Adventure Comics 486, 1981 – Dial “H” for Hero “Hell on Earth”

Without going into extensive details, Adventure Comics has a long history which includes runs of Supergirl, members of the JSA, Superboy and the Legion of Superheroes, The Spectre, and Dial H for Hero! This unlikely team of heroes (the 2nd iteration), fights crime as any good hero does, and sometimes things get a bit crazy, like when Grockk (son of the devil) shows up and decides to take over the Earth! It’s up to Vicki Grant (Puma/Sulphur) and Christopher King (Enlarger Man/Brimstone) to stop him!

These new stories were written by Marv Wolfman (who’s no stranger to the macabre having written the Tomb of Dracula!). Wolfman is one of those writers who can tackle any genre, and he’s proved it over the decades continuously. The art is by none other than Silver Age stalwart, Don Heck (co-created Sunfire, Hawkeye, Black Widow, etc.)! The letters are by John Costanza. The cover is by the always awesome George Pérez!

 

 

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The Tomb of Dracula 25, 1974 “Night of the Blood Stalker!”

After spotlighting generic vampires, Morbius multiple times, and Dracula in a special issue and magazines, I thought it was well past time to dive into Marvel’s best horror comic of the decade (and all time), The Tomb of Dracula! Most probably know this villain from either the Universal film (starring Bela Lugosi), or the Hammer Studio films (starring the insanely menacing Christopher Lee as the count). The character has been embedded in our culture for a very long time (thanks to Bram Stoker). By the time the 1970s rolled around, and the comics code was loosened, it was high time for this horror giant to get his own series! This issue is a favorite of mine, as it features the first appearance of vampire detective Hannibal King, and my favorite panel of the series of all time (final image at the bottom).

Marv Wolfman (writer) has gone on record saying he really had no interest in writing this book, but as fortune would have it, he did anyway (starting with issue #7). He and artist Gene Colan (pencils) would work very close together on this title, and for seventy issues, they knocked it out of the park. Another reason the book succeeded was inker Tom Palmer. Colan has very intricate pencils, and quite a few inkers have had a tough time not drowning the pencils out, but Palmer was perfect for the job. Palmer also colored quite a few issues as well (including this one), and again you get a quality and consistency from a tight-knit team working hand in hand. The letters were provided by John Costanza. A lot of the covers were provided by the comic book giant, Gil Kane (Palmer on inks here as well). Kane’s incredible covers carried Marvel through most of the decade, and it just adds to his enormous breadth of work.

 

 

Dracula Lives! 3, 1973 “Prince of Darkness, City of Light!

Is there a more iconic horror figure than Dracula? Probably not, and after acquiring another issue of this spooky mag, it’s time to dive into it! October is here, and the horror mags from the Bronze Age are a great way to celebrate the season. Vampires, witches, a gargoyle, and Solomon Kane! A great issue for sure that brings a solid spotlight on Dracula not only in the Marvel universe, but also in contemporary fiction and film.

The Dracula story is one that dives into the history of the character in reference to the actual continuity of the Marvel Universe (written by Marv Wolfman, and art by ‘Big’ John Buscema and Syd Shores). A battle with another vampire, Nimrod, to be specific, who was the previous lord of the undead. The second story is a reprint from the 1950s. It involves a vampire and a slasher, à la Jack the Ripper (art by Larry Woromay). This story is followed by a great puff piece about Bela Lugosi with some fantastic photos from his films (written by Doug Moench).

Next we have what is probably the best piece of the book. A story about a chance encounter between Dracula and the sword wielding Puritan, Solomon Kane (written by Roy Thomas, with art by Alan Weiss and the Crusty Bunkers)! Another reprint from the Atlas era follows with an interesting take on the Shakespeare story Macbeth (art by C. A. Winter).  Finally, we get a super story about Dracula in Paris, and this time he must do battle with a stone gargoyle (written by Gerry Conway, and art by Alfonso Font)! There is also a neat story by Chris Claremont that features some love for Hammer studios! All of this is kicked off by a wonderful painted cover by Neal Adams!

 

The House of Mystery 224, 1974 “Sheer Fear!” 100 page Spectacular!

