Strange Adventures 234, 1972 “The Human Icicle!”

It’s been quite a long time (4 1/2 years!) since I spotlighted an issue from this series, and I’m not sure why. This is definitely one of my favorite Bronze Age (and Silver) titles from DC comics. These quirky sci-fi stories are a lot of fun. You either get something that mirrors the time period (scientifically), or a story that’s so far out there, you can laugh about it. The book held a few memorable runs in its day, including Deadman (some stories illustrated and written by Neal Adams), Animal Man, and Adam Strange.  This issue is all reprints, but they pack a punch!

There are four big stories in this issue, and the first one is something really out of this world. “The Human Icicle” is featured on the cover (a spectacular cover by Joe Kubert), and showcases a man with amnesia, and a power that turns everything he touches to ice! The writer does a fantastic job of keeping the man’s “secret” until the perfect time in the story. Written by Otto Binder, with art by Carmine Infantino and Bernard Sachs.

The second story is a Star Rovers tale called “Where is the Paradise of Space?” This trio is a a non-team that comes together to figure out certain anomalies. Homer (no, not that Homer), Karel, and Rick are up to their eyeballs in mayhem in this one, as they are on a floating island in space that’s full of the wonderful and the weird! Written by Gardner Fox, with art by Sid Greene.

Next we have “The World that Vanished!” There’s an alien invasion coming, and it looks like the only thing that may be able to stop it is a cosmic ray weapon! Written by John Broome, and art by Sy Barry.

The last chapter in this book stars Adam Strange! This space faring superhero has a jetpack and a laser pistol and he knows how to use them! What happens when a man must face himself? Do not miss “The Spaceman Who Fought Himself!” Written by Gardner Fox, with art by Carmine Infantino and Murphy Anderson.

 

 

 

 

 

 

 

 

 

 

Tomahawk 103, 1966 “The Frontier Frankenstein!”

I’ll be very honest here. Until a few months ago, I’d never even heard of this title. I didn’t have a clue about it. Then I saw an auction where I was educated a bit on them. When the opportunity arose to purchase some issues, especially with the covers I saw, I had to give Tomahawk a try!

This story is nothing short of wacky, which is probably why I love it. Anytime you have a Frankenstein Monster in a book, I’m there, especially when it’s a giant sized monster. Throw in the fact that these adventures take place during the Revolutionary War, and you have a recipe for some absolute craziness. There’s also a back up story in the book called “The Super-Ranger with Nine Lives!” But, “The Frontier Frankenstein” is certainly the gem of the book!

The script (for Frontier Frankenstein) is by Ed Herron, a writer I’m not too familiar with to be perfectly honest. The artwork is by one of my favorite lesser-known artists, Bob Brown. The first time I saw his work was in Daredevil from the Bronze Age. The second story has art by Fred Ray. No credits on GCD for writer, but at DC at this time that’s not very uncommon. The cover is also by Bob Brown, who died way too young (61 yrs old, from Leukemia). Definitely give his work a look if you haven’t so far!

 

 

 

 

 

 

 

 

 

Doc Savage 8, 1976 “The Crimson Plague!”

The black and white magazine market was absolutely booming in the 1970s. Warren Publishing had already been producing exemplary material since the late 1950s, but in 1964 is when they went full on horror with Creepy and Eerie! Both of these mags had top notch creators on them, and still stand the test of time with excellent stories and artwork by some of the giants of the industry. In typical Marvel fashion, they didn’t waste any time copying the business model of Warren (once the CCA relaxed a bit), and began manufacturing a ton of magazine content.

The content was mostly horror and Sci-fi, but Marvel had other books like Rampaging Hulk, Savage Tales, Conan, Deadly Hands of Kung-Fu, Planet of the Apes, and of course, Doc Savage! In this, the final issue, you’ll see madness like never before!

The Doc and the crew head to Acapulco for a funeral, little do they know that they must then contend with a Lovecraftian creature that can completely absorb someone’s mind, turning them into a zombie! Meanwhile, back at the ranch, Renny gets beaten down by some thugs. Later, Doc and Monk come face to face with Randolph Dorn and his Brain Bank!

This insane story was scripted by Doug Moench, from a plot by John Warner and John Whitmore, art by Ernie Chan, letters by Joe Rosen (and Gaspar Saladino). The incredible cover is by the awesome artist, Ken Barr! There are also two pinups I’ve included. The first (inside cover) is from perennial horror artist of the Bronze Age, Tom Sutton, the second by Bob Layton and Dick Giordano!

