Marvel Spectacular #6, 1974 (Thor #135, 1966),

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You know, it’s really not that difficult to find a book to spotlight when you have the work of masters like Jack Kirby at your fingertips. It also helps that he was responsible for creating (the visuals, of course) one of my triumvirate. Along with Doctor Strange, and Captain America, Thor is my favorite superhero, and for good reason! He’s incredibly powerful, but has a plethora of problems. First, his father can be quite overbearing at times. Of course, he’s usually acting that way to help his son become more of a ruler, but it still is a bit over-the-top most of the time. He also has a difficult love life. He has a beautiful woman that’s basically his betrothed (Lady Sif), but his heart belongs to the mortal, Jane Foster. Enter his overbearing father, Odin, once more. He thinks his son shouldn’t love a mortal, but his fellow Asgardian, Sif, instead. Yeah, it’s complicated.

With all of that said, he still manages to go to Midgard (Earth) for some action once in a while. In this issue, he faces off against the uncanny Super-Beast! This once ordinary Red Wolf, was captured by the High Evolutionary, and mutated into one of his “New Men“. Typically, the High Evolutionary isn’t trying to do something nefarious with his schemes, like destroy the planet or anything, but rather attempting to bring about a spark in evolution. This brings him into conflict with Earth’s heroes from time to time.

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Thor battles the Super-Beast (A.K.A. Man-Beast), basically to a stand still. This adversary is quite intelligent to though, and he escapes into a laboratory, and within minutes creates an army of “New Men”, that are unspeakably evil, and serve only his commands. This army leaps from the lab, and an all out brawl commences. Eventually, Thor and the High Evolutionary manage to render them unconscious, and they put them in what the Evolutionary calls his “Star Chamber” (basically a space ship), and jettisons them out into the far reaches of space. Distraught by his actions, the High Evolutionary tells Tor to leave, and then his fortress on Mount Wundagore, that’s now revealed to be a spacecraft, takes off, headed for the stars.

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Great work here, and you can really see why Kirby is considered one of the greatest of all time (if not the greatest). His structures, spaceships, monsters, heroes, villains, etc., are all a testament to his unmistakable and unparalleled style! See you next time!

Monsters Unleashed #11, 1975

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This gem is my first foray into the magazine market of Marvel Comics. I was really shocked at how fantastic the interiors were in this one (not to mention that fabulous cover by Frank Brunner)! Not only does it contain three really good stories, but the very inside cover brings an illustration by the late, great, Dave Cockrum (below)! And not just any illustration, but one of my favorite Universal Monster movies, Creature From The Black Lagoon! It has a short prose piece underneath the artwork, and with just one small paragraph, you get the chills thinking about that great film!

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Next, we get a very scary story, starring Gabriel, Devil Hunter! In this one, we see Gabriel, as he must exorcise a very powerful demon from an old man. This demon isn’t going quietly though, and it will take every trick in the book to put this one down! Great tale by Doug Moench & Sonny Trinidad!

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“The Empire”, is a story by Gerry Conway & Rico Rival, and it tells of corporate viciousness, and all that it leads to in the end. This one might not have the guts, blood, or demons, but it really makes you wonder about things that are quite sinister in the corporate world on a daily basis, I’m sure!

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Last, but not least, we see a story that Don McGregor & Billy Graham really use to send the issue out with a bang! Literally! This one reminds me of a Jonny Quest episode, where a mad scientist is experimenting with genetics in the reptile family. A once small lizard, grows out of control and terrorizes the city. The ending is reminiscent of the Ray Harryhausen movie, The Beast From 20,000 Fathoms!

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As you can see, the stories and artwork in this magazine are excellent. Editor-in-chief, Marv Wolfman, along with Don McGregor (editor/writer), David Anthony Kraft (associate editor), and John Romita (art director), were the driving force behind the editing and art direction of these fine publications, and Marvel had a ton of them during this decade (Vampire Tales, Savage Tales, Tales of the Zombie, etc.)!

