Weird Science 1, 1990 “Incredible Science-Fiction Stories!”

I love EC comics, and honestly, who doesn’t? These reprints from the 1980s and 1990s are the perfect way to get introduced to these excellent comics from the Golden Age. Of course, EC is mostly known for their horror books, but don’t sleep on their crime, war, or science fiction books! This reprint covers Weird Science 22 and Weird Fantasy 13 (from 1953 and 1950, respectively).

This book has eight stories in it, and each one of them has a legendary creative team behind it. This is not much of a surprise for anyone that knows the quality of material that EC Comics put out, though. Just look at the magnificent cover by Wally Wood

The first story is called “A New Beginning” and it is glorious. It shows a man and a woman that are taking turns using some kind of machine that if not operated correctly, will blow up! A time travel machine, and art by Al Williamson (story by Al Feldstein, colors by Marie Severin, and letters by Jim Wroten) is enough to sell it to me!

The Headhunters” is up next, and we see. doctor that has a machine that can cure insanity! Written by Al Feldstein and art by George Evans, colors by Marie Severin, and letters by Jim Wroten.

Thirdly, “My World” brings dinosaurs, rocket ships, aliens, and everything else your imagination can conjure! Brought to you by Feldstein, Severin, Woten, and Wally Wood (art)!

The following story, “Outcast of the Stars,” is an adaptation of a story by Ray Bradbury! We see a man that owns a junkyard with visions of one day traveling to Mars! Art by Joe Orlando (the rest of the creative team as before)!

Next is “Am I Man or Machine?” This story is about a man that suddenly appears…two years after his death! Script and art by Al Feldstein (colors and letters the same as before).

Only Time Will Tell” is a crazy story that involves a scientist thats on the brink of inventing a device that may doom mankind. A strange visitor warns him that he might want to change his mind. Art by Harry Harrison and Wally Wood!

The next to last story is called “Men of Tomorrow.” Some explorers find a lost civilization only to possibly have it go up in smoke! Art by Jack Kamen!

Trip into the Unknown” is the final tale in this book. The story shows a Professor Oppenheim, as he boards a rocket and heads into the vastness of outer space! What will he and the crew find on another world? Art by Harvey Kurtzman!

 

 

 

 

 

 

 

 

 

 

 

Unknown Worlds of Science Fiction 1, 1974 “Day of the Triffids”

At first sight, this magazine (published in 1975) doesn’t look like anything special. Oh the cover by Kelly Freas (with alterations by John Romita), is very cool, but sci-fi hadn’t really hit it big yet in the mainstream (pre- Star Wars, and Star Trek films). What Marvel did though, was bring in stories written by some of the greatest writers of the genre, and adapt them for comic book format. When you can slap the name Ray Bradbury on your cover, it’s going to sell some books for sure.

As if the spectacular cover wasn’t enough, we get a frontispiece by Spanish master, Esteban Maroto! Most of Marvel’s magazines had these pin ups inside the front cover, and some even at the end of the issue. Using Bradbury’s name on the cover was a good idea, but in all honestly, the name Bob Shaw should’ve been on there as well. His concept “slow glass” is the subject of this book, and sort of introduces the other stories (and bookends as well), as a portmanteau film executes for its audience. Those pages are by Tony Isabella (script, adapted from the Shaw idea), and the art team of Gene Colan and Tom Palmer!

The first chapter is “The Day of the Triffids!”In this story (based on the John Wyndham novel), we see a particular species of tree that not only seems to be able to think for itself, but has malice toward human being as well! Written¬† by Gerry Conway, with art by Ross Andru and Ernie Chan!

Next, we get a story written and drawn by Neal Adams! The story is an anti war/Vietnam piece told through the lens of sci-fi. The story is told almost like news blurbs, which is fascinating for 1975!

The third installment is a fabulous interview with Ray Bradbury. He speaks about his youth, and the formative that guided some of his writing. The interview is conducted by Sheldon Dorf.

