Comic Book’s Unsung Heroes! Steve Gerber!

 

Trapped in a world he never made, Steve Gerber was a writer that not only made his mark with his idiosyncratic style, but if you really dig deep, and explore his work, you’ll see a talent and love for the medium of comic books that was second to none. When Marvel fired Gerber after he threatened a law suit over Howard the Duck, it would’ve been easy for him to pack up and go home. Instead he kept fighting, and stayed in the business. But, most would say what he did before that time was his best work, and I would agree. Welcome to #SuperBlogTeamUp (image by @Charlton_Hero)!

 

 

When Steve Gerber came to New York in 1972, he didn’t show up with a portfolio of ideas and pitch them to Roy Thomas. All he did was take the Marvel writers test, and he was in. At first, he was just a fill in writer, but he eventually made his way to Daredevil and Submariner. He injected some wild characters and elements not seen before into those books, and this is something he’d become known for as the years went by. Alongside Gene Colan, he left his mark on DD (not the level of Frank Miller, but definitely a fun, well remembered run).

Later in 1972, Gerber scripted Adventure into Fear 11, his first shot at the character Man-Thing. This story was more akin to the Marvel horror books of the times, though, but certainly well scripted. In the next issue, we see Gerber as most remember him. Tackling the subject of racism (and for the early 1970s was nothing to over look), Gerber shows not just the evil of the subject, but an extremely good story that makes you think from a different perspective, which is always a good thing. Issue 12 really set the tone for Gerber’s work going forward, as he wrote a story about a hardcore racist and his killing of a black man (excellently rendered by Jim Starlin and Rich Buckler). Not a pleasant ending to this story, which drives his message home even more. His run on Man-Thing is my personal favorite of his works. The way he used a character that cannot speak, along with the framing characters (Richard Rory, who resembles Roy Thomas, Jenifer Kale, etc.) to tell all sorts of different stories is amazing. Oh, and he wrote two other characters that couldn’t speak (or rarely did in Simon Garth, the Zombie and The Living Mummy). This is something I can’t ever recall another writer even coming close to doing at his level.

 

 

Another story of note concerning the Man-Thing, is “Night of the Laughing Dead” (issues 5 and 6 of his own volume one series). The story is pretty deep and focuses on subjects ranging from religion to parental neglect and abuse. Again, heavy subjects, but Gerber uses a Swamp Monster, hippies, and circus performers to tell this must-read story. Steve even wrote himself into a Man-Thing story (Man-Thing 22, volume 1), and it was glorious (image below)!

 

Marvel started a team title in 1972, with a few heavy hitters. Dr. Strange, Hulk, Submariner, and the Silver Surfer adorned the pages of The Defenders. The title had a few different creative teams for the first nineteen issues, but once Gerber took the reigns (issue 20), the title emphatically took off. Over the next twenty-two issues, he’d write some superhero stories (crossover with the original Guardians of the Galaxy), another one about racism (Sons of the Serpent), and two stories that most consider quite insane (The Headmen and Nebulon and the Bozos).  Of course, insanity for one person is entertainment for the other. I fall in the category of the latter.

Most will cite Howard the Duck as Gerber’s crowning achievement, and I’m not enough of an authority to argue any different. That character is certainly the one that he had on many occasions given the impression (or said right out) was his favorite. I’m still trying to obtain everything he’s ever written but that’s going to take some time. But I’ll definitely consider it time well spent. Thanks, Steve, for all the great comic books.

 

 

Steve passed away in 2008, but his legacy and wit still lives on today, as many writers that have come since sing his praises. He was posthumously inducted into the Will Eisner Comic Book Hall of Fame, and received the Bill Finger Award. If you’ve never read any comics by Steve Gerber, do yourself a favor, and give one a try!

 

Please take a look at the other contributors to this round of Super Blog Team-Up! Check out “Creators” and “What IF.” Enjoy!

 

The Tell-Tale Mind  Arak: Son of Thunder – A Lost Adventure

The Superhero Satellite- What If Peter Parker had become Speedball instead of Spider-Man?

Dave’s Comic Heroes – Blue Devil Creation

Between the Pages – Scrooge McDuckTales Woo-oo!

Comics Comics Comics…-Sergio Aragones!

