Just for the record, I know virtually nothing about Doc Savage. That said, anytime you throw a classic monster in a comic book, I’m in! This wacky story reminds me of an episode of Johnny Quest (Werewolf of the Timberland) for several reasons. I wont get into them because it would spoil the issue, but you do get some good action, and some werewolf face-time as well. It’s part two of a story, so the circumstances leading up to this is lost on me, but that aside, it’s still very enjoyable. As the last issue in the series, you get the distinct impression it was cancelled abruptly because there’s no reference to cancellation at all.
As a whole, I like the work of Tony “The Tiger” Isabella (writer). He did some really cool horror stuff back in the early Bronze Age that’s worth looking up. The art team, led by “Riotous” Rich Buckler (cover pencils and interior layouts), are very solid. You get finishes and inks by “Terrific” Tom Palmer (Tomb of Dracula, The Avengers) and Jack Abel (GI Combat, Our Army at War) . Both men have had extensive careers in the industry, and proven themselves to be top-notch at their craft. Once again, the duo of “Titanic” Tom Orzechowski (letters) and “Genuine” George Roussos (colors), complete this list of comic book legends!
I can’t help it, I’m a sucker for classic Manny! No matter what the content, there’s just something about the character that draws me in, and really keeps me hooked through the entire issue. Not many other books/characters do that for me over and over. The fact that a character that can’t speak “speaks” to me abundantly, is quite telling about the brevity that the writers of this book had during the Bronze Age. Add in an element such as racism, and you get something very ambitious, and a very succinct reflection of the times.
As stated earlier, this character was written by people who had their finger on the pulse of the everyday joe. No one did this better than Steve Gerber (writer). No one wrote socially significant stories with a weird or macabre tone better than Steve Gerber. It’s not opinion, it’s fact. He had an innate ability to write these kinds of stories for many years without recycling them. The man was a genius. And as if that wasn’t enough to sell this book, you get art by the team of Jim Starlin (pencils- interiors and cover) and Rich Buckler (inks)! Both men have had long careers, and are still active today. Letters by John Costanza, and edited by Roy Thomas! Great cover by Starlin and the late, great Herb Trimpe, as well. Also, there’s a cool little reprint in the back that features art by none other than Russ Heath!
Although Jack Kirby created Annihilus (FF Annual #6, 1968), there have a been a couple of other creative teams that did some really great work with the character. Case in point- Fantastic Four #140! In this issue, we see more schemes from the bug-like alien from the Negative Zone, plus his awesome origin. I’m not 100% sure if it had been shown in detail like this before, as I don’t have a copy of FF Annual #6, but if not, definitely grab a copy of this book for that cool story!
In the years shortly after Kirby left Marvel, you had a solid contingency of creators that were more than willing to step up to the plate, and give it a go. One of them, writer Gerry Conway, did just that, and more, when he took over books like Spider-Man, Thor, and this title as well (he didn’t write everything after Kirby left, but definitely had the longest run until Byrne came along later). I know most don’t think of Conway when they think FF writers, but believe me, they should. And lets face it, when you have an art team like “Big” John Buscema and “Joltin” Joe Sinnott in your corner, you’re on the path to success. Add on George Roussos (colorist), and John Costanza (letters), and the team is set! The book grabs your attention right away with a cover from “Riotous” Rich Buckler and “Fearless” Frank Giacoia!
I decided to do a double-shot of Thor, and it’s no coincidence that both of these issues have work by none other than the king of comics, Jack Kirby! I love this era of Thor, and Len Wein and John Buscema (and Tony DeZuniga) have a lot to do with that fact. After posting some pic from the series “The Eternals” by Kirby, I felt compelled to spotlight some of his other work from the mid-1970’s (during his final stint at Marvel). Issue #254 is a straight reprint of Thor #159, (1968), and shows just how and why Thor became intertwined with Dr. Don Blake. The second issue (#257), is the last part of a story that showed Thor and the Warriors Three in conflict with the Atlas Age monster, Sporr! And not just for kicks, the very life of Lady Sif may be at stake! Great morality play in this issue, plus the action you get from this era!
The first issue of this double-shot gives us a great cover by “Riotus” Rich Buckler (pencils) and “Joltin” Joe Sinnott (inks)! The interiors of course, are by Jack “King” Kirby (pencils) and “Valiant” Vince Colletta (inks), with letters by “Swinging” Sammy Rosen and script by Stan “The Man” Lee. The second issue brings us an incredible cover by Kirby and Sinnott. This team has given us such wondrous work over the years, and this cover is one of them! The interiors are also very good, and we have “Big” John Buscema (pencils) and Tony DeZuniga (inks), to thank for that. Add in perennial colorist, Glynis Wein, to round out the art team. The writer of this awesome story, is none other than Len Wein! He’s had some great runs in comics, but for me, this one is the best!
