A Tribute to Paul Ryan (R.I.P.)!

After learning of the recent passing of artist, Paul Ryan, I thought it most fitting to give him a grand send-off from my blog. I’d become friends with him on Facebook, and thought he was a very genuine man who had good values, and was a very under-appreciated artist. I don’t own any of his DC work, only some of his Marvel jobs. So, this one will be all Marvel! The first three are from the back pages of Marvel Fanfare 52 (1990), the rest are from various issues of the Avengers (inks by Tom Palmer)!  Godspeed, Paul!

 

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SGT Fury and His Howling Commandos 166, 1981 “Play it Alone, Sam!”

Every once in a while, I feel the urge to spotlight a war/military comic. One of my favorites is Sgt. Fury and His Howling Commandos! I’ve always loved the concept of a rough and tumble team that could handle anything. The mixture of personalities, and different ethnic backgrounds was pretty cool. There were down times with humor and fun, but when it was time for action, they were ready! This issue in particular was good because not only was the regular cast there but also their CO (Commanding Officer), Happy Sawyer! In this story (a bit of a Casablanca rip off), we see Sawyer remembering a mission that saw him fighting everyone from Arabs, French, and Nazis!

Although sometimes war/military books can get redundant, this one (along with War is Hell) were always pretty good. This issue had Gary Friedrich (with changes by Allyn Brodsky) scripting, and we all know that Gary wrote some fantastic stuff back in the Bronze Age (Ghost Rider, Frankenstein). The interior pencils are by Dick Ayers, and inks by John Severin. Both of these gentlemen don’t get mentioned anywhere near as much as they should, so definitely check out there work and give them their due! Colors by Bob Sharen, and letters by Jean Izzo. The cover was by John Severin (originally Sgt Fury 72, 1969)!

 

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Machine Man 11, 1979 “Byte of the Binary Bug!”

The title “Machine Man,” was from the incredible mind of Jack “King” Kirby. As with virtually everything he touched, the book was great, but his run only lasted for the first nine issues. After that, it took a strange turn when Steve Ditko took over the artistic duties. This story brings in a techno-villain that seems to have what it takes to not only commit daring crimes, but also to stop Machine Man as well! A wild story with a tragic ending, as only Marvel in the Bronze Age can supply!

The man named Marv Wolfman (writer/editor), must have lived in the studio during the Bronze Age. Between the writing, plotting, and editing, his resumé is ridiculous. He’ll always be a legend for his collaboration with Gene Colan (Tomb of Dracula), but he was always a consistently good writer no matter what title. Steve Ditko (interior art and cover) needs no introduction or hyperbole thrown his way. If not for him, Spider-Man wouldn’t be the iconic character he is today, period. Michele Wolfman (colors) and John Costanza (letters), round out the creative team!

 

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Daredevil 124, 1975 “In The Coils of The Copperhead!”

Back again, and this time I have another shot of Daredevil for you! The silly villain this time around is called “Copperhead.” It seems that Daredevil has competition out there in the form of a person imitating a character from a pulp book from the 1930s. This man has no regard for life (sort of like the Punisher), and lays down judgement on wrongdoers all over the city. It’s up to Mr. Murdoch to try to stop this renegade, if he can! Copperhead is no joke…OK, he is but he does have poison tipped darts that he shoots out of his gun, and a diamond hard mask to protect his identity! Plus, we get some political drama with Foggy as well in this issue!

I’m not quite sure why, but the issue is written by Len Wein and Marv Wolfman (he was the steady writer around this time, and Wein the editor). No matter though, as both guys gives us the straight forward dialogue you came to expect from this title in the Bronze Age. The artistic team is one that I’m torn over. Gene Colan (pencils) is without a doubt my favorite penciler of all time. He’s so uniquely talented, you’ve got to love the guy’s work. The inks are provided by Klaus Janson. His work with Frank Miller on Daredevil in the 1980s is fantastic, as is his solo work. He just doesn’t seem like the best match for Colan’s pencils. The colors are provided by Michele Wolfman, and the letters by Joe Rosen. We also get a great cover by the team of Gil Kane (pencils) and Frank Giacoia (inks)!

 

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Daredevil 129, 1975 “Man-Bull in a China-Town!”

Has there ever been a better title for a story than this one? Exactly. Lame villains are what make the world go ’round, as we all know. Daredevil has seen his fill of these wacky characters, and it’s why I love this title during the Bronze Age! The book got way too serious for me once Frank Miller took over (even though, I still enjoy some of those stories). But wacky stories involving characters  like the “Man-Bull,” are just too awesome to not spotlight. The man without fear versus a guy that’s part man, part bull…what’s not to like?

Seeing the name Marv Wolfman (writer/editor), at the helm always puts me at ease. Whether it was Tomb of Dracula, Batman, or Crisis on Infinite Earths, the guy gets it done. Not the most well known tandem in comics, but Bob Brown (pencils) and Klaus Janson (inks), do hold their own and give us some nice visuals. Michele Wolfman (colors) and Joe Rosen (letters), round out the interior creative team! As usual, we get a cool cover, and the team of Rich Buckler (pencils) and Klaus Janson (inks) are responsible!

 

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Captain America 244, 1980 “The Way of All Flesh!”

Taking a peek at a comic book that gets overlooked because it fits between two legendary runs (Englehart/S. Buscema and Stern/Byrne). Sometimes people forget or just out right malign certain batches of issues because they aren’t widely regarded as gems. There’s a huge downside to that though, as many never get to see books like this one. The second issue of a two-parter, we have a sort of a “monster gone amok” story. But, not just all action, there are some great panels of emotion in this issue as well!

