After searching far and wide for an affordable copy of this book, I found it at a small show for a few bucks. The guy I bought it from actually gave me a deal on multiple books, so the price was definitely right. I already knew some of the contents, and was pumped to read it. When the first story of the book has work by a legendary creator, you know it’s gonna be a good time. Honestly, the entire book is filled with giants of the industry. The cover is by “Jazzy” John Romita!
Right out of the gate, you get “At the Stroke of Midnight.” This one has been reprinted a couple of times, and once you check it out, you can see why. A creepy tale about a haunted castle, brought to us solely by Jim Steranko! He wrote, drew, and colored this amazing story! As usual, Steranko sets a mood immediately, and this is one of his calling cards when creating a comic book. He knew exactly what he wanted to convey to the reader, and executed it flawlessly.
The second tale in this nightmarish book (“From Beyond the Brink!“) is one by a classic horror artist that worked for the best in the biz at the genre. Johnny Craig was a mainstay at E.C. comics during their heyday (pre-Wertham, and the Senate hearings of the 1950s). What’s astonishing is that not only was he the artist, but also the writer of this one. A story that involves a man that attempts to expose mediums for the fakes they are, but a twist ending is chilling!
Lastly, Digger introduces us to “A Time to Die!” This one brought to you by Stan Lee (script) and “Big” John Buscema (art), and involves an old scientist that wants to find an elixir that will allow him to live forever. The scientist has an assistant that also has eyes on the elixir! No matter what the genre, John Buscema always looks like a pro. His skills are unparalleled in the Bronze Age.
I felt it was long overdue for a blog post nothing short of ridiculous. Jimmy Olsen marrying a gorilla seemed quite apropos. This story isn’t actually the first one in the book believe it or not. That honor belongs to “The Four Clocks of Doom!” in which Jimmy and Superman must deal with Tempus, and his Doom Clock! Yeah, it’s not that scary, but it is a lot of fun. Jimmy gets a tour of Tempus’s home and it’s hilarious. But lets get back to Jungle Jimmy! Of course the cover doesn’t exactly match the interior story, but Jimmy, Clark, and Lucy Lane find themselves in the jungle while a sleazy movie producer/director (von Spitz) takes advantage of the indigenous peoples naivety. No, Superman doesn’t marry Jimmy and the ape, and in the end, he actually saves him from her (as she’s making advances on him).
The Jungle Jimmy story was written by long time Supes scribe, Leo Dorfman. He wrote a ton of stories during the Silver Age about the boy scout. The artwork is by Pete Costanza, and to be honest, I don’t think I’d ever heard his name before. Looking into his past, he started out at Fawcett, and became an assistant to C.C. Beck. Remarkably, he taught himself to paint left-handed after losing the use of his right arm from a stroke. The Tempus story was written by Otto Binder art by Costanza again. The crazy cover is by Curt Swan and George Klein!
“Ridin’ that train, high on cocaine, Casey Jones you better watch your speed,” The Grateful Dead famously said in a song. Maybe they were talking about the Nightmare Express? If so, drugs might be a good scapegoat for this one (just kidding). Anyway, there are three cool stories in this one and all of them are completely crazy. Translation- it’s an a awesome book!
The first story is about J’onn J’onzz, the Manhunter from Mars! Now don’t get too excited, as he’s fighting the “Giant Genie of Gensu”…yeah. So that story isn’t the greatest, but it has really cool artwork with some hilarious shenanigans (Jack Schiff, writer, art by Sheldon Moldoff, letters by Ira Schnapp). Next up is a tale called “The Human Hurricane!” Mitch Anderson is a guinea pig for scientist and ends up becoming, you guessed it, a human hurricane (story by Jack Miller, art by Joe Certa, and letters by Stan Starkman). Lastly, we climb aboard “The Midnight Express!” But don’t expect to see John Hurt or Randy Quaid, as this one has Detective John Sutter, on his way home from work, and he gets a ride on a train that he’ll never forget. Or was it even real (written by Jack Miller, art by Bernard Baily, letters by Stan Starkman). This very groovy cover is by Jack Sparling!
After a few weeks of superheroes, it’s time for more monsters! Not the usual Bronze Age fare (well technically not even though this is a reprint from 1970), but material from the preceding Silver or “Atlas Age” at Marvel comics. During this time, you had Stan Lee writing and editing just about everything (some work by Larry Lieber and a few others, but the overwhelming majority was Lee), and two giants of the industry penciling. Jack Kirby and Steve Ditko are undoubtedly two of the most influential creators of the medium, but not for this material, as most know. But, don’t sleep on these comics, because they do offer some really good artwork, and some interesting stories as well.
The four stories in this reprint book are all very different, as one features a giant monster (The Return of Taboo, Strange Tales 77, 1960), a sorcerer (The Strange Magic of Master Khan, Strange Tales 77 as well), aliens (We Met in the Swamp, Tales to Astonish 7, 1960), and a ghost (I Lived a Ghost Story, ST 7 as well)! Credits include – Stan Lee, Jack Kirby, Steve Ditko, Paul Reinman, Dick Ayers, and Artie Simek (with possible alterations by Marie Severin).
On this April Fool’s Day, there is no joking around here! My all time favorite artist is Gene “The Dean” Colan, so it’s a special occasion when I get a book with his work in it! Most think of Gene when they hear Tomb of Dracula, and rightly so, but his work on superheroes like Captain America and Iron Man was special, too. Most also probably think of Kirby when the subject of machinery and technology are discussed, but when Gene drew these types of images in Iron Man, he was excellent at it.
