Valentines Day Special! “Panel Love”

In honor of Valentine’s Day, this post will show all the love in the Marvel Universe! No rhyme or reason (OK, other than starting and finishing with the Black Knight), just some good old-fashioned panels showing heroes and heroines of all different walks getting their love on! I found quite a few Fantastic Four panels, and believe it or not, some horror panels, but the variety is here for everyone! People all over the world…join hands…start a love train.., love train! Enjoy!

Art by Tony DeZuniga (RIP)

Art by Tony DeZuniga

Art by Gene Colan and Tom Palmer.

Art by Gene Colan and Tom Palmer

Art by Jack 'King' Kirby & Joe Sinnott

Art by Jack ‘King’ Kirby & Joe Sinnott

Art by Jack 'King' Kirby & Joe Sinnott

Art by Jack ‘King’ Kirby & Joe Sinnott

Art by Jack 'King' Kirby & Frank Giacoia

Art by Jack ‘King’ Kirby & Frank Giacoia

Art by 'Big' John Buscema & Dan Adkins

Art by ‘Big’ John Buscema & Dan Adkins

Art by George Tuska & Vince Colletta

Art by George Tuska & Vince Colletta

Art by Gil Kane & Joe Sinnott

Art by Gil Kane & Joe Sinnott

Art by Jack 'King' Kirby & Vince Colletta

Art by Jack ‘King’ Kirby & Vince Colletta

Art by Tom Sutton & Ernie Chan

Art by Tom Sutton & Ernie Chan

Art by Gene Colan

Art by Gene Colan

Art by Gene Colan & Tom Palmer

Art by Gene Colan & Tom Palmer

Art by 'Big' John Buscema & Jose Marzan

Art by ‘Big’ John Buscema & Jose Marzan

Art by 'Big' John Buscema & Jose Marzan

Art by ‘Big’ John Buscema & Jose Marzan

Marvel Spotlight #25, 1975 “The Seventh Voyage of Sinbad”

In honor of one of my favorite filmmakers (yeah, I know he was just labeled as the “special effects” guy, but get real, those movies wouldn’t exist without him), Ray Harryhausen, I’ll be taking a look at Marvel Spotlight #25 (1975)! In this issue, we see an adaptation of “The Seventh Voyage of Sinbad,” which was one of Ray’s crowning achievements, in this bloggers humble opinion. Marvel decided to put that incredible movie into comic book format, and it delivers! We join Sinbad on the high seas, then see him battle a giant Cyclops, an unbelievable, fire-breathing dragon, and even a skeleton! Any fan of this movie must own this comic book!

Marvel selected quite a solid creative team for this one, and although these creators aren’t the biggest names from that decade, anyone that cares to research them will find out that they did some phenomenal work over their careers! Writer – John Warner (Son of Satan, Rampaging Hulk), pencils & inks – Sonny Trinidad (Marvel Classics, Marvel B&W Mags), colors by Petra Goldberg, letters by Jim Novak, edited by Marv Wolfman, and cover by Gil Kane! Take a look at these awesome pages!

 

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The Defenders #15 and 16, 1974 “Panic Beneath the Earth”

There are just a few series that really stand the test of time. You have perennial favorites like The Avengers, X-Men, and so on, but for me The Defenders is right there at the top. The book started out with the outstanding writer, Steve Englehart at the helm, but after eleven issues, he stepped aside. We all know that the greatest stories in this book were from the mind of Steve Gerber (RIP), but sandwiched in-between, are a few issues from Marvel staple, Len Wein. Marvel had a problem back in the 1970’s, of how to de-age their older characters. They found a way to do it to Professor Xavier, but Magneto was also one of those aged characters that needed to be brought back to his younger days. This story was the solution, and while it may be wacky, it was a throw-down between two awesome teams!

The two issues pit Professor Xavier and The Defenders against magneto and his Brotherhood of Evil Mutants. This isn’t just some wishy-washy group of villains either, because when you have Unus the Untouchable, and the Blob on the same team, you’ve got the muscle to do just about anything. Throw in Mastermind and Lorelei (from the Savage Land), and the team is extremely formidable with Magneto leading them! Len Wein – writer, Sal Buscema – pencils (Gil Kane did the cover to #16, Sal #15), Klaus Janson – inks, Glynis Wein – colorist, John Costanza – letters, and Roy Thomas – editor! Don’t blink, or else you’ll miss baby Magneto at the end of the story!

