Marvel Spotlight #4, 1972 “Island of the Damned!”

Although there’s no specific reference in the comic book itself, Marvel Spotlight #4 (1972) is definitely an homage to the H.G. Wells book “The Island of Dr. Moreau.” That fantastic story has been adapted to the big screen a few times, with varying results, but in this case, it was a resounding success. The issue is only the third appearance of this character (Jack Russell/ the werewolf), and his supporting cast, but you already feel attached to him and his troubled life even in that short amount of time. The story follows Jack to an island, almost like the very same one in the Wells book.

If there was ever any doubt about the talent of Gerry Conway (and just for Spider-Man, there shouldn’t be), read his horror work, and you’ll be hard-pressed to not be impressed by his work. As if that wasn’t enough of a selling point, you get the absolutely eerie artwork of Mike Ploog, that is nothing short of a visual feast! Toss in the letters of comic book mainstay, Sam Rosen, and you’ve got one heckuva comic book!

 

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Marvel Team-Up #19, 1973 “The Coming of Stegron The Dinosaur Man!”

You know, I don’t remember being a huge dinosaur enthusiast as a youth, but my son definitely is/was. He knows more facts about them than I’ll ever know or understand, and his love and knowledge of dinosaurs is something that not only fascinates me, but is utterly endearing as well. In this especially awesome issue of MTU (Marvel Team-Up #19), Spidey must journey to the Savage Land, and of course almost immediately meets up with the Lord of the Hidden Jungle, Ka-Zar! The trip ends up being a bit more complicated than Spidey wanted (of course, that Parker luck!), and we are introduced to a new villain, Stegron the Dinosaur Man!

A story that has two parts (continuing in the next ish of MTU), was brought to us by Marvel super-scribe, “Lively” Len Wein! Everyone that is a fan of Marvel Comics in the Bronze Age knows of Len’s legendary contributions, and they would continue for a long time after that as well. If you’re going to have a story like this one, you need top-notch talent on the artwork, for sure. One of the all-time masters, Gil “Sugar” Kane penciled this one, and the inks of “Fearless” Frank Giacoia match up perfectly with Kane’s work. Not to be left out, are colorist Glynis Wein, and letter Dave Hunt! Sprinkle in the editorial wits of “Rascally” Roy Thomas, and you have a Bronze Age classic! Enjoy!

 

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Marvel Two-in-One #19, 1976 “Claws of the Cougar”

My love for Marvel’s comic books of the 1970’s is legendary, and especially their anthology books. The top series being Marvel Two-in-One, but also Marvel Team-Up, is a close second. The latter was good, but the first offered more obscure stories and team-ups, and that is right up my alley. In this crazy story, we start the tale with some mild sexual tension, at least for Tigra, anyway. Ben Grimm doesn’t reciprocate the feelings, but that doesn’t stop her from hitting on him repeatedly. The two must fight together, and defeat a foe that admits he’s mad, and will stop at nothing to increase his power! Let’s start with the cover for once. Typically I give that person(s) credit at the end, but when Jack ‘King’ Kirby is involved, you must lead off with him! The work was inked by ‘Fearless’ Frank Giacoia (with alterations by John Romita), but the Kirby pencils still are very powerful. Not to be overshadowed, is the interior artwork by ‘Our Pal’ Sal Buscema (pencils), and ‘Dashing’ Don Heck (inks) are fantastic in their own right. The plot is from Tony ‘The Tiger’ Isabella, but the script was by ‘Boisterous’ Bill Mantlo! Letters provided by ‘Karefree’ Karen Mantlo, and colors by Petra Goldberg! Definitely give this series a shot, you won’t be disappointed!   Image (8) Image (9) Image (10) Image (11) Image (12) Image (13)

Power Man #30, 1975 “Look What They’ve Done to Our Lives, Ma”

You know, whenever I’m feeling kind of down, I can always turn to comic books and/or old school horror/sci-fi movies to brighten up my life. There’s actually one thing that you can add to those two mediums that helps even more, and that is blaxploitation. The movie “Blacula,” and its sequel, are both films that make me laugh, but also movies that scream the 1970’s, with their atmosphere, music, and vernacular. Just a great time for both comics and movies (and T.V.)! Marvel Comic’s answer to that sub-genre, was of course, the Hero for Hire, Luke Cage! This tough, street-wise dude was one bad mamma jamma, and has skin that bullets can’t penetrate!

