Back in the Silver Age, the X-Men weren’t a big deal. The book just never seemed to be able to find an audience. The early issues were a bit tough to get through reading, but the Kirby artwork obviously helped. That said, after issue 66, it went into reprints. That’s the part that baffles me, since leading up to that last issue of new material (the title was cancelled and went into reprints for over four years, until 1975), the book was producing the strongest material to date by a long shot!
This fantastic reprint book shows us issues 57-59, with that incredible story with the return of the Sentinels! Of course that means Trask as well, but we also see the dangerous Mesmero too (and Magneto…sort of)! The interpersonal relationships between the team members is on full display in these issues for sure.
Roy Thomas (writer) was certainly a gifted writer and that was clear on any kind of book, but his keen sense on writing team books was certainly felt by the readers of the X-Men. He knew how to weave the personal nature of the X-Men and the real world applications together seamlessly. The team of Neal Adams (pencils) and Tom Palmer (inks) put on quite a show in these issues as they did in pretty much everything else they touched as creators during their storied careers. The colors were courtesy of Daina Graziunas. Throw in a great wraparound cover by Mike Zeck (and Palmer on inks again), and throw in some extra art by Adams as well, and you get to see a visual feast!
Alright, so, Torch got his own series in the 1970’s…sort of…yes, it’s reprints, BUT the cover is brand new, and the reprints are good stuff! When you have villains as sinister as The Painter (Wilhelm Van Vile), and “Scar” Tobin, you know that your chances of survival are minimal! OK, maybe not, but these two evil-doers are definitely near the top of the cornball list, and as far as I’m concerned, that’s an awesome list.
When I look down at the credits box, and see Jack “King” Kirby (pencils), I understand that there will be a quality to this book that few others can even think of attaining. Frequent inker of the Silver Age (but also a good penciler and overall artist since the Golden Age) “Darlin”Dick Ayers, is a name most will remember from his inking in the early Marvel Age. He also did some great stuff in the military and western genres as well. The scripter, Robert Bernstein, is an enigma to me. I believe I’ve only heard his name once or twice before, and to my recollection, this is the only comic I own with his work in it. The cover is by one of my favorite unsung heroes of the Marvel Bronze Age, “Rampaging” Ron Wilson! A plot by Stan Lee and letters by Terry Szenics rounds out the creative team! Oh, and don’t miss the advert at the bottom!
Another post on the same day? Uh, yeah, because it’s Halloween (and there will be a few more, too!). Hopefully by the time this post hits the airwaves, I’ll be enjoying some great deals at WildPig Comics, in New Jersey. I’ll be looking to fill some gaps in my collection, especially in the Bronze Age era! For now, though, you’ll have to settle for this little gem! We get four stories, and each one brings a different thing to the table. The first is a tale about an alien invasion, but one with unexpected results…for the aliens that is! The second one is called “The Thing on the Moon,” and deals with a giant creature on the moon that was placed there by inhabitants of Earth. Thirdly, we see a foreign substance that can eat the flesh off of a man right down to the bone! The last story shows an attractive woman and the scores of men after her affections. She suckers one of them into giving her ten-thousand dollars, but after he sees her with another man, he’s plots his revenge!
The initial story is by Steve Ditko (art), and isn’t the best work he’s ever produced, but certainly better than most. He does a great job on the Sphinx in the story, though. The next one is by Don Heck (art), and he brings his usual talents to the table. The last two have artists who I’m not all that familiar with, in Doug Wildey and Harry Anderson. Both men do a solid job on their respective stories, and keep the book at an even pace as far as the artwork. All stories have scripts by Stan Lee. The cover, which is fantastic, is by none other than “Rampaging” Ron Wilson!
When I was a kid, I watched an episode of Jonny Quest, and it was super cool! There was a mad scientist that grew ordinary animals into behemoths! A crab, a spider, and a lizard, all grew to enormous size, and went crazy, killing on site. The lead story in this awesome book definitely has some similarities which makes me think the writers of that show were fans of comic books! A giant, mutated scorpion, a man who gets shrunken down to the size of a mouse (and subsequently terrorized by his own cat!), and an alien with a special chair! These three tales are perfect reading for the holiday or anytime!
