Unknown Worlds of Science Fiction 5, 1975

As I wind down the last three issues of this series, beginning with the fifth installment, you’ll see a few different names in this one, previously unseen. With an anthology title, that’s usually the method most publishers roll with, and it can be very exciting. I think it can be slightly problematic when a certain creator did a fantastic job in a previous issue (or is just a fan favorite). There are a couple of familiar names, but lets not get ahead of things. The cover is by an artist that isn’t one I’ve heard before. Boada Puigdomènech (cover), an artist with only this one credit for Marvel, and a few for Skywald Publishing, does a fair job, but it’s definitely a step back from the previous four issues. A frontispiece by Howard Chaykin (more on him later) leads us into the action!

First up we get…Slow Glass, revisited! I know last time I said that was the end, but it was a ruse (by myself and Marvel)! We thought we saw the last of this story (and Mister Tyme), but not so. We see something very creepy from Roy Thomas and the art team of Gene Colan and Frank Chiaramonte!

Up first is “Paradise Found.” We see a space traveler arrive on a planet named Terra 2. He’s greeted by another guy that treats the aliens there horribly, but don’t worry, he gets his in the end. Written by Bruce Jones, with art by Gray Morrow!

The next few pages bring an interview with Larry Niven (conducted by Alan Brennert)! There are some super cool illustrations by Eliot R. Brown and Rick Bryant.

Next up is “All the Myriad Ways,” an adaptation of a Larry Niven story. A police detective investigating a murder, parallel universes, time travel, it’s all here! And, brought to you by Howard Chaykin (script, art)!

Don and Maggie Thompson bring us another great edition of “Fantastic Worlds” next! In it they discuss the Hugo and Nebula awards, rumors of a Star Trek movie, and some sci-fi conventions!

Addict” is the next story in the book, and it is a wild one! We see a junkie in an alleyway beat his own dealer for some drugs. Well, not conventional drugs, that is. We also see some bureaucrats talking their usual disturbing rhetoric about needing to keep the populace under control (hmmm…nothing to see here, move along). Really good stuff here by Don Glut (story) and Virgil Redondo (art)!

The final story in this magazine, “Half Life,” is another solid entry. We see a monster-sized spaceship called The USS Agamemnon, that at first seems like a pleasure cruise. But, things don’t always work out the way they should, do they? Story and art by John Allison.

 

 

 

 

 

 

 

 

 

Unknown Worlds of Science Fiction 4, 1975

Back once again to keep plowing forward through this great sci-fi magazine run from Marvel Comics. Names on the cover are a big thing with these mags, as they wanted to pull in not only comic book readers, but the science fiction crowd as well. A spectacular cover by Frank Brunner certainly raises the chances of people buying this one as well!

In this issue, we get an awesome interview with A.E. Van Vogt! The interview was conducted by none other than future Batman scribe, Alan Brennert! This is followed by a short one-pager (by David Anthony Kraft) talking about Otis Adelbert Kline, and his stories set on Venus (see the link about his feud with ERB). Lastly, there is a column titled “Fantastic Worlds” by Don and Maggie Thompson, that talks about all elements of sci-fi (books, shows, etc.). Now onto the stories!

First up is the final entry in the “Slow Glass” story that has been the bookends for the magazine so far. In this one, the final chapter does not disappoint, as Mr. Tyme must answer to a board of aliens as to where and how he obtained slow glass!  Tony Isabella script, Don Heck and Frank Chiaramonte on art duties.

The A.E. van Vogt adaptation is up next, and “The Enchanted Village” is probably the best story of the book. The script is by Don and Maggie Thompson, with art by Dick Giordano!

A Vision of Venus” brings a tale of space travelers that have been captured by aliens! As mentioned above, the source material is from Otis Adelbert Kline, the script and art by Tim Conrad.

The following tale is not intended to be humorous (I think), but “Good News from the Vatican” comes off that way to me. It’s a story about a robot Pope (somewhere, my friend Herman is laughing)! Written by Gerry Conway, art by Adrian Gonzales.

The penultimate tales is “Encounter at War.” There is a bit of a forward on the previous page stating that this one is the conclusion to a story that was started in an underground comic. It’s a good one but not anything that hasn’t been seen before. A little bit of aliens, and a little bit of treachery! Written by Jan Strnad, with art by Richard Corben!

