Giant Size Man-Thing 3 and 4, 1975

The character Man-Thing is not only one of the best from the Bronze Age, but also for all time in the horror genre. Yes, the Heap predates him (also  another character called “IT” from the pulp era in a sci-fi story by Theodore Sturgeon predates The Heap) but his staying power wasn’t so great for one reason or another. Manny has been around since the early 1970s, and still going to this day. A lot of horror characters (other than the public domain ones), fizzled out and all but disappeared after the  Bronze Age came to a close, but not Man-Thing. One of the reasons is because he had great creators behind him virtually all of the time.

You may ask yourself, what does a wizard, a viking, a barbarian, a high school full of kids, and a duck have in common? Nothing, and that’s the sheer brilliance of Steve Gerber (writer, both issues, the Man-Thing stories plus Howard the Duck). He can take these random things and deliver a great story using a swamp monster that can’t even speak. On the surface, most Man-Thing stories just appear as action/adventure stories, but there is usually an underlying message that is/was very relevant.

The artwork in these two books is nothing short of excellent. In issue three, you get Alfredo Alcala (pencils/inks), Petra Goldberg (colors), and Marcos Pelayo (letters) on the interiors. The cover is by Gil Kane (pencils) and Klaus Janson (inks, with alterations by John Romita). There are two back-ups that feature work by Paul Reinman, Don Heck, Dick Ayers, and Jack “King” Kirby!

The following issue contains more incredible work, starting with an amazing cover by Frank Brunner! Ed Hannigan, Ron Wilson, Frank Springer, Phil Rachelson, Tom Orzechowski, round out the creative team, and a back-up story by Gerber and Brunner to top it all off!




Giant-Size Man-Thing 5, 1975 “Hellcow!”

I know it’s heresy to say this being a big fan of Steve Gerber’s work, but I’m not really into Howard the Duck. That said, I do love horror stories, and most of them revolving around that character do fit into this genre. In this one for instance, we get to see Howard arrested, and in jail. The police are befuddled that a real duck is in their midst, and quite frankly have no idea what to do with him. The best part of the story lies with another character though, the Hellcow. Apparently, at a certain point in the life of Dracula, he swooped in and bit a cow. Normally, you don’t see animals come back as vampires but for some insane reason, this one does.

As I said above, Steve Gerber (writer) is nothing sort of fantastic. He can take the oddest of themes and turn them into gold. His work on The Defenders, Omega the Unknown, and several other books are all the proof that I need to prove that point. Another creator of this era that did incredible work, is artist, Frank Brunner (penciler). Even though he didn’t do a ton of work in comics, his impression on the industry is a lasting one, for sure. Tom Palmer (inks), Glynis Wein (colors), and Annette Kawecki (letters), finish off the creative team for this outstanding story! Of course, everyone knows of the fantastic work by Palmer, as he inked many books, and none more appreciated than his collaborations with Gene Colan in Tomb of Dracula!







Marvel Premiere #13, 1974 “Time Doom”

Time marches on, and so does my look at Marvel Premiere! As the good Doctor is being drawn into a mad adventure through time, we see the emergence of a powerful mage named Cagliostro! This man is from the past seems to be so powerful, that Dr. Strange and Baron Mordo both seem to be jut pawns to him, but is he really who he claims to be? As the Doc and Baron Mordo attempt to convince Cagliostro that each of them is worthy of his attention, but he seemingly couldn’t care less!

Time travel can be one of those things that get terribly convoluted and quite frankly foolish. One man who has proved on more than one occasion that he’s up to the task of writing a good time travel story, is Steve Englehart. If this story isn’t enough, pick up a copy of the trade paperback, “Celestial Madonna” for another tale with the time-hopping Kang the Conqueror! Once again, Frank Brunner shows us how incredibly talented he is, by giving us another issue filled with fantasy and magic! Throw in the Crusty Bunkers (inks), John Costanza (letters), and Roy Thomas (editor), and you’ve got one fantastic creative team!


