Strange Tales 159, 1967 “Spy School”

This book has only been in my collection for a few months, but I knew it would be one that I’d spotlight sooner rather than later. Especially when you consider the talent that went into it’s creation! Just based off of the cover alone, who wouldn’t want to own this one! Two big stories with top notch creative teams means a Silver Age classic from the House of Ideas!

First up, we get Nick Fury and his Howling Commandos! They’ve transitioned from military life to working for the government (SHIELD). After a night on the town, Fury goes home, but the next day is full of training at a S.H.I.E.L.D. facility. He then must face Captain America in a sparring session in front of the newest recruits!

Awesome story, as you can really see the cool story and art by an ambitious Jim Steranko (story, art, and cover). He really knows how to tell a story with Fury and his supporting cast. He also does a fine job with Cap as well. Letters by Jerry Feldmann.

The second story is another chapter in the life of Doctor Strange! The Doc returns home to find that his Sanctum Sanctorum has been leveled, by none other than Umar herself! Once he finds a counter-spell to bring his home back, he then sets out to fight a band of sorcerers that are attempting to bring back Baron Mordo! Written by Roy Thomas, art by Marie Severin and Herb Trimpe, and letters by Al Kurzrok.

 

 

 

 

 

 

 

Advertisement

Marvel Team-Up 71, 1978 “DeathGarden”

It feels like it has been forever since the blog covered a Marvel anthology title (superheroes). After sifting through some boxes, I decided to spotlight this one! How can you not get drawn in by this cover? Cap slowly dying, Spidey and the Falcon swooping in to try and save him, the always loved Marvel hyperbole…”when dies a legend!”

The story isn’t too deep, but it’s mostly about the action, drama, and two heroes getting together to save a mutual friend in Captain America. You do get a lot in this issue though, as A.I.M., Nick Fury, Dum Dum Dugan, Redwing, and the Plantman all make appearances! A fun issue and you always get that with Marvel Team-Up!

Written by Bill Kunkel, pencils by David Wenzel, inks by Dan Green, letters by Rick Parker, colors by Francoise Mouly, and edited by Jim Shooter!

 

 

 

 

 

 

 

 

Captain America 601, 2009 “Red, White, and Blue-Blood”

In 2009, the world was treated to one more story drawn by Gene “The Dean” Colan. This was his swan song in mainstream comics (all of comics unless I’m mistaken), and it was fittingly a war/horror story! Yes, this is #warcomicsmonth and you do get some WWII action, but you also get some bloodthirsty vampires as well! A fantastic send off for one of the industry’s greats (R.I.P. Gene). Written by Ed Brubaker, with colors by Dean White.

The story starts out in Bastogne, France in 1945, with Cap, Bucky, and their unit, as they’ve discovered some other soldiers that were killed, but there’s something different about the way in which they were killed. Cap and Bucky wait and eventually see that the soldiers rise and are now part of a vampire legion! Cap and Bucky must now battle against men that served by their side, and not only that, but townspeople as well, including children!

This book is one that holds a high place in my pantheon of comics. Gene Colan is my all time favorite artist, and there is no finer example of why than this book. You get some very good scenes with dialogue with Cap and Bucky, but the action scenes, especially the ones that involve the undead, are simply incredible. Even on his last pro job, Gene delivered.

 

 

 

 

 

 

 

Super-Villain Team-Up 10, 1976 “The Sign of the Skull!”

Don’t be alarmed, but this issue is actually part four, the conclusion to a crossover with The Avengers (155, 156, along with SVTU 9). In this wild story we see everything from Dr. Doom, two of him to be exact…then the Avengers, Shroud, The Whizzer, the Ringmaster and his Circus of Crime, Attuma, and of course the Red Skull!

It was only 1976, but this crossover had a a lot going on. You have Cap and Doom, first fighting, then agreeing to team up against a common foe. Then we have Subby fighting off an attack on Atlantis. And if all that wasn’t enough, you see a fake Dr. Doom (Rudolfo) and Shroud being attacked by the Red Skull and his forces who have taken over Latveria! Yeah, a lot going on, but a ton of fun!

The credits for this book are a roll call of Bronze/Copper Age awesomeness. You get Bill Mantlo (Micronauts, ROM) writing this one, and it fits his style perfectly with all the shenanigans. The art team is Bob Hall (pencils) and Don Perlin (inks), and these two guys work very well together. The rest of the team is Denise Wohl (letters), Don Warfield (colors), and Archie Goodwin (editor)! And the fabulous cover is by Gil Kane and Ernie Chan (some alterations by John Romita)!

