Cinema Sunday: The Trollenberg Terror (1958)

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Title: The Trollenberg Terror (A. K. A. The Crawling Eye)

Distributor: Eros Films Ltd.

Writer: Jimmy Sangster (screenplay)

Director: Quentin Lawrence

Producers: Robert S. Baker, Monty Berman

Starring: Forrest Tucker, Laurence Payne, Jennifer Jayne (Jones), Janet Munro, Warren Mitchell

Released: October 1958 (TV series 1956)

MPAA: UR

 

I’ve heard of this film, and was fascinated by the premise, but never saw it until recently. Once I’d heard it was an inspiration for John Carpenter’s “The Fog,” I knew I had to see it ASAP! Being a huge fan of that film (and a few other of his films), it was only a matter of time until this flick would be the subject of my weekly movie review! I’ll admit I only know one actor in this one (Forrest Tucker), but he’s enough to be another reason to watch the movie. OK, no more talk, let’s get to the meat and potatoes!

 

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The film begins with three students rock climbing in the Swiss mountains. One has climbed a bit higher than the others, and they shout to him, asking what’s going on. He tells them it’s very foggy, and he can see someone coming through the fog. The two men on the lower ledge hear him scream, and then his body falls passing by them. He’s hooked on to a rope and they try to pull him up. The one man gets a look at him before the other man does, and he screams in terror, and let’s go of the rope. The other man shouts at him for letting go, but he tells him that his head was missing! Cut to the opening credits…

 

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In the following scene, we watch as two women are on a train, one of them is sleeping. Anne Pilgrim (Janet Munro – image below, left),and her sister, Sarah (Jennifer Jayne – image below, right) There is a man sitting across from them, Alan Brooks (Forrest Tucker), reading a newspaper, and he notices that these two are a bit odd. Anne wakes up, and Sarah tells her that they’re passing the mountains. As she moves toward the window, she faints, and falls right into the lap of Brooks. When she awakens, she tells her sister that even though their trip isn’t over yet, that they must get off of the train at the next stop, Trollenberg. Brooks is really stupefied, but keeps to himself.

 

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As the train stops at Trollenberg, Brooks gets off and meets another man, Klein (Frederick Schiller), owns a hotel of sorts, and Brooks invites them to stay there with the blessing of Klein. The two sisters are psychic, and have a routine they perform across Europe, and Anne uses her ability to pick the minds of the locals to find out why the townspeople are leaving. She questions Klein about this, but he’s evasive. Brooks looks on with  desperation in his eyes. They take a car ride to the hotel, where another man, Philip Truscott (Laurence Payne), is waiting there and seems to recognize the girls, but they hurry to their room to avoid a confrontation.

 

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That night, Brooks (Forrest Tucker – image above, right) is in his room unpacking when Truscott comes in and attempts to be friendly, but as soon as he leaves the room, he telephones someone, inquiring about Brooks. Brooks happens to be walking down the hallway, and hears the conversation. As he heads downstairs, he meets two climber, Brett (Andrew Faulds – image above, left), and Dewhurst (Stuart Saunders). They’re heading up the mountain for a climb, and going to stay the night in a shack on the side of the mountain tonight, then head up tomorrow. Truscott, Brooks, and Sarah, all join them for a farewell drink. They all have one, but then the conversation turns to the recent “accidents” on the mountain, and things get a bit grim. The bartender, Hans, is reluctant to talk about these matters, and about the villagers sentiments about the subject.

 

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As the two men head out for their excursion, Brooks decides to hitch a ride with them up the cable car. He climbs aboard, and heads to the observatory, where we see Professor Crevett (Warren Mitchell). He tells Brooks that the goings-on around here are eerily similar to that of events that took place three years ago in the Andes Mountains. Crevett explains to Brooks that everywhere that the ominous cloud goes, death follows, as well as high amounts of radiation. Meanwhile, back at the hotel, Anne and Sarah do their best Jedi mind trick routine (image above) to the applause of the guests. During this though, Anne begins to fall into a trance. She sees the two climbers in the hut (Dewhurst & Brett), and warns of danger. Crevett and Brooks realize that the girl must be psychic, and she is somehow able to see into the mind(s) of whatever is in the  mysterious cloud surrounding the mountains. Brooks calls the hut, and Dewhurst confirms that Brett is missing. Later, the observatory calls the hotel and tells the Professor that the cloud is no moving towards the hut. Within minutes, they call Dewhurst, and he tells them that he thinks he sees someone in the fog. Within seconds, Dewhurst is dead.

