Title: The Mummy’s Shroud
Distributor: 20th Century Fox (Hammer Studios)
Writers: John Gilling & Anthony Hinds
Director: John Gilling
Producer: Michael Carreras
Starring: André Morell, John Phillips, David Buck, Elizabeth Sellars, Michael Ripper, Eddie Powell (as the Mummy)
Released: March 1967
To finish off Hammer Studio’s trilogy of Mummy movies (yes, the last one doesn’t count because there wasn’t an actual “mummy” in the movie! The Mummy- 1959, Curse of the Mummy’s Tomb- 1964, I’m taking a look at the 1967 film, The Mummy’s Shroud! The film does recycle some of the ideas from previous films of the genre, but it also has a good cast, and a fine job turned in by basically a stunt man! Sit back, relax, and get ready to watch some bandages fly as the Mummy is out for revenge! Let’s get to the flick!
The film begins with some narration informing the viewers that there was a child born to a king of Egypt in ancient times. This boy would soon be ushered away from his father as a coup took place, and the then king, was murdered. The boy was taken to the desert, but he and his caretakers died there from lack of food and water. End interlude…
In the time around 1920, we see an expedition led by Basil Walden (Andre Morell), and his assistants, Paul Preston (David Buck) and Claire de Sangre (Maggie Kimberley). The expedition is financed by a greedy businessman named Stanley Preston (John Phillips). He and his wife, Barbara (Elizabeth Sellars), have arrived in Cairo, and are troubled about the expedition having lost contact with all outside persons. There’s also a man there to help Stanley Preston, by the name of Longbarrow (Michael Ripper). He seems to be more like a slave to Preston, but an honest man nonetheless.
After a press conference, Stanley joins one of the search parties that are heading out to find Sir Basil and young Paul. Meanwhile, the expedition finds the tomb, and digs their way into the actual burial section of the boy-king. The team is accosted by an Egyptian man who shouts at them in a foreign tongue, and tells them that he guarding the tomb. After thinking about his warning for about ten seconds, they proceed inside. They head inside, but Claire is troubled by an ominous warning about disturbing the tomb. Sir Basil seems to pause, but then they all join in (except Claire) and excavate the bones and shroud of the boy-king. As if that wasn’t bad enough, Sir Basil gets bitten by a poisonous snake, and barely makes it out alive.
Next, Stanley and his search party catch up to the expedition, and he sees an opportunity to seize all the glory for himself, even though he had nothing to do with the actual find. They remove everything from the tomb, and head back to Cairo to inventory the loot. Stanley wants to take everything back to England, but the others are worried about Sir Basil, as he’s taken a turn for the worse. Stanley has Sir Basil committed to an asylum because of his erratic behavior. Soon after though, he escapes. Stanley just wants to get out of town, but the police wont let anyone leave until Sir Basil is found.
Speaking of Sir Basil, as he’s wandering around the city, evading the police, an old woman (a fortune-teller) approaches him, and tells him that she can help. Her and her accomplice (the man who warned the expedition in the tomb), tell him that he’ll soon die, and then we see Hasmid (the accomplice), steal the burial shroud from the mummy, and perform a ritual. This brings the mummy to life, and then it sets out to seek revenge against the defilers that sought to profit from his body and wealth! As the fortune-teller continues to taunt Sir Basil, he gets weaker by the minute, and then from behind the mummy approaches. It grabs his head, and crushes it like a grape (image above)!
He is only the first in line, and the clock is ticking for all those who entered the tomb!
OK, here are my thoughts:
This film is a bit underrated for sure. No, it isn’t the finest movie Hammer ever produced, but it’s also not the worst by far. André Morell is his usual self, and delivers a good performance, but too brief as well. After his other performances in Hammer films, you know what he brings to the table. The supporting cast is a good one too, and John Phillips is a great scoundrel in this film. His love of money and cowardice later in the film, are the textbook definition of the word miscreant!
The music score was a good one, and better than most latter-day Hammer films. Don Banks is probably the second person I think of (behind James Bernard) pertaining to Hammer music scores, and deservedly so. The sets are quite good as you also come to expect from Hammer, and really have you believing that you are in Cairo. The ever faithful, Michael Ripper gives a good performance as well, and just seeing his face makes a Hammer film feel more comfortable.
Take some time out to visit or revisit the Hammer “Mummy” films. When looked at as a trilogy, they might not make sense as they don’t continue on with the same story, but taken as separate films with the same antagonist, you’ll be delighted by the results.