Next up is a hilarious parody story (Smash Gordon!) by none other than Frank Brunner (story and art)! This one is not only comedic, but it is absolutely gorgeous to look at. If you’ve seen his work before, get ready, as this is on another level.

An atomic test in the New Mexico desert is the start of “Savage World!” Three of the people involved with the bomb test end up in an underground world. Are the rulers peaceful as they claim or not? Script by Wally Wood, and art by Al Williamson!

Another interview graces the pages of this magazine, and this time it’s with the cover artist (and artistic giant), Kelly Freas! They include a few images of his work on some science fiction books from yesteryear as well!

We then get another story that is pretty straightforward, but has a comedic ending. Automated cities of the future are now the only place you’ll find human beings. A plane crash strands a few people out in a wasteland, and as you can imagine, it doesn’t end well. Story and art by Mike Kaluta!

Finally, another chapter of Slow Glass, and this one is seven pages long! We watch as a couple who has traveled off the beaten path attempts to purchase some slow glass from an elderly man. But this man has a secret, and it’s one he doesn’t want people to know. Script by Tony Isabella, with art by Gene Colan and Mike Esposito!

As of this blog post being published, these magazines can still be had for reasonable prices on places like Ebay. Any interested parties should think about getting these sooner rather than later, as they probably won’t be reprinted any time soon (Marvel wqould probably need to get the rights to publish it again as the source material belongs to the book publisher or the estates).

 

 

 

 

 

 

 

 

 

 

 

 

Ghost Rider/Captain America: Fear, 1992

Well, this is it, day 31, and Halloween is here! So, the book I’ll be spotlighting is a good one, and a personal favorite for this time of year. A lot of people (especially my age and older) would say that the 1990s was a pretty dark time for comics, as far as the production value, strength of stories, and artwork. It’s hard to argue when you look back at all the mediocrity. One thing that’s for sure though, if you sift through all that, you can still find some excellent work from some very talented creators. Case in point, this book!

The story revolves around the character of the Scarecrow, and his latest psychotic episode. Up until now (1992 at this point), he’d been up and down after being in the Marvel Universe since the 1960s (ToS #51). Whether it’s the X-Men, Iron Man, or Ghost Rider, The Scarecrow won’t back down from anybody. We see him completely lose his mind in this story, and it takes everything the police, Ghost Rider, and Captain America have to stop his murderous rampage!

Howard Mackie (writer) is probably most known for his contributions to the Spider-Man books, and rightly so, as he spent a lot of time writing and editing those books. He really does a great job writing the dialogue, especially for the police and the insane Scarecrow. The artwork is by the always up to the task, Lee Weeks (pencils), and the legendary Al Williamson (inks). Weeks has been all over the industry with extensive work in Marvel and DC. Williamson (passed away in 2010), working since the 1950s, worked for many companies, and in every genre you can imagine. The man’s work is exceptional. The colorist was Gregory Wright, and the letters by Michael Heisler.

 

Daredevil 270, 1989 “BlackHeart!”

The character Daredevil is one that has so many extreme ups and downs since his creation in 1964. The last of the big names to come out of Marvel Comics Silver Age, Matt Murdoch has been all over the place. Hell’s Kitchen is his normal stomping grounds, but he spent a bit of time in San Francisco as well.

In this issue, a new villain is produced, and it’s one that’s even had a prominent role in a film! The spawn of Mephisto, Blackheart, is possibly even more vile than his father. Callously killing anyone that he wants, you get the feeling that if DD and Spider-Man can’t stop him, mankind is in big trouble!

The creative team on this one consists of Ann Nocenti (writer), John Romita jr. (pencils), AL Williamson (inks), Joe Rosen (letters), Christie ‘Max’ Scheele (colors), and Ralph Macchio (editor). That’s a pretty solid line-up with Marvel teetering on the edge of the dark times, and they deliver a solid issue. Nothing spectacular, but a good issue with a team up and first appearance. You’ll notice that Romita jr. hasn’t quite yet developed his now signature style quite yet. There are still some pages/panels that remind you of his father’s work, plus the inker makes a difference in the product as well.