Ghost Rider 16, 1976 “Blood in the Waters”

The Bronze Age was an age of growing up for some preexisting characters, and the introduction of some new ones that were not only part of the zeitgeist  of the times, but ones that would last a very long time afterward. One of these characters is the Ghost Rider! Opinions vary on who created what exactly, but we know that Mike Ploog, Gary Friedrich, and Roy Thomas were involved. Over the decades, there have been a few different people to carry the mantle of the Ghost Rider, but honestly, none are better than the original, Johnny Blaze.

In this issue, we see Blaze and his alter-ego battle dolphin killers…and a great white shark! Yes, shortly after the frenzy that was Jaws (summer of 1975), Bill Mantlo (writer), George Tuska (pencils), Vince Colletta (inks), Janice Cohen (colors), and Karen Mantlo (letters), gave us the awesomeness of Ghost Rider fighting Jaws (edited by Marv Wolfman, cover by Bob Brown and Dave Cockrum)!

 

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Marvel Comics: War is Hell! (issues 9-12)

In the 1970s, Marvel was spewing out tons of reprint books. One title that started out as a reprint book but eventually changed to new material, was War is Hell! With issue number nine, we were introduced to John Kowalski and the manifestation of Death itself. Kowalski dies but Death will not let him cross over to the other side. Not until he executes a few deeds in Death’s name! A bizarre series to say the least, but also a very good one. It puts the main character in interesting situations, and is very mature for its time. Definitely seek out the back issues, they are well worth your shekels (even the early issues that are reprints).

Naturally, when people hear the name Chris Claremont (writer), they think of the X-Men, and rightly so. He wrote that book for seventeen years, and took something from the ash heap, and turned it into the juggernaut it is today. The book’s new direction was conceived by Tony Isabella and Roy Thomas though, but ultimately, Claremont put the words on the pages! The artistic duties fell on whomever the Marvel offices could grab, but this was not a curse by any stretch. The covers were done by Gil Kane (pencils #9 – 14, with inks by a combination over the issue of Ernie Chan, Tom Palmer, and Mike Esposito), and Herb Trimpe (#15). Interiors had the talents of Dick Ayers (pencils) and Frank Springer (inks) on #9 and 10, Don Perlin (pencils) and Sal Trapani (inks) on #11 with inks by Dave Hunt on #12, George Evans on #14, and Herb Trimpe on #13 and 15! Not too shabby, eh?

 

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Marvel Team-Up 12, 1973 “Wolf at Bay!”

IS there a video montage out there with Werewolf by Night panels while Warren Zevon’s “Werewolves of London” is playing? If not, could someone get on that asap please? Alright, so October is one of my favorite times of year, simply because it reinvigorates my love of horror comics and gives me renewed energy to blog about them. One of the best from the Bronze Age is most definitely Werewolf by Night. Most of that is thanks to Doug Moench and Don Perlin, but there is also Mike Ploog and a few others that did the hairy side of Jack Russell justice over time.

In this fantastic issue, we see Werewolf by Night and Spider-Man in San Francisco, as the two super-powered characters go at it! Jack is under the sway of Moondark (his first appearance), and maybe with Spidey’s help, he can shake it! Hopefully they can accomplish this before the Werewolf tears Spidey into ribbons!

The credits for this issue are a who’s who from the Bronze Age! Scripted by Len Wein, plot by Gerry Conway, pencils by Ross Andru, inks by Don Perlin, colors by Glynis Wein, letters by Charlotte Jetter, and cover by Gil Kane (pencils) and John Romita (inks)!

 

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Moon Knight Special Edition 3, 1984 “A Long Way to Dawn” and “”The Mind Thieves”

Every once and a while, you get a comic book that reflects society, sometimes the bad parts of society that previously no one else wanted to show. Sometimes writers and artists have a tendency to ram messages about societal problems down a readers throat, and that of course is not a good thing. I won’t give any examples but in the 1980’s, you have plenty of comics that were critical darlings that weren’t very subtle in delivering a point about social issues. There are however titles like this one, that do an excellent job of showing things as they are for some people, and enlighten the people from the other side of the tracks on just how bad things can be.

