Unknown Worlds of Science Fiction Giant Size Special 1, 1976

Well, it’s finally here. This is the last issue of the series. It has been all sorts of fun going through them, and I hope you all have enjoyed it as well. This issue sports a fantastic cover by Don Newton, then a frontispiece by Rick Bryant, followed by a text piece by Roy Thomas with an illustration by Mike Kaluta!

The first story is “A Martian Odyssey” which is an adaptation of a story by Stanley Weinbaum. He was a science fiction writer that was revolutionary for his time (1930s-1940s). A mission to Mars turns deadly in this story! An awesome story indeed! Script by Don Glut, art by Ruben Yandoc!

Next up is an interview with none other than Theodore Sturgeon (IT!, Killdozer)! A wonderful interview conducted by Alan Brennert.

After that, we get “Journey’s End.” This story is set in the future, and spotlights something called cerebral imagery in the year 2036! Written by Bruce Jones, with art by Alex Niño!

The Forest for the Trees” follows that one, and we get two of my favorite things- laser guns and dinosaurs! Very cool story by Bruce Jones and equally as cool art by Vicente Alcazar!

The beginning of a great installment of Fantastic Worlds by Don and Maggie Thompson discusses some very good anthology recommendations!

Another offering from Bruce Jones (writer and artist) is called “Clete.” The visuals are very “Gorn” from Star Trek, but this one is based on Earth, and an apocalyptic version at that!

Preservation of the Species” is another offering from Bruce Jones, but only the story, with art by Ruben Yandoc (miscredited to Redondo). Another futuristic tale involving mankind, and mutations! This one is interesting to say the least.

After the warning by Roy Thomas in the previous issue, I’m surprised we didn’t get one on this story. “Sinner” by Archie Goodwin (writer/art) takes a pretty good jab at religion in this one.

Speaking of the Gorn/Star Trek, “Arena” adapts a story by Frederic Brown. And, well, it pits a man against a lizard-like creature! Yes, this was the inspiration for the television episode from 1967.

Finally, the story “Threads” closes out the issue and series. Two children using a toy laser gun are playing together. They get called in for dinner. The television tells the viewers there are atmospheric disturbances occurring, and things get darker from there. Written by Mat Warrick, with art by Adrian Gonzales!

If you haven’t figured it out by now, you need these magazines for your sci-fi collection. They’re such an incredible snapshot of the time, and really chocked full of great material.

 

 

 

 

 

 

 

 

 

 

 

 

 

Unknown Worlds of Science Fiction 6, 1975

The last regular issue of this series is upon us. Only one more issue to go after this one (Giant Size Special 1), and it does make me a a little sad, as I’ve been enjoying blogging about them immensely. That being said, let us traverse this issue, which has a brilliant cover by Frank Brunner, and the inside cover has a very awesome piece by Pat Broderick!

The issue begins with a foreword by Roy Thomas, instructing any readers of a religious persuasion to please not bombard the office with hate mail, especially after reading a certain story in the issue. I find it fascinating that he felt it necessary to include the mild warning, but I guess in 1975 it was something he felt was needed. With a crucifixion on the cover, it’s definitely a polarizing book.

The issue begins with another edition of “Slow Glass” as all have before. We get an interesting scene that is brought to us by Roy Thomas, Gene Colan, and Dan Adkins.

The first story, “Behold the Man,” is an interesting one to say the least (and the one Thomas warned about in the foreword). A time machine slings a man into the distant past (biblical times), but we also get flashbacks to present day. The story has accurate biblical passages, but does its own thing as well. Script by Doug Moench, art by Alex Niño (original story by Michael Moorcock).

After this, we get a four page look into the life of Slow Glass creator, Bob Shaw. Sort of a bio piece, but definitely worth reading.

Old Soldier” is the next story, and is certainly deserving of being in a title about unknown worlds and sci-fi! Written and drawn by Bruce Jones!

Up next, is “Mind Games.” Even though the Vietnam War was over by now, creators (and society) were still very much engrossed with it, and its repercussions. Both of these stories reflect that in one way or another. Written and illustrated by John Allison.

What would a good magazine be without a witch burning by the Puritans? But, this story has something else…Spacemen! “Visitation” is written by Don Glut with art by Ruben Yandoc!

 

 

 

 

 

 

 

 

 

 

 

 

 

Unknown Worlds of Science Fiction 5, 1975

As I wind down the last three issues of this series, beginning with the fifth installment, you’ll see a few different names in this one, previously unseen. With an anthology title, that’s usually the method most publishers roll with, and it can be very exciting. I think it can be slightly problematic when a certain creator did a fantastic job in a previous issue (or is just a fan favorite). There are a couple of familiar names, but lets not get ahead of things. The cover is by an artist that isn’t one I’ve heard before. Boada Puigdomènech (cover), an artist with only this one credit for Marvel, and a few for Skywald Publishing, does a fair job, but it’s definitely a step back from the previous four issues. A frontispiece by Howard Chaykin (more on him later) leads us into the action!