Do You Dare Enter the House of Mystery? Yes, I do! Sounds like a marriage proposal. This issue was one of those finds that would make any reader/collector get ecstatic. A good comic isn’t that difficult to find, but a great one that you can find at a bargain is getting more and more difficult as the years pass by.

Continuing a look at one of Dc comics’ best horror titles, this one is probably packed with the most talent of any book from that era. This exquisite horror anthology tells tales of a gym rat (Night Stalker in Slim City), a haunted house with an old hag (The House of Endless Years), a western werewolf (The Deadman’s Lucky Scarf), a boy sorcerer (The Reluctant Sorcerer), a magician that meets the Specter and the devil (Abraca-Doom), a problem with the mail (The One and Only Fully Guaranteed Super-Permanent 100%), a time travel tale with unintended consequences (The Gift that Wiped Out Time), a woman who has nightmares (Sheer Fear), A werewolf in Uncle Sam’s army (The Claws of Death), The Phantom Stranger has trouble with some elves (Mystery in Miniature), and finally a story that is picture perfect (Photo Finish).

The credits in this book are a murderers row of creators that are top-notch! Writing credits include- Dave Michelinie, Gerry Conway, Michael Fleisher, Howard Purcell, Denny O’Neil, Marv Wolfman, Sheldon Mayer, George Kashdan, John Broome, and Steve Skeates.

Artists include- Joe Orlando, Frank Robbins, Bill Draut, Alfredo Alcala, Howard Purcell, Berni Wrightson, Dick Dillin (w/Neal Adams inks), Mort Meskin (w/ George Roussos inks), Gerry Talaoc, Alex Niño, Frank Giacoia, and Mike Sekowsky.

 

 

 

 

The Man Called Nova 23, 1978 “From the Dregs of Defeat!”

Wait, why am I spotlighting a random issue of Nova…? I’ll tell you why! Because of the villain(s) in this mag! First of all, I’m a huge zealot when it comes to the Tomb of Dracula! In my humble opinion, the best villain in that awesome comic was none other than that body-less brain, Dr. Sun! But wait, didn’t he perish in the series? NO, he did not! And thanks to one of his creators, he appears once again in the pages of Nova! And at the end of this tale, we also see another great megalomaniac, The Sphinx!

The sheer amount of comics either written, plotted, and/or edited by Marv Wolfman (writer/editor) is astounding! For me his crowning achievement will always be Tomb with Gene Colan (pencils on the flashback panels with Tom Palmer inks), but his Fantastic Four is pretty good, and his work on Marvel Two-in-One, Teen Titans, and of course all the great content in the black and white mags from the 1970s! Long time DC comics artist Carmine Infantino (pencils- cover and interiors- cover inks by Bob McLeod), the inking was by a plethora of gentleman (M. Hands…many hands), colors by Janice Cohen, and letters by Jim Novak!

 

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Machine Man 11, 1979 “Byte of the Binary Bug!”

The title “Machine Man,” was from the incredible mind of Jack “King” Kirby. As with virtually everything he touched, the book was great, but his run only lasted for the first nine issues. After that, it took a strange turn when Steve Ditko took over the artistic duties. This story brings in a techno-villain that seems to have what it takes to not only commit daring crimes, but also to stop Machine Man as well! A wild story with a tragic ending, as only Marvel in the Bronze Age can supply!

The man named Marv Wolfman (writer/editor), must have lived in the studio during the Bronze Age. Between the writing, plotting, and editing, his resumé is ridiculous. He’ll always be a legend for his collaboration with Gene Colan (Tomb of Dracula), but he was always a consistently good writer no matter what title. Steve Ditko (interior art and cover) needs no introduction or hyperbole thrown his way. If not for him, Spider-Man wouldn’t be the iconic character he is today, period. Michele Wolfman (colors) and John Costanza (letters), round out the creative team!

 

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Daredevil 124, 1975 “In The Coils of The Copperhead!”

Back again, and this time I have another shot of Daredevil for you! The silly villain this time around is called “Copperhead.” It seems that Daredevil has competition out there in the form of a person imitating a character from a pulp book from the 1930s. This man has no regard for life (sort of like the Punisher), and lays down judgement on wrongdoers all over the city. It’s up to Mr. Murdoch to try to stop this renegade, if he can! Copperhead is no joke…OK, he is but he does have poison tipped darts that he shoots out of his gun, and a diamond hard mask to protect his identity! Plus, we get some political drama with Foggy as well in this issue!

