Rampaging Hulk 1, 1977 “The Krylorian Conspiracy!” and “Trail of the StarStone!”

It’s always cool to get a good deal on a comic/magazine. It’s even better when it’s a “Pulse-Pounding First Issue!” Admittedly, this post is sort of a continuation from last week, as the back up story in this magazine is the next chapter in the comic book life of a certain monster hunter. But that’s for later, as first, we must see what’s going on in the life of the Jade Giant, The Hulk!

The firs story in this incredible mag is a tale of the Hulk and Rick Jones, as they investigate an alleged flying saucer in Spain! We actually get a re-telling of the Hulk’s origin first (in a couple of glorious pages), then the main story. We see everything you could want in this one. Betty, Thunderbolt Ross, Rick Jones, The Gargoyle, an alien and of course the Hulk (and puny Banner)! This one has a good story by Doug Moench, and incredible artwork by Walt Simonson (pencils) and Alfredo Alcala (inks)!

The second tale involves that monster hunting madman, Ulysses Bloodstone! Last week’s post familiarized you (hopefully) with the character, now see him in all his glory as he battles aliens that have come to…do…something! No, really, it’s more of a continuation of his search for answers, and then being attacked by a giant lizard creature and his old nemesis,  Ulluxy’l. Special guest appearance by Killer Shrike! Written by, art by “Big” John Buscema (breakdowns) and Rudy Nebres (finishes)! The incredible cover is by Ken Barr (one of the best painted covers of the entire series!).

 

 

Marvel Presents: Bloodstone!

There’s a lot of talk online about what is or should be coming next in the Marvel MCU. For me, one of those characters must be Ulysses Bloodstone! One specific angle was brought up in two different places (Twitter and Monster Kid Radio), about the failed Universal Studios attempt at revitalizing classic horror characters in relation to Marvel’s success in film and in their comic books from the Bronze Age (and beyond) with the same characters. Imagine if you will, a Marvel Studios film about Dracula, the Wolfman, and Frankenstein’s Monster. Now my take would be slightly different, as it would include not only the team of vampire hunters led by Quincy Harker (Blade, Frank Drake, Taj, and Rachel Van Helsing), but also the monster hunter himself, Bloodstone!

The character was very short-lived in comics, and has never made any appearances outside of comics either. Seems to be a missed opportunity, but who knows where things will go in the future for Marvel. One thing is for sure, if you check out these books and his black and white magazine appearances (Rampaging Hulk).

Anyone seeking out Marvel oddities, needs to grab these issues. With names like Gil Kane, Frank Giacoia, John Warner, Mike Vosburg, Bob McLeod, Pat Boyette, Rich Buckler, Sonny Trinidad, George Roussos, and more, you can’t go wrong!

 

Sub-Mariner 66, 1973 “Rise, Thou Killer Whale!”

Everyone knows there isn’t a more pompous, self-aggrandizing hero than Namor, the Sub-Mariner! It’s part of his charm, apparently. Personally, his exploits on land as an Avenger are much more intriguing to me, but every so often, we get gold in an underwater adventure. As always, the story is lifted up beyond its hero by the proper villain. And Subby doesn’t have a better villain than Orka–The Human Killer Whale! And if he wasn’t enough, throw in Virago as well!

An issue that’s a straight up fight with a villain of the week, for sure, but also an entertaining one. You get Subby with his usual grandstanding, shouting, etc., also a ton of panels featuring Atlantis and it’s inhabitants. Plus, Orka is just a crazy villain (he’s definitely in my top ten), you can’t help but love this issue. There’s also a neat little back-up story (also written by Gerber) “Tales of Atlantis” with an all-star creative cast as well!

Written by Steve “Baby” Gerber, art by “Dashing” Don Heck (pencils) and “Dapper” Don Perlin, colors by Petra Goldberg, letters by Charlotte Jetter, and edited by Roy “The Boy” Thomas! And let us not forget the outstanding cover by Gil “Sugar”  Kane (pencils) and “Mirthful” Mike Esposito (inks, with some slight alterations by John Romita)!