 

Cinema Sunday: The Hound of The Baskervilles (1959)

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Title: The Hound of The Baskervilles

Distributor: United Artists

Writer: Sir Arthur Conan Doyle (story)

Director: Terence Fisher

Producer: Michael Carreras

Starring: Peter Cushing, André Morell, Christopher Lee

Released: May 4th, 1959

MPAA: NR

In this big screen version of the classic tale from Sir Arthur Conan Doyle, we see the vile Sir Hugo Baskerville, as he and his drunken cohorts torture a man because he questioned Sir Hugo’s motives with his daughter. After nearly killing him (or maybe killing him), he turns his attention to the daughter upstairs. Unbeknownst to him though, she’s escaped through the window, and is running loose, towards the moors. He lets loose the hunting dogs to chase her down, and cries out…”let the hounds of Hell take me if I can’t hunt her down”! He eventually does hunt her down, and murder her, but as he does, a sinister howl rings,out from the darkness. Sir Hugo is then attacked by some monstrosity, and is killed.

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In the present day, we see that Dr. Mortimer (Francis de Wolff), is telling this tale to Sherlock Holmes (Peter Cushing) and his partner, Dr. Watson (André Morell). They seem unimpressed, which ticks off Mortimer. Holmes then uses his keen intellect to ask the right questions about a more recent murder in the Baskerville family, and then we realize that Holmes already knows of his motives for being at his home. Mortimer then explains that the next heir in line, Sir Henry Baskerville (Christopher Lee), is due to arrive today. Holmes tells Mortimer that he’ll meet with Sir Henry, and investigate the matter.

The next day, we see Sir Henry, at a hotel room, as he’s getting ready for the visit. Homes and Watson arrive, and tell him that they’ll take up the case. Before they leave, Sir Henry is the victim of an attack by a tarantula. Holmes has Watson accompany Sir Henry to the home, and he attends to other business. At the ancestral home, Sir Henry and Watson are taken care of by the housekeepers. Sir Henry does a toast but the female housekeeper drops her drink when he mentions the family curse. That night, Watson can hear a howling in the distance. The next morning, Sir Henry meets the local bishop (Miles Malleson), and they discuss the family history. After a short trip to the village, Watson is walking through the moors, when he’s approached by a man, warning him of straying off the trail. Watson continues on his trek, and runs into a beautiful girl. He asks her if he’s still on the right path to Baskerville Hall, and she runs away upon hearing that name. Watson pursues her through the moor, but then falls into quicksand. He’s rescued by the man he met earlier (Stapleton), and his daughter. They return Watson to the castle, and Sir Henry meets the girl (the daughter of Stapleton, who’s a local farmer), and the two get off to a rocky start.

Later that evening, Watson and Sir Henry see a light flashing out on the moors. They investigate, and find a man running loose on the property. As they are in pursuit, they hear a howling noise. Sir Henry appears to have some kind of panic attack. Back at the castle, Dr. Mortimer tells him that he has a heart condition that he’s inherited from the family. Watson goes back out to the moors to look for clues. As Watson sifts through the old ruins, he’s surprised by Holmes. who’s been watching things from a distance for days. As the two are talking, they hear a scream. They find a dead body, and assume it’s Sir Henry. They make their way back to the castle, and discover that it wasn’t Sir Henry, but an escaped convict that was roaming the area.

Another day passes, and they return to the spot where the body was left. It’s now missing, and they find tracks leading to the old ruins. They discover that someone or something not only killed the convict, but also mutilated his body. They find a dagger with the family crest on it, the very one that was used to kill decades earlier by the evil Sir Hugo. Holmes finds out that the housekeeper was related to the convict, and that she’d been taking him food and clothing. He was wearing one of Sir Henry’s suits when he was killed. Holmes visits the bishop, to decide what he knows about the recent disappearance of a tarantula. He tells Holmes that Dr. Mortimer had paid him a visit days before.

