Title: The Black Cat
Distributor: Universal Pictures
Writers: Edgar G. Ulmer, Peter Ruric
Director: Edgar G. Ulmer
Producer: E. M. Asher
Starring: Boris Karloff, Bela Lugosi, David Manners, Julie Bishop (Jacqueline Wells), Lucille Lund
Released: May, 1934
Welcome, fiends! Here we are on the cusp of Halloween, and I’ve selected another film starring the great Boris Karloff! Not only that, but we also get none other than Bela Lugosi as well! Without giving too much away, this film has both men as former friends, but those days are over (at least for one of them). Universal paired these two giants together for a few films over the years, and this one is right there at the top for me! Alright, let’s travel back in time to 1934!
The film begins at a busy train station, where Peter and Joan Allison (David Manners and Julie Bishop) are getting cozy after getting aboard their train and into its compartment. These two honeymooners are settled in when a baggage man tells them that there’s been a mistake, and the compartment was double booked. After some deep sighs, they agree to let the man share with them for the ride. Enter Dr. Vitus Werdegast (Bela Lugosi). He tells the couple that he’s going to Hungary as well, to visit this old friend. He also tells them that he spent fifteen years in a Siberian prison after being captured during the war.
After arriving at the train station, they all get on a bus to reach their destination. The bus driver tells the occupants about the atrocities that went on in this area during the war, and of someone who built a house nearby…suddenly, the bus veers off the road, and plummets down an embankment. The driver is dead, and Joan is unconscious, with a bad wound. They walk on foot to a nearby home, and the doorman answers and lets them in, with slight reluctance. After the doorman calls on a radio, we see a figure rise out of bed (with a beautiful blonde woman next to him sleeping). Dr. Werdegast then administers first aid to Joan, and as he’s finishing up, the door swings open, and Hjalmar Poelzig (Boris Karloff) walks into the room.
Later, Werdegast accuses Poelzig of betraying the Hungarians to the Russians. Poelzig sits silently and listens to Werdegast talk about his theories on what went down years ago. Eventually he brings up his wife, and how he knows that Poelzig told her that he was dead, in order to steal her away. As the two seem to be ready to come to blows, Peter walks in and they calm down. As they’re all having a drink together, a black cat walks into the room and frightens Werdegast. He picks up a letter opener, and hurls it like a dagger, killing the cat. At that moment, Joan walks into the room in a zombie-like state. She talks briefly, but then Peter takes her back to her room.
In the middle of the night, we see Poelzig, as he’s creeping around the house. He then stops at a glass case, and its contents are not china or crystal, but the corpse of a woman, then proceeds to look at a few more he has standing around. We also see that he has another black cat to keep him company. He then enters the room where Werdegast is sleeping, but quickly finds out that he’s switched rooms with Peter so he could be in the adjoining room with his wife. The two then go to the other room and Poelzig agrees to show Werdegast his wife. He takes him to the basement where he shows him his wife, as she’s been preserved. Werdegast blames him for her death (he also tells him that their daughter is dead too), and pulls a gun out and tells Poelzig he’s going to kill him now. Suddenly, the black cat creeps in, and scares the crap out of Werdegast. He drops the gun, and falls into a glass case. Poelzig tells him that they’ll have time to settle things after the other guests have left.
As Poelzig returns to his room, we see a beautiful blond woman again, and he calls her Karen (the daughter of Werdegast, Lucille Lund). He tells her to stay in her room all day tomorrow, so as not to arouse Werdegast. We also see him reading a book on satanic cults and such. The following morning, Werdegast is getting ready to check on Joan, and Poelzig comes in, and stares at her eerily. Werdegast knows that his look has something sinister behind it, and wants to stop him, whatever the cost.
I’ll stop here, because going any further would ruin the film’s ending and grandiose show!
OK, here are my thoughts:
This film is the culmination of the non-monster horror/thrillers of this decade. You cannot find a film with more atmosphere, or better performances from these two giants. Karloff is simply evil in this film, but Lugosi is as well, although he’s driven by revenge, not from a devilish perspective. There is also a ton of great music in this film, and not just at parts but from beginning to end.
The content of this film is more than edgy for its time. How many movies in 1934 were showing (in shadow) someone being skinned alive? There were other elements too, like the satanic cult angle, the dead woman being kept “fresh.” Other elements as well, but I’ll leave it at that.
This film is a “must see” for any horror fan, or the team of Lugosi and Karloff. Both men shaped this genre and forever left a stamp on the industry with very few other actors in their company. Get this film on DVD or BluRay immediately.
I like Lugosi’s ambiguous character in this one. More depth than the usual parts he was given to play.
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Oh yes. I’m glad they didn’t spend too much time with the backstory between his character and Karloff’s. They did enough for you to know he took everything from him, and he was going to make him pay.