Magazines and Monsters Episode 33, The Witching Hour 1, 1969!

Hey hey! Here’s a quick link to check out a fun conversation I had with Max, from the Weird Warriors Podcast (with his partner in crime, Rich!)! We talked some cool DC 1970s horror (ok, technically 1969) with this number one issue. It’s available on the DC app to check out and read along! Thanks for checking in! 

 

Click the link below for the episode! 

https://podcasts.apple.com/us/podcast/magazines-and-monsters-episode-33-the-witching-hour/id1459643898?i=1000551532449

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Halloween Spectacular! Featuring DC comics “The Witching Hour!”

I really struggled with this year’s Halloween blog post at first. Typically I know well in advance what material I want to spotlight for Halloween, but 2020 was different (heh). In this issue of The Witching Hour, we get a ton of content, as this is a Super Spectacular 100 page issue! All started off by a fantastic cover by Nick Cardy! Thirteen unlucky stories reside within these pages (not counting the intro/outro), so there’s no time to waste pontificating!

 

 

First up, we have “Makers of the Mist.” This is a tale of a cursed village, and an unspeakable evil that resides in the nearby mountains! Written by Gerry Conway, with art by Murphy Anderson and letters by Irv Watanabe! Fun little tale, but the ending doesn’t really fit a horror book. Awesome art by Anderson, though.

 

 

Til Death Do Us Join,” is a very strange tale involving grave robbers, and one in particular that marries…a corpse? Written by Bob “Zany” Haney, and art by Pat Boyette (he did a lot of work for Charlton).

 

 

The next story, “The Ever Constant Drum” shows a slave trader in Africa that winds up on the wrong (or right) side of the whip! Story by David Kaler, art by Reginald and Stanley Pitt.

 

 

In “Save the Last Dance for Me,” we see a millionaire and former Broadway star that has a bad attitude and an incredibly awful moral compass, named Thurgood Trapley. He’s paid a scientist/inventor to invent a time machine. The man actually does it and we see the future which shows some wild scenes, one of which shows Trapley fighting a Dalek (not kidding here). Written by Denny O’Neil, with art by Pay Boyette.

 

 

The next story is called “Eternal Hour.” In this one we have a haunted clock tower, a diminutive person, and a shock ending! Written, penciled and inked by Alex Toth!

 

 

This next story might have the greatest name in the history of comic books. “The Perfect Surf or How to Make Waves Without Really Trying!” A fun tale that ends in a hilarious way! I can’t help but think of Point Break when I read this one! Art by Jack Sparling.

 

 

On to “The Man with the Stolen Eyes.” This Golden/Silver Age reprint (1956) has no creator credits, but is a gem of a story. Reminiscent of the EC comics stories of the time, it involves a blind man that uses bribery to get his sight back, but eventually, regrets it!

 

 

Other than inks by George Roussos, this is another tale with credits that are tough to find. “Brush with Death”  -Is there such a thing as a haunted painting? Well, after you read this story, you will believe!

 

 

Another reprint is upon us, and “Dream Girl” is one for the ages. A wizard, an occult convention, and a man obsessed with a vision of a woman he’s in love with are the subject of this wild one! Art by Bob Brown and Jim Mooney, with letters by Artie Simek.

 

 

Mildred is our host for this next story. “The Demon in the Mirror” is more of a standard horror story from the time (1952). A hood is taken out by a regular Joe, but he vows revenge by any means possible! Written by Robert Kanigher, art by Alex Toth and Sy Barry, with letters by Gaspar Saladino!

 

 

The Phantom Ship” is about a crook who’s breaking into cabins aboard a ship and looting them. He then slips on the deck and falls into the ocean. What happens after that is absolutely ghastly! Art by George Papp.

 

 

In the penultimate story “Round Trip to the Past,” Cynthia (the host) tells us about a man who inherits some antiques, one piece of which is a diary that tells a spooky tale about a wizard from the year 1297! Art by George Papp, and letters by Artie Simek.

 

 

Finally, we get “Trail of the Lucky Coin!” According to legend, if you find the lucky coin and then give it away to someone, you’ll be brought luck! A bus load of people that end up in a crash might not feel very lucky, though! Writer, Jack Miller, pencils by Mort Drucker, letters by Gaspar Saladino.

 

 

 

Eerie 51, 1973 “Special Issue, Best Stories Ever!”