 

Tales of Suspense 91, 1967 “The Monstrous Crusher!”

On this April Fool’s Day, there is no joking around here! My all time favorite artist is Gene “The Dean” Colan, so it’s a special occasion when I get a book with his work in it! Most think of Gene when they hear Tomb of Dracula, and rightly so, but his work on superheroes like Captain America and Iron Man was special, too. Most also probably think of Kirby when the subject of machinery and technology are discussed, but when Gene drew these types of images in Iron Man, he was excellent at it.

In this issue, it’s up to Tony Stark A.K.A. Iron Man, to stop some Cuban Commies and their newest weapon, The Crusher. A pumped up, nigh invulnerable guy that’s ready to take down the Golden Avenger! Can Iron man take down this make-shift Frankenstein Monster?

Written by Stan Lee, pencils by “Genial” Gene Colan (cover as well) inks by Frank Giacoia (cover as well), and letters by Sam Rosen!

The second tale in this book is one that features Captain America, and his old foe, The Red Skull! This trippy tale is by Lee (story), Gil Kane (pencils), Joe Sinnott (inks), and AL Kurzrok (letters).

 

 

Captain America 253, 1981 “The Ghosts of Greymoor Castle!”

Admittedly, Captain America probably isn’t the best comic book to spotlight in the month of October amidst the ghosts and goblins running amok, but this story (and a few others) is a bit of an exception. Set in northern England, Cap returns to a place that he and his old partner Bucky fought against the Germans many years ago in WWII. This little excursion is taking place on the heels of Cap having a hair-raising experience with his old foe, Baron Blood (Roger Stern and John Byrne). Now he must face an old castle full of memories, and ghoulish threats!

This one is written by Bill Mantlo (Incredible Hulk, ROM, The Micronauts), and he has a group of fans (including me) that just adore his work. ROM and The Hulk specifically are very good works of his to read, and they can usually be found at fair prices anywhere. The artwork features the always ready to produce, Gene Colan (pencils). Overall the book is pretty even but there were three inkers on this issue (late on the deadline?), so things do get noticeably different in spots. Dave Simons, Al Milgrom, and Frank Giacoia shared the duties. Letters by Jim Novak, colors by Bob Sharen, and edited by Jim Salicrup! The best is for last, as this marvelous, excellent cover is by none other than Marie Severin!

 

Captain America – Top 5 Creative Teams

The character Captain America is not only the greatest superhero to ever don the red, white, and blue, but also the only hero from the Golden Age strictly born out of patriotism that survives today. That alone says something about the strength of the character, and in a small way about patriotism in general. That being said, Captain America has had some very thought-provoking story lines over the years, and a select few men have been responsible! Here are my choices for the five best of all time!

 

 

5. Joe Simon (writer) and Jack Kirby (artist)

There are two reasons I have these gentleman on this list (and where). First, I don’t believe you can have a list like this without the creators of the character. Not having read very much material from the Golden Age is why this team isn’t higher on the list. The fact that these men created one of the most iconic characters ever, but that they had him punching the ultimate personification of evil (Adolph Hitler) in the face is absolutely fantastic.

 

4. Stan Lee (writer) and Jack Kirby (artist)

In his second run with Cap, Kirby really cranked up the visual feasts. He took Cap to new heights that haven’t been reached again and probably never will be. The stories in this era (Silver Age in Tales of Suspense, and then his own title) had more intrigue and spy material than straight up war angles, and that fit perfectly with the Cold War going on at the time.

 

 

3. Roger Stern (writer) and John Byrne (artist)

If you sit back and think how great this run was and that it only encompassed nine issues, that alone tells you how great it truly was to read. Any creative team that can produce a serious story about Cap considering running for the presidency and you believe it, has to be near the top of any list. And just the creepy Baron Blood issues alone are incredibly good!

 

2. Ed Brubaker (writer) and Steve Epting (artist)

To say that Captain America (and a lot of the Marvel Universe) needed updating after the turn of the century is an understatement. The shot in the arm was delivered by this awesome team. And yes, this is a list of Cap creative teams, but this team bringing back Bucky, and turning him into Steve’s worst nightmare was pure genius. No one has come close to this level of writing since.