In this issue, we see Cage fight two of the most off-the-wall villains you’ll ever see, in the Cockroach and Piranha! Both of these crooks posed different problems for Cage, but in the end, he figures out a way to stop both of them. The story was written by one of the best Bronze Age writers, Don McGregor. The art was equally impressive, with Rich Buckler (cover by Rich Buckler and Klaus Janson) and Arv Jones on pencils, and Keith Pollard inking. Petra Goldberg was the colorist, and the letters by Denise Wohl. All of these talented people were on top of their game for sure. The book was edited by none other than ‘Marvelous’ Marv Wolfman!

 

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Thor #238, 1975 “Night of the Troll”

As everyone knows, one of the best comic books is the mighty Thor! In this issue, we see that Thor has battled Ulik the Troll, and lost! Well, not really, but Ulik was smart enough to capture Jane Foster, so Thor surrenders. Ulik has had some trouble down in the nether regions…of subterranean Earth, and he strong-arms Thor into fighting for his cause. Typically, Ulik is just a villain that antagonizes Thor, and then they fight, so this story was a different angle for him.

Under the keen eyes of editor, Len Wein, Gerry Conway, who would later be followed by Wein as writer, crafted a nice little run on the title. From issue #193- 238, Conway showed the readers that he wasn’t a one-trick-pony with his success on the Amazing Spider-Man, but could forge some new ground with Thor. Not to be outdone, is the man, myth, and legend, ‘Big’ John Buscema. You can just look at his work in any comic, and it screams talent, and professionalism. The man never to a minute off in his work. Inked by the incomparable, Joe Sinnott, colors by Don Warfield, and letters by John Costanza, this swan song of Conway’s is a must have for fans of Thor or the Bronze Age! Cover by the great Gil Kane, with inks by the ever dependable Al Milgrom!

 

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Dazzler #3, 1981″Enter…Doom!”

OK, besides the fact that Dr. Doom couldn’t care less about what Dazzler would be doing, or the fact that the story is called “The Jewels of Doom (one must assume that jewels was referenced as a man’s cajonies by this time in history),” just sit back, relax, and enjoy the beautiful woman on roller skates that can kick butt! In the beginning, Alison Blaire was just a supporting character, but in the pages of the Uncanny X-Men, she became a Marvel staple. And honestly, does Doom really need a bonafide reason to attack anyone? Throw in a little fantastic Four action, and you have a winner!

This issue was brought to us by some real pros, and at that time, up-and-comers! Written by Tom Defalco, pencils by John Romita Jr. and Alan Kupperberg, inks by Armando Gil and Danny Bulanadi, colors by Bob Sharen, and letters by Sam Rosen! And let us not forget the great cover by the team of Brent Anderson and ‘Joltin’ Joe Sinnott!

 

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Vault of Evil #14, 1974 “Midnight in Haunted Manor”

 

It’s been a little while since I presented a horror comic, so I thought, “why not now!” Of course, when you make that decision, it must be a good one, so today we have Vault of Evil #14! This series presented some older material (mostly from the 1950’s), and showcased some of the greatest artists of all time! In this issue, we see some eerie stories, some of which don’t even have proper credits attached to them. We do know the artists, but not the writers. Four weird tales of horror adorned this issue, and believe me when I say, they nothing less than awesome!

The first story is rendered by Steve Ditko, and we all know that he can do “creepy” as well as anyone! The last story is one that is quite spectacular, and features artwork by none other than Gene Colan! Wedged in the middle of those two stories is one (The Albatross) by long time DC editorial stalwart, Joe Orlando. He was actually an assistant to Wally Wood early in his (Orlando’s) career! Any way you slice it, this title is one that every collector needs, provided you don’t have the originals! Cover by ‘Rampaging’ Ron Wilson and Frank Giacoia!