In this, the final installment of my  Warren Publishing Halloween spectacular, we get an all-out “best stories” issue! The issue brings some interesting stories for sure, but some similarities to comics/characters that would come later down the road from other publishers (I’m looking at you, Marvel). But when they say it’s a best of issue, they weren’t kidding. And, as a bonus, you get seven big stories in this issue rather than the usual six! All started off with a beautiful painted cover by Sanjulian!

The first story is one that shocked me quite a bit. Not really because of the content, but one of the characters has a strong resemblance to Gamora of the Guardians of the Galaxy. And just so it’s clear, this came out two years previous to Gamora’s first appearance. OK, back to the story. “A Stranger in Hell” is a mysterious one that shows a man that cannot remember his name, and is lured deeper into a realm that closely resembles Hades itself! Written by T. Casey Brennan, and art by Esteban Maroto!

The following story is entitled “Pity the Grave Digger!” It shows a gruesome tale of a graveyard full of vampires! And if that wasn’t enough, we also get something else insidious that will gnaw on you! Story by Buddy Saunders, and art by Auraleon.

The third selection is an absolutely terrifying yarn! “The Caterpillars,” is about a secret government lab, and something called Project X-3. Something rises from a grave, and later an autopsy reveals a worm was inside a skull, eating away at the victims brain! Written by Fred Ott, artwork by Luis Garcia!

Evil Spirits” gives us not only two iconic creators I’ll mention in a second, but first there’s a woman that has disturbing dreams. By the end of it, she’s swinging an axe, but at whom? Story by Archie Goodwin, art by EC legend, Johnny Craig!

In “Head Shop,” a man takes an interest in an odd dummy head. The head seems to change it’s facial expressions, and become almost psychotic! In fact, if the man keeps obsessing he might end up losing his head over it. Written by Don Glut, art by Jose Bea.

The next story is another treat because of the creative team. “Vision of Evil” is quite a yarn. This one shows us an artist that has a flare for the dramatic with his horrific paintings. There’s only one problem…they’re a bit too life-like! Written by Archie Goodwin, with art by Alex Toth!

Finally, “The Curse of Kali!” This tale involves British soldiers and a bizarre adventure in India. By stories’ end, most of the soldiers don’t make it out alive to tell the tale! Story by Archie Goodwin, with art by Angelo Torres!

This issue is a must have for any Warren mag, horror, or fan of Archie Goodwin and these fantastic artists!

 

 

 

 

 

 

 

 

 

 

 

 

DC Limited Collectors’ Edition C-23, 1973 “The House of Mystery”

As October is finally winding down, one more over-sized book must get the royal treatment! And there is not a better place to walk into than The House of Mystery! Over the years that title has had many themes (pre-code horror, superheroes, then back to horror), but it really didn’t take off until 1968, when editor Joe Orlando took over the reigns (issue 174). Within just a few issues, we saw the first professional work of the most seminal horror artist of the Bronze Age, Bernie Wrightson (issue 179). Some would argue he’s the horror artist of all time, and there’s a good argument for it, but obviously that subjective, and could be talked about for decades (and probably will be).

Looking specifically at this book, we get a Nick Cardy cover, and his contributions to the comic book world cannot be in question. His decades-long  work for DC comics is nothing short of astounding. Inside we get a frontispiece by Jack Sparling, with the familiar host, Cain, telling us we are about to be in for a surprise! The first story, “The House of Gargoyles,” is scripted by Jack Oleck, with art by the aforementioned Sparling. Next, there is an incredible story called “The Secret of the Egyptian Cat.” Written by Robert Kanigher (long time DC scribe that wrote many war stories), and although he does a fine job, the artistic prowess of Bernie Wrightson is what really makes this one memorable.

The third story (“The Widow’s Walk“) is another good one, with Howard Post scripting, and the art team of Neal Adams and Joe Orlando! Very good story top to bottom! We are then treated to a two-page splash of Cain by Wrightson (black and white version), and the image is absolutely stunning. A better, more iconic image really doesn’t exist in comics. Another story (“His Name is… Kane“) with another hall of fame artist follows, as Gil Kane (pencils) and Wally Wood (inks) bless us with an art combination for the ages. The script is by Mike Friedrich, who worked for DC and Marvel during his career. As if all of this wasn’t enough, enter Alex Toth (art) with “The Devil’s Doorway.” Another script by Jack Oleck, and once again, no offense meant, but the artwork really lifts this one up quite high. Toth is a master that did everything his way, and should be lauded for it. Lastly, we get another gem from Neal Adams, Joe Orlando, and Robert Kanigher. “Nightmare” is the perfect way to finish off this extraordinary book! The book is also filled with funny pages by Sergio Aragonés, and even features a cut out, table top diorama on the back cover!