 

Conan The Barbarian King Size 1, 1973 “The Tower of the Elephant!”

Conan, a character that’s been in publication since 1932…think about that for a minute. The Great Depression, angst, suicides by businessmen losing their life savings, five years before Tolkien published The Hobbit, and a lifetime before creators gave us galaxies far, far away, Robert E. Howard created an entire world. The contributions this man gave the world are still terribly underappreciated. Anyone that’s not very familiar with his work, definitely give a look at his biography here.

When Roy Thomas secured the rights to publisher Conan from the REH estate, the greatness was there immediately. With Roy Thomas writing, and Barry (Windsor) Smith (and most notably Sal Buscema inking, with others) on art, the character was off and running! What followed the great run by BWS wasn’t half bad either (some say even better), but that’s a tale for another day. You get material from the second and fourth issues of the series in this book and both are legendary stories by Howard!

 

 

Star-Lord Special Edition 1, 1982

Two names that are synonymous with the Bronze Age are most certainly Chris Claremont and John Byrne (and Terry Austin). Their collaboration on the character Iron Fist was the beginning, but then the real feast came in the X-Men, of course. One lesser known partnership between the two juggernauts was in an issue of the magazine Marvel Preview (#11 to be exact). Claremont would write a few more stories after this one but not with Byrne on art. This special edition reprints that story, plus adds some framing sequences with art by Michael Golden (only posting the Byrne artwork though, as that’s how it was originally released)! And I’ll definitely include the great wrap-around (sort of…first and last images) cover by Terry Austin! Enjoy!

 

Marvel Preview 22, 1980 “The Quest of the King”

The recent search for Marvel black and white magazines from the Bronze Age, has brought some interesting books to the forefront on the blog. The cover, being so awesome and naming the creative team was all it took. There’s also a fascination with Arthurian lore for sure, and quite honestly, isn’t everyone a part of that enthralling genre?

An adventure story involving knights, magic, and everything else you can think of is inside this book! Most mags from this era have multiple stories in them, but not here. This one is so strong it runs fifty-five pages long, and each one is a masterpiece by the creative team.

Speaking of the creative team, the familiar names from the ages are front and center. The artwork is off the charts in this book and we have Big John Buscema (pencils), and the inking team of Tom Palmer and John Tartaglione to thank. The story is by Doug Moench (script) and John Buscema as well! Not to be left off the list, is letterer John Costanza, who does a magnificent job on this one (calligraphy).

 

 

Marvel Treasury Special – Giant Superhero Holiday Grab-Bag (1974)

Is there anything more awesome than the over-sized comic book? Of course not, and Marvel comics lead the way in spectacular fashion in the 1970s in the form of the Treasury Edition! And not only just a Treasury Edition, but a holiday edition! Now, just for the record, only two of the stories inside actually have a Christmas theme, but hey, let’s not get picky!

The first story is probably the best “holiday” centered of the entire book. We see Spidey and the Human Torch take on the Sandman! It’s Christmas time, and the Sandman is looking to wrap up the two heroes…or is he (Roy Thomas, writer – Ross Andru, pencils – Mike Esposito, inks – and Artie Simek, letters)? Next, a classic tale from the Silver Age, as the arrogant Submariner decides to go to the surface world. Once there, he speaks with a lawyer about wanting to sue the entire human race. Too bad for him that lawyer is none other than Matt Murdoch, A.K.A. Daredevil (story by Stan Lee, art by Wally Wood, and letters by Artie Simek). The third tale is the other holiday adjacent one in the book. It’s all about the Black Widow, and her man-servant, Ivan! They’re here to help a young man that tried to commit suicide, and then see if they can get him help (written by Roy Thomas, art by Gene Colan and Bill Everett, letters by Artie Simek). The last two issues are from the Fantastic Four and a crossover with the Avengers! Not much along the lines of holiday cheer, but a cool story nonetheless (of course, by Stan Lee and Jack Kirby!)!

 

 

SGT Fury Annual 7, 1971 “Armageddon!”

