After a few weeks of superheroes, it’s time for more monsters! Not the usual Bronze Age fare (well technically not even though this is a reprint from 1970), but material from the preceding Silver or “Atlas Age” at Marvel comics. During this time, you had Stan Lee writing and editing just about everything (some work by Larry Lieber and a few others, but the overwhelming majority was Lee), and two giants of the industry penciling. Jack Kirby and Steve Ditko are undoubtedly two of the most influential creators of the medium, but not for this material, as most know. But, don’t sleep on these comics, because they do offer some really good artwork, and some interesting stories as well.
The four stories in this reprint book are all very different, as one features a giant monster (The Return of Taboo, Strange Tales 77, 1960), a sorcerer (The Strange Magic of Master Khan, Strange Tales 77 as well), aliens (We Met in the Swamp, Tales to Astonish 7, 1960), and a ghost (I Lived a Ghost Story, ST 7 as well)! Credits include – Stan Lee, Jack Kirby, Steve Ditko, Paul Reinman, Dick Ayers, and Artie Simek (with possible alterations by Marie Severin).
Admittedly, the Viking Commando character is very new to me. You can’t say no to a comic book with sixty-eight pages for a buck! These dollar comics that DC produced are absolute gold, from front cover to back. The extra content, the advertisements, and of course, the cover, makes this one an absolute gem. You get six stories in this comic book, and they are all quality selections. Kudos to editor Joe Orlando!
The first story is “A Hunger for Heroes” and stars the Viking Commando! A 12th Century warrior that was transported to the 20th Century and must fight the enemy in WWII! Story by (and created by) Robert Kanigher, art by George Evans, colors by Bob LeRose, and letters by Gaspar Saladino! Next up is “Bullet for a Bully,” gives us a story of an American soldier and an Italian resistance fighter, as they battle with more than just the enemy. Written by Davis Allikas, and art by Bill Payne. The third story (my personal favorite), gives us the character Black Eagle! This man was the leader of an all black squadron of pilots in WWII! Excellent story (Robert Kanigher) and art (Dick Ayers – pencils, Romeo Tanghal – inks, Ben Oda – letters, and Jerry Serpe colors). “Last Ace for a Gunner” is an interesting story, and is pretty self-explanatory. A card playing gunner plays his last hand. Story by Murray Boltinoff, and art by Mar Amongo. As we begin to wind down, “No Glory for Cooky” is an action-packed tale created by “Zany” Bob Haney (writer), E.R. Cruz (art), Jerry Serpe (colors), and Gaspar Saladino (letters). Finally, “The Dominoes of Death” shows some aquatic action, with a super cool submarine! Written by Robert Kanigher, art by Jerry Grandenetti, colors by Jerry Serpe, and letters by Gaspar Saladino. And all of this military mayhem is kicked off by a great cover by Joe Kubert!
On this Veterans Day, I thought it fitting for #WarComicsMonth I’d spotlight Marvel Comic’s greatest military man, Sgt. Fury! Yes, kids, before he was a super spy, and head of S.H.I.E.L.D., he was a bad man serving in the United States military! Now he’s portrayed as more of a thinker that’s reserved and doesn’t soil his hands in physical combat, but back in WWII, he could kick butt like no other (well, except maybe Captain America of course).
In this over-sized issue, we get two stories to sink our teeth into! The first, “Armageddon (from Sgt. Fury 29, 1966),” shows our man Fury, and his seemingly never-ending battle with his arch nemesis Baron Strucker! These two men have been all but equals over the years (with Fury almost always getting the upper hand of course), and the disdain for each other is at full capacity! Written by Roy Thomas, with art by Dick Ayers (pencils), and John Tartaglione (inks). Then, Sgt. Fury and his Howling Commandos must face “The Incident in Italy!” This one must’ve been a fan favorite, as it’s been reprinted at least twice (originally published in Sgt. Fury 30, 1966)! The same creative team brought that one to life as the previous issue (and the cover to this issue as well!). Both tales were edited by Stan Lee and lettered by Sam Rosen!
As the 1970s progressed, Marvel went full on crazy with the reprints. Some were of recent material (Spider-Man, The Avengers, the Fantastic Four, etc.), and others were from as far back as the Atom Age (post Golden Age but pre-Silver Age). Flooding the market was nothing new for them, but it is still astonishing to look back on. Not that you can blame them, after all they were under the constraints of the publisher that was their rival for many years. Once they got out from under those shackles, they went hog-wild, and who could blame them.
The book is all reprints, but don’t discount it on that accord. The first story alone is worth its weight in gold, as Bill Everett is the mastermind behind “The Man Who Owned a Ghost!” Some artists have their work deteriorate as they age, but Everett’s work got stronger, just look! The second story, “Was He Just Seeing Things?,” has art by Manny Stallman, and this is a creator that I’m not very familiar with to be honest (here’s a link to Mark Evanier’s blog from 1997, talking a bit about him). Neat little sci-fi story including dinosaurs! “Homicide” follows and brings an axe murderer! Nothing here you didn’t already see from a publisher like EC comics, but still pretty jarring. The art in that one is by Harry Anderson. Again, a relative unknown today, but I found some info here. The last installment in the book is called “The Man in the Crazy Maze.” A treat for sure, as this has art by Jack Kirby (pencils) and Dick Ayers (inks)! It’s always a treat to see some Kirby! The cover is by Larry Lieber (probably pencils/layouts) and Mike Esposito (inks).
You know, Treasury Editions aside, there’s no better format than the Giant Size comic books of the 1970s. From Superheroes to horror, they were great, and really packed a wallop as far as content. Yeah a good portion of the time they were reprints, but in this day and age the original material they show is extremely pricey and every-day Joes just can’t afford them. Probably the most important editions of this title were in The Avengers, where it was new material and tied into a huge arc (The Celestial Madonna).