 

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The following morning, Brooks and some of the others head out to find Dewhurst and Brett. After searching for hours, one of the villagers finds some bloody clothes, and then calls out to another villager. Before he can get his bearings, we see Brett, looking like one of Romero’s living dead, and he brutally kills the man. As the other villager arrives, he tries to defend himself, but Brett overpowers him, and slays him as well. Brooks, Truscott, and their party find the hut, and it’s very cold inside. The blankets are frozen, and so on. They find Dewhurst, and he’s been decapitated. They call to the city, and get an airplane to search from above as well. The next night, Brett inexplicably shows up, and seems a bit off kilter. As he’s sitting at the bar, Anne walks in, and he attempts to kill her, but Brooks knocks him out. They lock him up, but he escapes, and then decapitates the hotel owner. Brett then attacks Anne but Brooks shoots and kills him. Brooks and Crevett inspect the body and discover that any kind of heat can make his body disintegrate.

As the cloud moves toward the village, the people make their way to the observatory for a final showdown with the creatures in the fog! Will they survive or will they meet their doom!

 

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OK, here are my thoughts:

When I heard that this film inspired John Carpenter, it immediately jumped to the top of my watch list. Having Forrest Tucker as the lead actor doesn’t hurt either. I loved his performance in The Abominable Snowman of the Himalayas (1957), and that film will be reviewed sooner than later as well. He’s really in charge in this film, and totally runs the show from the minute he’s on-screen. The supporting cast is also right there to add some flavor. Warren Mitchell portrays the Professor, and he fits the part perfectly.

The special effects were good for their time, and the “monsters” were pretty scary looking in this film. The man behind them was Les Bowie (uncredited), and he should be lauded for his efforts. The music score (Stanley Black) was very riveting at a few points, and will have you on the edge of your seat. The sets were fairly generic, but most of the time they didn’t need to be more than that anyway. The observatory scenes were the best, and seemed the most “real.” Get out and find this movie, it’s certainly worth the time!

 

Click here for the trailer!

 

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Marvel Spotlight #25, 1975 “The Seventh Voyage of Sinbad”

In honor of one of my favorite filmmakers (yeah, I know he was just labeled as the “special effects” guy, but get real, those movies wouldn’t exist without him), Ray Harryhausen, I’ll be taking a look at Marvel Spotlight #25 (1975)! In this issue, we see an adaptation of “The Seventh Voyage of Sinbad,” which was one of Ray’s crowning achievements, in this bloggers humble opinion. Marvel decided to put that incredible movie into comic book format, and it delivers! We join Sinbad on the high seas, then see him battle a giant Cyclops, an unbelievable, fire-breathing dragon, and even a skeleton! Any fan of this movie must own this comic book!

Marvel selected quite a solid creative team for this one, and although these creators aren’t the biggest names from that decade, anyone that cares to research them will find out that they did some phenomenal work over their careers! Writer – John Warner (Son of Satan, Rampaging Hulk), pencils & inks – Sonny Trinidad (Marvel Classics, Marvel B&W Mags), colors by Petra Goldberg, letters by Jim Novak, edited by Marv Wolfman, and cover by Gil Kane! Take a look at these awesome pages!

 

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Marvel Super Action #3, 1977 “The Sleeper Strikes!”