On this Veterans Day, I thought it fitting for #WarComicsMonth I’d spotlight Marvel Comic’s greatest military man, Sgt. Fury! Yes, kids, before he was a super spy, and head of S.H.I.E.L.D., he was a bad man serving in the United States military! Now he’s portrayed as more of a thinker that’s reserved and doesn’t soil his hands in physical combat, but back in WWII, he could kick butt like no other (well, except maybe Captain America of course).

In this over-sized issue, we get two stories to sink our teeth into! The first, “Armageddon (from Sgt. Fury 29, 1966),” shows our man Fury, and his seemingly never-ending battle with his arch nemesis Baron Strucker! These two men have been all but equals over the years (with Fury almost always getting the upper hand of course), and the disdain for each other is at full capacity! Written by Roy Thomas, with art by Dick Ayers (pencils), and John Tartaglione (inks). Then, Sgt. Fury and his Howling Commandos must face “The Incident in Italy!” This one must’ve been a fan favorite, as it’s been reprinted at least twice (originally published in Sgt. Fury 30, 1966)! The same creative team brought that one to life as the previous issue (and the cover to this issue as well!). Both tales were edited by Stan Lee and lettered by Sam Rosen!

 

Ghost Rider/Captain America: Fear, 1992

Well, this is it, day 31, and Halloween is here! So, the book I’ll be spotlighting is a good one, and a personal favorite for this time of year. A lot of people (especially my age and older) would say that the 1990s was a pretty dark time for comics, as far as the production value, strength of stories, and artwork. It’s hard to argue when you look back at all the mediocrity. One thing that’s for sure though, if you sift through all that, you can still find some excellent work from some very talented creators. Case in point, this book!

The story revolves around the character of the Scarecrow, and his latest psychotic episode. Up until now (1992 at this point), he’d been up and down after being in the Marvel Universe since the 1960s (ToS #51). Whether it’s the X-Men, Iron Man, or Ghost Rider, The Scarecrow won’t back down from anybody. We see him completely lose his mind in this story, and it takes everything the police, Ghost Rider, and Captain America have to stop his murderous rampage!

Howard Mackie (writer) is probably most known for his contributions to the Spider-Man books, and rightly so, as he spent a lot of time writing and editing those books. He really does a great job writing the dialogue, especially for the police and the insane Scarecrow. The artwork is by the always up to the task, Lee Weeks (pencils), and the legendary Al Williamson (inks). Weeks has been all over the industry with extensive work in Marvel and DC. Williamson (passed away in 2010), working since the 1950s, worked for many companies, and in every genre you can imagine. The man’s work is exceptional. The colorist was Gregory Wright, and the letters by Michael Heisler.

 

Weird Wonder Tales 6, 1974 “The Man Who Owned a Ghost?”

As the 1970s progressed, Marvel went full on crazy with the reprints. Some were of recent material (Spider-Man, The Avengers, the Fantastic Four, etc.), and others were from as far back as the Atom Age (post Golden Age but pre-Silver Age). Flooding the market was nothing new for them, but it is still astonishing to look back on. Not that you can blame them, after all they were under the constraints of the publisher that was their rival for many years. Once they got out from under those shackles, they went hog-wild, and who could blame them.

The book is all reprints, but don’t discount it on that accord. The first story alone is worth its weight in gold, as Bill Everett is the mastermind behind “The Man Who Owned a Ghost!” Some artists have their work deteriorate as they age, but Everett’s work got stronger, just look! The second story, “Was He Just Seeing Things?,” has art by Manny Stallman, and this is a creator that I’m not very familiar with to be honest (here’s a link to Mark Evanier’s blog from 1997, talking a bit about him). Neat little sci-fi story including dinosaurs! “Homicide” follows and brings an axe murderer! Nothing here you didn’t already see from a publisher like EC comics, but still pretty jarring. The art in that one is by Harry Anderson. Again, a relative unknown today, but I found some info here. The last installment in the book is called “The Man in the Crazy Maze.” A treat for sure, as this has art by Jack Kirby (pencils) and Dick Ayers (inks)! It’s always a treat to see some Kirby! The cover is by Larry Lieber (probably pencils/layouts) and Mike Esposito (inks).