Jungle Action 12, 1974 “Blood Stains on Virgin Snow!”

As I pondered what to blog about this week (I’m behind a bit), I rifled through some boxes. I came upon one of the few issues of Jungle Action that I own. They’ve become a bit expensive since the Black Panther movie hit, and rightly so I guess. It’s just the way the business works these days. Little did I know that the next morning I’d wake up to see that Chadwick Boseman (T’Challa in the Black Panther film, among others) passed away after a four year battle with cancer. One image I saw brought me to tears, and summed up his life beautifully. An image of him at a children’s hospital, visiting sick children. We’ve lost a good man, and that one image (below) tells who he was perfectly. Godspeed, Chadwick Boseman.

 

 

Now, onto the comic. In this issue, T’Challa must face down Killmonger and his minion, King Cadaver! These players are on a collision course, beyond the “mythical mists” of Wakanda. Well, not only does T’Challa have to deal with them, but Sombre as well! Sombre is a supernatural character that has a touch similar to that of the Death-Stalker. It is incredibly painful and corrosive, and he seems to have telepathic powers as well. So you could say that Sombre is one tough hombre (sorry, I couldn’t help myself). As usual, we see some incredible martial arts from Black Panther, as he fights henchmen, Killmonger, and a pack of ravenous wolves!

This is definitely one of those books where I can honestly say the art and writing were on par with each other’s greatness. Don McGregor (writer) and Billy Graham (pencils) were one of those creative teams from the Bronze Age that always delivered. Whether it was in this title or an obscure story in Monsters Unleashed, these two creators gave readers what the wanted then and now in 2020. The inks are by Klaus Janson (interior and cover), colors by Glynis Wein, letters by Dave Hunt, and cover pencils by Rich Buckler!

Do yourself a favor, and seek out the work of these men. Read it, pour over the artwork, and you’ll see how comics made in the 1970s are still as powerful now as they were back then.

 

 

 

 

 

 

 

 

 

 

 

 

 

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Marvel Team-Up 91, 1980 “Carnival of Souls!”

As December rolls on, I wanted to spotlight more team up books. This one is very kooky, and features one of the weirdest villains from the pages of Marvel Team-Up! Moondark is very bizarre, and in his first appearance (MTU 12), he was shown controlling Jack Russell, in an attempt to murder Spidey! In this issue, he’s using his vast magical powers to control the Ghost Rider! And for a time he does, and makes him part of a sideshow attraction!

The issue starts out with Peter and Glory Grant on a date at the carnival It’s here that he sees the Ghost Rider. He then comes back later at night to investigate and then the real action begins! We get to see some Spidey vs Ghost Rider action, plus both of them against Moondark!

The story was written by Steven Grant, with art by Pat Broderick (pencils) and Bruce D. Patterson (inks). The letters by Jim Novak, colors by George Roussous, and edited by Denny O’Neil! The cover is by Rich Buckler (pencils) and Al Milgrom (inks)! Definitely a fun little one issue story that fits perfectly in the Bronze Age of goodness!

 

 

 

 

 

 

 

 

 

Journey Into Mystery 5, 1973 “The Shadow from the Steeple!”

It’s been a little while since I had a blog post showing how much fun the resurgence of horror material was in the Bronze Age for Marvel Comics. Anthology titles were all over the place, but were where a lot of good material can be found for either reprint material or all new stories. Some of the books had incredible stories with big time writers getting credit. Case in point, some of the issues have names such as Robert Bloch (Psycho, The Skull, Asylum), H.P. Lovecraft (The Call of Cthulhu, At the Mountains of Madness, The Shadow Over Innsmouth), and Robert E. Howard (Conan, Red Sonja, Kull). The men scripting these stories/adaptations were no slouches either, but we’ll get to them in a minute.

The first tale in this issue is called “The Shadow from the Steeple!,” and this story has elements from stories by Bloch, and Lovecraft (there were three stories that were parts made by Bloch and Lovecraft). A grimoire, a cult, a mysterious, ancient jewel, and even more ancient evil, named Nyarlathotep! Ron Goulart (script), Rich Buckler and Frank Giacoia (art), George Roussos (colors) and Denise Wohl (letters).

