Don’t be alarmed, but this issue is actually part four, the conclusion to a crossover with The Avengers (155, 156, along with SVTU 9). In this wild story we see everything from Dr. Doom, two of him to be exact…then the Avengers, Shroud, The Whizzer, the Ringmaster and his Circus of Crime, Attuma, and of course the Red Skull!
It was only 1976, but this crossover had a a lot going on. You have Cap and Doom, first fighting, then agreeing to team up against a common foe. Then we have Subby fighting off an attack on Atlantis. And if all that wasn’t enough, you see a fake Dr. Doom (Rudolfo) and Shroud being attacked by the Red Skull and his forces who have taken over Latveria! Yeah, a lot going on, but a ton of fun!
The credits for this book are a roll call of Bronze/Copper Age awesomeness. You get Bill Mantlo (Micronauts, ROM) writing this one, and it fits his style perfectly with all the shenanigans. The art team is Bob Hall (pencils) and Don Perlin (inks), and these two guys work very well together. The rest of the team is Denise Wohl (letters), Don Warfield (colors), and Archie Goodwin (editor)! And the fabulous cover is by Gil Kane and Ernie Chan (some alterations by John Romita)!
They say that imitation is the sincerest form of flattery. I agree, and in the case of this issue of the Fantastic Four, you can definitely see that the entire thing is an homage to Jack Kirby. The Fantastic Four are awesome enough, but throw in the Inhumans, and Thraxon the Schemer, and you get a Bronze Age winner! Alright, the big draw isn’t Thraxon the Schemer, but a throw-down between the Sphinx and Black Bolt! Yes, these two heavyweights go toe to toe, and this is one brawl you can’t miss!
When the epic adventure starts with an incredible cover by “Big” John Buscema (pencils) and “Joltin” Joe Sinnott (inks), you know you’re in for a great visual story. The FF at this time was under the guidance of “Marvelous” Marv Wolfman (writer & editor) and he really crafted some cool cosmic tales during his tenure. The interior work was also very good, and we have Bob Hall (pencils, first half), Keith Pollard (pencils, second half), and Bob Wiacek (inks) to thank for that! Rounding out the team is Glynis Wein (colors) and John Costanza (letters).
To close out the 1970’s, Chris Claremont had a short stint on this title, as it had become a bit of a merry-go-round of creative teams for the last couple of years. Claremont took his turn (as if he didn’t have enough on his plate with the then resurgent X-Men!), and didn’t disappoint. He brings a new character to the book, named Sara Wolfe. She’s an “old friend” of the Doc’s, and you can immediately see the “Betty and Veronica” approach taking a foot-hold on the book. Matched with the eerie artwork of Gene Colan, this book definitely reminds you of a horror story. Speaking of the story, Wong gets captured by an unknown foe, then the Doc must face Native American demons, for his eternal soul!
Written by “Superscribe” Chris Claremont, pencils by Gene “The Dean” Colan, inks by “Delightful” Dan Green, letters by “Terrific” Tom Orzechowski, colors by “Boisterous” Bob Sharen, and edited by “Joyful” Jo Duffy! Don’t forget the awesome cover by Bob Hall and Terry Austin! A great creative team for the greatest sorcerer in the universe! Enjoy!