of material, The Unexpected was one-third of DC comics’ line of anthology horror titles, and I’ll certainly be showcasing the others as well.

My earliest issue is #115, and the glorious Neal Adams cover shows you exactly what kind of quality you got with this series. Quite a few of the covers were done by perennial DC artist Nick Cardy (one of my all time DC faves), and a couple by the Argentinian artist Luis Dominguez! The interiors had no shortage of superstars, as names like Curt Swan, Werner Roth, George Tuska, Ross Andru, Mike Esposito, Jerry Grandenetti, Rico Rival, Don Perlin, Rich Buckler, and more! Do yourself (and your local comic shop) a favor, and grab something unexpected this Halloween!

 

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