The next story is one that’s been done before, as a young man marries a wealthy nut older woman in hopes of inheriting a large sum of money. There is one room in the home that the help won’t allow the husband access. The husband thinks that the money/jewels etc., is in this room. One day he decides to suffocate his wife, and use a mallet to gain entry to the locked room. What he finds inside isn’t wealth, but his doom. Apparently, there is a curse on the family that the woman will grow old unless she procures a sacrifice for the evil within! Written by Kevin Frost, art by Win Mortimer and Ernie Chan, and letters by Denise Wohl.

The last story is quite a treat, as a mad scientist that has been experimenting with transplants wants to be left alone. We see that he has a pack of mad dogs patrolling his estate, to keep out unwanted visitors. The first thing our eyes see is the pack of dogs kill an insurance salesman that was just trying to do his job. The scientist’s wife is shocked at far gone his sense of right and wrong has gone, so she picks up the phone to dial the police. He hits her over the head with a shovel, knocking her out. After some thought, he removes her brain, and replaces it with a dogs brain! Let’s just say in the end, the mad scientist ends up dog-meat! Story/script by John Albano and Marv Wolfman, art by Paul Reinman (pencils) with Mike Esposito and George Roussos (inks), and Artie Simek (on letters).

Overall a very good book with a great cover by Gil Kane and Frank Giacoia!

 

 

Marvel Comics – The Son of Satan!

As I close in on finishing off a few different runs of comic book series, one in particular has me jazzed. Marvel’s attempt to popularize a character during the 1970s cult craze was successful as far as lasting power. Daimon Hellstrom has appeared as recently as 2016, and is still a name that carries weight. Definitely more of a fringe or “B” – lister, but he has been in solo books, team books, limited series, and so on. First appearing in the pages of Ghost Rider vol. 1, number one, he quickly transitioned to Marvel Spotlight, then his own solo title until its cancellation with issue number eight.

The fact that Marvel published a title/character with this name and origin back then is wild. Yeah, times they were a changing, as was the comic book code. Still, think about the 1970s and many groups (religious, political, etc.) would’ve been vehemently opposed to this material. Just on face value, it’s understandable, but when you actually read the material, you’ll find out that not only is the lead character a hero, but that good>evil every time. Yes, that can get a little one-note, but as the years go by, Daimon will make some decisions that are questionable, and feel the pain of loss as well. So you do get some variety for sure.

With creators such as Steve Gerber, Sal Buscema, Jim Mooney, Bill Mantlo, Sonny Trinidad, John Warner, Gil Kane, Russ Heath, Sal Trapani, Dave Hunt, Rich Buckler, P. Craig Russell, and so on, these books are nothing short of stellar! The stories varied from super-heroics, to battles with a myriad of demons and demi-gods, and even Satan himself! It is interesting to see how the different creative teams portrayed his demeanor, powers, and actions. Sometimes he was hot-headed, other times he would be cool, calm, and collected. Either way, he’s been a solid character throughout the years that has always been around and kicking up dust (definitely check out his run in The Defenders vol. 1 as well).

 

 

Thor 229″Where Darkness Dwells, Dwell I!” and 230 “The Sky Above, The Pits Below!” 1974

There are certain quirky characters and areas of the comic book universe that I feel I might be the only fan of, either because they’re so odd or maybe just not well-known. The Fear Lords are one such group! Probably the most popular member of this group is definitely the Dr. Strange nemesis, Nightmare! Another heavyweight that’s a member is D’Spayre (see Fear Lords), and he had a memorable appearance in Marvel Team-Up (during the heralded Claremont/Byrne run), and a few others as well. All that said, in these two issues of Thor, we get to see another member of that group, in the form of the Dweller-in-Darkness!

In these two issues, we see Thor, and his good buddy Hercules! The two heroes are trying to unravel a mystery about why people in New York are going absolutely crazy, with seemingly no explanation. There is murder, robberies, suicide, muggings, etc., the city is in mass hysteria. Hercules tries to help, but is assaulted by a dark, mysterious figure wearing a trench coat. Before he knows what’s going on, he’s dragged into the sewers by a horde of demons! He returns to the surface later, but the son of Zeus is visibly shaken, and in fear for his life!

