Dark Horse Comics: Frankenstein Underground!

It’s Halloween, so I had to fire up the blog for a couple of posts! Just a quick one here to notify everyone that this book is a must have for anyone that loves anything Mike Mignola! His work with Hellboy, BPRD, and everything else is fantastic! The artwork by Ben Stenbeck (pencils/inks), Dave Stewart (colors), and Clem Robins (letters), is nothing short of spectacular! You’ll see the Monster in every situation possible in this book, and Mignola does an incredible job with this book.

 

Advertisements

Cinema Sunday: Top Ten Hammer Films!

Lets cut to the chase, I’m a Hammer studios addict, and that being said, we all know they’re the greatest studio to produce horror films that ever was, is, and will be. With stars like Peter Cushing, Christopher Lee, Barbara Shelley, Veronica Carlson, then adding great character actors like Michael Ripper, Oliver Reed, Andrew Keir, Andre Morell, etc., and under the direction of Terence Fisher, John Gilling, Anthony Hinds, and Jimmy Sangster, their films have no competition (overall in the broad sense).

Obviously an argument could be made for Universal, but I tend to look at it as Universal being the foundation and Hammer being the house. Yes, you do need a solid foundation but no one looking to be a home owner is excited about stone and mortar. When is the last time a party-goer entered a house and complimented the owner on the cinder blocks? Important, yes. The best part, I think not.

So, with all that being said, here are my top ten Hammer Studio films! Keep in mind, just straight up horror films here for the most part! Enjoy!

 

10. Frankenstein Must Be Destroyed (1969)

  • This film isn’t perfect by any means, and the rape scene is absolutely ludicrous (Dr. Frankenstein would never commit that act). But when there is action a-plenty, gruesome murders, and one scene of dialogue in particular that sums up the good doctor perfectly. Cushing is on top of his game for sure in this film, as usual. Oh, and the gorgeous (and most beautiful Hammer girl in my humble opinion) Veronica Carlson is in this film.

9. The Abominable Snowman of the Himalayas (1957)

  • A Hammer film about a Yeti? Yes! This black and white gem is nothing short of incredible. It’s not because a Yeti invades an encampment and starts tearing people’s limbs off, then beating them over the head with them (although that would be cool), it’s because the film builds tension and the suspense is great. Think John Carpenter’s The Thing (1982). Yes, in that film there are plenty of gruesome moments, but its the suspense he builds that makes the film outstanding.

8. The Reptile (1966)

  • 1966 was a great year for Hammer studios. Five films and four of them were very solid films. This one in particular is a favorite of mine because of Jacqueline Pearce. She portrays a young woman who is seemingly kept prisoner by her own father. We later find out why he’s so overbearing. Her performance is quite good along with a larger than usual role for Hammer stalwart, Michael Ripper. Anytime he gets more screen time, the film is better for it! Good sets and atmosphere in this flick.

7. Dracula: Prince of Darkness (1966)

  • Not wanting to be typecast, Christopher Lee bowed out of playing Dracula after Hammer’s first film starring the count (more on that one later). The franchise did suffer without him briefly, but he returned to the role that put him on the map a few years later in this film. With no dialogue (Lee has his version why and so does Jimmy Sangster (the writer) about why), Lee manages to be extremely menacing and cements himself as the best Dracula ever.

6. The Plague of the Zombies (1966)

  • In this movie, André Morell shows us just how good he can be in a horror film. Not only is he the “hero,” but also a concerned, loving father, a friend, a smartypants, and a gentleman, all at once. throw in another appearance by the lovely Jacqueline Pearce, along with Diane Clare, John Carson (a great lout in this one!), and once again, Michael Ripper! Great atmospherics, music (James Bernard), and sets in this one.

5. The Gorgon (1964)

  • This one is based on a classic Greek myth of old and stars Cushing, Lee, Shelley, and had Terence Fisher directing, and John Gilling writing. The gang’s all here for this one, and it really does put on quite a show. An insane asylum, a corrupt town hiding a secret, Cushing in more of a heel role with Lee more of the hero along with a fine performance by Richard Pasco. This is a film that can be watched every so often and never get tiresome. Another film with a noteworthy musical score as well as excellent sets.

4. (Horror of) Dracula (1958)

  • The first Dracula film by Hammer, and it’s still probably the best Cushing/Lee team up of all time. Cushing is an excellent Dr. Van Helsing, and Lee was born to wear the fangs and hiss at audiences with blood dripping from his lips. Michael Gough is also on top of his game here with George Woodbridge in a small role as he had in multiple Hammer films. Never miss an opportunity to see this film.