In My Not So Humble Opinion-Kurt Schaffenberger, the definitive Lois Lane artist of the Silver Age.

Source Material – What If Captain Confederacy

Comic Reviews by Walt – What if the Ultraverse Had Continued?

Pop Culture Retrorama – What If The Sinister Dr. Phibes Had Been Produced!

 

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Iron Man Annual 3, 1976 “More or Less…The Return of the Molecule Man!”

After more than a month of nothing but DC comics, I figured it was time to give a Marvel book some love. This one came into my possession not too long ago, and of course it had to eventually, being a Man-Thing appearance! Of course, by this time Manny’s first solo book had been cancelled, but maybe his fans were screaming for more! And look at this cover by Rich Buckler and Frank Giacoia!

As with any story written by Steve Gerber, it starts out bizarre, then settles in and stays that way until its completion. Most people might not enjoy that, and argue that his storytelling wasn’t coherent or anything more than nonsensical. But, if you dig deeper, you’ll see his feelings, thoughts, and emotions on paper, along with his opinions on social issues. When he wrote Man-Thing, it seemed easy for him to write this non-speaking character. Of course other characters did the heavy lifting with the dialogue, but Gerber still maintained having the Man-Thing be either the focus or at least a very relevant part of the story.

In this story, we get to see not only the macabre Man-Thing, but the playboy Tony Stark, and the villainous Molecule Man! Without going into a heavy amount of detail about this insane story, Tony Stark is in the Everglades to possibly finance a project (the rebuilding of Omegaville). We then see some kids playing in the swamp, and one them falls victim to the essence of the Molecule Man! A battle between Iron Man and Man-Thing breaks out, then one with all three characters ensues. Cameos by Reed Richards, the Vision, Richard Rory, and an animated skeleton all await inside this glorious book!

Some might like me to stop singing the praises of Steve Gerber (writer), but I can’t. The man had a knack for writing bizarre stories that were very good (if not excellent). The interior art by Sal Buscema (pencils) and Jack Abel (inks), is superb. Irv Watanabe on letters, Janice Cohen colors, and Marv Wolfman editing, round out the creative team in this fun annual.

 

 

 

 

 

 

 

 

Marvel Team-Up 68, 1978 “The Measure of a Man!”

It has been too long since the Man-Thing was spotlighted on this blog! Not to mention the awesome title Marvel Team-Up and Spidey! Of course the overwhelming majority of issues featured the web-slinger (some had the Human Torch), and he was the franchise at that point without a doubt. The creatives behind this one, were names that are synonymous with Bronze Age comics, but specifically the X-Men, and the greatest run that title has ever known (let’s be honest, will ever know).

But back to Manny and Spidey- in this issue, we see these two heroes that couldn’t be more different, working together to achieve a greater good. These two must put an end to the fearful villain known as D’Spayre, and to vanquish him, is to conquer your own fears. This is obviously a very challenging thing to do for anyone, even a superhero. We know that Man-Thing can sense and exploit fear, but what happens when he must face an adversary that can instill fear in his opponent? And we all know Spidey has doubts and fears even without any prodding, so an easy fight this will not be!

Now, onto this great creative team! We all know Chris Claremont (writer) is “Mr. X-Men” and rightfully so, as he crafted so many of the personalities we love(d) for a very long time. He also created a few new characters that have stood the test of time. His frequent collaborator, was John Byrne (pencils, cover and interiors). His pencils and creativity helped the duo raise the bar for all the titles at Marvel, but specifically the X-Men. But, don’t sleep on this material, because both men were at the top of their game on this run of Marvel Team-Up as well! Inks by Bob Wiacek (cover inks by Josef Rubinstein), colors by Phil Rachelson, letters by Bruce Patterson, and edited by Archie Goodwin!

 

 

Man-Thing 1, 1979 “Regeneration…and Rebirth!”

Once again, I feel forced to spotlight my favorite swamp monster, Man-Thing! Swamp Thing, The Heap, and IT!, are all pretty cool, heck, I even like the Atlas Comics Bog Beast (more on these others, plus more Manny in the future). It’s true that all of these monsters owe their basics to Theodore Sturgeon, as he wrote a prose story (IT!), back in 1940. Personally, the mute Man-Thing stands tall above the others, though, and a man named Steve Gerber is the reason. But back to this comic!