 

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Giant-Size Daredevil #1, 1975 “Electro, and The Emissaries of Evil”

As we all know, Daredevil has had some ups and downs over the years as far as sales are concerned. But honestly, the ups far outweigh the downs, especially when you look at some of the off the wall things Marvel was doing with the character during the Bronze Age. Lets face it, the creative teams changed often, and the quality suffered for a while, but personally, the crazy stories are a hoot, and should be looked at as more of a lark anyway. This was the only Giant-Size book for DD, even though most of the titles in that decade had more, and it was actually a reprint of Annual #1. The Emissaries of Evil were a rag-tag group of villains, led by Electro (also including Frog Man, Gladiator, Stilt Man, and The Matador), and offered very little trouble for Daredevil!

The story was written by Stan Lee, but the visuals told in this story, and the pin-up pages, were the real treat in this issue. Gene “The Dean” Colan, was at his best, and really gave us something to see. The inks were by John Tartaglione, who did an admirable job over Gene’s pencil work. The letters were provided by the always reliable Sam Rosen, and you know he could be counted on to get the job done! Not to be outdone, is legendary artist, Gil Kane, who provided the great cover! Enjoy!

 

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Doctor Strange: Season One (HC)

To close out 2014, and my month-long look at Dr. Strange, I thought it would be cool to throw another more recent read out there. As I’ve said before, I’ll try anything Dr. Strange, just because he’s my favorite character, and he’s a good one. So, when I heard Marvel was coming out with all  new material that they were going to release as graphic novels, I had to grab a couple of them! I own the Avengers: Endless Wartime book, but I was really impressed by the Doctor Strange: Season One hardcover that came out in 2012. It’s basically a retelling of the Doc’s origin, but a few slight twists. All the big guns are here; Baron Mordo, Dormammu, The Ancient One, and more!

The story is written by none other than Greg Pak, and if you want to read anything of his definitely check this out, plus “The Incredible Hercules” ongoing from 2008-2010, and a title from Aspen Comics called “Dead Man’s Run.” I’m not sure if the latter was finished (it took quite a while between issues to come out), but it was super cool! Not to be outdone, is an artist that I think it going to be huge sooner than later, (she’s already awesome in my book), Emma Rios (Pretty Deadly)! I first saw her work on a Doctor Strange mini-series from 2010. It was absolutely gorgeous, and I became a fan instantly. Another creator that must be mentioned is Jordie Bellaire. To say that she is one of the top colorists in comics is an understatement, for sure. Just look t the colors in this story, and you will be amazed! Happy New Year!

 

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Doctor Strange: From the Marvel Vault #1, 2011 “This Old House”

Contrary to the opinions of some, there a few decent comics books that were published after the 1980’s. Don’t get me wrong, I love the Bronze and Silver Age as a whole, much more than anything that’s come after, but there are some diamonds in  the rough, you just have to find them! Case in point, this 2011 offering from Marvel that features a story that Roger Stern wrote many years before, but it was never published. In this story, we see just how the old Doc took up residence on Bleeker street in NYC! At one time the house was considered haunted, and that’s why no one would live there. It just so happens that the Doc has just returned from doing some traveling, and learned a few tricks of his own!

The story from Roger Stern (plot aid from Joe Edkin) is a great one, and really seems like one that you would’ve read back in the Bronze Age. Artists Neil Vokes (pencils) and Jay Geldhof (inks), give us a spectacular job rendering the Doc, and all the demons inside the house! Not to be outdone is colorist, Lee Loughridge, who adds some eerie tones when needed, but also some bright tones that pop very nicely in the more brightly lit panels. A few really good black & white flashback scenes are the icing on the cake! Throw in an awesome cover by Mario Alberti, and you’ve got a gem that must be sought out by any fan of the Sorcerer Supreme! Enjoy and Merry Christmas!

 

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