This issue is one of the oldest issues of Daredevil that I own. It’s also the second appearance of Bullseye! The first appearance showed Bullseye giving old horn-head a butt whoopin’! But, in this issue, we see Matt get some revenge, and put this crazy villain in his place! At a circus, no less! Back then, Bullseye wasn’t quite as homicidal as he’s portrayed later on by Frank Miller, and other writers, but he certainly wanted to kill Daredevil! In this issue we see everything, from Bullseye riding an elephant (yes, seriously!), and then him shooting another man out of a canon at DD! Created by Marv Wolfman (writer) and Bob Brown (pencils), Bullseye brought something new to the table, and obviously he’s been a mainstay in the Marvel Universe ever since! Inks by Klaus Janson, colors by Michele Wolfman, and letters by Joe Rosen! Great cover as well, and we have Rich Buckler and Dan Adkins for that one! On Friday the 13th, is there anything more frightening than Bullseye riding an elephant? I think not! Enjoy!
The title Jungle Action, started off as a reprint book showcasing stories from the 1950’s of…well, jungle action, from the series of the same title (and others). In issue #5 however, the book became a vehicle for the Black Panther! This Jack Kirby creation was very prominent in the pages of the Fantastic Four, but after Kirby left, it seemed like the character lost his home. The character would find a home here, then transition to the Avengers, and become a regular there for a time.
The writer, ‘Dutiful’ Don McGregor, is one that had the Midas touch when it came to certain characters, and the Black Panther is definitely one of them! Teamed with penciler ‘Riotous’ Rich Buckler, the two would be a solid duo that cranked out many great books over time. Inks by ‘Santa’ Klaus Janson, letters by ‘Titanic’ Tom Orzechowski, colors by Glynis Wein, and edited by ‘Rascally’ Roy Thomas!
You know, whenever I’m feeling kind of down, I can always turn to comic books and/or old school horror/sci-fi movies to brighten up my life. There’s actually one thing that you can add to those two mediums that helps even more, and that is blaxploitation. The movie “Blacula,” and its sequel, are both films that make me laugh, but also movies that scream the 1970’s, with their atmosphere, music, and vernacular. Just a great time for both comics and movies (and T.V.)! Marvel Comic’s answer to that sub-genre, was of course, the Hero for Hire, Luke Cage! This tough, street-wise dude was one bad mamma jamma, and has skin that bullets can’t penetrate!
In this issue, we see Cage fight two of the most off-the-wall villains you’ll ever see, in the Cockroach and Piranha! Both of these crooks posed different problems for Cage, but in the end, he figures out a way to stop both of them. The story was written by one of the best Bronze Age writers, Don McGregor. The art was equally impressive, with Rich Buckler (cover by Rich Buckler and Klaus Janson) and Arv Jones on pencils, and Keith Pollard inking. Petra Goldberg was the colorist, and the letters by Denise Wohl. All of these talented people were on top of their game for sure. The book was edited by none other than ‘Marvelous’ Marv Wolfman!
At a recent con (Boston Comic Con – 2014), I grabbed a few comics at a bargain, and one of them happened to be an issue of the reprint series, Beware! This particular issue reprints some Golden Age material from Atlas Comics (Marvel). Some pre-code stories by greats like George Tuska, Joe Maneely, and Al Luster! The cover by Rich Buckler and Joe Sinnott really sets the tone for the book!
Each story contained within has a different angle, but it doesn’t interrupt the flow from front cover to back. I really enjoy these types of books, and another good one is from Yoe Books (IDW distributing), called “Haunted Horror“. It’s a great reprint series showcasing some of the early horror work from some of the best talent of that period, and quite frankly, of all time. Give it a look if you can spare the time. In the meantime, take a peek at some of the awesome work in this fantastic book!
Prince Namor of Atlantis was never a character that was one of my favorites. Oh, I like the character more than I dislike him, but he just never impressed me unless he was part of a team (like the Avengers). I recently grabbed a couple of back issues of Subby, and really enjoyed them. Now, granted, the writer is the awesome Steve Gerber (RIP), with art by Don Heck (RIP) (pencils), and Don Perlin (inks), so that really raised the level of the content in my opinion. You also get perennial favorites Glynis Wein on colors, and Artie Simek providing letters (and Roy Thomas editing). Again, characters are great, but the creative force behind them is what really matters.
A story involving Subby fighting racial inequality (basically), is the plot, with undersea friends and foes galore. Heck and Perlin make a great team, and you’ll agree when you see the pages below. Namor is his royal, condescending self, while the ocean backgrounds look fabulous. A quick cameo by Namorita, Namor in chains, and at the mercy of a WOMAN, nonetheless! There is also a back-up story from Gerber featuring artwork by Howard Chaykin and Joe Sinnott! And what a fantastic cover by the team of Rich Buckler and Bill Everett (RIP)!
You know, just like in my last Unsung Heroes spotlight, some creators just never seem to get their due! I think anyone that knows the work of Rich Buckler, would agree he fits into that category! The man has worked in comics since the Silver Age, and is one of the most consistent artists in the industry. He and Doug Moench created the character “Deathlok“, and if you’ve been watching television lately (Marvel’s Agents of SHIELD), you’d know that that character has been a huge part of the series! That character specifically, was used brilliantly by Buckler to push the envelope about certain social issues, as well as just entertain with lots of action over the years!
I had the pleasure of meeting Rich for a few short seconds as he sketched away at New York Comic Con in 2013. He signed a book for me (FF #157- image below), so I was on cloud nine! Well, rather than me telling you how awesome Rich is, let me just show you by featuring his covers and some interior pages as well! So, here’s to you, Rich Buckler, thanks for all the great memories from years gone by!