The first two stories are just further proof that Jack “King” Kirby is a master of all genres. There’s nothing the man couldn’t do with a pencil. He did the penciling on the first two stories, with inks by Paul Reinman, and Dick Ayers, respectively (Ayers inked the cover over Kirby pencils as well). Both of those latter names were abundant during the Golden and Atom Ages (Silver Age as well), and rightly so, as they contributed heavily. The final story is by “Sturdy” Steve Ditko. His style fits perfectly for the story, and proves his mastery of weird, fantasy tales (plot/scripts credits to Stan Lee and possibly Larry Lieber as well)!
Watch out, here come more monsters! Yes, another post for the holiday, that revolves around some of the monsters from the pre-Marvel days. Believe me when I say that this one is solid! A giant alien monster that is the first to come to Earth to scout out the planet…or is he? Another tale that involves a sea monster terrorizing a ship at sea! The third installment is one that presents an alien that disguises himself as a human to study them. He finds out that it’s not all it’s cracked up to be. Finally, we get a joker that likes to play pranks on people, and sometimes hurting more than just their feelings. He himself finds out in the end that karma comes back at you in a hard way!
These stories have an edge over others, in that they have such powerhouse art talent behind them that even if the story is mundane, the artwork carries them through. The work of Jack “King” Kirby (cover and interior pencils to story one- Dick Ayers inked the cover) has been documented by many, and I could go on all day about how great it is, but if you don’t own much of his work, you need to remedy that now. “Joltin'” Joe Sinnott is mostly known for being an outstanding inker, but in this book, you get to see him flex his muscles with pencils and inks on one story! The man named Bill Walton isn’t one that’s familiar to me, but he does do a great job on the story in this particular issue. Last but certainly not least, is Steve Ditko. His weird and creepy work is one of legend, and elevates him to a pretty high status in the sci-fi/horror category. Of course, everyone knows him from Spider-Man and Dr. Strange, but dig deeper, and enjoy the treasures that you will find!
Another horrific comic book post to satiate your bloodthirsty minds! What lurks in the Vault of Evil! A bunch of Golden Age reprints, that’s what! I love these old stories because you never know what you’re going to get. Sometimes they are straight up horror, other times a thriller. Once and a while you get one that is pre-code and has a decapitation or something cool like that in it! These reprints usually consisted of three or four stories that usually revolved around murder, vampires, werewolves, or an atomic mutation. The first one in this book was a vampire story, the second was about the dead rising from the grave. The third story is about a female ghost, and the last is about a trunk that brings bad luck to its owners!
Al Eadeh, was a guy that worked in the comic book industry for a long time. His pencils and inks definitely give off that Golden Age vibe, and the man spent time in the Simon and Kirby studio, so, that should tell you about his prowess! Another name from that era is Ed Winiarski (pencils/inks). Another artist that had a grounding in crime, sci-fi, and horror books of that age, Winiarski had a similar style that definitely reminds me of the early horror work by Kirby and Simon. Sid Greene (pencils/inks) fits the same mold but also did some romance work as well. Last, but certainly not least, is Joe Sinnott (pencils/inks). He’ll go down in history as one of the greatest inkers of all time, and rightly so, as his work with Kirby, Perez, and a host of others was outstanding. If you dig a bit deeper though, you’ll find that the guy is quite an accomplished penciler as well, and issues like this prove it. We also get the treat of a great cover by Rich Buckler and Vicente Alcazar!
Getting two superheroes to fight is usually an interesting trope, but sometimes it does border on the ludicrous. This one lies somewhere in the middle, so fasten your seat-belt. Spidey and the Surfer haven’t had a lot of contact, so the times they do meet are kind of cool. The story really revolves around a boy that’s enthralled by comic books, and heroes such as these two. He gets a little too close to the action though, and winds up nearly being killed! Don’t worry, Spidey and the Surfer have enough time even with fighting to save the youth!
