Gene Colan Tribute- Finale!

In this, the last installment of my Gene Colan tribute, we’ll take a look at his finest work. Yes, Gene did tremendous work on all of his projects, but none matched his excellence on The Tomb of Dracula. This collaboration with friends Tom Palmer, and Marv Wolfman, is without a doubt one of the most incredible series in all of comic books in the 1970’s. For anyone that’s read any part of this series, you know what a gift gene and this team gave us. For seventy issues, Gene poured his heart and soul into this book, and that cannot be debated.

In this finale, you’ll see Dracula’s life, his death, his resurrection, his constant battle with Quincy Harker, Blade, and the rest of the Vampire Hunters, and the birth of his son! So, here’s to you, Gene, the one artist who will always be at the top of my list! Rest in Peace, Gentleman Gene!

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Gene Colan Tribute Part 4- Dr. Strange

As we creep closer to the end of the month, and my spotlight on Gene Colan, I would be remiss, if I didn’t get some of his fantastic work on Dr. Strange out there for the masses! The Doc is my favorite character of all time, just edging out Thor and Captain America, and Gene’s work on the Doc is a big reason! Of course, Tomb of Dracula was the ultimate influence, and that title will get its due in my last post on Saturday! Here are some of my favorite covers, title pages, and splash pages by Gene! Quick warning, there are a lot of pics! Enjoy!

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Cinema Sunday: Forbidden Planet (1956)

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Title: Forbidden Planet

Distributor: MGM

Writer: Irving Block & Allen Adler (Screenplay by Cyril Hume)

Director: Fred M. Wilcox

Producer: Nicholas Nayfack

Starring: Walter Pidgeon, Anne Francis, Leslie Nielsen, Warren Stevens

Released: April 1st, 1956

MPAA: PG

I’d like to begin by setting the record straight. This is the best sci-fi film ever made, and the 1950’s is the best decade ever for the genre, and it’s not up for debate. OK, now that we’ve got that out of the way, let’s get down to dissecting –Forbidden Planet! The actors and cool science fiction elements really jettison this film into the atmosphere! Walter Pidgeon and Leslie Nielsen are incredible, and the lovely Anne Francis really ignites the picture when she steps into the light!

In 1956, this film wasn’t a media darling, but it did make money. It wasn’t until later, when it was re-released in 1972, that it started to gain momentum, and eventually become a cult classic! DVD sales have been fantastic, and it will forever occupy space on my DVR! For those of you who haven’t seen this flick yet, stop reading this, and get out there and buy it before continuing! Now, let us journey to the 23rd Century…

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The film opens with a space cruiser (United Planets C57-D), as it heads out into the far reaches of space. Once the ship nears it’s destination, it releases the explorers from “hyper-sleep”. They make contact with the planet below (Altair IV), and Dr. Morbius (Walter Pidgeon) tells them that everything is OK. Commander Adams (Leslie Nielsen), informs him that even though everything is fine, they must land and do an inspection. Morbius warns the commander that he won’t be held responsible for anything that happens from here on out. Commander Adams tells him to supply them with landing coordinates, so they can safely land the ship.

Once they land, Commander Adams, Lt. Jerry Farman (Jack Kelly), and Doc Ostrow (Warren Stevens), are greeted by a transport vehicle that appears to be going at an alarming rate of speed towards them. They soon realize that it’s a robot (Robby the Robot-pic below with Walter Pidgeoon), and he was sent by Dr. Morbius to bring them to his home. Once there, Morbius assures them that everything is fine, but when they ask about the other colonists, Morbius pauses, then tells them a fantastic tale. He recounts how the other colonists were killed by some unforeseen planetary force, and as the last few tried to take off in the ship to go back to Earth, the ship was vaporized. He cannot explain how or why this happened, only that he and his wife were spared, and they shared a love for this strange new world.