The names attached to this book are some of my favorites. Roger McKenzie (writer- click here for an interview that Roger recently gave on the Charlton website), is probably most famous for his excellent run on Daredevil, or his horror work, but don’t sleep on his other stuff, because the guy knows how to write any kind of story. Don Perlin (pencils) is one of those under-appreciated guys that I hope some day gets the recognition he deserves. His work on Ghost Rider and Werewolf by Night are super cool. An artist that you don’t see much for Marvel (that I know of) in the way of inking another penciler, is Tom Sutton. Like McKenzie, he’s probably most noted from his horror work, and that genre definitely suited him best (but he did do a solid job here). Mark Rogan (letters), George Roussos (colors), and Jim Salicrup (editor), round out the interiors. The cover is by the team of Frank Miller and Al Milgrom!

 

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Fantastic Four Annual 11, 1976 “And Now, The Invaders!”

Returning to the corner of the Marvel Universe occupied by Marvel’s first family, I thought it would be appropriate to focus on an amazing annual from the Bronze Age. In FF 169, Luke Cage was under the sway of the Puppet Master, and attacked the Fantastic Four. While he was going crazy, he knocked some Vibranium into Reed’s time machine. It was transported back to WWII era, and into the hands of the Nazis. With this awesome weapon, it looked as if the Allies would be defeated, and the world would live in tyranny. The FF then uses the time machine to hurl themselves back in time to help the greatest team of WWII, The Invaders, stop the Nazis and Baron Zemo!

This era of Marvel will always be my favorite, as Jack Kirby (cover pencils, inks by Joe Sinnott) returned to do some great covers like this one. Not to be outdone, is Mr. editor/writer/everything man, Roy Thomas, as he adds his uncanny ability to write team books. And this one has two great teams in it! One of my all time favorite artists, is “Big” John Buscema (pencils). His pencils are always a treat to see, and the inks of Sam Grainger compliment him well. Colors by Phil Rachelson, and letters by Sam Rosen!

 

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Doctor Strange 29, 1978 “He Who Stalks!”

Another post about Doctor Strange, and this one is another favorite of mine. One of the reasons is because it has several guest appearances. The tale centers around the Doc and Nighthawk (both heroes are members of the non-team “The Defenders“), as they face off against a villain that’s been in the pages of Daredevil during this era as well. The Death-Stalker is a very mysterious villain and a sinister one too that has the power of intangibility, and a “death touch” that renders lesser men dead!

In his long career, Roger Stern (writer) has written some very compelling stories, and had some lengthy runs on titles. Of course, most everyone will gravitate to his Amazing Spider-Man work, or his tremendous collaboration with John Byrne on Captain America, but don’t sleep on his Dr. Strange stories because they are great! Tom Sutton (pencils) is most noted for his horror work, but given the opportunity, he can draw a wider range of material. Veteran artist Ernie Chan (inks) is always a welcome sight in the credits box, because he was a very solid artist that put in good work. Petra Goldberg (colors), Annette Kawecki (letters), and Archie Goodwin (editor), round out the creative team! I shall not forget awesome artist, Frank Brunner (cover), who is one of the best to ever pencil the Doc!

 

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Doctor Strange 12, 1976 “Final Curtain!”

It’s no secret that Doctor Strange is my favorite character. His 1974 series is undoubtedly one of the most underrated series of all time. From start to finish it’s incredible. And let’s be honest, with creators like Steve Englehart, Gene Colan, Roger Stern, Jim Starlin, Tom Sutton, Marv Wolfman, Rudy Nebres, Paul Smith (and more!), you can’t go wrong! This particular issue deals with the Doc, as he’s about to be in conflict with Eternity himself, for the soul of his recently deceased master, the Ancient One! A flashback of the insidious Baron Mordo, and the Doc and Clea see the world die!

As the creative tag-team of Steve Englehart (writer) and Gene Colan (pencils) was beginning to wind down, one might think that the material might suffer, but this is not so. Both men brought their “A” game until the end of the run. It’s to be expected though, as both were consummate pros throughout their comic book careers. Another link in the awesome creative chain, is Tom Palmer (inks, colors). His work alongside Colan is legendary, even if you only look at this title or Tomb of Dracula. Yet another name synonymous with Bronze Age royalty is Tom Orzechowski (letters). He was a constant at Marvel and definitely earned his place among these other greats with his diligence. Throw in Marv Wolfman (editor), and the credits are full of amazing creators that gave their best!

 

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Marvel Team-Up 104, 1981 “Modok Must Triumph!”

Another “wacky villain” post here, and this guy probably isn’t considered wacky by most, but only because he’s a little more mainstream than the others I’ve typically spotlighted in my blog. Just on appearance alone though, you’ve got to admit that M.O.D.O.K. is weird. Now, throw in the Hulk Ka-Zar, and a boat-load of Dinosaurs, and you’ve got magic! You even get to see Ka-Zar take down a T-Rex*!

With all that’s going on in this book, it’s kind of a “can’t miss” for me personally. The Savage Land is a great setting for a comic book story, and Roger McKenzie (writer) delivers a good one. He completely understands how to articulate the way the Hulk and Ka-Zar communicate, fight, etc. Ka-Zar referring to the Dinosaurs as “thunder lizards” and the Hulk calling MODOK “big head,” are just two examples. Although Jerry Bingham (pencils) isn’t a well recognized name, he does a fine job in this book, and especially with MODOK. Mike Esposito (inks) is a Marvel stalwart from the Silver and Bronze Ages, as he kept books looking consistent and clean. Diana Albers (letters) and Christie Scheele (colors), round out the creative team on the interiors! The cover is by none other than Mr. Al Milgrom, and his rendition of the dinosaurs is awesome (edited by Denny O’Neil)!

(*note from the editor: no dinosaurs were hurt during the making of this comic book)

 

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