 

 

 

 

 

 

 

 

 

Machine Man 2, 1978 “House of Nightmares”

When Jack “King” Kirby returned to Marvel in the mid-1970s, not only did he spend time on an old favorite, Captain America, but he also created some new characters that were absolutely mind-blowing. One at the top of the list has to be Machine Man. An android created by a scientist, that in turn was killed trying to remove the auto-destruct mechanism from him. Machine Man was introduced in the pages of 2001: A Space Odyssey (issue 8, 1977). This was another Kirby vehicle that was initially based on the film (Stanley Kubrick) and novel (by Arthur C. Clarke). Kirby eventually took the book in his own direction though, and brought more of his Bronze Age bombast with it.

Kirby eventually left Marvel in 1978/1979 (after issue nine of this series), but the title did go on for a few more issues with Steve Ditko on art. It was interesting, but not the all out craziness and cool of Kirby (some of that was definitely the writing, too).  But we did get this awesomeness from the King for those first nine issues, and how glorious they are to behold! Written, edited, and penciled (cover as well, with possible inks by Mike Esposito) by Jack Kirby, inks and letters by Mike Royer, and colored by Petra Goldberg!

 

 

 

 

 

 

 

 

House of Mystery 155, 1965 “The Nightmare Express!”

Ridin’ that train, high on cocaine, Casey Jones you better watch your speed,” The Grateful Dead famously said in a song. Maybe they were talking about the Nightmare Express? If so, drugs might be a good scapegoat for this one (just kidding). Anyway, there are three cool stories in this one and all of them are completely crazy. Translation- it’s an a awesome book!

The first story is about J’onn J’onzz, the Manhunter from Mars! Now don’t get too excited, as he’s fighting the “Giant Genie of Gensu”…yeah. So that story isn’t the greatest, but it has really cool artwork with some hilarious shenanigans (Jack Schiff, writer, art by Sheldon Moldoff, letters by Ira Schnapp). Next up is a tale called “The Human Hurricane!” Mitch Anderson is a guinea pig for scientist and ends up becoming, you guessed it, a human hurricane (story by Jack Miller, art by Joe Certa, and letters by Stan Starkman). Lastly, we climb aboard “The Midnight Express!” But don’t expect to see John Hurt or Randy Quaid, as this one has Detective John Sutter, on his way home from work, and he gets a ride on a train that he’ll never forget. Or was it even real (written by Jack Miller, art by Bernard Baily, letters by Stan Starkman). This very groovy cover is by Jack Sparling!

 

 

Tales of Suspense 91, 1967 “The Monstrous Crusher!”

On this April Fool’s Day, there is no joking around here! My all time favorite artist is Gene “The Dean” Colan, so it’s a special occasion when I get a book with his work in it! Most think of Gene when they hear Tomb of Dracula, and rightly so, but his work on superheroes like Captain America and Iron Man was special, too. Most also probably think of Kirby when the subject of machinery and technology are discussed, but when Gene drew these types of images in Iron Man, he was excellent at it.

In this issue, it’s up to Tony Stark A.K.A. Iron Man, to stop some Cuban Commies and their newest weapon, The Crusher. A pumped up, nigh invulnerable guy that’s ready to take down the Golden Avenger! Can Iron man take down this make-shift Frankenstein Monster?

Written by Stan Lee, pencils by “Genial” Gene Colan (cover as well) inks by Frank Giacoia (cover as well), and letters by Sam Rosen!

The second tale in this book is one that features Captain America, and his old foe, The Red Skull! This trippy tale is by Lee (story), Gil Kane (pencils), Joe Sinnott (inks), and AL Kurzrok (letters).

 

 

DC comics: The Sandman (Wesley Dodds)

Being a little green yet with my DC comics and their characters, I decided to grab this trade and single issue out of pure curiosity, but make no mistake, the names Joe Simon and Jack Kirby (definitely check out the Kirby Museum for a ton of facts, pages, and excellent insight to Kirby!) had a lot to do with the purchase as well! This incredible duo didn’t create the Sandman (Gardner Fox and Bert Christman did), but not long after a revamp by Mort Weisinger and Paul Norris (Adventure Comics #69), Joe and Jack took over the reigns, and really created some fantastic adventures for this crazy character and his new sidekick (Sandy)!

The stories varied from heavy subjects like slavery and suicide, to the more usual tales of war and the mob! Mostly though, they had a strange vibe or a villain that was downright bizarre. People like NightShade (later known as Ramulus), Thor, and Noah…Barton, who has an Ark full of animals. No joke folks, it’s all right here in these pages. From Nazis to Santa Claus, anything you can think of Simon and Kirby already have, and more than likely before you or your parents were even born.

