Look out, here comes the Spider-Man! By 1980, Spider-Man was already the company darling at Marvel for quite sometime, and rightly so. His title was the best long-term book that was still performing at a high level. Not much of a down time as far as content, other than the issue here or there, it was solid.
This issue shows a lot of the normal fair in Aunt May, Debra Whitman, ESU, etc., but the big draw of this issue is none other than Namor, The Submariner! He’s peeved at the surface world once again, and is riling up his minions, demanding that they take action! Seeing Subby getting enraged isn’t anything new, but it’s always fun! there’s also a good bit of panel time for Peter Parker, and that is always a welcome sight.
Written by Denny O’Neil, John Romita Jr. pencils, Jim Mooney inks, Jim Novak letters, and a cool cover by JrJr and Al Milgrom!
The character Daredevil is one that has so many extreme ups and downs since his creation in 1964. The last of the big names to come out of Marvel Comics Silver Age, Matt Murdoch has been all over the place. Hell’s Kitchen is his normal stomping grounds, but he spent a bit of time in San Francisco as well.
In this issue, a new villain is produced, and it’s one that’s even had a prominent role in a film! The spawn of Mephisto, Blackheart, is possibly even more vile than his father. Callously killing anyone that he wants, you get the feeling that if DD and Spider-Man can’t stop him, mankind is in big trouble!
The creative team on this one consists of Ann Nocenti (writer), John Romita jr. (pencils), AL Williamson (inks), Joe Rosen (letters), Christie ‘Max’ Scheele (colors), and Ralph Macchio (editor). That’s a pretty solid line-up with Marvel teetering on the edge of the dark times, and they deliver a solid issue. Nothing spectacular, but a good issue with a team up and first appearance. You’ll notice that Romita jr. hasn’t quite yet developed his now signature style quite yet. There are still some pages/panels that remind you of his father’s work, plus the inker makes a difference in the product as well.
As most comic book readers know, the Amazing Spider-Man was the flagship title, and almost always had the best stories. Every once in a while though, the sister title, Spectacular Spider-Man would churn out something cool. It had its share of solid creators working on it, and usually dealt with something a little more off-beat. This particular issue shows Spidey, as he’s wrapping up capturing the villain from the previous issue (the Smuggler), but his night gets a little crazier than he thought it would. After finally packing up the costume for one night, Parker decides to call Debra Whitman and ask her to accompany him to meet Aunt May’s new beau, Nathan Lubensky for dinner the following day. We see that Debra has some pretty deep feelings for Peter, but we know his mind is elsewhere. The story has some nice little moments, and is definitely one that you should seek out!
Anyone that lost track of Spidey after the tumultuous Silver Age is really missing out on some great stories. Everyone knows of the excellence of Gerry Conway, but a couple of other scribes did the old web-head justice as well, and one of them is certainly Roger Stern. He wrote this story along with a few others in this title, and later took over the main title as well, and really made strides in the life of Peter Parker and his surrounding cast (Mary Jane especially). The art team is a great one too, and we have “Jubilant” John Romita Jr. (pencils), and Jim “Madman” Mooney to thank for that. The colors were provided by Ben Sean, the letters by Jim Novak. Your eyes do not deceive you, that is a cover by “Lanky” Frank Miller and Joe “The Rube” Rubinstein!
OK, besides the fact that Dr. Doom couldn’t care less about what Dazzler would be doing, or the fact that the story is called “The Jewels of Doom (one must assume that jewels was referenced as a man’s cajonies by this time in history),” just sit back, relax, and enjoy the beautiful woman on roller skates that can kick butt! In the beginning, Alison Blaire was just a supporting character, but in the pages of the Uncanny X-Men, she became a Marvel staple. And honestly, does Doom really need a bonafide reason to attack anyone? Throw in a little fantastic Four action, and you have a winner!
This issue was brought to us by some real pros, and at that time, up-and-comers! Written by Tom Defalco, pencils by John Romita Jr. and Alan Kupperberg, inks by Armando Gil and Danny Bulanadi, colors by Bob Sharen, and letters by Sam Rosen! And let us not forget the great cover by the team of Brent Anderson and ‘Joltin’ Joe Sinnott!