Instead of making a joke about a character that was also given the Giant Size treatment, let us journey into this book, Giant-Size Chillers 1, from 1975. With only two reprinted stories it showcases some oddities, traditional stories, and some definite re-hashed work as well. With work from Tony Isabella, Gene Colan, Tom Palmer, Carl Wessler, Alfredo Alcala, Larry Lieber, Miguel Ripoll Guadayol, Doug Moench, Win Mortimer, Ralph Alphonso, Adolfo Buylla, Paul Reinman, Dave Gibbons, Dick Ayers, Mike Lombo, George Roussos, Mike Esposito, and John Romita.
In the comic book hall of fame, there are a lot of great stories. Single issues, trades, whatever the format, dozens come across one’s mind immediately. Star-spanning adventures, tales of morality, love, tragedy, etc., take your pick. The format is one of the most underappreciated of all time, no doubt. One of the best examples of the different story types is none other than Marvel’s first family, the Fantastic Four! The familial aspect, love, loss, tragedy, comedy, etc., you get it all with them, especially under the creative eyes of Jack “King” Kirby and Stan “The Man” Lee!
After recently purchasing Marvel Treasury Edition 2, I finally read the epic story The Galactus Trilogy! This first encounter for Earth with a literal and figurative giant of the cosmos is so incredible, you will feel as if you’ve been through a war after reading it! And, not only do you get that incredible story, but also Dr. Doom, the Submariner, and The Impossible Man! With the back issues being extremely pricey, this is a great way to get to read these legendary stories and not break the bank! Finally, apologies for the low quality of the images (my scanner isn’t big enough to accommodate Treasury sized books). Enjoy!
The Silver Age is when it all turned around for Marvel comics. The company went from vanilla books starring monsters, western heroes, and cheesy romance characters, to exciting titles like the Fantastic Four, The Incredible Hulk, The Amazing Spider-Man, etc. After just a few short years, Marvel had bona-fide hits on their hands, so they began to issue reprints of these stories (just 4 years after they were first printed!). These books are great, and you get four stories in each one! Classics starring the Fantastic Four, Iron Man (Tales of Suspense), The Incredible Hulk, and Dr. Strange (Strange Tales)! You get the best from Jack Kirby, Steve Ditko, Don Heck, Stan Lee, and more! Rather than droning on about how great these books are, I’ll just let the images do the talking for me!
Alright, so, Torch got his own series in the 1970’s…sort of…yes, it’s reprints, BUT the cover is brand new, and the reprints are good stuff! When you have villains as sinister as The Painter (Wilhelm Van Vile), and “Scar” Tobin, you know that your chances of survival are minimal! OK, maybe not, but these two evil-doers are definitely near the top of the cornball list, and as far as I’m concerned, that’s an awesome list.
When I look down at the credits box, and see Jack “King” Kirby (pencils), I understand that there will be a quality to this book that few others can even think of attaining. Frequent inker of the Silver Age (but also a good penciler and overall artist since the Golden Age) “Darlin”Dick Ayers, is a name most will remember from his inking in the early Marvel Age. He also did some great stuff in the military and western genres as well. The scripter, Robert Bernstein, is an enigma to me. I believe I’ve only heard his name once or twice before, and to my recollection, this is the only comic I own with his work in it. The cover is by one of my favorite unsung heroes of the Marvel Bronze Age, “Rampaging” Ron Wilson! A plot by Stan Lee and letters by Terry Szenics rounds out the creative team! Oh, and don’t miss the advert at the bottom!
Back so soon? And for more fright I see…well, lets see if some DC comics can do the trick! Their horror titles in the 1970’s were awesome, and anthologies like The Witching Hour! were right at the top. Out of all the DC horror titles I own, this is the one that I own the most issues of, and that is a good thing. Top to bottom the series had the standard fair of the times, but always slanted towards the side of death. Whether it was supernatural (as it was most of the time), or just your garden variety psychopath, the book delivered. Oh, and skulls are a major cover theme!
One of the things that made this title a winner was the huge names that graced the credits early on, but let us not pass over the great group of artists from foreign countries that made a huge breakthrough in this decade. The most prominent cover artist of this title in the books you’ll see here, is Luis Dominguez. You do get a couple from the always awesome Nick Cardy as well, and even one by Ernie Chan. The interiors were a mixed bag for the most part but were always solid. You get names like Ruben Yandoc, Rico Rival, E. R. Cruz, Ricardo Villamonte, Nestor and Frank Redondo, Dick Ayers, Chic Stone, Gerry Talaoc, Alfredo Alcala, Curt Swan, and more!
Every once in a while, I feel the urge to spotlight a war/military comic. One of my favorites is Sgt. Fury and His Howling Commandos! I’ve always loved the concept of a rough and tumble team that could handle anything. The mixture of personalities, and different ethnic backgrounds was pretty cool. There were down times with humor and fun, but when it was time for action, they were ready! This issue in particular was good because not only was the regular cast there but also their CO (Commanding Officer), Happy Sawyer! In this story (a bit of a Casablanca rip off), we see Sawyer remembering a mission that saw him fighting everyone from Arabs, French, and Nazis!
Although sometimes war/military books can get redundant, this one (along with War is Hell) were always pretty good. This issue had Gary Friedrich (with changes by Allyn Brodsky) scripting, and we all know that Gary wrote some fantastic stuff back in the Bronze Age (Ghost Rider, Frankenstein). The interior pencils are by Dick Ayers, and inks by John Severin. Both of these gentlemen don’t get mentioned anywhere near as much as they should, so definitely check out there work and give them their due! Colors by Bob Sharen, and letters by Jean Izzo. The cover was by John Severin (originally Sgt Fury 72, 1969)!