I’m not quite sure why, but the issue is written by Len Wein and Marv Wolfman (he was the steady writer around this time, and Wein the editor). No matter though, as both guys gives us the straight forward dialogue you came to expect from this title in the Bronze Age. The artistic team is one that I’m torn over. Gene Colan (pencils) is without a doubt my favorite penciler of all time. He’s so uniquely talented, you’ve got to love the guy’s work. The inks are provided by Klaus Janson. His work with Frank Miller on Daredevil in the 1980s is fantastic, as is his solo work. He just doesn’t seem like the best match for Colan’s pencils. The colors are provided by Michele Wolfman, and the letters by Joe Rosen. We also get a great cover by the team of Gil Kane (pencils) and Frank Giacoia (inks)!

 

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Daredevil 129, 1975 “Man-Bull in a China-Town!”

Has there ever been a better title for a story than this one? Exactly. Lame villains are what make the world go ’round, as we all know. Daredevil has seen his fill of these wacky characters, and it’s why I love this title during the Bronze Age! The book got way too serious for me once Frank Miller took over (even though, I still enjoy some of those stories). But wacky stories involving characters  like the “Man-Bull,” are just too awesome to not spotlight. The man without fear versus a guy that’s part man, part bull…what’s not to like?

Seeing the name Marv Wolfman (writer/editor), at the helm always puts me at ease. Whether it was Tomb of Dracula, Batman, or Crisis on Infinite Earths, the guy gets it done. Not the most well known tandem in comics, but Bob Brown (pencils) and Klaus Janson (inks), do hold their own and give us some nice visuals. Michele Wolfman (colors) and Joe Rosen (letters), round out the interior creative team! As usual, we get a cool cover, and the team of Rich Buckler (pencils) and Klaus Janson (inks) are responsible!

 

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The Wedding of Dracula (1991- Originally 1974-76) “Blood Rites”

It’s time once again, to spotlight the best comic book title from the Bronze Age! Yes, you read that correctly. Not the best horror comic, THE best comic book, period. The Tomb of Dracula ran for 70 issues, from 1972 until 1979, and was without a doubt one of the best series ever. This little reprint book from 1992 has three issues in it. Two of the issues are back to back (45-46) and one is a standalone (30). The two consecutive issues revolve around Dracula using his influence on a satanic cult, and getting married. Good stuff, but I love the standalone issue better. That one shows Dracula reminiscing about some adventures he had in the past. One in particular where he meets a blind girl is quite fascinating.

The dream team of Marv Wolfman (writer), Gene Colan (pencils), and Tom Palmer (inks and colors), was in place for a while when these issues were published. They were on a roll by this point, and churning out fantastic stories. You add John Costanza (letters), and the crew is complete. This creative team would go on for 70 issues total in this series, and Wolfman and Colan would do more Dracula work in the future as well (Tomb of Dracula, 1991-92 – Epic, and The Curse of Dracula, 1998 – Dark Horse). Whatever the format, get out and grab one of the best books around!

 

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Dr. Strange Annual #1, 1976 “…and there will be worlds anew!”

There are many creators that made their mark in the Bronze Age, and some that ascended from an embryonic stage to stardom. Of course, these men and women didn’t realize it back in the day, but decades later, others like myself revel in their works, and hold them in high esteem for it! A title that most certainly gave opportunity for those willing to work on it was Dr. Strange! Think about it. Limitless worlds, characters, scenarios, etc., that was a springboard for the imaginations of its creators that had the wherewithal to use.

One of those above mentioned creators without a doubt, is P. Craig Russell (co-plotter, pencils, inks, colors)! This man’s work is nothing short of extraordinary to say the least. His run on Amazing Adventures is the stuff of legend. His inks over the pencils of Gil Kane (Marvel Fanfare) are noteworthy as well. As with many books of that era, Marv Wolfman (script and co-plot) lent his tremendous skills as a writer, and joined Russell in creating a gem. Letters by John Costanza, and a fantastic cover by none other than Dave Cockrum!

 

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