Marvel Feature #2 (V2), 1975 “Blood of the Hunter”

Taking a look at another Marvel heroine from the 1970’s (previously Spider-Woman), the Robert E. Howard creation, Red Sonja is ready to kick some butt! Of course, the title was part of the zeitgeist of the times, but Howard was a little ahead of time, to say the least. Creating a female character that could hold her own against any male warrior was something quite astonishing for the 1930’s. So, yeah, if you don’t know much about the work of the brilliant man who was Robert E. Howard, look him up!

The creative team is a bit of a mystery for me personally, as I’m not familiar with either the writer, Bruce Jones, or the artist, Frank Thorne. I can find plenty of work both gentlemen have done, but most are titles that are either not my thing (Heavy Metal) or just not something I’ve acquired yet (House of Mystery). The editor, “Rascally” Roy Thomas, on the other hand is very familiar to me, and his work especially in revitalizing the work of Howard, is very well-known to those in and around comics. Thank you, Mr. Thomas!

 

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Spider-Woman #10, 1979 “Where Flies the Gypsy Moth”

I knew I’d get to this sooner or later. My one and only issue of the series “Spider-Woman.” I wasn’t a big fan of hers years ago, but when Brian M. Bendis brought her back into the spotlight, I was invigorated to find out more about this great character! In this issue, we see Jessica and her boyfriend, Jerry Hunt, spending some alone time on a beach. Suddenly, Jessica sees a woman in costume flying overhead! She investigates, and initially thinks she found a kindred spirit.

Characters are great, but a solid creative team can take a terrible one and turn in a masterpiece when all’s said and done. The first thing that jumps out at you is the awesome cover, by Carmine Infantino and Bob McLeod! Great perspective, and I love the face on the blond-haired guy to the right side of the cover!  As if those two great creators weren’t enough, you get a story by “Masterful” Mark Gruenwald, the interior pencils are also by Carmine Infantino, with inks by Al Gordon. Colors by F. Mouly, letters by Irv Watanabe, and edited by Roger Stern! When you see a roll call like that, you know you must read this book!

 

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Jungle Action #7, 1973 “Death Regiments Beneath Wakanda”

The title Jungle Action, started off as a reprint book showcasing stories from the 1950’s of…well, jungle action, from the series of the same title (and others). In issue #5 however, the book became a vehicle for the Black Panther! This Jack Kirby creation was very prominent in the pages of the Fantastic Four, but after Kirby left, it seemed like the character lost his home. The character would find a home here, then transition to the Avengers, and become a regular there for a time.

The writer, ‘Dutiful’ Don McGregor, is one that had the Midas touch when it came to certain characters, and the Black Panther is definitely one of them! Teamed with penciler ‘Riotous’ Rich Buckler, the two would be a solid duo that cranked out many great books over time. Inks by ‘Santa’ Klaus Janson, letters by ‘Titanic’ Tom Orzechowski, colors by Glynis Wein, and edited by ‘Rascally’ Roy Thomas!

 

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Amazing Adventures #35, 1976 “The 24-Hour Man”

You know, there are certain creators, for one reason or another, that simply made the Bronze Age of comics what it was, and will always be. What is/was it? A fantastical time where the stories were more than just entertainment for a certain demographic. They were meaningful, articulate, a sign of the times, picturesque, thrilling, frightening, and so on. Well, that’s how I feel anyway. There were titles and concepts that brought out the best in the medium and it the creators certainly should get the lion-share of the credit.

In this installment, we’ll be taking a look at one certain title, and it’s two main collaborators. Amazing Adventures started off as a book like most of the time period did initially. A superhero book full of solid, established talent (Jack Kirby, John Buscema, etc.) and proven characters (The Avengers, Ka-Zar, etc.). Soon after the early issues though, people like Neal Adams and Roy Thomas came along, and the title took a slight turn towards the vibe that would define the decade/age. In issue #18, we saw the first appearance of a character called “Killraven,” and the title would change forever.

A few different creators wrote the series for a couple of issues, but when Don McGregor came aboard (issue#21), along with artists like Herb Trimpe, Rich Buckler, and even Gene Colan, the title started gaining series momentum. It apexes with the arrival of an artist named P. Craig Russell, in issue #27 (along with an incredible cover by Jim Starlin). This team was perfect for this new concept (War of the Worlds), grabbing some ideas from the H.G. Wells book, and creating new material and scenarios. These two men were nothing short of revolutionaries in the industry, and are right at the top for listing creators of that age! In this specific issue, Russell gives us a dynamite cover, and is assisted by Keith Giffen & Jack Abel (finished art/inks) with the artwork on the interiors. Irv Watanabe letters, Janice Cohen is the colorist, and ‘Marvelous Marv’ Wolfman, the editor!

 

 

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Fantastic Four #219, 1980 “Leviathans”

The reason I chose this issue, aside from it being the Fantastic Four, is the story, and the creative team. The latter, I’ll get to in a minute, but first, let’s get acquainted with the story. In it, we see Namor, as his underwater kingdom is attacked by some foreign army of underwater creatures. On the surface, Reed is growing more and more apart from the rest of the team. Snapping at them for something miniscule, he storms off in a huff. Can the team unite and help Namor fight off a multitude of attackers, one of which has attained a relic from Atlantis that can make him unbeatable?

Now, on to the creative team. At this point, the book was in a slight bit of flux, in that the Kirby/Lee legendary run was well over, and a couple of the other, lesser known (but still kicked butt!) runs were also over (Wein/Perez, Conway/Buckler, etc.). The other big run, that of John Byrne had yet to begin, leaving room for a strange but incredible great story like this one to be presented by Doug Moench (writer), Bill Sienkiewicz (pencils), Joe Sinnott (inks), Jim Novak (letters), colors by George Roussos, and edited by Jim Salicrup! Enjoy this great issue by this awesome team of creators!

