Another horrific comic book post to satiate your bloodthirsty minds! What lurks in the Vault of Evil! A bunch of Golden Age reprints, that’s what! I love these old stories because you never know what you’re going to get. Sometimes they are straight up horror, other times a thriller. Once and a while you get one that is pre-code and has a decapitation or something cool like that in it! These reprints usually consisted of three or four stories that usually revolved around murder, vampires, werewolves, or an atomic mutation. The first one in this book was a vampire story, the second was about the dead rising from the grave. The third story is about a female ghost, and the last is about a trunk that brings bad luck to its owners!
Al Eadeh, was a guy that worked in the comic book industry for a long time. His pencils and inks definitely give off that Golden Age vibe, and the man spent time in the Simon and Kirby studio, so, that should tell you about his prowess! Another name from that era is Ed Winiarski (pencils/inks). Another artist that had a grounding in crime, sci-fi, and horror books of that age, Winiarski had a similar style that definitely reminds me of the early horror work by Kirby and Simon. Sid Greene (pencils/inks) fits the same mold but also did some romance work as well. Last, but certainly not least, is Joe Sinnott (pencils/inks). He’ll go down in history as one of the greatest inkers of all time, and rightly so, as his work with Kirby, Perez, and a host of others was outstanding. If you dig a bit deeper though, you’ll find that the guy is quite an accomplished penciler as well, and issues like this prove it. We also get the treat of a great cover by Rich Buckler and Vicente Alcazar!
It’s been a little while since I presented a horror comic, so I thought, “why not now!” Of course, when you make that decision, it must be a good one, so today we have Vault of Evil #14! This series presented some older material (mostly from the 1950’s), and showcased some of the greatest artists of all time! In this issue, we see some eerie stories, some of which don’t even have proper credits attached to them. We do know the artists, but not the writers. Four weird tales of horror adorned this issue, and believe me when I say, they nothing less than awesome!
The first story is rendered by Steve Ditko, and we all know that he can do “creepy” as well as anyone! The last story is one that is quite spectacular, and features artwork by none other than Gene Colan! Wedged in the middle of those two stories is one (The Albatross) by long time DC editorial stalwart, Joe Orlando. He was actually an assistant to Wally Wood early in his (Orlando’s) career! Any way you slice it, this title is one that every collector needs, provided you don’t have the originals! Cover by ‘Rampaging’ Ron Wilson and Frank Giacoia!
After those dreadful government hearings in the 1950’s about the comic book industry, the publishers decided to create an organization (The Comics Code Authority) that would oversee and approve of everything published. This stranglehold lasted until Lee, Kane, and Romita gave us “Green Goblin Reborn”, in 1971. This fantastic arc showed us the Osborn family, and their decent into madness. It also was a request from the government to show readers the dangers of drug use that prompted this story to be published. This helped relax the Comics Code Authority’s grip on what could and could not be shown in comics (from 1954 until that point- no Vampires, Werewolves, axe-wielding maniacs, drug use, etc., were allowed in comics, but Lee and Marvel decided to print the issues without the seal of approval).
People’s opinions vary, but it seems as if the Authority was created to more or less put EC Comics out of business. Why? Because they were the dominating force in horror/sci-fi comics, and nobody else could come close to doing what they were accomplishing. I haven’t personally read much of their content, simply because it’s very expensive, but from what I have seen (and heard from many people more knowledgeable than I), they were the best.
Marvel had given up doing horror books but did do a ton of stories that revolved around giant monsters and otherworldly beings from outer-space. These stories were created by giants like Jack ‘King’ Kirby, Steve Ditko, and Don Heck. Some of them were reprinted in books like Chamber of Chills, Monsters on the Prowl, and Where Monsters Dwell, just to name a few. There was the arrival of other titles that contained some new material as well (Chamber of Darkness), and were not hardcore horror, but “sophisticated suspense”, as DC Comics would call such material.
So, without further delay, let me present some of the reprint work, along with some new material from Marvel Comics, from the late 1960’s and the 1970’s! Enjoy!