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Sir Henry pays a visit to the Stapleton’s house, and puts the moves on the daughter. She has a strange look in her eyes, but then she invites him to dinner for that evening. Watson and Holmes discuss who might be behind these acts, and they are still unclear about who is responsible. Holmes deduces that there is something more to the moors than meets the eye. Dr. Mortimer and Holmes are at odds over Sir Henry. Holmes tells Dr. Mortimer about a local mine that needs investigating, and he agrees to come with him. Holmes then pulls out the dagger he found earlier, but Dr. Mortimer doesn’t seem surprised to see it. Next, Holmes, Stapleton, and Mortimer descend into the mine. After a few moments, Holmes makes a discovery, but then there’s a howl of an animal, and a cave i seals Holmes in, for good apparently. In the next scene, Watson is attempting to dig his way down to Holmes, but Mortimer and Stapleton tell him that there’s no way he survived. As they walk back to the cart, they’re shocked to see Holmes sitting in the cart.

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Back at the castle, Holmes and Watson are putting the pieces of the puzzle together. Holmes had locked the dagger he found in a drawer in his dresser. It was forced open, and the dagger stolen. Sir Henry comes to see how Holmes is doing (he hurt his leg in the mine), and tells them that they’ve been invited to dinner by Stapleton. Holmes then realizes that this is the night Sir Henry is to die, so he intentionally annoys Sir Henry, so that he;ll go to dinner without them. Sir Henry leaves, and the two detectives make their plan! I wont spoil the ending, but rest assured, that Watson and Holmes see the action they’re looking for, and Sir Henry must face the hound from Hell!

OK, my thoughts are as follows:

The picture is without a doubt, one of the best films Hammer Studios has ever made. Cushing is astounding with his portrayal of Sherlock Holmes! He really “gets” the character, and what Doyle was trying to convey in his novel. André Morell has another magnificent performance, and really does his best at giving us a Watson we can believe. The bishop, Miles Malleson, is another Hammer regular, and has a knack with his depiction of the bumbling gentleman.

I definitely need to mention the man who wrote the screenplay, Peter Bryan. This adaptation was quite good compared to others. Not that you need to compare it, because it can stand alone against any other movie. The music score was fantastic too, and nothing less can be expected from James Bernard. It really set a thunderous mood during the high points of the film.

Long story short is that if you haven’t seen this movie, you need to right away. It is the definitive Sherlock Holmes movie! If you love mysteries, thrillers, or any type of classic film, get out and grab this film now!

Marvel Premiere #8, 1973. “The Doom That Bloomed on Kathulos”

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As if Dr. Strange, Clea, and Stonehenge wasn’t enough, you get a story inspired by the fantasy legend, Robert E. Howard, scripted by Gardner Fox, pencils by Jim Starlin, and inks by Frank Giacoia! This A-list creative team brings us a tale of the good ‘ol Doc, as he and Clea have faced down trial after trial lately. In this issue, Strange finds out that not only must he face Kathulos in some dark, creepy dimension, but that if he does, waiting in the wings is his master Shuma-Gorath! We also see in flashback, these last few days, and its bizarre adventures. From an undersea nightmare, to another demon, spawned to serve Shuma-Gorath.

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Throughout the book, we get amazing work by Starlin, and it really shows how great he would have been on a title like this one. Don’t get me wrong, I love Frank Brunner, Gene Colan, and all the other artists on the different series, but the awesomeness of Starlin’s work cannot be denied! Just look at those panels, by Starlin, Giacoia, Hunt, and Goldberg! Let us not diminish the writing by comic book great, Gardner Fox! His Golden and Silver Age work is nothing short of astounding (JSA, Starman, Sandman, etc.)!

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Adapting the works of a great writer like Howard doesn’t hurt your chances at making something great either though. Howard’s countless creations (Conan, Kull, Solomon Kane, etc.) have inspired hundreds of writers, artists, and authors for decades. And I’m sure they will for many more to come! See you soon!