First up we get…Slow Glass, revisited! I know last time I said that was the end, but it was a ruse (by myself and Marvel)! We thought we saw the last of this story (and Mister Tyme), but not so. We see something very creepy from Roy Thomas and the art team of Gene Colan and Frank Chiaramonte!

Up first is “Paradise Found.” We see a space traveler arrive on a planet named Terra 2. He’s greeted by another guy that treats the aliens there horribly, but don’t worry, he gets his in the end. Written by Bruce Jones, with art by Gray Morrow!

The next few pages bring an interview with Larry Niven (conducted by Alan Brennert)! There are some super cool illustrations by Eliot R. Brown and Rick Bryant.

Next up is “All the Myriad Ways,” an adaptation of a Larry Niven story. A police detective investigating a murder, parallel universes, time travel, it’s all here! And, brought to you by Howard Chaykin (script, art)!

Don and Maggie Thompson bring us another great edition of “Fantastic Worlds” next! In it they discuss the Hugo and Nebula awards, rumors of a Star Trek movie, and some sci-fi conventions!

Addict” is the next story in the book, and it is a wild one! We see a junkie in an alleyway beat his own dealer for some drugs. Well, not conventional drugs, that is. We also see some bureaucrats talking their usual disturbing rhetoric about needing to keep the populace under control (hmmm…nothing to see here, move along). Really good stuff here by Don Glut (story) and Virgil Redondo (art)!

The final story in this magazine, “Half Life,” is another solid entry. We see a monster-sized spaceship called The USS Agamemnon, that at first seems like a pleasure cruise. But, things don’t always work out the way they should, do they? Story and art by John Allison.

 

 

 

 

 

 

 

 

 

Unknown Worlds of Science Fiction 4, 1975

Back once again to keep plowing forward through this great sci-fi magazine run from Marvel Comics. Names on the cover are a big thing with these mags, as they wanted to pull in not only comic book readers, but the science fiction crowd as well. A spectacular cover by Frank Brunner certainly raises the chances of people buying this one as well!

In this issue, we get an awesome interview with A.E. Van Vogt! The interview was conducted by none other than future Batman scribe, Alan Brennert! This is followed by a short one-pager (by David Anthony Kraft) talking about Otis Adelbert Kline, and his stories set on Venus (see the link about his feud with ERB). Lastly, there is a column titled “Fantastic Worlds” by Don and Maggie Thompson, that talks about all elements of sci-fi (books, shows, etc.). Now onto the stories!

First up is the final entry in the “Slow Glass” story that has been the bookends for the magazine so far. In this one, the final chapter does not disappoint, as Mr. Tyme must answer to a board of aliens as to where and how he obtained slow glass!  Tony Isabella script, Don Heck and Frank Chiaramonte on art duties.

The A.E. van Vogt adaptation is up next, and “The Enchanted Village” is probably the best story of the book. The script is by Don and Maggie Thompson, with art by Dick Giordano!

A Vision of Venus” brings a tale of space travelers that have been captured by aliens! As mentioned above, the source material is from Otis Adelbert Kline, the script and art by Tim Conrad.

The following tale is not intended to be humorous (I think), but “Good News from the Vatican” comes off that way to me. It’s a story about a robot Pope (somewhere, my friend Herman is laughing)! Written by Gerry Conway, art by Adrian Gonzales.

The penultimate tales is “Encounter at War.” There is a bit of a forward on the previous page stating that this one is the conclusion to a story that was started in an underground comic. It’s a good one but not anything that hasn’t been seen before. A little bit of aliens, and a little bit of treachery! Written by Jan Strnad, with art by Richard Corben!

Finally, “Kick the Can” brings us to a close. The story revolves around a guy that is desperately trying to get off an alien planet, and back home. Some really neat flashback scenes and a giant Tarantula to boot!  Written and drawn by Bruce Jones!

A solid issue overall, but I can’t escape the feeling that it took a slight dip versus the previous three. Not sure why, but it could possibly be the Slow Glass story didn’t end that great or the art wasn’t as good as the previous installments (Gene Colan). Which of course, might just be my bias.

 

 

 

 

 

 

 

 

 

 

 

 

Unknown World’s of Science Fiction 2, 1975 “All-New! War Toy”

In this second week of my blog’s revival, I wanted to continue looking at this incredible sci-fi magazine series by Marvel Comics. Like the previous issue, this one has bookends featuring “Slow Glass” and it has an excellent lead story, along with more chapters of Day of the Triffids! Two very good articles are also included in this one, so strap yourself in, as this rocket ship is blasting off!

Another introduction to Slow Glass leads off, and this one is very intriguing. We see Mr Tyme heading into a lavish apartment complex (a deluxe apartment in the sky, you might even say). Once inside, he meets up with a rich man named Mr. Wilder. the two did some business in the past, but the consequences of that visit, are about to come home to roost! Written by Tony Isabella, with art by Frank Brunner and Klaus Janson!