The creative forces behind these two issues are incredible but in two ways. The cover of the first issue is by Ron Wilson and Mike Esposito. Both men were awesome but vastly underappreciated. Do yourself a favor, and go to one of the many database websites and check out these two creators. Again with the same theme of being underappreciated, we have Rich Buckler (interior pencils on both issues, and cover pencils on #230). After his recent passing (May 2017), I really felt terrible because I’d only met him one time, and was sorry I didn’t talk to him more often, as he seemed like a great guy. The interior inkers are an interesting contrast. In #229, we have Chic Stone, whose style is a bit cartoony over Buckler’s pencils (see the splash/first page). Not bad, but definitely not the best either. The next issue sees Joe Sinnott inking (cover and interiors), and you can clearly see the detail and high level this man brought to the industry. The Bronze Age stalwart, Gerry Conway, is the writer for both issues. He had a pretty long run on the title (#193-238), following Stan Lee. Linda Lessmann, Stan Goldberg, and John Costanza round out the creative team.

 

Atlas/Seaboard Comics!

One might get a bit confused when they see the name “Atlas Comics.” For most, it means Marvel Comics between the Timely comics era (1930s-early 1950s) and the most notable Marvel Comics era (1961-present). But after leaving Marvel Comics in 1972, Martin Goodman soon after started a rival company called Atlas Comics in NYC. He would pay better, return artwork, and in doing so, attract some of the industry’s top talent to this upstart company. A few problems arose quickly though: first, the industry was beginning to sag and the big two were having sales problems, so imagine being the new kid on the block, trying to compete with two giants. Secondly, the staff was ill-equipped to handle the assignments in front of them (Goodman made some bad decisions that put his top two employees Larry Lieber and Jeff Rovin in a tough spot- per The Comic Book Journal and Comic Book Artists mags).

Atlas may have only been in business for a couple of years, but they did produce some interesting books. I’ve got a few horror titles they released but they also had crime, military, superheroes, etc. Wonderful work by people like Neal Adams, Russ Heath, Rich Buckler, Howard Chaykin, Steve Mitchell, Steve Ditko, Gary Friedrich, Frank Thorne, and Wally Wood! Take a look!

 

 

 

 

 

 

 

 

 

 

 

 

 

Time Warp 1, 1979 “Doomsday Tales and Other Things”

In the late 1970s, DC cut back on their titles, and laid off a ton of employees. The comics just weren’t selling, and they needed to regroup. The early 1980s would bring some new hope in the form of All-Star Squadron, and New Teen Titans, but there were also some additions that are very obscure, but noteworthy for the comic book aficionados out there!

A short series of only five issues, this weird book gave us some rather interesting material. Mostly sci-fi (with a little horror), this first issue is chocked full of creators with a long list of credits, and quite frankly, legends in the business. From aliens to spider-men, you’ll be whisked away to fantasy worlds that will take you back to a time when comics were great!

Cover by Mike Kaluta, interiors stories by Denny O’Neil, Michael Fleischer, George Kashdan, Mike Barr, Jack Harris, Bob Rozakis, and Paul Levitz. The art teams are nothing short of spectacular and include the late, great Rich Buckler, Dick Giordano, Steve Ditko, Tom Sutton, Jerry Grandenetti, Don Newton, Dan Adkins, and Jim Aparo!

 

 

1 vs 1 Which comic is Best?

I was thinking about boxing matches the other day, and how two big-time fighters entering a boxing ring to duke it out used to be a bigger deal than what it is today. In the vein of that time-honored tradition, let us take a look at two “number ones” and see how they stack up against each another! The first round will feature two books from DC comics, and they are good ones! Batman and the Outsiders #1 (1983) vs All-Star Squadron #1 (1981), are the two participants so get ready for a throw down of epic proportions!

Batman, Metamorpho, Black Lightning, Katana, Halo, Geo-Force, and Looker. This team, mostly composed of new characters was a good mix, and that favored the book’s appeal. Not only that, but it didn’t hurt that Mike Barr (writer) and Jim Aparo (art) were the creators. A jam-packed first issue featuring the sinister Baron Bedlam!