 

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Pin-up by 'Joltin'  Joe Sinnott

Pin-up by ‘Joltin’ Joe Sinnott

Kull the Conqueror #4, 1983 “Death Stalks a Councilor”

My love for Robert E. Howard created material is something that if most don’t already know about, you soon will. Of course, Conan is the biggest REH character, but if you look deeper into his world, you’ll see others, like Red Sonja, Solomon Kane, and Kull! Kull is basically a Conan “type” character, but more refined as a ruler. He’s a savage warrior like Conan, but most of the stories are as Kull as a ruler, not a thief, or pirate. His trusted friend, Brule, is a warrior born but also a man of great intellect when it comes to war. Kull is a man born in Atlantis, but rules the kingdom of Valusia.

This story was scripted by perennial Bronze Age writer, Alan Zelenetz. He’s done some other great work in this category (Thor/Warriors Three), and should be applauded for his efforts. Penciling, we have the legend himself, ‘Big’ John Buscema, and we all know of his accolades in the industry. An incredible artist taken to soon from the world. Dan Green and Joe Chiodo add their abilities to the artwork (inks), and throw in letters by John Morelli, and colors by Christie Scheele, and cover by Bill Sienkiewicz (inks on the second story as well) make this issue a winner!

 

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Marvel Triple Action #42, 1978 “To Tame A Titan!”

If there’s one thing for me that rivals comic books (classic cinema and music, too, of course), its mythology. Whether its Greek, Roman, Nordic, whatever, it grabs me and pulls me into its world. I guess it’s the reason Thor and Hercules are two characters that have always been favorites of mine throughout the years. In this issue, we see Hercules, fighting against Typhon, for the freedom of his family and friends. Of course, his friends, the Avengers, will not let him face this challenge alone! The story originally appeared in The Avengers #50, 1968.

Roy Thomas is one of the best to ever write the Avengers, there’s no doubt! The pencils of ‘Big’ John Buscema are arguably the perfect way to present a mythological story in the pages of a comic book. He actually commented often about how he enjoyed drawing mythological characters and not superheroes. He’s honestly one of the best all-time no matter what he put in a panel, that cannot be argued. Letters by Sam Rosen, and a cover by Ernie Chan (a redrawn version of Buscema’s cover), really put this issue at the top of the heap!

 

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Frankenstein #10, 1974 “”The Last Frankenstein”

After a short (but glorious) run, Mike Ploog handed over the reigns to the Frankenstein title. ‘Big’ John Buscema  was the man drafted to do the job (pencils), and did he ever impress! He didn’t do a ton of horror throughout his career, but when he did, it was impressive. I loved it when this title went off the reservation with its stories, because the sky was the limit. There could be a flashback story or one in present-day! This story involved an ancestor of the original Baron Frankenstein, and he wants to capture the Monster for a sinister reason that only he knows!

No matter who your favorite creative team is on this title, you have to love this issue! Gary Friedrich was the writer, and does a great job, as usual. His work on titles like this and Ghost Rider, are very solid. Of course, it doesn’t hurt when you have an illustrating team like ‘Big’ John Buscema and inkers Frank Giacoia & Mike Esposito, either. The colorist was Petra Goldberg, the letters by John Costanza. Carefully edited by ‘Rascally’ Roy Thomas, and cover by Mr. Gil Kane (inks by Romita)!

 

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Marvel’s Unsung Heroes! -Ron Wilson!

Happy birthday, Ron Wilson!

billyd75's avatarMagazines and Monsters!

Of course everyone knows names like Kirby, Buscema, Romita, and Colan, but there is a plethora of other guys (and girls), that need to be given a great deal of credit for the success of Marvel Comics. These others helped forge a new pathway, and their number needs to be counted. So, for the month of April, I’ll be spotlighting some of the work that these unsung heroes gave us all to enjoy over the years!

I’ll be presenting these in no specific order,  but rest assured, we’ll get a peek at a few names that you should recognize! First up is Ron Wilson, because his pencils have always been a favorite of mine, and I think he deserves more respect than he’s gotten over the years. From his great run on titles like Marvel Two-in-One, to more obscure titles like Chamber of Chills, you’ll see it…

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Daredevil #47, 1968 “Brother Take My Hand”

With the Vietnam War in full swing, and the tragic deaths of Martin Luther King Jr. and Robert F. Kennedy, the atmosphere in the U.S. (and the world) in 1968, was less than inspiring. Many rallied to try to reinforce efforts against such atrocities, and Marvel Comics would add their little story to help ease racial tensions. It might seem to some that a story in a comic book is inconsequential but I beg to differ. Comic books were definitely on the rise in the late 1960’s, and were gaining ground with the youth of America once again. This story, by Stan Lee and Gene Colan is one that still resonates to this day.

In this tale, we see a soldier, Willie Lincoln, who’s a black man who was wounded in Vietnam, and lost his sight. He’s still trying to get his bearings with his blindness, and it isn’t going well. Daredevil has agreed to entertain the troops with some of his acrobatic maneuvers, and Willie is a huge fan of his. They hit it off great, and DD tells Willie to look up a friend of his when he gets back to the states. The friend of course, is Matt Murdoch! It’s a great story that really hammers home the point of no matter what the color of your skin is, we’re all the same.

Written by Stan ‘The Man’ Lee, pencils by Gene ‘The Dean’ Colan, inks by George Klein, and letters by Artie Simek! This is one that I own in a reprint book that was a tribute to Gene Colan. I believe the proceeds (or part of them) went to help Gene with some medical expenses. If you can grab a copy of this book or a trade containing this story, don’t hesitate!

 

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