DC Limited Collectors’ Edition C-23, 1973 “The House of Mystery”

As October is finally winding down, one more over-sized book must get the royal treatment! And there is not a better place to walk into than The House of Mystery! Over the years that title has had many themes (pre-code horror, superheroes, then back to horror), but it really didn’t take off until 1968, when editor Joe Orlando took over the reigns (issue 174). Within just a few issues, we saw the first professional work of the most seminal horror artist of the Bronze Age, Bernie Wrightson (issue 179). Some would argue he’s the horror artist of all time, and there’s a good argument for it, but obviously that subjective, and could be talked about for decades (and probably will be).

Looking specifically at this book, we get a Nick Cardy cover, and his contributions to the comic book world cannot be in question. His decades-long  work for DC comics is nothing short of astounding. Inside we get a frontispiece by Jack Sparling, with the familiar host, Cain, telling us we are about to be in for a surprise! The first story, “The House of Gargoyles,” is scripted by Jack Oleck, with art by the aforementioned Sparling. Next, there is an incredible story called “The Secret of the Egyptian Cat.” Written by Robert Kanigher (long time DC scribe that wrote many war stories), and although he does a fine job, the artistic prowess of Bernie Wrightson is what really makes this one memorable.

The third story (“The Widow’s Walk“) is another good one, with Howard Post scripting, and the art team of Neal Adams and Joe Orlando! Very good story top to bottom! We are then treated to a two-page splash of Cain by Wrightson (black and white version), and the image is absolutely stunning. A better, more iconic image really doesn’t exist in comics. Another story (“His Name is… Kane“) with another hall of fame artist follows, as Gil Kane (pencils) and Wally Wood (inks) bless us with an art combination for the ages. The script is by Mike Friedrich, who worked for DC and Marvel during his career. As if all of this wasn’t enough, enter Alex Toth (art) with “The Devil’s Doorway.” Another script by Jack Oleck, and once again, no offense meant, but the artwork really lifts this one up quite high. Toth is a master that did everything his way, and should be lauded for it. Lastly, we get another gem from Neal Adams, Joe Orlando, and Robert Kanigher. “Nightmare” is the perfect way to finish off this extraordinary book! The book is also filled with funny pages by Sergio Aragonés, and even features a cut out, table top diorama on the back cover!

 

 

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Shock Suspense Stories 1, 1985 “EC Classics”

EC comics was no stranger to controversy. That said, putting a racist organization (not in name but visually) on the front cover of one of their books was wild. They were already under fire for their horror covers that featured decapitations, severed limbs, people being strangled to death, and even a maniac with an ice pick chasing kids through a graveyard! This cover was different though, as this wasn’t fantasy for many, but a sad and truly horrific reality. Without going into a social lecture, I think we can all just say that this book showed a very ugly side of our country’s past that should remain there.

The first story shows this “group of hooded men” as they have a woman bound and are going to torture her for consorting with “them” (black people). A grim tale of reality and not a happy ending, Written by Al Feldstein (with plot assist by Bill Gaines), art by Wally Wood, and letters by Jim Wroten. The following story is about a soldier who is afraid of dying in combat. Nothing too crazy here but incredible artwork. Written by Al Feldstein (with plot assist by Bill Gaines), artwork by Jack Davis and Johnny Craig! Next, we get a sci-fi story where a certain member of a team doesn’t respect the plant life on an alien world…an regrets it. Written by Al Feldstein (with plot assist by Bill Gaines), art by Wally Wood, and letters by Jim Wroten. A creepy orphanage and the man who runs it is the subject of “Halloween.” A gruesome ending in this one! Brought to us by Al Feldstein (writer, with plot assist by Bill Gaines), art by Ghastly Graham Ingels! Another story centered around racism and corruption tells the story of a black man wrongly accused of murder, then gunned down in cold blood! Written by Al Feldstein (with plot assist by Bill Gaines), art by Wally Wood. “Stumped” is a wild story involving a trapper and his demise. Written by Al Feldstein (with plot assist by Bill Gaines), art by Jack Davis. The old story Hansel and Gretel is the foundation of this tale, and two children end up headed for an old witch’s oven! Written by Al Feldstein (with plot assist by Bill Gaines), and art by Ghastly Graham Ingels. Finally, one of my favorite tropes is used, as an insane husband not only kills his wife, but then carves her up and puts her in a meat freezer (“Cold Cuts“). Lets just say later he gets a taste of some bad meat. Written by Al Feldstein (with plot assist by Bill Gaines), art by Jack Davis.

As time marches on, these EC books get more and more expensive, but the reprints can still be found at a reasonable price. Search them out at shows, or on the web, as they can bring you some of the best (if not the best) horror comics ever made. Both of the covers were done by none other than Wally Wood!

 

 

Astonishing Tales #1, 1970. “Ka-Zar & Dr. Doom”

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Another day, another fantastic cover! This one features a Ka-Zar versus Kraven the Hunter story by Stan Lee and Jack Kirby. Then, a tale of madness with the insidious Dr. Doom, by Roy Thomas and Wally Wood!  Circa 1970! Enjoy!