The glorious days of Marvel in the late Silver/early Bronze Age is undeniable. The work that Stan “The Man” Lee (writer) and “Big” John Buscema (pencils) put in on this title is awesome. Dan Adkins did a great job inking this story, and Sam Rosen with the letters as well. The grandeur of the Silver Surfer was never on better display than in this series! Just an FYI: You also get an issue of Warlock (#11), that is also a fantastic read (Kudos to Jim Starlin, Steve Leialoha, and Tom Orzechowski)!
After recently purchasing this issue, I checked it out and knew I had to spotlight it for everyone to see! This story features a battle between Spidey and Mysterio! We now know that his forté is illusions, but back then, it wasn’t common knowledge. The story shows a miniature version of Spidey (six inches tall), having to fight his way through a fun house, all the while Mysterio is trying to kill him! There is some back matter as well. We see Joe Robertson having some issues with his son, and Gwen and her father, Captain Stacy. Great stuff, as the real world touches are what made Marvel tops!
For those that love to denounce Stan “The Man” Lee (writer), ponder this for a moment. While it seems as though he’s given himself too much credit in the actual creation of Marvel’s Silver Age explosion, I don’t think you can take away the consistency of his scripting, and his exuberance in the real “selling” of comic books. John “Ring-a-Ding” Romita (pencils) is one of the all-time greats of the industry. His romance work, inking, covers, and of course, his work on The Amazing Spider-Man are second to none. The inks (and finishes?) are by another familiar name from the Silver/Bronze Age in Jim “Madman” Mooney. Throw in good old Artie Simek (letters), and that rounds out this awesome team of creators!
I’ll be honest, Daredevil isn’t one of my favorite characters. I don’t dislike him, but he just doesn’t get me aroused. There are a couple of aspects about his life that I do like (his terrible love life, his relationship with Foggy), but overall, I find him slightly dull. There is always one reason to check out some DD though, and that’s because of Gene Colan. He was the first consistent artist on the book, lending his pencils to over 80 issues of that title (the 1964 original run). He penciled one of the most socially significant stories of the decade in Daredevil #47, “Brother Take My Hand.” In this reprint book we see issue #22 shown again. The story centers around three villains, the Tri-Man, The Gladiator, and The Masked Marauder! Now, granted these guys aren’t the cream of the crop in the villain category, but Colan makes them look very menacing!
At this point, DD was still in his infancy, so Stan Lee was writing the book (as he was contributing to most scripts back then (1966). Initially, the book had a couple of different legendary artist (Bill Everett, Wally Wood), but it wasn’t until Gene “The Dean” Colan took over on the book that it had the great consistency it lacked. The inks in this one were provided by two men that were absolute stalwarts in the Silver and Bronze Ages. “Fearless”Frank Giacoia and “Darlin'” Dick Ayers, were both excellent inkers that are legends in the industry. The colors were provided by Stan Goldberg, and letters by Sam Rosen.
With all due respect to Steve Ditko, I enjoy the Romita era of Spider-Man better. Not only for the artistic difference (even though this issue is penciled by someone else), but also for the stories. Yes, the rogues gallery Ditko created can never be outdone, but what was done with them after his departure was exceptional. What writers like Gerry Conway, and Len Wein did with them really cemented them in the Spider-Man mythos. In this story (originally presented in Amazing Spider-Man #73, 1965), Spidey and Captain Stacy are trying to figure out where the Shocker has hidden the tablet he stole in the previous arc. There’s only one problem, the Maggia also want to know where it is, and they’ve hired some new muscle to find it – Man-Mountain Marko!
This issue in particular was penciled by none other than “Big” John Buscema (over John “Ring-a-Ding”Romita layouts). Buscema didn’t do many pages of the wall-crawler, but when he did, it was incredible as his work always was back in the day. Inking is marvel perennial favorite, Jim “Madman” Mooney! This guy can ink, pencil, do interiors, covers, you name it! And all with a consistency and professionalism like the others in the Marvel bullpen! Let us not forget the letters by “Sleepy” Sam Rosen and story by “Smilin'” Stan Lee! One look at this cover (by Romita), and you know you’re back in the heyday of Marvel Comics!