 

1. Steve Englehart (writer) and Sal Buscema (artist)

From issue #153-181 (with almost no interruptions), Steve and Sal gave the readers everything they could possibly want. The political intrigue, racial bigotry, disturbing truths about a government he trusted, etc. The best part though, was Cap’s friendship with the Falcon. He and Sam Wilson grew to be best of friends, and an awesome crime fighting team! The villains were a big part of this run as well- Dr. Faustus, the 1950s Cap and Bucky (click here for details), Red Skull, Yellow Claw, Serpent Squad, Baron Zemo, Moonstone, and more! All the while having guest stars like the X-Men, S.H.I.E.L.D., Black Panther, Iron Man, you name it. This creative team pulled out all the stops (even Cap quitting!), and that is why they are number one!

 

 

Honorable mentions; first, to the team of Jack Kirby (writer) and Jack Kirby (artist)! His return to Marvel in the mid-1970s ushered in some incredible trippy stories starring Cap, and even if the stories don’t grab you, the mind-numbing artwork will! Also, Stan Lee (writer) and Gene Colan (artist). Awesome run with more action than you can ever want, and a signature art style that is absolutely unique!

 

Captain America 244, 1980 “The Way of All Flesh!”

Taking a peek at a comic book that gets overlooked because it fits between two legendary runs (Englehart/S. Buscema and Stern/Byrne). Sometimes people forget or just out right malign certain batches of issues because they aren’t widely regarded as gems. There’s a huge downside to that though, as many never get to see books like this one. The second issue of a two-parter, we have a sort of a “monster gone amok” story. But, not just all action, there are some great panels of emotion in this issue as well!

The names attached to this book are some of my favorites. Roger McKenzie (writer- click here for an interview that Roger recently gave on the Charlton website), is probably most famous for his excellent run on Daredevil, or his horror work, but don’t sleep on his other stuff, because the guy knows how to write any kind of story. Don Perlin (pencils) is one of those under-appreciated guys that I hope some day gets the recognition he deserves. His work on Ghost Rider and Werewolf by Night are super cool. An artist that you don’t see much for Marvel (that I know of) in the way of inking another penciler, is Tom Sutton. Like McKenzie, he’s probably most noted from his horror work, and that genre definitely suited him best (but he did do a solid job here). Mark Rogan (letters), George Roussos (colors), and Jim Salicrup (editor), round out the interiors. The cover is by the team of Frank Miller and Al Milgrom!

 

img055

img056

img057

img058

img059

img061

Captain America 207, 1976 “The Tiger and the Swine!”

Now that Halloween is over, Lets get back to some superhero comics! And why not start off with something from the King?!! When people talk about the return of the king, I don’t think of a Hobbit, I think of Jack “King” Kirby returning to Marvel in the mid-1970s. The man was a legend before he left Marvel for DC in 1970, so some may have written off his last works for Marvel Comics, thinking they’d be inferior to his previous works. Honestly, his Fantastic Four run is the stuff of legend, and co-creating the Avengers, X-Men, and many other characters/groups is obviously extremely important. In his return to marvel though, he was able to be in complete control of his work (writing, editing, penciling). This gave the world some iconic and trippy books that are also the stuff of legend!

In this issue, we see Steve Rogers get kidnapped by a terrorist group in Central America. The story is one that has a slight humanitarian angle to it (explained by Jack Kirby in the intro), but it’s basically a Cap issue where he shows good versus evil. Nothing to heady but definitely a good read that keeps your eyes on the paper, especially from his marvelous visuals. The inks are by “Fearless” Frank Giacoia, letters by Jim Novak, and colors by George Roussos.

 

img836

img837

img838

img839

img840

img841

img842

Captain America #154, 1972 “The Falcon Fights Alone!”

After two solid runs (one by Gary Friedrich and the other by Gerry Conway) on this title, the book was in need of another direction. The days of Cap fighting Nazis and Commies was over, and the character was basically spinning his wheels. Sure, you had some good stories in the Avengers, but his solo book was about to be redirected and there would be no going back. The issue before this one started a storyline where Cap had seemingly turned into a flaming racist, and his old partner (believed dead after this retcon story) Bucky was also back and spouting racist remarks towards the Falcon. It was an obvious imposter, but who are these two, and how do they know so much about the history of the star-spangled Avenger?

When “Stainless” Steve Englehart (writer) took over this book, most probably had no clue what was in store, and what a wild ride it was! Add into the mix “Our Pal” Sal Buscema (interior pencils and cover, inks by Frank Giacoia) and “Jumbo” John Verpoorten (inks), as the art team, John Costanza letters, and Roy Thomas editing, and you get one of the best the Bronze Age has to offer!

 

img377

img378

img380

img381

img382

img383