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As they’re finishing up lunch, a beautiful woman appears, and Morbius then introduces his daughter (Anne Francis). Lt. Farman immediately tries to put the moves o her, but she’s too immature to figure it out. Morbius thinks everything is OK, but Commander Adams must contact Earth for further instructions because the other colonists being dead wasn’t in the plans. Morbius isn’t happy about that, but can’t do anything about it either.

The men return to the ship for the night, and as they slumber, some unknown entity enters the ship, and destroys their communication device. Commander Adams questions the guards the following morning, but they don’t give any insight about what happened. Doc Ostrow and Commander Adams question Morbius about it, and he reveals to them that he’s been studying an ancient civilization known as the “Krell”, that once occupied the planet, but were wiped out by some mysterious means. He also shows them some of the devices that they invented, one of those being an education device of some kind that can exponentially increase ones mental acumen (pic below). This is how he was intelligent enough to create “Robby”, and some of the advanced equipment around the house.

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The men convince Morbius to lend a hand in constructing a new communication device,and Robby lends a hand as well. The following night brings even more chaos, as Commander Adams orders extra security, but the Chief Engineer is killed. A footprint is left this time though, and the Doc makes a cast of it to try to gauge what they’re dealing with. The cast is tremendous, and goes against any and all scientific knowledge. While all of this is going down, Commander Adams and Morbius’ daughter, Alta, are falling in love. We then see a scene, where this giant invisible beast (pic below) attacks the camp of the explorers, and simultaneously Morbius is having a violent nightmare. Alta wakes him up, and the beast mysteriously disappears. Commander Adams and the Doc realize that one of them must use the alien educator to heighten their  mental power, and find a way to get off of the planet unharmed. They return to the home of Morbius to do that, but are stopped by Robby. Alta uses an override command to stop Robby, and Commander Adams and Alta talk about leaving the planet. While they talk, Doc goes into the lab, and takes the “brain boost”. Later, he stumbles out of the lab, and dies in Commander Adams arms. Just before he does, he reveals the secret of what killed the aliens and the colonists!

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Will Commander Adams and his fellow explorers escape alive? Or will they succumb to the same planetary force that kills everything in its path? Find out, when you watch…Forbidden Planet!!!

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OK, here are my thoughts:

This is the best sci-fi movie ever, no question. Yeah, it does have a couple of loopholes in it, but again, this was made in 1956! Think about it, that’s almost 60 years ago! The acting was quite good by all the people involved, but Leslie Nielsen and Walter Pidgeon deserve the lion share of the credit. All the others were solid too though, and even the “eye candy”, Anne Francis was more than serviceable.  Heck, even Robby the Robot added some dialog! Not only that, but I’m sure back in the day, Robby was an astounding achievement on the big screen too!

The electronic music score was quite a change from any other movies of that generation. The set designs were absolutely astounding as well, but they were the most incredible during the special effects scene with the monster attacking through the force field. This classic film is a must watch for anyone that even has a mild interest in sci-fi or just classic cinema of yesteryear! Kudos to the men and women that brought us Forbidden Planet!

 

 

Gene Colan Tribute Part 3- Captain America!

So far we’ve seen the master, Gene Colan, and his early suspense/horror work in some of the long-lost anthology titles of the 1950’s, and his Daredevil work from the 1960’s. Now, strap yourself in for his work on the Star-Spangled Avenger, Captain America! Gene’s time on the book was very special, and when he returned in 2009 for a grand send off (color pics at the bottom), who knew this would be his last work for Marvel (and in comics, I believe). This master of the medium will be missed, but in the meantime, check out his great work on Marvel’s WWII superstar! Enjoy!

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Gene Colan Tribute part 2- Daredevil!

