Searching through my boxes, I came upon my Ghost Rider books. This volume had quite a few different creative teams during its eighty-one issue run (volume 1), but there was always a consistency there for me. The quality of the writing and art never went into a direction that soured me on the title. A lot of title of this length start out like a ball of fire, but then fade away (some rather quickly). Whether it was Roger McKenzie, Jim Shooter, or Roger Stern, the stories were at least serviceable if not very good. Art-wise, you had Jack Sparling, Jim Starlin, and Jim Shooter, graced the pages, and with covers by the likes of Gil Kane! So, yeah, good creators!
In this specific issue, we see Johnny Blaze, tearing down a road in the desert. As he looks skyward, he notices five large bats swooping down in his direction. Just as they’re about to attack him, he transforms into the Ghost Rider! He is more than up to the challenge and fights them off. He eventually makes his way to a farmhouse close by, and gets taken in by a woman that is aware of the bat problem. We then see the bats return to their home. They live in a cave, but another fact about them is quite disturbing. You see, they have a master of sorts or a leader that command them, and this creep has his sights set on annihilating the Ghost Rider!
I’m not sure who would be on my side or not, but Michael Fleisher is the best writer for this character. He really gets Blaze and his fiery-headed alter-ego. The artist, Don Perlin is also the guy I immediately think of when I hear Ghost Rider. Perlin really portrays Blaze as tough but sympathetic as well. No nonsense with this art creative team! The colorist, Rob Carosella does a fine job on this issue as well as the letterer, Jim Novak! And this wild cover is by Bob Budiansky (pencils) and Bob McLeod (inks)!
Once again, I feel forced to spotlight my favorite swamp monster, Man-Thing! Swamp Thing, The Heap, and IT!, are all pretty cool, heck, I even like the Atlas Comics Bog Beast (more on these others, plus more Manny in the future). It’s true that all of these monsters owe their basics to Theodore Sturgeon, as he wrote a prose story (IT!), back in 1940. Personally, the mute Man-Thing stands tall above the others, though, and a man named Steve Gerber is the reason. But back to this comic!
In this first issue of the second series, a scientist is on the verge of discovering the secret to the work Ted Sallis was doing before the accident. Next, we still get a story that has some familiar tropes (Manny gator wrasslin’, super science, and an origin flashback). Throw in a secret base, seedy individuals, and the FBI, and you get another great story revolving around the premiere muck monster on the planet!
Cover by Bob Wiacek, written by Michael Fleisher, art by Jim Mooney (pencils) and Bob Wiacek (inks), colors by Carl Gafford, and letters by John Costanza! Definitely check out this series, as it’s pretty solid and fun.
Yeah, I’m a Marvel Zombie, but sometimes, a comic is so cool, no matter who the publisher is I must buy it. That’s the case with this one! The character “The Specter,” is one that is creepy and heroic at the same time. His run-ins with Deadman are pretty cool too, so check those out. Characters that are ghosts have always intrigued me (Gentleman Ghost, Deadman, etc.). Most of the time they’re always in the middle of a story that has a supernatural aspect, and that’s most of the allure for me. There is also a good Aquaman back-up story (Steve Skeates writer, Mike Grell art) in this issue as well!
The name Michael Fleisher (writer), is one that most avid comic book readers should know. I know his work from the Ghost Rider stories he did back in the late 1970’s or early 1980’s. The artwork (cover, interior pencils and inks), was by a man who I’m growing ever fond of, and it seems that Jim Aparo never disappoints me. The editor was another solid name in the biz, Joe Orlando!
I’ve read a couple of good chunks of Ghost Rider (volume one), and a scant few issues of the other series throughout the years. Nothing resonates with me except the earlier stuff with Johnny Blaze. Why? I don’t know, but I can tell you that the earlier work not only dealt with the horror genre but also the biker gang phase of culture in the 1970’s as well. It may be the mystery that was so exhilarating, coupled with the horror angle, but whatever it was, it sticks with you. The very early work was tied in with Daimon Hellstrom (the Son of Satan), which also added a really cool vibe to the character. This issue (I showcased the previous one here) has Johnny still an amnesiac, and fawning over a girl named Gina. There usually was a girl who would pop up now and again, to try the romance angle, but most of them were flat compared to Roxanne Simpson.
The name Michael Fleisher (writer) isn’t one that is tossed around everyday. He had a pretty good run on this title ( as well as Conan, House of Mystery, and House of Secrets), but mostly fill-ins and such. Don Perlin (pencils and inks) is a man who I admire. Another name that’s usually lost among the titans, but one that everyone should know. Anyone that frequents my blog knows him name though! Diana Albers (letters) and Ben Sean (colors), round out the creative team. Not to be forgotten are the two Bob’s! Bob Budiansky (pencils) and Bob Wiacek (inks) gave us this cool cover!
I love Johnny Blaze! No, not the “Nicholas Cage I’m doing my Elvis impersonation” guy, but the stunt biker with an attitude that laughs in the face of danger! Listen, if all you know about Ghost Rider is from that craptastic movie, then get out and grab some old issues or Essentials of old flame-head! His early stuff is definitely solid material and when you have good creators like this title typically did, you get good results! In this story, we see Johnny get knocked out, lose his memory, and fall for a hot little lady that drives a race-car!
The writer, Michael Fleisher, had a decent run on this title. he had the pleasure to work with great artists like Don Perlin (pencils & inks). These two guys had a solid run, and really took the character in some interesting directions. Add letterer Clement Robins, colorist Ben Sean, and editor Roger Stern, and you have a great combination! Don’t forget the cool cover by Bob Budiansky and Bob Wiacek! And if all that wasn’t enough, you get a guest appearance by Laurel and Hardy!