Any chance I get to grab some of Jack Kirby’s work, I don’t hesitate. I know some people are sticklers for original stuff, but I’m just fine with grabbing a fifty-cent copy of a reprint title like this one. Yeah, sometimes there are slight alterations to the covers, but typically, the interiors are the same. So, instead of trying to save up my pennies and buy a copy of Captain America #102 (1968), I’ll just look at my copy of this book (Marvel Super Action #3, 1977), and enjoy reading about the exploits of Captain America, and his fight against the Nazi weapon, the Sleeper! A guest appearance by Colonel Nick Fury, the love of Steve’s life, Sharon Carter, and the machinations of the Red Skull!

Of course, the story was scripted by Stan Lee, but the wondrous work of Jack ‘King’ Kirby is the draw. His style is perfect for a villain like the Red Skull, and the way he draws the Sleeper, is very frightening. Of course, you get the usual, brilliance with Kirby drawing Cap and the beautiful Sharon Carter (A.K.A. Agent 13), and the standard that Kirby set for that character will always be remembered! The inks are by Syd Shores, and letters by ‘Adorable’ Artie Simek.

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Marvel Team-Up #19, 1973 “The Coming of Stegron The Dinosaur Man!”

You know, I don’t remember being a huge dinosaur enthusiast as a youth, but my son definitely is/was. He knows more facts about them than I’ll ever know or understand, and his love and knowledge of dinosaurs is something that not only fascinates me, but is utterly endearing as well. In this especially awesome issue of MTU (Marvel Team-Up #19), Spidey must journey to the Savage Land, and of course almost immediately meets up with the Lord of the Hidden Jungle, Ka-Zar! The trip ends up being a bit more complicated than Spidey wanted (of course, that Parker luck!), and we are introduced to a new villain, Stegron the Dinosaur Man!

A story that has two parts (continuing in the next ish of MTU), was brought to us by Marvel super-scribe, “Lively” Len Wein! Everyone that is a fan of Marvel Comics in the Bronze Age knows of Len’s legendary contributions, and they would continue for a long time after that as well. If you’re going to have a story like this one, you need top-notch talent on the artwork, for sure. One of the all-time masters, Gil “Sugar” Kane penciled this one, and the inks of “Fearless” Frank Giacoia match up perfectly with Kane’s work. Not to be left out, are colorist Glynis Wein, and letter Dave Hunt! Sprinkle in the editorial wits of “Rascally” Roy Thomas, and you have a Bronze Age classic! Enjoy!

 

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Cinema Sunday: The Stranglers of Bombay (1959)