 

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Marvel Super Action #3, 1977 “The Sleeper Strikes!”

Any chance I get to grab some of Jack Kirby’s work, I don’t hesitate. I know some people are sticklers for original stuff, but I’m just fine with grabbing a fifty-cent copy of a reprint title like this one. Yeah, sometimes there are slight alterations to the covers, but typically, the interiors are the same. So, instead of trying to save up my pennies and buy a copy of Captain America #102 (1968), I’ll just look at my copy of this book (Marvel Super Action #3, 1977), and enjoy reading about the exploits of Captain America, and his fight against the Nazi weapon, the Sleeper! A guest appearance by Colonel Nick Fury, the love of Steve’s life, Sharon Carter, and the machinations of the Red Skull!

Of course, the story was scripted by Stan Lee, but the wondrous work of Jack ‘King’ Kirby is the draw. His style is perfect for a villain like the Red Skull, and the way he draws the Sleeper, is very frightening. Of course, you get the usual, brilliance with Kirby drawing Cap and the beautiful Sharon Carter (A.K.A. Agent 13), and the standard that Kirby set for that character will always be remembered! The inks are by Syd Shores, and letters by ‘Adorable’ Artie Simek.

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Marvel Spotlight #4, 1972 “Island of the Damned!”

Although there’s no specific reference in the comic book itself, Marvel Spotlight #4 (1972) is definitely an homage to the H.G. Wells book “The Island of Dr. Moreau.” That fantastic story has been adapted to the big screen a few times, with varying results, but in this case, it was a resounding success. The issue is only the third appearance of this character (Jack Russell/ the werewolf), and his supporting cast, but you already feel attached to him and his troubled life even in that short amount of time. The story follows Jack to an island, almost like the very same one in the Wells book.

If there was ever any doubt about the talent of Gerry Conway (and just for Spider-Man, there shouldn’t be), read his horror work, and you’ll be hard-pressed to not be impressed by his work. As if that wasn’t enough of a selling point, you get the absolutely eerie artwork of Mike Ploog, that is nothing short of a visual feast! Toss in the letters of comic book mainstay, Sam Rosen, and you’ve got one heckuva comic book!

 

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Marvel Team-Up #19, 1973 “The Coming of Stegron The Dinosaur Man!”

You know, I don’t remember being a huge dinosaur enthusiast as a youth, but my son definitely is/was. He knows more facts about them than I’ll ever know or understand, and his love and knowledge of dinosaurs is something that not only fascinates me, but is utterly endearing as well. In this especially awesome issue of MTU (Marvel Team-Up #19), Spidey must journey to the Savage Land, and of course almost immediately meets up with the Lord of the Hidden Jungle, Ka-Zar! The trip ends up being a bit more complicated than Spidey wanted (of course, that Parker luck!), and we are introduced to a new villain, Stegron the Dinosaur Man!

A story that has two parts (continuing in the next ish of MTU), was brought to us by Marvel super-scribe, “Lively” Len Wein! Everyone that is a fan of Marvel Comics in the Bronze Age knows of Len’s legendary contributions, and they would continue for a long time after that as well. If you’re going to have a story like this one, you need top-notch talent on the artwork, for sure. One of the all-time masters, Gil “Sugar” Kane penciled this one, and the inks of “Fearless” Frank Giacoia match up perfectly with Kane’s work. Not to be left out, are colorist Glynis Wein, and letter Dave Hunt! Sprinkle in the editorial wits of “Rascally” Roy Thomas, and you have a Bronze Age classic! Enjoy!