Finally, “Kick the Can” brings us to a close. The story revolves around a guy that is desperately trying to get off an alien planet, and back home. Some really neat flashback scenes and a giant Tarantula to boot!  Written and drawn by Bruce Jones!

A solid issue overall, but I can’t escape the feeling that it took a slight dip versus the previous three. Not sure why, but it could possibly be the Slow Glass story didn’t end that great or the art wasn’t as good as the previous installments (Gene Colan). Which of course, might just be my bias.

 

 

 

 

 

 

 

 

 

 

 

 

Marvel’s Unsung Heroes: David Anthony Kraft

Writing about creators that I never interacted with, and/or that have been gone from this Earth a long time, is never a difficult thing for me to do. It is however, the complete opposite feeling when someone passes away I’ve had time with talking about this medium I love. David Anthony Kraft, or more appropriately, DAK!, has been a creator I interacted with online now for a few years. He was extremely cordial to the unknown people on the other end of a fiber optic cable, so much so that I thought he was one of the nicest people I’ve ever met online.

I’d seen this name (DAK) in comic books from my favorite era, the Bronze Age, quite often as a fill-in writer, or as an editor. Getting to know him though, he shed a good bit of light on quite a few times where he did work, but didn’t receive credit (not for some nefarious reason, just because those were the times). Even doing some layouts/sketch ideas for covers and splash pages. This really made me look at his work in a very different way. It also made me go back and read some of these examples he recounted. He was always answering questions from fans, and almost always tagging people that he loved, especially Don McGregor (another great guy).

His window in the comics biz wasn’t decades long, and he’s probably most known for his comics magazine, Comics Interview (click here for an interview he did with Comic Book Historians). Here are a few off-beat selections from the Bronze Age. Godspeed, DAK!

 

 

 

 

 

 

 

 

 

Super-Blog Team-Up: Doctor Voodoo Avenger of the Supernatural!

 

SBTU is back and better than ever! “The Doctor is in!,” is a great concept, as the amount of doctors in comics/pop culture is plentiful. Of course, those who know me would expect me to roll with my Twitter namesake, Doc Strange, but, not so fast! A little swerve was in order, and the first thing that popped into my brain was this awesome mini series (I think it was initially supposed to be an ongoing) by Rick Remender (writer) and artist Jefte Palo! The awesome painted covers were by Marko Djurdjevic!

Paging Doctor Voodoo, Doctor Strange, Doctor Doom. Oh yes, all three of these doctors are a huge part of this story. And let us not forget doctor Hellstrom…well, OK, Daimon Hellstrom, isn’t actually a doctor, but he’s super cool and in this story as well!

To quickly catch up, Doctor Strange made a boo boo, and relinquished the powers of the sorcerer supreme. The Eye of Agamotto sought out a new champion, and Brother Voodoo was chosen! The series doesn’t waste any time getting frenetic, as Doctor Voodoo immediately taxes his powers and abilities too much (after being warned not to by Dr. Strange), and winds up getting a beat down by Dr. Doom. As if that wasn’t bad enough, his staff is broken so he gets stuck in an alternate dimension for a time as well. Enter Daimon Hellstrom. We all know he can be a wild card, but Doctor Voodoo trusts him, but immediately regrets it. You see, Hellstrom is under the influence of Nightmare, and while in this other dimension, Nightmare is wreaking havoc on Earth!

This five issue series (I believe it was supposed to be an ongoing but was cancelled) is a lot of fun, and it really brought Brother Voodoo out of the shadows and into a big spotlight. For an old school horror/Bronze Age fan like me, it was long overdue. During the series, we were also given a neat issue, as Marvel released a one-shot “The Origin of Jericho Drumm!” In this book, we get a framing sequence by none other than Rascally Roy Thomas, with art by Alex Massacci, colors by Chris Sotomayor, and letters by Dave Lanphear. The issue then gave us Strange Tales 169 and 170 (Brother Voodoo’s first appearance), plus a story from the excellent black and white horror magazine, Tales of the Zombie (6)!

 

 

 

 

 

 

 

Check out the other awesome participants in this round of Super Blog Team Up!

Between The Pages Blog – The World’s Most Popular Football Holder & Psychiatrist – Lucy van Pelt

Daves Comics Blog – Dr. Fate!