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Marvel Premiere #12, 1973 “Portal to the Past”

Some of you may be wondering why I skipped issue #11. Easy answer is because it basically just reprints the origin of Dr. Strange, by Ditko and Lee. Not that the material isn’t great, but that’s not what this is about. There was a little bridging material, where the Doc went to the former dwelling of the Ancient One, and told his followers that the master is dead. In this issue, the Doc runs into a bunch of gypsies, and a huge Gargoyle! The run of Doc Strange in this title was coming to an end soon, but Englehart and Brunner sure didn’t slow down with the excitement!

For reasons unknown to me, Mike Friedrich scripted some of this issue, and he’s obviously a capable writer, and left a good imprint wherever he traveled. We know that Englehart and Brunner were just getting started with the good Doctor, and they would bring him to new heights, never before seen. No disrespect to Ditko/Lee or Thomas/Colan, but this team set the tone for decades to come, and along with John Costanza lettering, and the Crusty Bunkers inks, this issue is another gem of the run!


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Marvel Premiere #10, 1973 “Finally, Shuma-Gorath!”

You know something, writing about Dr. Strange, and actually comics in general is one of the most edifying things I can think of to share. Why is that, some of you may ask? Well, explaining it isn’t easy, but I’ll try. You see, the vast array of subject matter, the varying intensity of the stories, the mind-blowing artwork, and just the overall satisfaction of reading these great stories and then sharing them with those who might never have read them or even thought about reading them, is quite a thrill. Over the years, people have had differing opinions on comic books (speaking of those who have never read them). Most seem to think they’re for adolescents or weirdos, and just never give them a fair shake. That is nothing short of foolish, and I would guarantee that anyone that considers themselves a fan of fiction (even though most stories draw parallels to everyday events from history), would be impressed by the more complex works of the industries greats.

OK, mild diatribe over. Let us now forge our way into the past, and see the death of one of the Marvel Universe’s great characters. If you go back and read the wondrous stories of the early years, and origin of Dr. Strange, by Steve Ditko and Stan Lee, you’ll see just how much of an influence the Ancient One was on Strange. When you understand that, you’ll know how difficult it was for Strange to kill his mentor. Possessed by Shuma-Gorath, the vile creature that intends on killing Dr. Strange, and invading the universe that he and the Ancient One protect!

In only their second issue together, Steve Englehart and Frank Brunner show us that they mix incredibly well as a creative team. Their styles seem to be a match made in heaven. Englehart at this point had already written some great stories as only the third person to write the Avengers title (after Lee and Roy Thomas). He proved that he was more than worthy of taking the reigns of any book and either continuing the greatness or amplifying it. It’s true that these issues (as with a majority of the Bronze Age) are very trippy, and if you don’t appreciate that kind of material, you might not find these stories to your liking. With that said, these two creators (along with the Crusty Bunkers inking, John Costanza lettering, and Roy Thomas, editor) do their best to present a story that is chocked full of action, drama, and of course, magic!


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Marvel Premiere #9, 1973 “The Crypts of KAA-U!”

As my look at Marvel Premiere marches on (specifically the Dr. Strange issues), this issue is a momentous one because of the arrival of the new creative team going forward. Until now, a few different creators were involved, and they did an admirable job, but now, the theme takes a bit of a turn, and the Doc must not only continue to fight against Shuma-Gorath and its minions, but also try to deal with the death of his mentor, the Ancient One!

When I interviewed “Stainless” Steve Englehart (writer) about his fabled run with this character, he mentioned some late night brainstorming sessions between he and artist Frank Brunner (pencils on the interiors and the cover). How they would meet and carefully concoct where they wanted things to go, and why. I’ve been a part of other interviews before where a duo worked closely together on a certain title (Dan Abnett, about his work Andy Lanning), and it’s always fun to hear about these jam sessions between two great minds! The inks on this issue are by Ernie Chan, and he’s definitely one of my favorites from the decade. John Costanza (letters) and Dave Hunt (colors) round out the team on this fabulous first collaboration between two of comic book’s definitive creators from the Bronze Age!