Now that we’ve seen some of Gene Colan’s early horror work, lets shift gears, and check out some of his Daredevil work from his early days penciling superheroes! He was a master at telling a visual story with a character like DD, and he’ll always be my favorite Daredevil artist! Check out these incredible pages from the ‘Dean’, with some of his Daredevil work originally presented in 1967 (my copies are Marvel Adventure #3, 4, & 6, 1976)! An adventure with Ka-Zar, the wacky Leap-Frog, and a team up with Spider-Man, because you need a partner when you’re facing villains as nefarious as…The Masked Marauder and Stilt-Man? Enjoy!

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Gene Colan Tribute- part 1!

To finish off the month of March, I let my favorite artist for last! Gene ‘The Dean’ Colan, has always been my favorite, and always will be. His style just jumps off of the pages to me, and speaks to me like no other. Over the years, he was an artist who could draw any genre, but he certainly excelled at the macabre! Just his Tomb of Dracula (with long time partner, Marv Wolfman) alone could be enough to push him into the hall of fame, but when you look at his entire body of work (Strange Tales, Daredevil, Captain America), you’ll be astonished! Let’s dispense with the verbiage, and get right down to the work of the master himself, Gene Colan! Here is some early work in the title, Strange Tales in 1952!

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Cinema Sunday: Night Creatures (A.K.A. Captain Clegg)

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Title: Night Creatures (Captain Clegg)

Distributor: Universal Pictures

Writer: Anthony Hinds

Director: Peter Graham Scott

Producer: John Temple-Smith

Starring: Peter Cushing, Patrick Allen, Yvonne Romain, Michael Ripper, Oliver Reed

Released: June, 1962

MPAA: Unrated

I was going to stray away from Hammer Studios for this week, but then I thought…why? Their library is so extensive, and so awesome, why not keep going with another one! This week brings us, Captain Clegg, or Night Creatures, as it was known in the U.S. when it was released in 1962. This film has really stood the test of time, and I can’t see why it won’t for a very long time. Some of the story is loosely based off of Doctor Syn and the Romney Marsh Phantoms, but that material was owned by Disney back then, so some of the material and names were changed to avoid a lawsuit. Let us now forage to the coastline of rural England, and the 18th Century!

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Our story begins on a ship at sea, with a man (pic below) being punished for assaulting the Captain’s wife. They slit his ears, and cut out his tongue, and tie him to a post on a deserted island for his crimes. We next see an old man, as he’s quickly trying to make his way through the marshes. Suddenly though, he’s accosted by several spectral beings riding horses that glow in the night. He’s so upset by these demons, that he throws a heart attack, and dies on the spot!

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The following day, Reverend Bliss (Peter Cushing) is holding a church service, but it’s soon interrupted by Captain Collier (Patrick Allen- pic below, far right), and the kings soldiers. They’re on the hunt for smugglers that have been reportedly been illegally transporting wine and other alcohol out of the country. Captain Collier waits outside for Reverend Bliss, and the Squire (Derek Francis), while his men search the ale house. Initially they find nothing, but then they bring in the man who was tied to the post back on that deserted island. He’s their snoop and can sniff out booze, but when they think they’ve found something, it turns out the casks are only full of white varnish. The Captain then demands to see Mr. Ketch (his informer), and Mr. Mipps (Michael Ripper-pic below, middle) takes him to his workshop. He shows him the dead body, and the Captain is furious. He’s told the man died of fright, but doesn’t believe in the marsh phantoms he’s told about by Mipps.

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Captain Collier looks for accommodations, but Bliss tells him there is nowhere for him and his men, but that doesn’t stop him from trying. We then see that Bliss, Mipps, and several others are in on a smuggling ring. The owner of the Inn, Mr. Rash, is the “guardian” of a waitress, Imogene (Yvonne Romain-pic below with Oliver Reed), and is also a part of the ring. He also often harasses Imogene as well. Captain Collier is then invited to dinner with Bliss, the Squire, and his son. As they are having their meal, the Squire tells Captain Collier that his men can stay in his barn, and Bliss gets annoyed and spills his drink. Bliss then goes out to the bar to get a towel, and the man whom he left for dead on the island sees him. Now, the man had his tongue cut out, so he cannot speak, but he does attack Bliss, and the Captain’s men pull him off before he strangles him.