 

Secondly, we have All-Star Squadron! A period piece starring some of the Golden and Silver Age heroes that were a part of the JSA (Justice Society of America). Hawkman, Atom, and Dr. Mid-Nite are joined by Plastic Man, Robotman, Liberty Belle, and Johnny Quick, as they meet the POTUS, FDR, as he helps them create a new super team, to fight against the Axis powers in WWII! But, before that they need to find some missing members of the JSA as well! The creative team is one of legend, as Roy Thomas (writer), Rich Buckler (pencils), and Jerry Ordway (inks) brought a fantastic new comic book to the shelves!

 

Time to break these two books down: first the covers…

Cover – All-Star Squadron (+1)

While the B&TO has tighter pencils and inks, I think All-Star Squadron is better overall. The different array of characters in the pictures is pretty cool. I do love two of the faces on the other cover though, as Superman and Metamorpho are the best reactions to Batman’s dialogue. Speaking of that dialogue, it seems a bit forced and doesn’t match the interior page, so that is definitely taking points away. Buckler and Ordway are on point with this cover for sure. Definitely in the “iconic” category.

 

Interior art – Batman and the Outsiders (+1)

This is a close one, but Aparo definitely pulls slightly ahead of Buckler and Ordway if for nothing else than his rendering of Batman. That aside, both books have some very strong work, but again, Aparo is just a bit cleaner with his style. Colors and letters are both on the same level.

 

Story – All-Star Squadron (+1)

This one isn’t even close. A good WWII story with a myriad of characters that come together to fight Nazis, plus save other heroes from Solomon Grundy, Professor Zodiak, Sky Pirate, Degaton, and Wotan! Don’t get me wrong, Barr tells a good story in the other title, but it’s just not on par with this one by Roy “the boy” Thomas. Oh, and FDR (image below) is in this comic, so that seals it!

 

So, by a score of 2-1, All-Star Squadron #1 is the winner!

 

DC comics: The Unexpected!

As we creep closer to Halloween, I’d like to take time to spotlight some of the DC comics titles I’ve recently bought. One of my favorites is The Unexpected! An anthology book that never lacked cool stories, good artwork, and variety! Under the watchful eyes of editor Murry Boltinoff, the title gave us stories about madmen, murderers, ghosts, goblins, and grave robbers. An eclectic band of material, The Unexpected was one-third of DC comics’ line of anthology horror titles, and I’ll certainly be showcasing the others as well.

My earliest issue is #115, and the glorious Neal Adams cover shows you exactly what kind of quality you got with this series. Quite a few of the covers were done by perennial DC artist Nick Cardy (one of my all time DC faves), and a couple by the Argentinian artist Luis Dominguez! The interiors had no shortage of superstars, as names like Curt Swan, Werner Roth, George Tuska, Ross Andru, Mike Esposito, Jerry Grandenetti, Rico Rival, Don Perlin, Rich Buckler, and more! Do yourself (and your local comic shop) a favor, and grab something unexpected this Halloween!

 

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Vault of Evil 8, 1973 “The Vampire is My Brother!”

Another horrific comic book post to satiate your bloodthirsty minds! What lurks in the Vault of Evil! A bunch of Golden Age reprints, that’s what! I love these old stories because you never know what you’re going to get. Sometimes they are straight up horror, other times a thriller. Once and a while you get one that is pre-code and has a decapitation or something cool like that in it! These reprints usually consisted of three or four stories that usually revolved around murder, vampires, werewolves, or an atomic mutation. The first one in this book was a vampire story, the second was about the dead rising from the grave. The third story is about a female ghost, and the last is about a trunk that brings bad luck to its owners!

Al Eadeh, was a guy that worked in the comic book industry for a long time. His pencils and inks definitely give off that Golden Age vibe, and the man spent time in the Simon and Kirby studio, so, that should tell you about his prowess! Another name from that era is Ed Winiarski (pencils/inks). Another artist that had a grounding in crime, sci-fi, and horror books of that age, Winiarski had a similar style that definitely reminds me of the early horror work by Kirby and Simon. Sid Greene (pencils/inks) fits the same mold but also did some romance work as well. Last, but certainly not least, is Joe Sinnott (pencils/inks). He’ll go down in history as one of the greatest inkers of all time, and rightly so, as his work with Kirby, Perez, and a host of others was outstanding. If you dig a bit deeper though, you’ll find that the guy is quite an accomplished penciler as well, and issues like this prove it. We also get the treat of a great cover by Rich Buckler and Vicente Alcazar!

 

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