3. The Mummy (1959)

  • Hammer really went away from the original 1932 film (Boris Karloff), borrowing elements from other films and adding in their own ingredients, and mixing it all together. This film is definitely in Peter Cushing’s top five performances of all time. He really commands the scenes and shows why he, along with Lee are the faces of Hammer films. Very good sets, and the action scenes are tremendous.

2. The Hound of the Baskervilles (1959)

  • Another film with the dual threat of Cushing and Lee, we also get André Morell as well! In this adaptation of Sir Arthur Conan Doyle’s famous novel, we see Cushing (Sherlock Homes) and André Morell (Dr. Watson), play off of each other wonderfully. Throw in a solid performance by Christopher Lee, an incredible score by James Bernard, all under the watchful eye of director Terence Fisher, and you get one of Hammer’s best films no matter what genre you compare it to!

And the number one film is…

 

The Curse of Frankenstein (1957)

  • In this first horror film collaboration between Cushing and Lee, you can see the teamwork and power these two have together. Cushing is perfect for his role as the morally ambiguous doctor, as is Lee in his depiction of the unfortunate creature. Good performances by Robert Urquhart, Hazel Court, and Valerie Gaunt, add to the great gift this film truly is for film addicts. The beginning of the film, the flashback that dovetails around right back to the beginning/end is marvelous in every sense that a film can be. This is the one that started it all (the great horror run for Hammer)!

Honorable mention for films that didn’t quite make the cut (pardon the pun)!

Brides of Dracula (1961)

Dracula Has Risen from the Grave (1968)

The Curse of the Werewolf (1961)

Frankenstein Created Woman (1967)

 

 

Frankenstein #10, 1974 “”The Last Frankenstein”

After a short (but glorious) run, Mike Ploog handed over the reigns to the Frankenstein title. ‘Big’ John Buscema  was the man drafted to do the job (pencils), and did he ever impress! He didn’t do a ton of horror throughout his career, but when he did, it was impressive. I loved it when this title went off the reservation with its stories, because the sky was the limit. There could be a flashback story or one in present-day! This story involved an ancestor of the original Baron Frankenstein, and he wants to capture the Monster for a sinister reason that only he knows!

No matter who your favorite creative team is on this title, you have to love this issue! Gary Friedrich was the writer, and does a great job, as usual. His work on titles like this and Ghost Rider, are very solid. Of course, it doesn’t hurt when you have an illustrating team like ‘Big’ John Buscema and inkers Frank Giacoia & Mike Esposito, either. The colorist was Petra Goldberg, the letters by John Costanza. Carefully edited by ‘Rascally’ Roy Thomas, and cover by Mr. Gil Kane (inks by Romita)!

 

Image (14)

Image (15)

Image (16)

Image (17)

Image

Image (2)

Image (3)

 

 

 

The Invaders #31, 1978 “The Invaders Meet Frankenstein”

In keeping with the horror theme, I thought I’d throw out another issue featuring that patchwork fellow, Frankenstein’s Monster! In this issue of  The Invaders (#31), we see the machinations of the Nazis, as they’ve not only captured the monster, but brainwashed him as well! Their goal (lofty as usual) is to replicate the process by which he was made, and create an army of undead soldiers to conquer the world! They’ve not only captured Cap and Bucky, but also the Human Torch and Toro, too.

This issue (along with the previous two) was written by Don Glut, with pencils by Chic Stone, inks by Bill Black, colors by George Roussos, and letters by Tom Orzechowski! A quirky little story that just adds to the mystique of  The Invaders! Overall this series was quite entertaining, especially when under the guidance of Roy Thomas! We saw a couple of Kirby covers, as well as Gil Kane. Interior work by names like Kupperberg, Robbins, and even Don Heck! Check out that awesome cover by the incomparable Joe Sinnott!

 

Image (51)

Image (52)

Image (53)

Image (55)

Image (56)

Image (57)

 

 

 

The Monster of Frankenstein #4, 1973 “Death of the Monster!”

Recently, on Mike Ploog’s Facebook page, he noted that this issue was probably his favorite. So, yeah, that’s inspiration enough for this guy to write something down, and post some scans of the awesome artwork that is Mike Ploog. In this issue, we see the Monster kill a deer, by tossing a spear at it, he also fights a native people (I think), then after making friends with them, fights alongside them against a warring local tribe. Intense fight scenes, dog-sled action, clubs, axes, spears, you name it, this one has it. In the end though, the Monster just wants to find something, and he gets a tip on where to look for a descendant of his creator!

Written by Gary Friedrich, pencils by Mike Ploog, inks by ‘Jumbo’ John Verpoorten, letters by Artie Simek, colors by Glynis Wein, and edited by Roy ‘the boy’ Thomas! Even if you can’t afford the singles, you can still grab the Marvel Essentials at shows and some websites. The artwork holds up great in black and white!

 

Image (108)

Image (109)

Image (110)

Image (111)

Image (112)