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After dinner, a man runs into town screaming, absolutely raving about the marsh phantoms. Captain Collier then demands that the man show him where he saw them, and he gathers his troops and the head out into the marshes. After walking for miles, we see that it was all a distraction so the smugglers can get their “product” out of the town without the soldiers finding out about the operation. Eventually, Captain Collier realizes he’s been tricked, so he threatens the man and gets him to divulge where the smugglers are hiding. As they make their way to the secret hiding spot, a scarecrow appears in a nearby field, and one of the soldiers remarks that he saw it move. Collier then draws his pistol, and fires at the scarecrow, hitting it in the arm. Once they get to the spot though, only rags remain, but there is blood on the sleeve!

The secrets of the town and of the Romney Marsh Phantoms will be revealed in the exciting conclusion to this epic movie! Rest assured that you will be on the edge of you seat for this one! Will Imogene and Harry (Oliver Reed) get to be together or will they die at the hands of Captain Collier!

OK, here are my thoughts:

Alright, this is one fantastic movie! Peter Cushing as basically a swashbuckling pirate is nothing short of incredible. He delivers a great performance, and the rest of the crew does as well. Michael Ripper is rock solid as usual, and he gets a more active role than most of his other films, for sure. You really get the sense that he cares about Bliss like a brother. There is another secret that gets revealed about Imogene, and most wont see this one coming.

The musical score is quite good too. Thunderous when it needed to be, but also ominous at times of desperation. The sets are exactly what you come to expect from a Hammer film, which is to say they are superb. The locations they used for filming were very cool, and added a feeling of the times when the film was to have taken place. Kudos for that and Peter Cushing, as he delivers another genuine performance that lights up the screen!

John Romita Sr. Tribute Finale!

Well, here it is, time for the John Romita Sr. finale! You know, Jazzy John is most notably known for his romance work, and of course, Spider-Man. He did do a fantastic job though on everything he touched, as evidence showed in my first post. As we move further into his career, lets look at some of his other work for Marvel. His runs on Daredevil, The Fantastic Four, and Captain America, are also most excellent! Three cheers for Jazzy John Romita! Enjoy!

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John Romita Sr. Tribute! Part 1!

Well, after my tribute to Big John Buscema last week, I’m on to the next face on my Mount Rushmore of comic book artists, with Jazzy John Romita! This man is nothing short of a legend, from his early work at Timely Comics (a precursor to Marvel), then onto becoming one of the industries all-time greatest romance artists, then a return to Marvel that would see him follow the incredibly talented Steve Ditko on Spider-Man. This is where Romita would make his mark, but he also penciled Captain America, The Fantastic Four, and many other Marvel titles before being named Marvel’s art director!

Here are a few of his early pages from Menace, Strange Tales, Tales to Astonish, and more! Enjoy!

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Cinema Sunday: The Reptile (1966)

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Title: The Reptile

Distributor: 20th Century Fox

Writer: Anthony Hinds

Director: John Gilling

Producer: Anthony Nelson Keys

Starring: Noel Willman, Jennifer Daniel, Ray Barrett, Michael Ripper

Released: April 6th, 1966

MPAA: Unrated

Hammer Studios is certainly most well-known for their interpretations of the Dracula, Frankenstein, and Werewolf franchises, but it would behoove you to also look deeper into their library for classics like this one! This film is one that I didn’t discover until a few years ago, but it quickly has become one of my favorites. Oh, it’s not the best of Hammer films, but it does have a couple of performances that really help it to rise above mediocrity. Lets get down to the plot!

