G.I. Combat 114, 1965 “Battle Origin of The Haunted Tank!”

Observing Veterans Day is just another great reason to post about a war/military comic! Once again, the pages turn in a DC comic, as we see the famous stories in G.I. Combat! The men and women who served this great country deserve our appreciation, and will always get mine. Now, lets talk about the awesome action in this book!

There are only two stories in this book, but between them, the advertisements, and the extras, you can’t go wrong with this book. Speaking of stories, the first one (Battle Origin of the Haunted Tank) gives us a look at The Haunted Tank! Crafted by Robert Kanigher (writer), and the legendary Russ Heath (art and cover). If you’ve never read a story with the Haunted Tank, get an issue immediately. Great, fun stuff! The second story, “My Witness–the Enemy,” is a good one as it has some aquatic action! Frogmen, boats, a submarine, pistols and planes, this one has it all! Written by Hank Chapman, with art by Jack Abel (letters by Gaspar Saladino).

 

 

Advertisements

SGT Fury Annual 7, 1971 “Armageddon!”

On this Veterans Day, I thought it fitting for #WarComicsMonth I’d spotlight Marvel Comic’s greatest military man, Sgt. Fury! Yes, kids, before he was a super spy, and head of S.H.I.E.L.D., he was a bad man serving in the United States military! Now he’s portrayed as more of a thinker that’s reserved and doesn’t soil his hands in physical combat, but back in WWII, he could kick butt like no other (well, except maybe Captain America of course).

In this over-sized issue, we get two stories to sink our teeth into! The first, “Armageddon (from Sgt. Fury 29, 1966),” shows our man Fury, and his seemingly never-ending battle with his arch nemesis Baron Strucker! These two men have been all but equals over the years (with Fury almost always getting the upper hand of course), and the disdain for each other is at full capacity! Written by Roy Thomas, with art by Dick Ayers (pencils), and John Tartaglione (inks). Then, Sgt. Fury and his Howling Commandos must face “The Incident in Italy!” This one must’ve been a fan favorite, as it’s been reprinted at least twice (originally published in Sgt. Fury 30, 1966)! The same creative team brought that one to life as the previous issue (and the cover to this issue as well!). Both tales were edited by Stan Lee and lettered by Sam Rosen!

 

Weird Wonder Tales 6, 1974 “The Man Who Owned a Ghost?”

As the 1970s progressed, Marvel went full on crazy with the reprints. Some were of recent material (Spider-Man, The Avengers, the Fantastic Four, etc.), and others were from as far back as the Atom Age (post Golden Age but pre-Silver Age). Flooding the market was nothing new for them, but it is still astonishing to look back on. Not that you can blame them, after all they were under the constraints of the publisher that was their rival for many years. Once they got out from under those shackles, they went hog-wild, and who could blame them.

The book is all reprints, but don’t discount it on that accord. The first story alone is worth its weight in gold, as Bill Everett is the mastermind behind “The Man Who Owned a Ghost!” Some artists have their work deteriorate as they age, but Everett’s work got stronger, just look! The second story, “Was He Just Seeing Things?,” has art by Manny Stallman, and this is a creator that I’m not very familiar with to be honest (here’s a link to Mark Evanier’s blog from 1997, talking a bit about him). Neat little sci-fi story including dinosaurs! “Homicide” follows and brings an axe murderer! Nothing here you didn’t already see from a publisher like EC comics, but still pretty jarring. The art in that one is by Harry Anderson. Again, a relative unknown today, but I found some info here. The last installment in the book is called “The Man in the Crazy Maze.” A treat for sure, as this has art by Jack Kirby (pencils) and Dick Ayers (inks)! It’s always a treat to see some Kirby! The cover is by Larry Lieber (probably pencils/layouts) and Mike Esposito (inks).

 

Marvel Comics Giant-Size Chillers!

And now, with Halloween right around the corner, let the horror comics binge begin! A few months back, I spotlighted issue one of this series, and recently completed the (extremely short) series. These over-stuffed comics have so much to offer. You get new material plus reprints of Silver Age horror stories as well (in the first and second issues anyway, and the third having all reprints but from other Bronze Age books). The fantastic covers were also a treat, as they showcased some of the tremendous talent of the Bronze Age.