After a peek into the Slow Glass, we see “War Toy!” A group of scientists/doctors are gathered around an operating table, but there patient isn’t a man, but a robot! He’s trained to be the perfect soldier, but what happens when the war is over? Written by Tony Isabella, art by George Pérez and Rico Rival!

An interview with author Alfred Bester (Demolished Man) is up next, and was conducted by Denny O’Neil! It’s accompanied by two illustrations by Rick Bryant, and a sample page from an Australian comic strip adaptation of The Stars my Destination (by Bester). The adaptation is by Steve Harper and Stanley Pitt.

The third installment is a story called “Adam…and No Eve.” An adaptation from Bester, this revolves around a man that creates a rocket fuel to get to space, but the mathematician he’s hired informs him that the fuel is deadly, and if even a single drop hits the Earth, it will kill billions. Written by Denny O’Neil, with art by Frank Robbins and Jim Mooney!

The Hunter and the Hunted” is up next, and the story and art are by Mike Kaluta (he created the awesome cover for this issue as well!). Full disclosure, I have no idea what he was going for here. Very minimalist story/art, but fascinating anyway.

The following addition shows an article by Don Thompson about the Hugo awards. There are photos and mentions of sci-fi stalwarts like Harlan Ellison, Frank Kelly Freas, and so forth.

Writer/artist Bruce Jones then gives us a tale called “Specimen.” This is a cool story that has a twist ending I definitely didn’t see coming! Kudos to Jones for this one, as it’s probably my favorite story of his I’ve ever read.

Two more chapters finish off “The Day of the Triffids” adaptation, and it was really a fun ride. Gerry Conway (John Wyndham novel) and Rico Rival do an excellent job!

The magazine is finished off by two more pages of the Slow Glass story by Isabella, Brunner, and Janson. Again, great work by these creators on this premise by Bob Shaw.

 

 

 

 

 

 

 

 

 

 

 

Unknown Worlds of Science Fiction 1, 1974 “Day of the Triffids”

At first sight, this magazine (published in 1975) doesn’t look like anything special. Oh the cover by Kelly Freas (with alterations by John Romita), is very cool, but sci-fi hadn’t really hit it big yet in the mainstream (pre- Star Wars, and Star Trek films). What Marvel did though, was bring in stories written by some of the greatest writers of the genre, and adapt them for comic book format. When you can slap the name Ray Bradbury on your cover, it’s going to sell some books for sure.

As if the spectacular cover wasn’t enough, we get a frontispiece by Spanish master, Esteban Maroto! Most of Marvel’s magazines had these pin ups inside the front cover, and some even at the end of the issue. Using Bradbury’s name on the cover was a good idea, but in all honestly, the name Bob Shaw should’ve been on there as well. His concept “slow glass” is the subject of this book, and sort of introduces the other stories (and bookends as well), as a portmanteau film executes for its audience. Those pages are by Tony Isabella (script, adapted from the Shaw idea), and the art team of Gene Colan and Tom Palmer!

The first chapter is “The Day of the Triffids!”In this story (based on the John Wyndham novel), we see a particular species of tree that not only seems to be able to think for itself, but has malice toward human being as well! Written  by Gerry Conway, with art by Ross Andru and Ernie Chan!

Next, we get a story written and drawn by Neal Adams! The story is an anti war/Vietnam piece told through the lens of sci-fi. The story is told almost like news blurbs, which is fascinating for 1975!

The third installment is a fabulous interview with Ray Bradbury. He speaks about his youth, and the formative that guided some of his writing. The interview is conducted by Sheldon Dorf.

Next up is a hilarious parody story (Smash Gordon!) by none other than Frank Brunner (story and art)! This one is not only comedic, but it is absolutely gorgeous to look at. If you’ve seen his work before, get ready, as this is on another level.

An atomic test in the New Mexico desert is the start of “Savage World!” Three of the people involved with the bomb test end up in an underground world. Are the rulers peaceful as they claim or not? Script by Wally Wood, and art by Al Williamson!

Another interview graces the pages of this magazine, and this time it’s with the cover artist (and artistic giant), Kelly Freas! They include a few images of his work on some science fiction books from yesteryear as well!

We then get another story that is pretty straightforward, but has a comedic ending. Automated cities of the future are now the only place you’ll find human beings. A plane crash strands a few people out in a wasteland, and as you can imagine, it doesn’t end well. Story and art by Mike Kaluta!

Finally, another chapter of Slow Glass, and this one is seven pages long! We watch as a couple who has traveled off the beaten path attempts to purchase some slow glass from an elderly man. But this man has a secret, and it’s one he doesn’t want people to know. Script by Tony Isabella, with art by Gene Colan and Mike Esposito!

As of this blog post being published, these magazines can still be had for reasonable prices on places like Ebay. Any interested parties should think about getting these sooner rather than later, as they probably won’t be reprinted any time soon (Marvel wqould probably need to get the rights to publish it again as the source material belongs to the book publisher or the estates).