Captain America 244, 1980 “The Way of All Flesh!”

Taking a peek at a comic book that gets overlooked because it fits between two legendary runs (Englehart/S. Buscema and Stern/Byrne). Sometimes people forget or just out right malign certain batches of issues because they aren’t widely regarded as gems. There’s a huge downside to that though, as many never get to see books like this one. The second issue of a two-parter, we have a sort of a “monster gone amok” story. But, not just all action, there are some great panels of emotion in this issue as well!

The names attached to this book are some of my favorites. Roger McKenzie (writer- click here for an interview that Roger recently gave on the Charlton website), is probably most famous for his excellent run on Daredevil, or his horror work, but don’t sleep on his other stuff, because the guy knows how to write any kind of story. Don Perlin (pencils) is one of those under-appreciated guys that I hope some day gets the recognition he deserves. His work on Ghost Rider and Werewolf by Night are super cool. An artist that you don’t see much for Marvel (that I know of) in the way of inking another penciler, is Tom Sutton. Like McKenzie, he’s probably most noted from his horror work, and that genre definitely suited him best (but he did do a solid job here). Mark Rogan (letters), George Roussos (colors), and Jim Salicrup (editor), round out the interiors. The cover is by the team of Frank Miller and Al Milgrom!

 

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Iron Man #139, 1980 “Facades, Ruses, and Masques”

In late 1978, David Michelinie and Bob Layton began their collaboration on the title Iron Man. The stories they created together were very good, and both men deserve kudos for that accomplishment. This particular issue occurred a little while after the ending of “Demon in a Bottle” but the effects of that story were still in play. Tony/Iron Man will have to face off against one of his former lovers, but also a woman who is one of his deadliest enemies, Madame Masque!

As I said previously, Michelinie (co-plotter, scripter) and Layton (co-plotter, pencils, inks) had a solid run on this title, even during the times that aren’t as widely known. After their run, things kind of broke down a bit, and the title began to descend into relative obscurity (no offense to Denny O’Neil). The letters were provided by a familiar name, and John Costanza could always be counted on to deliver. Curiously, the colors are by writer/artist, Ed Hannigan, who’s typically not known for his coloring jobs (many more pencil/ink job and of course, writing). The editor was another Marvel mainstay of the times in Jim Salicrup!

 

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