StranglersBombay   Title: The Stranglers of Bombay Distributor: Columbia/Hammer Studios Writer: David Z. Goodman Director: Terence Fisher Producer: Anthony Hinds Starring: Guy Rolfe, Allan Cuthbertson, Andrew Cruickshank, George Pastell, Marie Devereaux, Jan Holden Released: December, 1959 MPAA: PG-13     In attempting to let the masses know that Hammer Studios has a much more wide range of movies other than horror, I’m bringing this classic flick into the light. Not trying to take anything away from the awesome Gothic horror films from Hammer, which I consider to be the best of all, but they definitely offer some great films in different genres as well. For instance, this little movie from 1959. It’s somewhat of an oddity that it doesn’t offer any of the usual recurring Hammer players, but don’t let that scare you away, this film is a good one! Based off of a true story, about a cult and the British East India Trading Company, and of course, murder! It wouldn’t be a Hammer film if there wasn’t a shock value to the film, now would it? Filmed the same year as The Mummy, this one is only in black and white, but it does carry a bit of charm because of that fact, in my humble opinion. Well, rather than continuing with more of my feelings, let’s just get down to the story!   stranglers#1 The film begins with a shot of a statue of Kali, and the cult that worships her. There is one man who leads them, the High Priest of Kali (George Pastell – image above), standing tall, and reciting the mission statement for the cult. He basically says that Kali (image of statue below) has told them to wipe out defilers, by strangulation using a silk cloth. The crowd starts getting ruckus, and then pledges to convert the young among them. The High Priest then carves a symbol into a boy’s arm, and then they seal it with a hot iron. This “marking” is how you know who belongs to the cult (cue opening credits).   stranglers#5 Back in the city, we see a meeting between the British occupancy/soldiers, and the local government officials. As the meeting continues, the locals complain about the disappearances of their people and goods. The man in charge, Colonel Henderson (Andrew Cruickshank), tries to assuage the people but they aren’t haven’t it. They say they will stop paying their taxes if this craziness doesn’t stop. Another man walks into the meeting, Captain Harry Lewis (Guy Rolfe – image below), and makes his opinion known that he agrees with the people, and that something needs to be done. The  Colonel tells the Captain that he is in charge of this investigation, and he’s elated. His wife, however, seems to wish he didn’t take the job, but then after talking, sees it his way.   Stranglers#2 The next day, Captain Lewis and a detachment of men are heading out to protect a caravan heading on a long trip. As they approach the caravan, bandits are ransacking it, and attempting to murder the people. Captain Lewis and his men stop and capture them before they can get away. Both of the men have a silk scarf and a certain branding on their arm. Captain Lewis is wondering what this means, but needs more clues. On his way back into town, Captain Lewis runs into another soldier, Captain Christopher Connaught-Smith (Allan Cuthbertson – image below), who is a bit of a jerk. Once they’re both inside headquarters, Colonel Henderson tells Captain Smith that he will now be lead investigator of this operation, and not Captain Lewis. Lewis is devastated, and then Henderson tells Lewis that he went to school with Smith’s father, and now he understands why he was passed over.   stranglers#6 Back at the temple of Kali, the two men that attacked the caravan are now in the custody of Patel Shari (Marne Maitland), a local government official, who has ties to the cult. He tells them that they’ve violated the laws of Kali, and tried to kill for their own greed, so they must be punished. The men then have their eyes gouged out and their tongues cut out as well. Harry is back at home, and talking to his wife about getting passed over at work. One of his servants comes running in, and tells him that he saw a caravan and that he believes his brother (who was abducted years ago) was inside. Change the scene back to the temple, and we see that the High Priest is “training” one of the younger members on how to gain the trust of a stranger, just before killing them! In the brush nearby, a woman (Marie Devereaux) watches, as a man then rushes in, and tells the High Priest that Captain Lewis is asking a lot of questions, and then decrees that he must be punished.   stranglers#3 The next day, Lewis hands over his documents about his investigation of the missing persons. Captain Smith isn’t impressed and gives him the cold shoulder. Lewis is less than impressed with him, so he leaves. Lewis is almost immediately attacked  and the robbers take the piece of silk he had obtained from the men that attacked the caravan earlier in the week. Lewis spends a day tiger hunting with a friend, but he can’t concentrate on anything except the missing persons. He also gets a severed hand delivered to his dinner table, and this is another warning, one that Lewis doesn’t take lightly. He speaks to the Colonel the next day, but gets little satisfaction. The conversation gets ugly, and Lewis threatens to offer his resignation.   After resigning, Lewis begins his own investigation into the matter, and begins asking around the seedy parts of town about the missing people. One man seems to know something but is hesitant to speak. While out tiger hunting, Lewis and his party make a startling discovery. They find a mass grave of bodies, and they are all of native people, that have had their necks snapped. He reports his findings, but gets the run-around from Captain Smith. Lewis visits Patel, and tries to convince him to help with the investigation. He tells him he can do nothing, and Lewis shows signs of giving up. Back at headquarters, a man was caught trying to rob a house, and is going to be questioned. It’s here, that we see that Lieutenant Silver (Paul Stassino), is part of the cult, and obviously aiding them when he can.   stranglers#4 Will Lewis be able to single-handedly be able to thwart this fanatical cult? Or will he succumb to the stranglers silk?!? OK, here are my thoughts: Make no mistake about it, Guy Rolfe and George Pastell, made this film what it is. These two actors really give grade “A” performances that make you believe that the characters are real. The supporting cast isn’t too bad either, as Cruickshank and Cuthbertson also play solid roles. Cuthbertson is especially nasty, and really makes you dislike him from the first scene. His snotty attitude towards Rolfe is undeniably something that will make want to crawl into the movie and slap the taste out of his mouth! Pastell seems to be born for roles like this, and really shines here, as well as in the two Hammer “Mummy” movies he appeared in. The biggest and most awesome thing about this film aside from the two lad roles, has to be the sets. I’ve never personally been to India, but I feel like I have been after watching this movie. From the jungle scenes to the tiger, or even the temple where the cult practices its insane worshiping, the sets are completely believable. This film is something that probably wasn’t really socially significant when this was released, but in this day and age, it seems fearfully symmetrical in certain situations. Lost in all of this is the beautiful Marie Devereux (image below). Her hotness is undeniable, but she really doesn’t get much screen time, and that is a shame! Look for this one at the usual spots (Amazon, etc.), and give it a watch, because it’s definitely worth your time!   stranglers#7   Click here for the trailer!