The new material is a bit more graphic than the reprints, due to the fact that the reprints are from the comics code era. But don’t fret, they are definitely worth reading, especially when coupled with the new material. The stories range from Lovecraftian beasts, cryptids, fortune tellers, gargoyles, etc.

The list of creators that had a hand in these three issues is astounding. A long list it may be, but each person is going to be listed starting with the first issue and ending with the third. Seek these issues out at the first opportunity, as they will certainly become more and more scarce!

Issue #1 – cover by Larry Lieber (Romita alterations) and Mike Esposito; interior work by Tony Isabella, Gene Colan, Tom Palmer, Jean Izzo, Carl Wessler, Alfredo Alcala, Larry Lieber, Miguel Ripoll Guadayol, Dave Hunt, Doug Moench, Win Mortimer, Charlotte Jetter, Ralph Alphonso, Adolfo Buylla, Paul Reinman, Dave Gibbons, Dick Ayers, Mike Lombo, Stan Lee, and George Roussos.

Issue #2 – cover by Gil Kane and John Romita; interior work by Linda Fite, Ron Wilson, Jack Abel, Janice Cohen, June Braverman, Carl Pfeufer, Tom Orzechowski, Don McGregor, Paul Reinman, Ed Winarski, Stan Lee, Al Eadeh, Bill Everett, Don Heck, Artie Simek, Manny Stallman, John Forte , and Carl Burgos.

Issue #3 – cover by Ed Hannigan and Bernie Wrightson¬†(letters by Danny Crespi) interior work by Alfredo Alcala, Len Wein, Marie Severin, Dan Adkins, Gaspar Saladino, Bernie Wrightson, Roy Thomas, Artie Simek, Stan Lee, Gerry Conway, Barry Windsor-Smith, Sam Rosen, Allyn Brodsky, Jack Katz, Gene Colan, Mike Esposito, Marie Severin, Jean Simek, Jack Kirby, John Verpoorten, Denny O’Neil, Tom Sutton, and Marv Wolfman.

 

 

 

 

The House of Mystery 227, 1974 “The Carriage Man!”

After being a Marvel Zombie for many moons, I really cranked up buying DC comics over the last few years. Focusing mostly on horror (and the absurd), the 100page issues are where the bargains live! These books are fantastic and are packed full of comic book goodness. With eight stories, this 100 page book brings it with the heat of a demon, or maybe the hair of the werewolf, or…well, you get it.

This issue has a great list of creators that includes- Michael Fleisher, Nestor Redondo, Joe Orlando, Sergio Aragon√©s, Don Glut, Joe Maneely, Paul Levitz, Alfredo Alcala, and more! Each story has it’s own unique flavor because of the myriad of creators in this one. It also contains one of the best clown stories ever (definitely not as good as “Night of the Laughing Clown” by Steve Gerber though)! Definitely seek out these 100page books, especially the horror titles!

 

 

 

A Steve Ditko tribute!

The giants are leaving us. There is no two ways about it, and a small part of me gets angry about that fact for a couple of reasons. First, because I didn’t get to meet most of them, and secondly because not enough attention is given to these brilliant creators until they pass away (except in the small community of hardcore comic book fans). A great bit of sadness fell over me when I hard of the passing of Steve Ditko.

Whether you believe it or not, the man created Spider-Man (with a bit of direction from Stan Lee), and all the classic villains that were a huge part of making the hero what he was in the comic books. He also created (co-created, depending on your opinion) my personal favorite character Dr. Strange. Not to mention The Creeper, Hawk and Dove, Speedball, The Question, Mr. A., and so on. To call him a genius is no overstatement, and just a glance at his creativity on paper is all the proof you’ll need. Monsters, Superheroes, Science fiction, horror, humor, etc., he did it all.

Why he left comics doesn’t matter, nor his personal beliefs. He was a kind man, that kept to himself and hurt no one. He gave us his imagination for a long time and we should all be grateful for that! Godspeed, Sturdy Steve!