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Marvel Premiere #6, 1973 “The Shambler from the Sea”

You know, you’d be hard-pressed to convince me that there was a better age than that of the Bronze Age of comic books. The mix of personalities, both in the books, and within the ranks of the creative offices were outstanding. When you realize all of the creators from previous ages that were still around, plus add in all the new, exciting talent that was making their way into the industry, you were privileged to see an age of entertainment that hasn’t happened since, and probably never will. In this next issue of Marvel Premiere, you get to see the Doc get out of the frying pan and into the fire! Trying to fight a cult, and the entity they worship was bad, but when you have a situation like this issue presents, it just doesn’t get any crazier! The Doc has escaped the clutches of the cult of Sligguth, but now faces another being that is even a bigger challenge because it lives underwater!

The creative team is similar to the previous issue, in that Gardner Fox is still writing. But, the pencils are now by Frank Brunner! And if that wasn’t groovy enough, you get Sal Buscema on inks! Throw in Gaspar Saladino on letters, Roy Thomas editing, and another great cover by  Mike Ploog, and you a recipe for awesomeness!   Image (51) Image (52) Image (53) Image (54) Image (55) Image (56) Image (57)

Marvel Premiere #4, 1972 “The Spawn of Sligguth!”

Anyone that’s read any of my work knows I frequently salivate over certain creators, characters, and books. One of these things being Dr. Strange. Not just anything that the Doc has been in, but specifically his solo series from 1974, and his appearances in Marvel Premiere (1972). In issue #4, we see some material taken from the mind of Robert E. Howard (Conan, Kull, Red Sonja, etc.). In this adventure, the Doc has just survived a grave encounter with Nightmare, and now faces an even more vile thereat. An old friend has come calling about a problem in the New England area, and once there, Dr. Strange will meet his doom!

The creative team on this one is certainly top-notch. The story was written by “Amiable” Archie Goodwin, with the plot and editing by “Rascally” Roy Thomas. The pencils by none other than “Bashful” Barry Windsor-Smith, inks by “Far Out” Frank Brunner! Letters by John Costanza, and cover by BWS and Tom Palmer! Enjoy this classic tale from the past of Dr. Strange!

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Doctor Strange #6, 1974 “Lift High The Veil of Fears!”

After just a few issues, the Englehart/Brunner team lost one of its members. The rigors of monthly comics just didn’t suit the style of Frank Brunner, so he stepped aside from that chore (still doing awesome covers like this one). It just so happened that someone else with incredible artistic talents was ready and willing to take up the job! Gene “The Dean” Colan returned to the character that he had worked on before back in the late Silver Age, along with Roy Thomas, Tom Palmer, and others. Colan has done a lot of magnificent work in his lifetime, but other than Tomb of Dracula, I think Dr. Strange was his best work. The character just seemed to fit his style perfectly, and Colan really added a more macabre feeling to the book.

In this issue, the Sorcerer Supreme and Clea are beset by the unyielding powers of Umar and of course, the Dread Dormammu! This fantastic issue was written by Steve Englehart, pencils by ‘Gentleman’ Gene Colan, inks by Mr. Klaus Janson, letters by Sir Tom Orzechowski, colors by the indomitable Petra Goldberg, and edited by ‘Lively’ Len Wein! Enjoy!


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Doctor Strange #1, 1974 “Through an Orb Darkly”

As a tribute to my favorite Marvel character, I’ll be spotlighting Dr. Strange for the entire month of December! No matter who the creative team is, I’ll always give any title featuring the Doc a try! For me, he’s kind of like pizza – even when it’s not so great, it still isn’t half bad either! My personal favorite run is Steve Englehart and Frank Brunner in the pages of Marvel Premiere (1972), and this team led the charge for the character into his own solo series, starting in 1974. Honestly though, there is still great work being done with this character, as recent as 2012 (Doctor Strange: Season One, by Greg Pak (writer) and Emma Rios (artist), which is a slight re-imagining of his origin in an OGN).

Back to the Bronze Age though, and the true greatness of creativity in the medium, especially with characters in the magical or cosmic realms. It was a perfect time for these characters to take off, due to the creative minds that were entering the medium. This series begins with Steve Englehart writing, Frank Brunner pencils (and cover art), Dick Giordano inking, Glynis Wein on colors, John Costanza lettering, and Roy Thomas editing. This issue also brought us one of Dr. Strange’s most evil enemies, Silver Dagger! And now, for your enjoyment, let’s take a look at the wondrous world of the Sorcerer Supreme!


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