Cinema Sunday: The Pirates of Blood River (1962)

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Title: The Pirates of Blood River

Distributor: Columbia Pictures/Hammer Studios

Writer: Jimmy Sangster

Director: John Gilling

Producer: Michael Carreras

Starring: Christopher Lee, Kerwin Mathews, Glenn Corbett, Oliver Reed, Michael Ripper, Andrew Keir, Marla Landi

Released: August 1962

MPAA: PG

 

Everyone knows about the horror films that Hammer Studios produced over the decades, but if you look even deeper into their catalog, you’ll find some other gems, such as this one. The range of the Hammer Studio was quite wide, but of course, they’re known for their Gothic horror films. But personally, I think they’re action/adventure films are a very close second.

This film in particular, gives you a (very small) bit of horror, but mostly just some great action with pirates fighting against a Huguenot colony. Action, intrigue, love, and war. Don’t take your eyes off of the screen for a minute, because you will miss something. An all-star cast, featuring some Hammer stalwarts, but also actors like Kerwin Mathews (7th Voyage of Sinbad)! Let’s get down to the plot!

 

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The film begins with a pirate ship sailing towards an island. On this island, there is a settlement of Huguenots. They live their lives, governed by the laws of the Bible, and are quite strict. Next, we see a young man, Jonathan Standing (Kerwin Mathews), and his lover, Maggie Mason (Marie Devereux), as they playfully run through the forest, to find a spot for some “courting.” They do, but before they can get busy, a whip strikes the back of Jonathan, and they both realize they’re in trouble. You see, Maggie is married to one of the town elders, and as stated earlier, they follow the teachings of God very strictly. Maggie runs away, but gets cornered near the river. She dives in, but as everyone else closes in on her, they back off, because the river is full of man-eating piranha. Maggie is toast.

 

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Back in the settlement, Jonathan is tried and convicted in record time. He’s convicted by his own father, Jason (Andrew Keir), and the rest of the council to spend fifteen years at the penal colony on the other side of the island. The chances of getting out of there alive are slim, because of the brutality of the guards, so when Jonathan gets his chance, he and another man work in tandem, and make a break for it. He ends up evading the guards long enough to be discovered by a pirate, Mack (Michael Ripper), that tells him his captain can help him get back to his settlement.

 

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As Jonathan is introduced to Captain LaRoche (Christopher Lee), he gets the feeling he’s hiding something, but also knows he needs his help in evading the guards, and getting back to his settlement, so he agrees to lead him to the other side of the island. The journey itself introduces other characters that are under LaRoche’s command. We meet Hench (Peter Arne), a man who clearly has his own intentions. We also see another, Brocaire (Oliver Reed), who despises Hench.

 

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Once the trip is nearing its end, a couple of Jonathan’s friends, and his sister, have moved outside of the settlement, in protest of Jonathan’s sentence. It is here, when LaRoche makes his true intentions clear, and states that the pirates will plunder the village of any and all supplies. He does state that as long as Jonathan helps him, no one will have to die. A small boy sees the pirates and that they have taken hostages, so he runs off to the settlement to warn them. As the pirates approach, a huge fight scene occurs, and it looks as if it will be a stalemate. Some of the pirates manage to get inside the settlement walls, and grab the women, and use them to make the men surrender.