SuperHero Satellite-  The 1970s Incredible Hulk Television Series: The Lonely and Tragic Life Of Doctor David Banner

Comics Comics Comics – Dr. Who!

Pop Culture Retrorama-  Dr. Terrence the Ghost Breaker

Asterisk51- Doctor Bong: For Whom the Bell Tolls

Radulich Broadcasting Network – Dr. Doolittle

Radulich Broadcasting Network – Metal hammer of Doom

 

Unknown World’s of Science Fiction 2, 1975 “All-New! War Toy”

In this second week of my blog’s revival, I wanted to continue looking at this incredible sci-fi magazine series by Marvel Comics. Like the previous issue, this one has bookends featuring “Slow Glass” and it has an excellent lead story, along with more chapters of Day of the Triffids! Two very good articles are also included in this one, so strap yourself in, as this rocket ship is blasting off!

Another introduction to Slow Glass leads off, and this one is very intriguing. We see Mr Tyme heading into a lavish apartment complex (a deluxe apartment in the sky, you might even say). Once inside, he meets up with a rich man named Mr. Wilder. the two did some business in the past, but the consequences of that visit, are about to come home to roost! Written by Tony Isabella, with art by Frank Brunner and Klaus Janson!

After a peek into the Slow Glass, we see “War Toy!” A group of scientists/doctors are gathered around an operating table, but there patient isn’t a man, but a robot! He’s trained to be the perfect soldier, but what happens when the war is over? Written by Tony Isabella, art by George Pérez and Rico Rival!

An interview with author Alfred Bester (Demolished Man) is up next, and was conducted by Denny O’Neil! It’s accompanied by two illustrations by Rick Bryant, and a sample page from an Australian comic strip adaptation of The Stars my Destination (by Bester). The adaptation is by Steve Harper and Stanley Pitt.

The third installment is a story called “Adam…and No Eve.” An adaptation from Bester, this revolves around a man that creates a rocket fuel to get to space, but the mathematician he’s hired informs him that the fuel is deadly, and if even a single drop hits the Earth, it will kill billions. Written by Denny O’Neil, with art by Frank Robbins and Jim Mooney!

The Hunter and the Hunted” is up next, and the story and art are by Mike Kaluta (he created the awesome cover for this issue as well!). Full disclosure, I have no idea what he was going for here. Very minimalist story/art, but fascinating anyway.

The following addition shows an article by Don Thompson about the Hugo awards. There are photos and mentions of sci-fi stalwarts like Harlan Ellison, Frank Kelly Freas, and so forth.

Writer/artist Bruce Jones then gives us a tale called “Specimen.” This is a cool story that has a twist ending I definitely didn’t see coming! Kudos to Jones for this one, as it’s probably my favorite story of his I’ve ever read.

Two more chapters finish off “The Day of the Triffids” adaptation, and it was really a fun ride. Gerry Conway (John Wyndham novel) and Rico Rival do an excellent job!

The magazine is finished off by two more pages of the Slow Glass story by Isabella, Brunner, and Janson. Again, great work by these creators on this premise by Bob Shaw.

 

 

 

 

 

 

 

 

 

 

 

Unknown Worlds of Science Fiction 1, 1974 “Day of the Triffids”

At first sight, this magazine (published in 1975) doesn’t look like anything special. Oh the cover by Kelly Freas (with alterations by John Romita), is very cool, but sci-fi hadn’t really hit it big yet in the mainstream (pre- Star Wars, and Star Trek films). What Marvel did though, was bring in stories written by some of the greatest writers of the genre, and adapt them for comic book format. When you can slap the name Ray Bradbury on your cover, it’s going to sell some books for sure.

As if the spectacular cover wasn’t enough, we get a frontispiece by Spanish master, Esteban Maroto! Most of Marvel’s magazines had these pin ups inside the front cover, and some even at the end of the issue. Using Bradbury’s name on the cover was a good idea, but in all honestly, the name Bob Shaw should’ve been on there as well. His concept “slow glass” is the subject of this book, and sort of introduces the other stories (and bookends as well), as a portmanteau film executes for its audience. Those pages are by Tony Isabella (script, adapted from the Shaw idea), and the art team of Gene Colan and Tom Palmer!

The first chapter is “The Day of the Triffids!”In this story (based on the John Wyndham novel), we see a particular species of tree that not only seems to be able to think for itself, but has malice toward human being as well! Written  by Gerry Conway, with art by Ross Andru and Ernie Chan!