In this first issue of the second series, a scientist is on the verge of discovering the secret to the work Ted Sallis was doing before the accident. Next, we still get a story that has some familiar tropes (Manny gator wrasslin’, super science, and an origin flashback). Throw in a secret base, seedy individuals, and the FBI, and you get another great story revolving around the premiere muck monster on the planet!

Cover by Bob Wiacek, written by Michael Fleisher, art by Jim Mooney (pencils) and Bob Wiacek (inks), colors by Carl Gafford, and letters by John Costanza! Definitely check out this series, as it’s pretty solid and fun.

 

 

Adventure into Fear 18, 1973 “A Question of Survival!”

As October marches on, I’m 1/3 of the way through the month already, and the hits just keep on coming! Another issue of Adventure into Fear brings more awesomeness from the 1970s, and a new star for the book in Man-Thing! Yes that muck monster from the Everglades is here and not only will he battle other denizens of the swamp, but also an alcoholic, a gun-slinging knucklehead, and soldier! This is one of Gerber’s best books that really drove home some thought-provoking panels, so if you get the chance, definitely read it!

Written by Steve ‘Baby’ Gerber, pencils by Val Mayerik, inks by Sal Trapani, colors by Linda Lessman, letters by Artie Simek, cover by ‘Jazzy’ John Romita, and edited by Roy Thomas! An excellent creative team for this book (or just about any book), and they really shine with the swampy environment, and the characters in this spectacular issue!

 

Giant Size Man-Thing 3 and 4, 1975

The character Man-Thing is not only one of the best from the Bronze Age, but also for all time in the horror genre. Yes, the Heap predates him (also  another character called “IT” from the pulp era in a sci-fi story by Theodore Sturgeon predates The Heap) but his staying power wasn’t so great for one reason or another. Manny has been around since the early 1970s, and still going to this day. A lot of horror characters (other than the public domain ones), fizzled out and all but disappeared after the  Bronze Age came to a close, but not Man-Thing. One of the reasons is because he had great creators behind him virtually all of the time.

You may ask yourself, what does a wizard, a viking, a barbarian, a high school full of kids, and a duck have in common? Nothing, and that’s the sheer brilliance of Steve Gerber (writer, both issues, the Man-Thing stories plus Howard the Duck). He can take these random things and deliver a great story using a swamp monster that can’t even speak. On the surface, most Man-Thing stories just appear as action/adventure stories, but there is usually an underlying message that is/was very relevant.

The artwork in these two books is nothing short of excellent. In issue three, you get Alfredo Alcala (pencils/inks), Petra Goldberg (colors), and Marcos Pelayo (letters) on the interiors. The cover is by Gil Kane (pencils) and Klaus Janson (inks, with alterations by John Romita). There are two back-ups that feature work by Paul Reinman, Don Heck, Dick Ayers, and Jack “King” Kirby!

The following issue contains more incredible work, starting with an amazing cover by Frank Brunner! Ed Hannigan, Ron Wilson, Frank Springer, Phil Rachelson, Tom Orzechowski, round out the creative team, and a back-up story by Gerber and Brunner to top it all off!

 

 

Adventure Into Fear 10, 1972 “Cry Monster”

After getting an incredible deal on this comic, I figured I’d share this gem from the Bronze Age. This book contains the fourth appearance of the muck monster from the Florida Everglades! In this early appearance, Manny is caring for a baby that some animal threw over a bridge! After taking the child to a doctor’s home, he seeks revenge against the heartless man. We also get a quick two page recap of Manny’s origin. Gerry Conway (writer), and the art team of Howard Chaykin and Gray Morrow (cover art by Morrow as well) bring us this gruesome tale!

There are also two awesome back-up stories in this one too! “The Spell of the Sea Witch” (Allyn Brodsky writer, art by Jack Katz and Bill Everett!) is a tale about a crook that commandeers a boat that two young lovers are aboard. They run into some ghost pirates and then things really get crazy! Then we take a trip down to Davey Jones’ Locker, brought to you by Stan Lee and Don Heck!

 

The Man-Thing! by Steve Gerber!