Marvel 2-in-One #9, 1975. “When A God Goes Mad”

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You might think by the cover, that you’ve got the villain for this issue figured out. Well, you kind of do, but there’s a twist inside these pages, and this story couldn’t work in any other title, than Marvel 2-in-One! In this fantastic tale, we see the Puppet Master, who had been thought dead from a previous battle, as he uses his magic to take over Thor’s mind, and force him to attack the Fantastic Four. After laying a pretty bad beating on them, Thor regains his senses, and backs off. Later, the Thing finds out that the perpetrator of these foul deeds is in fact Puppet Master. Now though, we see that he has made a puppet of the Thing, and he forces he and Thor to fight. We also see that there is another helping Puppet Master achieve greater feats. The radioactive power of Radion, is helping him! Dr. Henri Sorel was originally a research physicist, but is now in the employ of Puppet Master!

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This super cool story from the 1970’s was definitely a fun ride. There is also a special guest appearance by Wundarr, as well! What else is to be expected from Chris Claremont, Steve Gerber, & Herb Trimpe? You really get a sense that guys truly enjoyed working together on this book, and in the industry as a whole! Check out that awesome cover, by none other than the fantastic Gil Kane! See you in three days!

 

 

 

 

Monster Massacre vol. 1 (Atomeka/Titan Comics)

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The over-the-top cover is extremely misleading, to those who will dismiss it just on that quality alone. Inside however, lies an anthology of stories and artwork that are top-notch! What better example of this could you imagine, than a story from the 1950’s, by legends Joe Simon and Jack Kirby? Of course the answer is none, and that’s what you get right out of the gate from this beautiful hardcover. The glossy pages of this book, are graced with some of comic books coolest creators. Dave Elliott, Alex Horley, Andy Kuhn, Dave Wilkins, Dave Dorman, and so on.

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Each story has its own unique voice, that lends a piece to the overall tone of the book. The fantasy vibe, definitely harkens back to the days of Frank Frazetta, and Boris Vallejo. These legends have inspired countless creators since the 1970’s, and will for a very long time. In the middle of the book, we even get a good prose story (Mike Elliott), followed by a solid story that’s part color, part black and white. It was a really cool to see that abnormal twist. The Cthulu-esque tale “Deep Six”, with great action, and an explosive ending!

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There are also two incredible galleries inside, one by Alex Horley, and the second by Steve White. The first, is one that will remind you of Heavy Metal or Vampirella style books. Big monsters, beautiful girls, and the such. The second one has some really interesting images that are varying in subject matter ranging from undersea life, to wooly mammoths. Throw in a good dinosaur story, and you get more than your monies worth from Atomeka and Titan Comics! Check out the links below for more info on this great book, and look for volume two in stores in the coming months (or pre-order it now)!

Atomeka on Facebook

Atomeka on Twitter

Deviant Art Page

 

 

 

 

 

Cinema Sunday: Frankenstein Created Woman (1967)

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Title: Frankenstein Created Woman

Distributor: British International Pictures/20th Century Fox

Writer: John Elder (Anthony Hinds)

Director: Terence Fisher

Producer: Anthony Nelson Keys

Starring: Peter Cushing, Susan Denberg, Thorley Walters

Released: March 15th, 1967 (USA)

MPAA: UR

OK, listen, don’t let this title or some reviews fool you. This film is pretty good! It isn’t your typical Frankenstein franchise film, but it does have three things going for it. Susan Denberg, Susan Denberg, and Susan Denberg. Alright, that was my attempt at humor. The lovely, blond bombshell is one of the reasons, but the horror icon himself, Peter Cushing, is certainly one of the others! The last reason is simple. Any time you have multiple decapitations in a movie, you’re on the right track! This was one of the last films produced at the famous Bray Studios, a legendary site for Hammer Studios.

The film begins with a rough-looking fellow, as he’s being led to the guillotine. Just about the time when he’s to be killed, a boy, his son actually, is spotted in the nearby forest. It’s the son of the gentleman that’s about to be executed. The priest chases Hans away for the moment, and the convict tells the men to do the deed. Just as the blade is about to fall, the boy appears out of the trees, and watches his father die.