Next, we get a story written and drawn by Neal Adams! The story is an anti war/Vietnam piece told through the lens of sci-fi. The story is told almost like news blurbs, which is fascinating for 1975!

The third installment is a fabulous interview with Ray Bradbury. He speaks about his youth, and the formative that guided some of his writing. The interview is conducted by Sheldon Dorf.

Next up is a hilarious parody story (Smash Gordon!) by none other than Frank Brunner (story and art)! This one is not only comedic, but it is absolutely gorgeous to look at. If you’ve seen his work before, get ready, as this is on another level.

An atomic test in the New Mexico desert is the start of “Savage World!” Three of the people involved with the bomb test end up in an underground world. Are the rulers peaceful as they claim or not? Script by Wally Wood, and art by Al Williamson!

Another interview graces the pages of this magazine, and this time it’s with the cover artist (and artistic giant), Kelly Freas! They include a few images of his work on some science fiction books from yesteryear as well!

We then get another story that is pretty straightforward, but has a comedic ending. Automated cities of the future are now the only place you’ll find human beings. A plane crash strands a few people out in a wasteland, and as you can imagine, it doesn’t end well. Story and art by Mike Kaluta!

Finally, another chapter of Slow Glass, and this one is seven pages long! We watch as a couple who has traveled off the beaten path attempts to purchase some slow glass from an elderly man. But this man has a secret, and it’s one he doesn’t want people to know. Script by Tony Isabella, with art by Gene Colan and Mike Esposito!

As of this blog post being published, these magazines can still be had for reasonable prices on places like Ebay. Any interested parties should think about getting these sooner rather than later, as they probably won’t be reprinted any time soon (Marvel wqould probably need to get the rights to publish it again as the source material belongs to the book publisher or the estates).

 

 

 

 

 

 

 

 

 

 

 

 

Journey into Mystery 1, 1972 “House!”

As Stevecember chugs along, we get a classic horror tale from none other than my favorite Dr. Strange writer, Steve Englehart! Before his time on The Avengers and Dr. Strange, and long before his Justice League and awesome Batman (with Marshall Rogers and Terry Austin) work, he wrote some off-beat horror stories for Warren, DC, and of course, Marvel comics.

In this issue of Journey into Mystery, we get “House!” We see Jim Staton (a riff on Joe Staton?) wandering onto a certain property, as his car has broken down in the Kentucky wilderness. He shows himself inside, and it appears the home is abandoned. He notices how odd the entrance is, and that it sports a gate, as a castle would. Jim throws his coat on the floor, and gets ready to fall asleep for the night. He was all but asleep, and then his hand touches something on the floor. There is some sort of viscous material seeping from the walls and floors, and it freaks Staton out.  He attempts to run out of the house, but the gate slams shut. Suddenly, the carpet begins to jump up and down like the waves in the ocean. It pulls him back, further into the house. He tries to run down the hall, but there’s a huge drop off into a bottomless pit, barring his way. As he turns around towards the living room, the opening begins to close, and Staton begins to piece together what’s happening. He believes the house is alive, and it is about to eat him!

This little horror story is very reminiscent of a Twilight Zone episode. And we know that’s a good thing. Englehart is more known for writing multipart stories that can last for a few issues in a row, tying continuity together from the past and present as well. No need for that here, but that’s the point. He can write any kind of story and that’s why he’s on my Mount Rushmore of comic book writers.

Story by “Stainless” Steve Englehart, and art by Ralph Reese! Tune in next week, for the conclusion of Stevecember!

 

 

 

 

 

 

 

Comic Book’s Unsung Heroes! Steve Gerber!

 

Trapped in a world he never made, Steve Gerber was a writer that not only made his mark with his idiosyncratic style, but if you really dig deep, and explore his work, you’ll see a talent and love for the medium of comic books that was second to none. When Marvel fired Gerber after he threatened a law suit over Howard the Duck, it would’ve been easy for him to pack up and go home. Instead he kept fighting, and stayed in the business. But, most would say what he did before that time was his best work, and I would agree. Welcome to #SuperBlogTeamUp (image by @Charlton_Hero)!

