Happy Halloween! I’ve been spotlighting the wonderful additions to my collection from Warren Publishing (Creepy, Eerie) over the last several weeks, and I hope you enjoyed them. Now though, it’s time for some holiday spookiness from the caped crusader himself, Batman! In this issue, we get three stories, but the one I’m going to be focused on is “Wail of the Ghost Bride!” Written by Frank Robbins, with art by Irv Novick (pencils) and Dick Giordano (inks).
The opening splash page shows Batman attacking a man with his back to the audience, and with a ghostly apparition of a woman egging him on to kill her murderer. We then flashback to a time before, and Bruce Wayne is on a flight back to Gotham City. He’s reading a book on unsolved mysteries (cue Robert Stack), and wonders about the death of a woman named Corrine, the heiress to Hellbane Manor. He falls asleep and begins to dream. He wakes up though, and lurches back in terror, as this same woman he read about, Corrine, is outside the window, calling to him to avenger her death. From here, the story follows Batman, as he attempts to unravel the mystery behind the disappearance of the young woman.
The story is a good one, but the overall brilliance is the art by Novick and Giordano. The two make a great paring for a character like Batman, and really showed me that they belong right up there with the other great Batman creative teams. And of course, you can’t go wrong with a fabulous cover by Neal Adams!
I’ll just briefly mention the two back up stories. First is “Rain Fire” written by Mike Friedrich and again Novick and Giordano on art. It’s just ok, and not really my cup of tea (a political/social commentary story). The second one is a reprint from Batman 30, 1945. “While the City Sleep,” is a fun little romp by Bill Finger (writer, and the true creator of Batman with the various ghost artists), with art by Dick Sprang!
Have you ever seen a cover, and thought you had to buy a book even before you looked inside? Well, this comic did that to me, as the incredible work by Nick Cardy drew me in! He’s rapidly moving up on my favorite artists list, and is right up there with my favorite artists for DC comics. His work is always outstanding and on par with anyone.
The story itself is pretty hilarious, and features a villain that we all know and love, well, ok, maybe not all of us love him, but I love Captain Boomerang (created by John Broome and Carmine Infantino in Flash 117, 1960). We see Boomerang going to jail, but then he’s sprung by…his father? That’s right, Boomerang’s father is working on a sadistic scrapbook, that will hopefully showcase Flash’s death!
There is also a backup story involving Green Lantern. We all know Hal Jordan can be quite the imbecile, and this story is no different. We see Hal stomping around like a child, even kicking his lantern at one point. Story by Denny O’Neil, art by Dick Dillin and Dick Giordano.
All I needed to see was Lois Lane gets super powers, the bottle city of Kandor, and a mutant breed of toy-size ponies! Yes that’s all it takes. It’s the simple, crazy things in life that are amusing, and never lose their humor. Silver Age comics (especially DC), are a wonderland of humorous tales that is never-ending. Superman is probably the best example of this trend. It took quite a long time for DC to turn towards some more serious stories, but the material presented here might not be Alan Moore’s Swamp Thing, but it’s a ton of fun.
And, as if the main story wasn’t ludicrous enough, we get a back up story about Lois as a toddler, getting into shenanigans. Yes, chasing a snake, “driving” a car, etc., you get the drift. A book with two insane tales, and lots of laughter. The dialogue in the first story is especially entertaining. The book is Silver Age DC comics personified.
The cover is by Neal Adams, who was very prevalent at DC in the late Silver and Bronze Ages. Moving inside, we get both parts of the Super-Lois story from Leo Dorfman, who also wrote for Dell, Gold Key, and Fawcett. The guy wrote a ton of Superman stories during this era. The artwork is by Irv Novick (pencils) and Mike Esposito (inks). Both men give us a quality job for sure (as you’ll see) in both parts. Lastly, we see the back up story created by two giants in Jerry Siegel (writer) and Kurt Schaffenberger (art)!