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Fast forward to a few years later, and Doctor Hertz (Thorley Walters) is being assisted by a now grown up Hans. They quickly retrieve a body from a freezer, and we now see that the body is that of Baron Frankenstein! He’s been on ice for one hour, and the two men use the arcane machinery to revive the Baron. After a scuffle at a local cafe’, Hans is arrested for his part in the melee. He’s released, and goes back to the cafe’ owners home, where the owners daughter, Christina is readying for bed. She’s disfigured, and has a bad limp, but Hans loves her, and she loves him, too. They make love, and then Hans goes home for the night. Back at the cafe’, the gentlemen that were involved in the brawl with Hans earlier, have returned to the establishment after closing, to pillage the liquor. The owner returns to the cafe’ after realizing he forgot his keys there, and is summarily assaulted by the youths.

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The next day, Hans is walking by the cafe’, and is arrested by the police under suspicion of murder. A trial is quickly thrown together, and Hans is sentenced to the guillotine at dawn. Baron Frankenstein knows this is his opportunity for a fresh corpse, so he makes the arrangements with Dr. Hertz to “obtain” the body. The Baron then tells Dr. Hertz that they’ll use the machinery to capture the soul of Hans, then put it into another body. Preferably one with a head. The next morning, Hans is beheaded, and this time, Christina is passing by, and witnesses it! The event drives her mad, and she runs into the forest, and throws herself into a nearby river. Dr. Hertz and the Baron get both bodies, and pull the switcheroo. Now, Hans’ soul resides inside Christina’s body, and her deformities have now been fixed by the two good doctors.

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At first, Christina seems fine, but when the Baron shows her the guillotine where Hans was killed, it ignites memories from him, of that fateful day when his father was killed, years before. She begins to have nightmares as well, and after waking up from one, she decides it’s time for a little revenge against the hooligans that wronged Hans from the wrongful murder charges. The first to feel her wrath, is Anton. She dresses up quite nicely, and hangs out on the corner by the cafe’ where Anton and his cronies hang out. As he leaves the establishment, she picks him up, and then they go to the abandoned house where Christina used to live. She goes into the backroom to change, and then calls out to Anton, but with the voice of Hans. The next thing we see, is the guillotine coming down, signifying Anton’s demise.

The next night, Karl and Johann are drinking away their troubles at the cafe’, and discussing Anton’s death. Johann then leaves, and Christina comes into the cafe’. She charms Karl into having a little “action”, but then Karl spills wine on her dress. She excuses herself into the washroom to clean it, and moments later, Karl hears the voice of Hans calling to him. Christina emerges with a meat cleaver, and we next see a shot of her chopping wood the following morning (obviously, Karl is dead). Some villagers then accost the home of the Baron and Dr. Hertz, and demand to see them about the recent murders. The Baron tells them to dig up the body of Hans, and they do just that next. The grave is opened, and the body is still there, but the head is missing!

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The next scene is Christina, in her bedroom, having a conversation with the head of Hans (she’s planted it on her mirror). We hear the voice of Hans, instructing her to kill Johann. As Johann is trying to make a speedy escape out-of-town, and as he just reaches the coach heading out of the village. He notices a pretty girl in the corner, and she offers him a drink. The coach breaks down, and the two decide to have a picnic in the forest. As Johann is laying in her lap, she pulls a knife out of the basket, and stabs him violently. We notice the head of Hans is in her hat box!

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I wont spoil the end of the film, as it’s not my style, but rest assured, you get your monies worth from this movie. It was a change of pace for the Frankenstein series, as this one dealt more with the spirit, than the body. Also, the aspect of a woman committing the murders, and not a man was a switch from the normal routine. Cushing is his normal, brilliant self in the film, and that is to be expected. Susan Denberg did do a fine job on top of being fantastic eye candy. Her performance, especially once she was resurrected, was very good in my humble opinion. Thorley Walters  character (Dr. Hertz) did a fine job of complimenting Cushing, and his child-like affection for Christina was definitely a great addition to the script.