 

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LaRoche then gathers everyone inside the great hall, and makes a proclamation. He states that if they don’t lead him to a treasure that supposedly resides here, that he will begin to execute a hostage regularly until his demands are met. Meanwhile, Jonathan, his sister, Bess (Maria Landi), and her husband, Henry (Glenn Corbett), concoct a plan to stop LaRoche. Inside the hall, Hench and Brocaire have had enough of each other, so they settle their difference by having a blindfolded sword duel. Hench ends up winning, and of course, in true pirate fashion, the other man dies. As people begin to be executed, Jonathan begs his father to tell LaRoche where the hidden treasure is, but he refuses. He seems to have a convoluted idea that he cannot give up some gold for the lives of his fellow-man.

I wont spoil the end, but rest assured, you will see another huge battle scene where many lives will be lost, the gold will be found, a mutiny will happen, and the piranha will get to feast once more!

 

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OK, here are my thoughts:

Hammer does an outstanding job with this movie in a way that some of their others films just can’t measure. You get an epic pirate movie, with so many characters, you can barely keep up. It does straddle that line slightly, but most movie aficionados will be fine. When you sit back at think that Christopher Lee, Oliver Reed, Michael Ripper, Andrew Keir, and Kerwin Mathews are all in this film, it makes your head spin! All of those actors can really bring it in their perspective roles,  and believe me when I say, that they truly do in this film.

The music score (Gary Hughes) offers some timely interludes, and the sets (Bernard Robinson) were magnificent. Not to be outdone, is Hammer makeup man, Roy Ashton. These actors and actresses looked like pirates and Huguenots. His work in this film should be applauded. The two “horror” scenes in the film seem slightly out of place, but don’t hinder the overall experience of the film. Heck, I would’ve loved more piranha action personally. And as always, you get some very lovely ladies (especially Marie Devereux! – image above) that give the film that Hammer feel! Check out the movie either at the usual spots (Amazon, etc.) or search for it online. You won’t be disappointed with this one!

 

Click here for the trailer!

Captain America #195, 1975 “It’s 1984”

Any time I get the chance to grab some of the work of Jack ‘King’ Kirby at a discount, I do not hesitate. After his departure from DC, Kirby returned to Marvel, and did some great work. He wrote and drew Captain America, Black Panther, The Celestials, and more. I recently bought two issues of his Captain America run from this era (1975-1977), and can honestly say that this is trippy, but great work. It’s not that the story is something never written before (it’s basically a social commentary on racism), but the way Kirby writes and draws it, is absolutely endearing.

Of all the qualities I believe Kirby had as not only an artist, but as a man, this is why I love his work so much. A man who took himself from very little and used his God-given talents to become a giant of the industry (maybe only second to Will Eisner?), and through comic book art/stories gives someone like me hope that maybe someday, I can meet such apotheosis. Thank you, ‘King’ Kirby, for being an inspiration to me and scores across this planet!

 

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Thor #163, 1969. “Where Dwell The Demons”

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If you haven’t figured it out by now, this month will feature nothing but work from the king himself, Jack Kirby! So far we’ve seen a Fantastic Four book, and one awesome Captain America issue as well! This time around, we’ll look at The Mighty Thor! In this specific issue, we see the mad god Pluto, as he’s recruited some other-dimensional mutates, to help him take over the world. of course the mighty Thor is standing in his way, but can he stop the mad god, along with his army?

Thor is dragged inside a strange energy barrier that has appeared on Earth, and he soon finds his lover, Sif, is being held captive there by Pluto and his mutates. You see, Pluto has traveled to the future, and found this planet has been decimated by war. He stops Thor and Sif, and is holding both prisoner, but then finds a cocoon, and something is stirring inside it, and it seems to be a man!

This issue started a great story line that involves not only Pluto, but the fantastic Adam Warlock (Him) as well! Kirby’s work is fantastic as usual, and of course, you have some fans that don’t care for Vince Colleta’s inks, but honestly, these pages look great! This happens to be the one and only comic book I won that has been CGC’d, and it will probably be the only one I ever own (I won it in a contest). I’m not a fan of putting something that’s to be read behind plastic.

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