 

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Marvel Two-in-One #19, 1976 “Claws of the Cougar”

My love for Marvel’s comic books of the 1970’s is legendary, and especially their anthology books. The top series being Marvel Two-in-One, but also Marvel Team-Up, is a close second. The latter was good, but the first offered more obscure stories and team-ups, and that is right up my alley. In this crazy story, we start the tale with some mild sexual tension, at least for Tigra, anyway. Ben Grimm doesn’t reciprocate the feelings, but that doesn’t stop her from hitting on him repeatedly. The two must fight together, and defeat a foe that admits he’s mad, and will stop at nothing to increase his power! Let’s start with the cover for once. Typically I give that person(s) credit at the end, but when Jack ‘King’ Kirby is involved, you must lead off with him! The work was inked by ‘Fearless’ Frank Giacoia (with alterations by John Romita), but the Kirby pencils still are very powerful. Not to be overshadowed, is the interior artwork by ‘Our Pal’ Sal Buscema (pencils), and ‘Dashing’ Don Heck (inks) are fantastic in their own right. The plot is from Tony ‘The Tiger’ Isabella, but the script was by ‘Boisterous’ Bill Mantlo! Letters provided by ‘Karefree’ Karen Mantlo, and colors by Petra Goldberg! Definitely give this series a shot, you won’t be disappointed!   Image (8) Image (9) Image (10) Image (11) Image (12) Image (13)

Power Man #30, 1975 “Look What They’ve Done to Our Lives, Ma”

You know, whenever I’m feeling kind of down, I can always turn to comic books and/or old school horror/sci-fi movies to brighten up my life. There’s actually one thing that you can add to those two mediums that helps even more, and that is blaxploitation. The movie “Blacula,” and its sequel, are both films that make me laugh, but also movies that scream the 1970’s, with their atmosphere, music, and vernacular. Just a great time for both comics and movies (and T.V.)! Marvel Comic’s answer to that sub-genre, was of course, the Hero for Hire, Luke Cage! This tough, street-wise dude was one bad mamma jamma, and has skin that bullets can’t penetrate!

In this issue, we see Cage fight two of the most off-the-wall villains you’ll ever see, in the Cockroach and Piranha! Both of these crooks posed different problems for Cage, but in the end, he figures out a way to stop both of them. The story was written by one of the best Bronze Age writers, Don McGregor. The art was equally impressive, with Rich Buckler (cover by Rich Buckler and Klaus Janson) and Arv Jones on pencils, and Keith Pollard inking. Petra Goldberg was the colorist, and the letters by Denise Wohl. All of these talented people were on top of their game for sure. The book was edited by none other than ‘Marvelous’ Marv Wolfman!

 

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Thor #238, 1975 “Night of the Troll”

As everyone knows, one of the best comic books is the mighty Thor! In this issue, we see that Thor has battled Ulik the Troll, and lost! Well, not really, but Ulik was smart enough to capture Jane Foster, so Thor surrenders. Ulik has had some trouble down in the nether regions…of subterranean Earth, and he strong-arms Thor into fighting for his cause. Typically, Ulik is just a villain that antagonizes Thor, and then they fight, so this story was a different angle for him.

Under the keen eyes of editor, Len Wein, Gerry Conway, who would later be followed by Wein as writer, crafted a nice little run on the title. From issue #193- 238, Conway showed the readers that he wasn’t a one-trick-pony with his success on the Amazing Spider-Man, but could forge some new ground with Thor. Not to be outdone, is the man, myth, and legend, ‘Big’ John Buscema. You can just look at his work in any comic, and it screams talent, and professionalism. The man never to a minute off in his work. Inked by the incomparable, Joe Sinnott, colors by Don Warfield, and letters by John Costanza, this swan song of Conway’s is a must have for fans of Thor or the Bronze Age! Cover by the great Gil Kane, with inks by the ever dependable Al Milgrom!

 

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Dazzler #3, 1981″Enter…Doom!”

OK, besides the fact that Dr. Doom couldn’t care less about what Dazzler would be doing, or the fact that the story is called “The Jewels of Doom (one must assume that jewels was referenced as a man’s cajonies by this time in history),” just sit back, relax, and enjoy the beautiful woman on roller skates that can kick butt! In the beginning, Alison Blaire was just a supporting character, but in the pages of the Uncanny X-Men, she became a Marvel staple. And honestly, does Doom really need a bonafide reason to attack anyone? Throw in a little fantastic Four action, and you have a winner!

This issue was brought to us by some real pros, and at that time, up-and-comers! Written by Tom Defalco, pencils by John Romita Jr. and Alan Kupperberg, inks by Armando Gil and Danny Bulanadi, colors by Bob Sharen, and letters by Sam Rosen! And let us not forget the great cover by the team of Brent Anderson and ‘Joltin’ Joe Sinnott!

 

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