When Doug Moench (writer) and Bill Sienkiewicz (artist) took over the reigns of the character Moon Knight, they made comics that were thought-provoking, edgy, and they did it without being overt about their intentions. Too many writers nowadays fall into the trap of beating the readers over the head with their own agendas, without ever considering whether they’re even remotely right or who they may alienate. Can you even imagine what these guys would create together in this day and age? The scary part is that there isn’t anybody in mainstream comics with the cajonies these guys had back in 1980! Pimps, drunks, drug addicts, and thieves, you get them all in this book!

 

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The Avengers 148, 1976 “20,000 Leagues Under Justice!”

After leaving Marvel (Timely/Atlas) for the second time, Jack Kirby created the Fourth World. To put it simply, he created an entire universe full of characters from the vast, galactic brain of his that had already spawned the likes of Captain America (with Joe Simon), the Romance genre, the Boy Commandos, Challengers of the Unknown, The Sky Masters of the Space Force, and…well, you get it. Oh and he also co-engineered (if not engineered) much of the Marvel Silver Age.

After a few short years at DC, he returned to Marvel once again, and he gave us all something very different, and very cool. Titles like Machine Man, Devil Dinosaur, 2001: A Space Odyssey, drove our imaginations to new heights. Kirby also did numerous covers for the Fantastic Four, and The Avengers! Books like this one are a comic book lovers dream. Cover by Jack “King” Kirby, story by “Stainless” Steve Englehart, pencils by “Gorgeous” George Pérez, inks by Sam Grainger, colors by Hugh Paley, and letters by “Titanic” Tom Orzechowski! This issue features one of the teams that could consistently give The Avengers a run for their money- The Squadron Supreme!

 

 

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A Devilish Fascination (in comic books)!

What is it that makes fear so fascinating? People actively go to horror movies, read books, and even visit tourist attractions touting frequent ghostly visits. I’m sure there’s a clinical term for it (isn’t there one for everything these days?), but do most people ask themselves this question? Probably not, but after recently asking it in my mind, I struggled to answer the question. Other than just liking to be scared, is there some psychological reasoning behind this or just one of those unexplained phenomenon?

Why is there a fascination with the devil/demons and fear in general? Is it the same fear that we get from movies we watch even knowing we’re safe in a theater or our home or perhaps because many of us believe he’s/they are very much real? Most people I know personally believe in the devil, demons, etc., and even if you ask a large contingency of people on another continent, I’d bet most either believe or aren’t quite sure what is and isn’t to be feared either in this life or another.

Either way, here’s a quick look at some of the devilish deities from the Marvel and DC universes! I’ll  show some great panels from the likes of Mephisto, Hades, Etrigan, and more! Enjoy (artwork by John Byrne (images 1 & 2) and John Buscema (image 3)- Mephisto, Jack “King” Kirby Etrigan the demon, Bob Hall ChThon and other Elder godsSal Buscema Nightmare) !

 

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Marvel Comics: The Liberty Legion and The Crusaders!

Roy “The Boy’ Thomas, is one of my all-time favorite comic book creators. Not only is he one of the best writers, editors, and creators of characters (the two teams I’ll focus on now!), but also one of the best historians of the industry as well (Alter Ego). One of the things I think he did best was create teams that were retcons (retroactive continuity- meaning they didn’t exist in the same time-frame where their stories were written, but during the Golden Age instead).

Whether it was battling the Red Skull, fighting alongside The Thing against more Nazis, or arm in arm with The Invaders in the European Theater, these two teams were always right in the middle of the action! Other than Rascally Roy, these characters were brought to life by the best, including Jack “King” Kirby, Don Heck, Sal Buscema, Frank Robbins, Alan Kupperberg, Frank Springer, Vince Colletta, Joe Sinnott, Chic Stone, Don Glut, and more! Images from Marvel Premiere 28, Marvel Two-in-One Annual 2 (1976), The Invaders 41, 15, 35, 36, and 37 (1976-1978)!