The second part of this post is to spotlight an issue of DC Comics Presents (#42, written by Mike Barr and artwork by Jose Delbo and Joe Giella), as it was the first time I’d ever read a story about the Sandman! Reading this cool story about where the character went after the Golden Age (a back up as the main story was one that featured Superman and the Unknown Soldier, which is just OK), really had me thinking about this character I’d heard of but never really knew anything about, other than he was created in the Golden Age, and was later (in name) drastically changed for a Vertigo title by Neil Gaiman (I’ve read absolutely none of those – not my thing). There was another story in JLA 113, 19974, that showed what happened to Sandy, and featured Dodds (I don’t own that one yet!).

Whether you’re a fan of Golden Age characters or haven’t really read much of them, definitely give the Sandman a try!

 

 

Creatures on the Loose 18, 1972 “The Fury of Phra!”

The titles of horror comics Marvel produced in the late Silver and early Bronze Age (and everyone else mainstream) were pretty tame, thanks (no thanks really) to the Comics Code Authority. Some good material for sure, just nothing cutting edge until the CCA was toned down. One of those titles was Tower of Shadows, but that was later changed to Creatures on the Loose. At first it served as just another vehicle to reprint older stories, but in issue sixteen, we saw a character called Gullivar Jones Warrior of Mars take over. The run of stories for this character didn’t last long, but they were pretty cool. Basically a clone of John Carter, Jones fought on other worlds against fantastical beasts and despots, often with no real agenda. Alas, the stories aren’t Earth-shattering, but the visuals definitely make them worth checking out.

Written by George Alec Effinger and Gerry Conway, with art by Ross Andru (pencils) and Sam Grainger (inks), and letters by Jean Izzo. There are also two back up stories in this issue, and both are reprints and quite good. The first one is “Under the Knife” and has art by Tony DiPreta, while the second “What Lurks in the Mountain” is a Steve Ditko and Stan Lee production! And the cover to this one is by the artistic machine of Gil Kane (pencils) and Joe Sinnott (inks)!

 

Gold Key comics – Boris Karloff Tales of Mystery and Dark Shadows

Everybody knows about the “big two” in comics, plus hardcore horror comics like EC comics titles, but there were others and one of them was Gold Key Comics. Western Publishing company produced children’s books for a long time then threw their hat into the ring of comics in 1962. They had some original series but were more famous for their licensed properties, such as Buck Rogers, Disney characters like Donald Duck, Bugs Bunny, Popeye, etc. Two more of those titles being Dark Shadows and Boris Karloff Tales of Mystery.

Both series had some very bizarre issues (especially Boris Karloff), but they always had great covers, usually the painted variety. The interiors sported artwork from some of the creators from the Golden Age right on up to the young blood of the Bronze Age. This mix of creative juices always had interesting results, and definitely gave older fans and younger ones something to look forward to.

Credits include (for Boris Karloff 39 & 41)- Len Wein, Joe Certa, John Celardo, Win Mortimer, Jack Sparling, Giorgio Cambiotti, Oscar Novelle, Luis Dominguez, and a few more that are uncredited. Dark Shadows (9) – painted cover by George Wilson, interior art by Joe Certa, written by D. J. Arneson, and letters by John Duffy.

 

Super-Team Family 12, 1977 “The Eternity Pursuit!”

There are certain tropes that can get me to be any comic. One at the top being an adventure in space! This tale stars Hawkman (Katar Hol), Green Lantern (Hal Jordan), and The Atom (Ray Palmer)! The three heroes have traversed the stars in search of the love of Ray’s life, Jean Loring. She disappeared after a situation with Supergirl, and Iris Allen, as they were abducted by T.O. Morrow and a living planet! She was flung across the galaxy, and her whereabouts are unknown. Luckily, The Atom is a genius and has invented a device to track her down. Aliens, spaceships, sword fights, and an underwater battle as well! This one issue has it all!

This awesome cover by Al Milgrom and Jack Abel is enough to get any Bronze Age collector to buy it. Action packed, full of heroes, and even though it’s possibly a bit too busy, the action is great! Inside the art team is composed of the terribly underrated Arvell Jones (pencils), inks by Bill Draut, Ben Oda (letters), and Jerry Serpe (colors)! Excellent splash pages, panels full of excitement and solid dialogue. Definitely pick this one up if you don’t already have it in your collection!