I know the Silver Age was the foundation for just about everything (except most notably Captain America, the Human Torch, and Namor) at Marvel, but the Bronze Age was the age that brought comics into the modern era, because it explored ideas that were previously ignored or even taboo. Drugs, violence, religion, you name it, this time in comics was exactly what the industry needed. One of the creators that helped lead the way with his unique style of storytelling was Steve Gerber. He was a shot in the arm no doubt as the pages were filled with social issues galore, and along with his idiosyncratic style, humor, and tons of off-the-wall stories readers were enthralled with these books!

 

Imagine if you will, trying to write stories in which the main character cannot speak. Taking over the character Man-Thing in only its third appearance, Gerber immediately turned the direction of the book/character from a straight up horror character, to one that is centric to stories with social issues, but you still get the horror angle as well (just not the main point of the story). The issues of (Adventures Into) Fear that featured Gerber’s work did lean slightly more towards more horror than anything, but once Manny transitioned to his own title, the restraints were completely off.

Let me be frank, Gerber could write any kind of story, not just one solely focused on social issues. He actually would write an issue or two with that as the main idea (Fear #12, 16), but then turn around and write a few issues in a row of just straight up horror (Fear #13-15). He wrote superhero stories (check out his trippy Daredevil run, Marvel Two-in-One, Omega the Unknown, and Guardians of the Galaxy!), and everything in between, but what most consider his crowning achievement is Howard the Duck. I’m partial to the Man-Thing  stories though, and if you read them, I guarantee you’ll become a fan!

Check out these images that really drive home how awesome the Gerber Man-Thing is! Enjoy!

 

 

 

The Incredible Hulk 197, 1976 “…And Man-Thing Makes Three!”

Since October is now upon us, my blog will feature nothing but horror comics. Although it does feature this genre often, I couldn’t wait for this month to come because I love horror comics! Honestly, I love comics period, but even when a horror character makes an appearance in a superhero book I love it! This is the case with this book, as the Incredible Hulk must fight not one but two horror characters that actually prove that not only can the Hulk be beaten, but knocked completely unconscious! And you know when the Collector is involved, things will get cosmic!

I usually don’t start talking about the creative team by mentioning the cover. Not because I’m a heel or anything, but typically, an issue overall offers more from the inside. There’s no way possible for me to not start with “Bashful” Bernie Wrightson (cover art). He didn’t do that much work for Marvel Comics, but, wow, this one is amazing! When you open this book, you’ll quickly learn why I love the writing of “Lively” Len Wein. No matter who the characters, or the setting, scenario, etc., the guy delivers a solid story/script. When you also then get an interior art team like “Our Pal” Sal Buscema (pencils) and Joe Staton (inks), it’s quite a treat. Glynis Wein (colors) and John Costanza (letters) add their talents to this great book, that was edited by “Marvelous” Marv Wolfman!

 

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Giant-Size Man-Thing 2, 1974 “Of Monsters and Men!”

How is it possible that a character that cannot speak be so appealing? Well, when you take an origin story that involves a mystical swamp (near the Nexus of All Realities), a scientist, and Hydra (a later retcon not explicitly told in the origin story), and you’ve got a great way to convince me. Taking the concept from King Kong (1933), men who seek to cage something unnatural, and put it on display, are just begging for trouble. The trope of trying to contain something that is virtually uncontrollable, is one that’s been used many times over, with a varying degree of success. This time is definitely on the positive side.

When he was still alive, the mind of Steve “Baby” Gerber (writer) might have been a scary place to dive into. Hi stories about the weird and supernatural are top-notch. Why he isn’t recognized more outside of the circle of hardcore fans is a mystery to me, especially considering the praise other creators from that era and beyond seem to have for him and his work. Of Out of all the people who’ve drawn Man-Thing, I think “Big” John Buscema (pencils on interiors, and cover art) is my favorite. He certainly understood how to draw everything  even though he’s gone on record stating he didn’t like to draw superheroes all that much, he always did an admirable job. He is still one of the giants of the industry. “Santa” Klaus Janson (inks) is an artist that I first saw on Daredevil, and always thought he brought an extra dimension to whatever he had his hands in. John Costanza (letters) and Linda Lessmann (colors), are two very capable contributors that never failed to get it done. Let us not forget “Rascally” Roy Thomas (editor), as his work not only as a writer, but editing also is something that puts him at the top of the food chain in comic book history! You also get three bonus stories with work by great creators like Dick Ayers, Don Heck, and Jack Kirby!

 

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