In this issue, it’s up to Tony Stark A.K.A. Iron Man, to stop some Cuban Commies and their newest weapon, The Crusher. A pumped up, nigh invulnerable guy that’s ready to take down the Golden Avenger! Can Iron man take down this make-shift Frankenstein Monster?
Written by Stan Lee, pencils by “Genial” Gene Colan (cover as well) inks by Frank Giacoia (cover as well), and letters by Sam Rosen!
The second tale in this book is one that features Captain America, and his old foe, The Red Skull! This trippy tale is by Lee (story), Gil Kane (pencils), Joe Sinnott (inks), and AL Kurzrok (letters).
The Bronze Age will always be a huge focus for this blog, but honestly, the late Silver Age is when Marvel comics really started to turn the corner and become not only an innovator, but also super cool. The words trippy and groovy come to mind immediately when you look at their books from this period. The majority of their characters were in place, and the comic book revolution was in full swing by 1969!
This was also a sad time for Marvel, as Jack “King” Kirby was just about to leave the company for greener pastures over at DC comics. He’d have the freedom to write, pencil, and edit his books there, and who wouldn’t be excited about that (plus get paid more as well). The mighty Thor was taken to new heights by Kirby recently, as he’s been to space and met the force of nature known as Galactus, and the malevolent Ego the Living Planet!
In this issue we get a huge battle between Thor and Sif and Pluto and his hordes of the underworld! Fear not, as we’ll also see Balder the Brave, Thor, and even Zeus himself! This book is action packed, and really shows the scope of the Marvel universe as it pertains to the realms of the gods!
Written by Stan Lee, art by Jack “King” Kirby (pencils) and Vince Colletta (inks), and letters by Sam Rosen! The magnificent cover is also by Jack Kirby and Vince Coletta (with colors possibly by Marie Severin)!
All I needed to see was Lois Lane gets super powers, the bottle city of Kandor, and a mutant breed of toy-size ponies! Yes that’s all it takes. It’s the simple, crazy things in life that are amusing, and never lose their humor. Silver Age comics (especially DC), are a wonderland of humorous tales that is never-ending. Superman is probably the best example of this trend. It took quite a long time for DC to turn towards some more serious stories, but the material presented here might not be Alan Moore’s Swamp Thing, but it’s a ton of fun.
And, as if the main story wasn’t ludicrous enough, we get a back up story about Lois as a toddler, getting into shenanigans. Yes, chasing a snake, “driving” a car, etc., you get the drift. A book with two insane tales, and lots of laughter. The dialogue in the first story is especially entertaining. The book is Silver Age DC comics personified.
The cover is by Neal Adams, who was very prevalent at DC in the late Silver and Bronze Ages. Moving inside, we get both parts of the Super-Lois story from Leo Dorfman, who also wrote for Dell, Gold Key, and Fawcett. The guy wrote a ton of Superman stories during this era. The artwork is by Irv Novick (pencils) and Mike Esposito (inks). Both men give us a quality job for sure (as you’ll see) in both parts. Lastly, we see the back up story created by two giants in Jerry Siegel (writer) and Kurt Schaffenberger (art)!
Observing Veterans Day is just another great reason to post about a war/military comic! Once again, the pages turn in a DC comic, as we see the famous stories in G.I. Combat! The men and women who served this great country deserve our appreciation, and will always get mine. Now, lets talk about the awesome action in this book!
There are only two stories in this book, but between them, the advertisements, and the extras, you can’t go wrong with this book. Speaking of stories, the first one (Battle Origin of the Haunted Tank) gives us a look at The Haunted Tank! Crafted by Robert Kanigher (writer), and the legendary Russ Heath (art and cover). If you’ve never read a story with the Haunted Tank, get an issue immediately. Great, fun stuff! The second story, “My Witness–the Enemy,” is a good one as it has some aquatic action! Frogmen, boats, a submarine, pistols and planes, this one has it all! Written by Hank Chapman, with art by Jack Abel (letters by Gaspar Saladino).
On this Veterans Day, I thought it fitting for #WarComicsMonth I’d spotlight Marvel Comic’s greatest military man, Sgt. Fury! Yes, kids, before he was a super spy, and head of S.H.I.E.L.D., he was a bad man serving in the United States military! Now he’s portrayed as more of a thinker that’s reserved and doesn’t soil his hands in physical combat, but back in WWII, he could kick butt like no other (well, except maybe Captain America of course).
In this over-sized issue, we get two stories to sink our teeth into! The first, “Armageddon (from Sgt. Fury 29, 1966),” shows our man Fury, and his seemingly never-ending battle with his arch nemesis Baron Strucker! These two men have been all but equals over the years (with Fury almost always getting the upper hand of course), and the disdain for each other is at full capacity! Written by Roy Thomas, with art by Dick Ayers (pencils), and John Tartaglione (inks). Then, Sgt. Fury and his Howling Commandos must face “The Incident in Italy!” This one must’ve been a fan favorite, as it’s been reprinted at least twice (originally published in Sgt. Fury 30, 1966)! The same creative team brought that one to life as the previous issue (and the cover to this issue as well!). Both tales were edited by Stan Lee and lettered by Sam Rosen!