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The movie begins with a man, Charles Spalding,  wandering around the countryside. He then retreats to his home only to find a note on the table. He then sets out to the residence across the moors. He knocks but no one answers, so he wanders inside. He walks down a hallway, and as he turns around, a man, Dr. Franklyn (Noel Willman) shouts to him, warning him to get away. All of a sudden, something leaps out of the shadows and attacks him savagely. He falls down the stairs, and begins to have a seizure of some kind. As the man who warned him looks on in horror, another man steps out of the shadows, and disposes of the body on the moors.

The next scene shows us Harry and Valerie Spalding (Ray Barrett & Jennifer Daniel), as they are talking to a lawyer about his dead brothers (the man who was attacked in the fist scene) holdings. He informs them that his brother died without much wealth, but he did have a house in a rural town. They then take a train ride, and then walk to the village. At the local pub, Tom Bailey (Michael Ripper) is tending bar, but when Harry walks in, the patrons leave immediately. Tom Tells Harry where the house is located, and then they head out to the residence. As they open the front door, they see that the house has been ransacked. Harry returns to the pub later that day, and questions the patrons about the house. Again, they all leave, and Harry talks to Tom about what’s going on in this small village. As Harry makes his way home, he’s attacked by Mad Peter (John Laurie). Harry quickly realizes that Mad Peter is more of a foolish man, than a dangerous one. After some confusion, Harry invites Peter over for dinner, and to get some answers from him about his brother’s death.

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As they finish dinner, Harry asks Peter but his brother. Peter explains that he really isn’t “mad”, just that he doesn’t live by the same rules that govern most men. As they talk more, Peter explains that this village is evil, and that terrible things happen here. He tells him that someone killed his brother, and not some mysterious hear failure, as he was led to believe. Peter then hears some music nearby, freaks out,t hen leaves in a hurry. During the night, Harry is awakened by some noises downstairs. When he investigates, he finds Peter at his doorstep, on death’s door. He mentions the name Franklyn, and Harry rushes across the moors to get the good doctor. Dr. Franklyn doesn’t seem to care about Peter, but Harry urges him to come and see him. Dr. Franklyn then tells Harry he’s a doctor of theology, not medicine, but agrees to come anyway. By the time they get there, Pater is already dead though (image above), and Dr. Franklyn tells them that he’ll handle the arrangements.

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Valerie is visited the next day by Anna Franklyn, who seems a bit spooky, but nice all the same. Their little conversation is interrupted though, and Dr. Franklyn is furious at Anna for leaving the house. She did manage to invite the Spalding’s to dinner though, and later, we see that dinner date. Anna is not present, and Dr. Franklyn explains that she’s being punished for her earlier transgression. She joins them after dinner, and plays some music for them. The tune is almost hypnotic, and Anna seems to be getting into it, that is until her father erupts in anger, and smashes her instrument. Harry and Valerie leave in a rush, and head home.

Tom and Harry then formulate a plan to not only discover who or what is behind these killings, but also how to stop The Reptile!

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OK, here are my thoughts:

Alright, I’ll be the first to admit that the lead roles in this film aren’t the strongest in Hammer’s catalog. They’re not bad mind you, just not up to the Cushing and Lee standard. There are still two bright spots. First, Jacqueline Pearce is fantastic, and not only does she make a convincing “troubled daughter” but she’s also a beautiful woman! She really lights up a room when she appears on-screen. The other great role is played by Hammer stalwart, Michael Ripper. He really gets to shine in this one, and has a huge role compared to his usual minor parts. He has a strong presence from start to finish. John Laurie (Mad Peter) was indeed a very good addition to this movie as well. His eccentric personality was absolutely superb!

The music score was pretty good, starting off with the opening scene/credits. A thunderous clashing of cymbals, and loud roaring wind section, lead us into this creepy classic. The sets, as with the overwhelming majority of Hammer films, were absolutely amazing. The house, the bubbling pit of oozing death in the basement, and the foggy moors, all set an incredible mood for this film. Definitely check this one out, it’s more than worth your time!