Definitely look this one up (currently free on YouTube) if you’re a fan of Hammer or old school horror movies in general. It’s one of those movies that doesn’t get a lot of play, or great reviews, but trust me, you’ll enjoy it! See you next week!

The Avengers #197 & 198, 1980.

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After listening to a podcast (Comic Geek Speak), I was inspired to use The Avengers, for today’s post! Just not any story though, but one that I recently acquired online, and it’s a great one! We have issue #197, which is basically, a day in the life of The Avengers. This book shows the team getting stuck in their own elevator, Beast and Wonder Man on a blind date, and then Jarvis with a really bad dilemma…the percolator is broken! Seriously though, we also see Wanda, as she’s left the team, and her husband (Vision), because she needs some time to process the life they are going to have together, and the possibility of raising a family. She’s walking on the beach, and then, suddenly, Ms. Marvel pops up for a visit. Wanda and Ms. Marvel have a nice chat, but then Ms. Marvel faints right on the beach! Wanda takes her to the nearest hospital, and the both get some alarming news. Ms. Marvel is three months pregnant!

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The following issue shows Wanda and Ms. Marvel at the hospital, trying to cope with this untimely news. Back in New York City, the team is throwing everything it can at the super robot, Red Ronin. The giant mechanical samurai is terrorizing the city, but really, wants to head out to Russia, to start world war three! But why? Well, you see, the person responsible for its reconstruction (Dr. Cowan), has gone off the deep end, and is hell-bent on stopping world fear, but simply killing the “enemy”.  Finally, after hours of fighting, The Avengers and SHIELD finally figure out a way to stop the giant robot, or so they think!

This story concludes in the next issue (Red Ronin), but the terrible fate of Ms. Marvel isn’t revealed until issue two hundred. I wont even try to explain that debacle, but believe me, it’s insane. These two issues are great though, as you get George Perez on covers, and the interiors (below is a good splash page of Beast and Wonder Man, half in the bag) of the second issue. David Michelinie does a great job with the different plot lines going at the same time as well. Ms. Marvel actually revels her secret identity to Wanda, we find out what Hawkeye has been up to, and all of this leads into the crazy anniversary issue. If you don’t know about it, just do a quick Google search, you can find it easily.

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That’s all for now, but be ready for another post on Monday, and hopefully another movie review on Cinema Sunday! The idea is for me to post every three days with a comic book spotlight, and once a week (Sunday) for a movie review. Honestly, I can’t say it’ll happen every week like clockwork, but I’m going to do my best! I’m already brainstorming about February, as I think I’ll be going with a weekly theme for my posts, so be ready! Sayonara!

Fantastic Four #224, 1982. “When Calls Galactus”

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Just look at that cover! You know, John Byrne did some incredible work on this title, personally though, I think his X-Men work is his best stuff! In this fantastic issue, we get to see a few different things, (seen in flashback) one of which being Galactus, at the mercy of the Avengers, Fantastic Four, and Dr. Strange. You see, he had just traveled to Earth, and dealt with his herald, Terrax, which left him starving. At this point, he was defeated by those above mentioned forces, but they felt compelled to help him live.

Reed, along with Iron Man, and Thor, builds a contraption to feed Galactus enough power to leave Earth. Richards also uses his intellect to find suitable sustenance for Galactus as well. As Galactus awakens, he is puzzled by his enemies helping him, but tells them that if their calculations are off about the planets nearby, he’ll have to come back, and feed on Earth. At that point, the heroes will have to either let him feed (destroy Earth), or kill him.