 

 

When Steve Gerber came to New York in 1972, he didn’t show up with a portfolio of ideas and pitch them to Roy Thomas. All he did was take the Marvel writers test, and he was in. At first, he was just a fill in writer, but he eventually made his way to Daredevil and Submariner. He injected some wild characters and elements not seen before into those books, and this is something he’d become known for as the years went by. Alongside Gene Colan, he left his mark on DD (not the level of Frank Miller, but definitely a fun, well remembered run).

Later in 1972, Gerber scripted Adventure into Fear 11, his first shot at the character Man-Thing. This story was more akin to the Marvel horror books of the times, though, but certainly well scripted. In the next issue, we see Gerber as most remember him. Tackling the subject of racism (and for the early 1970s was nothing to over look), Gerber shows not just the evil of the subject, but an extremely good story that makes you think from a different perspective, which is always a good thing. Issue 12 really set the tone for Gerber’s work going forward, as he wrote a story about a hardcore racist and his killing of a black man (excellently rendered by Jim Starlin and Rich Buckler). Not a pleasant ending to this story, which drives his message home even more. His run on Man-Thing is my personal favorite of his works. The way he used a character that cannot speak, along with the framing characters (Richard Rory, who resembles Roy Thomas, Jenifer Kale, etc.) to tell all sorts of different stories is amazing. Oh, and he wrote two other characters that couldn’t speak (or rarely did in Simon Garth, the Zombie and The Living Mummy). This is something I can’t ever recall another writer even coming close to doing at his level.

 

 

Another story of note concerning the Man-Thing, is “Night of the Laughing Dead” (issues 5 and 6 of his own volume one series). The story is pretty deep and focuses on subjects ranging from religion to parental neglect and abuse. Again, heavy subjects, but Gerber uses a Swamp Monster, hippies, and circus performers to tell this must-read story. Steve even wrote himself into a Man-Thing story (Man-Thing 22, volume 1), and it was glorious (image below)!

 

Marvel started a team title in 1972, with a few heavy hitters. Dr. Strange, Hulk, Submariner, and the Silver Surfer adorned the pages of The Defenders. The title had a few different creative teams for the first nineteen issues, but once Gerber took the reigns (issue 20), the title emphatically took off. Over the next twenty-two issues, he’d write some superhero stories (crossover with the original Guardians of the Galaxy), another one about racism (Sons of the Serpent), and two stories that most consider quite insane (The Headmen and Nebulon and the Bozos).  Of course, insanity for one person is entertainment for the other. I fall in the category of the latter.

Most will cite Howard the Duck as Gerber’s crowning achievement, and I’m not enough of an authority to argue any different. That character is certainly the one that he had on many occasions given the impression (or said right out) was his favorite. I’m still trying to obtain everything he’s ever written but that’s going to take some time. But I’ll definitely consider it time well spent. Thanks, Steve, for all the great comic books.

 

 

Steve passed away in 2008, but his legacy and wit still lives on today, as many writers that have come since sing his praises. He was posthumously inducted into the Will Eisner Comic Book Hall of Fame, and received the Bill Finger Award. If you’ve never read any comics by Steve Gerber, do yourself a favor, and give one a try!

 

Please take a look at the other contributors to this round of Super Blog Team-Up! Check out “Creators” and “What IF.” Enjoy!

 

The Tell-Tale Mind  Arak: Son of Thunder – A Lost Adventure

The Superhero Satellite- What If Peter Parker had become Speedball instead of Spider-Man?

Dave’s Comic Heroes – Blue Devil Creation

Between the Pages – Scrooge McDuckTales Woo-oo!

Comics Comics Comics…-Sergio Aragones!

In My Not So Humble Opinion-Kurt Schaffenberger, the definitive Lois Lane artist of the Silver Age.

Source Material – What If Captain Confederacy

Comic Reviews by Walt – What if the Ultraverse Had Continued?

Pop Culture Retrorama – What If The Sinister Dr. Phibes Had Been Produced!

 

Tales of the Zombie 1, 1973 “The Altar of the Damned!”

It took me quite a while, but I finally completed this series of magazines. One and four were pretty tough to find in my budget, as was the Annual, but it finally happened! This first issue is quite a treat, as it features not only super cool stories, but incredible artwork as well. Of course, the lead feature and star of the series, Simon Garth, the Zombie, is an interesting character. His stories slightly mirror that of the Man-Thing, because of one simple reason- he cannot speak. Not an easy task for any writer, but if anybody is up for it, Steve Gerber is the writer. Let us begin with an amazing cover by Boris Vallejo!