 

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Strange Tales 146, “The End at Last!”

All good things must come to an end…and so did the reign of a certain creator on this title! In this awesome story, we see Dormammu battling not only his nemesis Dr. Strange and then none other than Eternity! Dormammu laid a trap for Eternity and the Doc, but things fall apart rather quickly in this issue for the fiery-headed fiend! Before that though, we do see just how powerful Dormammu is, when he confronts Eternity, and manages to hold his own for a while!

The glorious artwork by “Sturdy” Steve Ditko in this, his last issue of Strange Tales, is absolutely marvelous. There are three full splash pages that are nothing short of brilliant, and Spider-Man aside, show his best work in a superhero book. Most know of Ditko’s abrupt departure from Marvel Comics, and how he’s the biggest recluse in comic book history (to my knowledge). I’d love for him to do just one interview to set some things straight, and not listen to all the pundits speculate about certain matters. Either way, he’s one of the best creators of the industry has ever seen, and should be lauded as such. The story is scripted by “Dandy” Denny O’Neil, colors by Stan Goldberg, and letters by Artie Simek!

The other story in the book (“When the Unliving Strike!”) features Nick Fury. The story by Stan Lee, and layouts by Jack “King” Kirby, pencils by “Dashing” Don Heck, inks by “Mirthful” Mick Demeo, and letters by Sam Rosen.

 

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The Project Pegasus Saga Part Two (Marvel Two-in-One 56, 57, 58, 1979)

The next few issues of this great story saw a change in art, but not in tone for sure. You still get action supreme, and we really see what Ben Grim is made of as not just a superhero, but a man. We also get Bill Foster in action, Quasar showing off his abilities, and the mysterious Wundarr as well! After all is said and done, Wundarr fell a little flat, but Thundra was awesome! One thing to note about issue 56- the Thing and Thundra brawl, and as older readers know, this isn’t anything to get worked up over. In this day and age, you’ll be hard-pressed to see a brawl between a male and female characters in a mainstream book.

Props definitely need to be given to Mark Gruenwald and Ralph Macchio (writers). In only six issues, they utilize at least fifteen different characters in this setting (plus a flashback or two), and get more out of them than all their previous appearances combined! They do a great justice to Bill Foster especially. The artwork by George Pérez (pencils) and Gene Day (inks)(and one cover, 56, by John Byrne and Terry Austin), is very solid. I’m not very well versed in Day’s career, but Pérez is dynamite. Some of the pages of the issues I own, are a little muddy, and seem more like a printing issue than the artist’s not doing their job. Names like Bob Sharen and Carl Gafford (colors), Irv Watanabe and John Costanza (letters), and Jim Shooter (editor), round out the creative force behind this gem!

 

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The Project Pegasus Saga Part One (Marvel Two-in-One 53, 54, 55, 1979)!

As of now, you can buy a deluxe hardcover of this great story, but back in the day, you had to grab the single issues. One of my favorite off-beat books of all time is most certainly Marvel Two-in-One! The title almost always featured Ben Grimm, and this Jack Kirby creation is one of the best characters to spring from his incredible mind. When thrown-in with another character, Grimm really shines. His personality is often repressed slightly when issue after issue of Fantastic Four he was portrayed as just muscle (with exception of an issue here and there). His sense of humor really shined in these stories, and solidified him as one of Marvel’s greatest characters.

One of the names synonymous with Marvel Comic’s history is Mark Gruenwald (writer). His days as an editor, writer, and overall continuity cop are nothing short of legendary. Along with Ralph Macchio (writer), these two men gave us an epic story that endures! If you need two men to render a story, you might as well get John Byrne (pencils) and Joe Sinnott (inks)! Toss in names like Bob Sharen (colors), John Costanza (letters), Diana Albers (letters), George Pérez (cover pencils to 55), and Roger Stern (editor),  and the dream team is set!

 

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