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Meanwhile, Johnny’s girlfriend, Frankie Ray, A.K.A. Nova, has been watching and listening. She then makes a sacrifice, and volunteers to become the new herald of Galactus! Johnny is incensed at the thought of losing her, but she tells him that it’s what she wants. Galactus then pushes the Fantastic Four aside, encasing them in a bubble, and uses his cosmic power to enhance Nova, making her capable of things she never dreamed. She immediately takes off for the cosmos, as Johnny attempts to follow her. He falls short though, as he reaches Earth’s upper atmosphere, and flames out, due to the lack of oxygen. Galactus then ponders why he agreed to Reed and Frankie’s terms, but pauses, and as he teleports to his ship, he remarks that he might actually call these Earthlings, friends.

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Back in the “now”, Johnny is grief-stricken, and is comforted by Juliette D’Angelo. After hearing all this, she’s absolutely floored. In the last few pages, we see a bit of a prologue, as little Franklin Richards is playing with Ben and H.E.R.B.I.E. We see him pick up a Rubik’s Cube, and his eyes begin to glow with power. H.E.R.B.I.E., then senses an immense power within him, but is blown to pieces by the surge within the child!

The artwork by Byrne is obviously great, but the story is pretty good too, especially when you consider this book was under the watchful eyes of people like Stan Lee, Jack Kirby, Marv Wolfman, Roy Thomas, and other greats over the years. I hope you enjoyed this post, and be ready for another good one in a few days!

 

 

 

 

Cinema Sunday: Terror Train (1980)

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  Title: Terror Train

Distributor: 20th Century Fox

Writer: T. Y. Drake

Director: Roger Spottiswoode

Producer: Harold Greenberg

Starring: Ben Johnson, Jamie Lee Curtis, Hart Bochner, David Copperfield

Released: October 3, 1980

MPAA: Rated R

Welcome, to my first (of many hopefully) movie review on my new blog! You know, I’d planned on doing something a bit older than  this movie, but I started watching this one for the thousandth time, and thought, “hey, why not?” It’s not the most elaborate plot, and not the best acting, but it still holds up for slasher fans around the world. The evidence being its recent release to Blue-ray (above)!

The film begins at a frat party, and we see a few friends, Alana (Jamie Lee Curtis), Mitchy, Doc, Mo, and Jackson, as they pull a prank on another student. Well, the prank has an adverse effect on Kenny, and it sends him to the psychiatric hospital. Fast forward a coupe of years later, and the friends are taking a trip on an excursion train as part of a graduation party. The costume party doesn’t even get started though, as one of the group is killed before boarding the train. The rest of the students think nothing of it though, as he’s the class clown type.

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As the train gets moving, the typical drinking, smoking, and all around craziness ensues. The killer assumes the disguise of his victim, so no one notices anything out of sorts. He begins to systematically eliminate students, and Alana begins to realize that the group that pulled the prank years earlier is being targeted. Alana attempts to get the help of the other students and the conductor to investigate who the killer might be.

As the train ride keeps going, the bodies pile up, and then only Alana remains. She thinks she figures it out, and the blame shifts to the magician (David Copperfield) that was hired for the party. The students are taken off of the train out in the frigid, wooded area, and the train is searched by the conductor (Ben Johnson) and his crew. They find nothing, and force the students back on to the train, because the temperature is well below freezing, so staying out there isn’t an option. Alana wanders into the magicians compartment, and discovers his body, impaled by his own swords.

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After a while, even the crew of the train begins to be slaughtered, and it’s up to Alana and the conductor to figure out who’s doing the killing, where and when he’ll strike next, and ultimately, how to stop him!

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OK, thoughts on this film are as follows. Overall, the film is a good slasher flick. It has everything you could want if you’re a fan of this genre. Unfortunately, if you’re not, you’ll probably think it stinks. Personally, I think it holds up well, and I can cite two reasons. First, Jamie Lee Curtis. She’s a great actress for flicks like this, and obviously, she expanded her roles and abilities over the years. Honestly though, I think her talents lie in the horror genre, and lets face it, you don’t get a nickname like “The Scream Queen”, for being miscast! Secondly, the film definitely has a creepy factor to it, that is still…well, creepy! So, while the earnings at the box office were modest, if you like slasher films, but haven’t yet seen this one, grab a copy!