 

 

 

 

DC Special 12, 1971 “The Viking Prince”

Some people buy books for the writer, artist, characters, or all three. There even times (like this one), where I’ll buy a comic just for the cover artist not even knowing what the interior story or art looks like. When you see a cover by the legendary Joe Kubert, pick it up. Even if the interior content is mediocre, you’ll be in possession of a thing of beauty. The war comics occupy most of my personal Kubert comics, but when I saw this particular cover at a good price, it was a no-brainer.

If you get the chance to buy this book, don’t pass up it up. The interiors are a wealth of gorgeous artwork from Joe Kubert and Russ Heath! The Viking Prince stories are written by Robert Kanigher, Bill Finger, and Bob Haney (Kanigher also wrote a ton of war comics, Finger needs no introduction because he’s the true creator of Batman, and “Zaney” Bob Haney wrote some insane Batman stories). The back up stories were written by these gentlemen as well as Ed Herron. A better collection of Viking Prince, and related stories cannot be found in a single issue! These artists have given us all a gift with this book.

 

DC Comics The Superman Family!

A while back I spotlighted the very first issue of this title I bought (#166), because I thoroughly enjoyed how campy the stories are! Typically more adventurous or serious comics catch my eye but the DC comics from the 1960s and early 1970s are absolutely fantastic. Most of the time I get a laugh from the content although that wasn’t the intended purpose back in the time when these were written. Whether it was Lois Lane, Jimmy Olsen, Supergirl, Superbaby…or Bizarro, you see some very strange, bizarre, and highly entertaining stories in these books.

All the issues have a good mix and the later issues have a big focus on Supergirl (which is fine by me because I don’t own many comics with her featured in them). For any fan of Silver or Bronze Age wackiness, action, and Super-people, these are the books for you!

 

Marvel Treasury Edition 2, 1974 “The Fabulous Fantastic Four”

In the comic book hall of fame, there are a lot of great stories. Single issues, trades, whatever the format, dozens come across one’s mind immediately. Star-spanning adventures, tales of morality, love, tragedy, etc., take your pick. The format is one of the most underappreciated of all time, no doubt. One of the best examples of the different story types is none other than Marvel’s first family, the Fantastic Four! The familial aspect, love, loss, tragedy, comedy, etc., you get it all with them, especially under the creative eyes of Jack “King” Kirby and Stan “The Man” Lee!

After recently purchasing Marvel Treasury Edition 2, I finally read the epic story The Galactus Trilogy! This first encounter for Earth with a literal and figurative giant of the cosmos is so incredible, you will feel as if you’ve been through a war after reading it! And, not only do you get that incredible story, but also Dr. Doom, the Submariner, and The Impossible Man! With the back issues being extremely pricey, this is a great way to get to read these legendary stories and not break the bank! Finally, apologies for the low quality of the images (my scanner isn’t big enough to accommodate Treasury sized books). Enjoy!

 

 

 

Doctor Strange Master of the Mystic Arts!

As we march forward to another season of Marvel movies (Black Panther is here, and The Avengers in May, followed by Ant-Man and Wasp), it’s a good time to put the spotlight on my favorite sorcerer, Dr. Strange! It seems he’ll be quite a big part of The Avengers film (and hopefully others!), and you never know what time period of the comics the creative team will pluck ideas from to insert in the films. One thing is for sure, in the late 1960s, Marvel released volume one of the good Doctor’s stand-alone series (after Strange Tales concluded), and it was fantastic!

Roy Thomas (writer) had already been at Marvel for a couple of years, and proved himself on the X-Men, The Avengers, and so on. His work here is just as powerful as it was on those titles. Artistically, the first few issues were drawn by Dan Adkins. Not a household name for those on the outside looking in at comics, but for those on the inside, he’s known as an excellent artist. He was then followed by Gene “The Dean” Colan (pencils) and Tom Palmer (inks)! These two gentlemen would go on to do many great issues together on several different titles (most notably The Tomb of Dracula).