The zombie stories in this magazines are three-fold. The first, “Altar of the Damned,” shows the second appearance of the character in comics. In this one, we see voodoo rituals, and some sleazy guy (“Gyps“) controlling the whole thing in order to get control of Simon Garth. This story (art by John Buscema and Tom Palmer) serves as sort of a precursor to the second story, which is actually the very first appearance of the character (Zombie! A Man Without a Soul! in Menace 5, 1953, story by Stan Lee and art by Bill Everett). So, in short, they did a retroactive continuity (retcon) story to flesh out the character for the readers. Not a bad idea, but one that has been beaten like a dead horse since (especially in more modern comics).

Next up is a reprint from the Golden Age (Journey into Mystery 1, 1952). “Iron-Head” is a story about a seedy guy that does whatever he can to survive, including murder for money! He spends time on a ship, diving for treasure, but then gets the idea that he can take out the middle men and have all the money for himself! He blows up the ship, and gets the last but most lucrative chest for himself. He then makes his way to a nearby island, but the local natives aren’t very kind to strangers! Art by Dick Ayers!

The Thing from the Bog!,” is a visually stunning work by artist Pablo Marcos, and the story by Marv Wolfman isn’t half bad either! We see a rotting corpse rise the from the bog, a witch casting a spell, and her untimely death! But her death was not in vain, as we see her “people” slowly rise from their graves! The last page of this story is nothing short of heart-wrenching, and deserving!

There is also a quick little two page story by horror master Tom Sutton! “Mastermind” is a Frankenstein’s Monster homage that has the good doctor regretting his action almost immediately!

The bookend story for Simon Garth, “Night of the Walking Dead!,” picks up where the first half left off, as the sleazy Gyps is dead, and Donna Garth identifies him for the coroner. She then obtains the voodoo coin from the police, and immediately gets a bad feeling. Meanwhile, in the graveyard, we see something or someone, stirring. Simon Garth rises from his grave, and is attacked by a dog (with a hunter). He kills the animal brutally, then makes his way towards the coin, as if its calling to him. Written by Steve “Baby” Gerber, art by “Big” John Buscema and Syd Shores.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Haunt of Horror 1, 1974 “His Own Kind”

In the year 2020, there have been reasons to be down. But, not only do I try to always look at the positives, it was easier to do that during some tough times because of horror magazines from the Bronze Age. I managed to track down and complete a few different series. One I didn’t complete yet (the last issue is crazy expensive) but did manage to get the first issue, was The Haunt of Horror. This magazine eventually became the home for Gabriel, Devil Hunter after this issue, but for now, lets dive into this inaugural issue! (cover by Bob Larkin)

After a stunning frontispiece by Alfredo Alcala, we get “The Rats!” This tale (by Gerry Conway, writer, and Ralph Reese, artist) follows a few short years after a certain film about rats debuted (Willard, 1971). The lead character also has a striking resemblance to Roy “the boy” Thomas! A fun little yarn for sure!

The following story is a prose piece with a splash page and one other illustration. “HeartStop,” by noted science fiction writer George Alec Effinger, is quite long for a comic magazine (21 pages!), and split into three parts. The tale is about murder and madness in a small Pennsylvania town. The illustrations are by none other than Walt Simonson!

Next up is a reprint from 1953. “The Last Man,” shows a murderous streak of a man named Joe. His murdering streak comes to an end, but not because of why you’d think! Art by Russ Heath (no credits given on script)!

“His Own Kind,” is another story adapted by a science fiction writer, Thomas M. Disch. This is a classic werewolf story that will not leave you wanting! Script by Roy Thomas, art by Val Mayerik (pencils)and Mike Esposito (inks).

A war story called “The Nightmare Patrol” is next. This is one that slightly mirrors the DC comics Weird War Tales, but not exactly. For 90% of the book, it’s just a straight up war story, but then things get crazy! Writer Gerry Conway, art by Ernie Chan!

Finally, we get “In the Shadows of the City!” This is one weird, bizarre story, but I expect nothing less from Steve Gerber (writer) and Vicente Alcazar (art)! A man is telling a psychologist about his compulsion to murder, and it might already have been carried out!