I’ll come right out and say it, I’m not a huge fan of The Spectre. Probably because I haven’t read very many of his appearances. Batman however, is a different story! In this penultimate issue of the series, we see the Spectre separated from Jim Corrigan (the two were sort of bonded together for most of the character’s existence). Two magic users (Kalindra and Stephos) kidnap Jim Corrigan, and The Spectre (isn’t he supposed to have cosmic awareness?) needs to locate his host (Corrigan), so he enlists the help of the greatest living detective, Batman! It isn’t long before the heroic duo find where Corrigan is being kept, and then the two begin to clean house.
The highlight of the issue is the cover, but that’s not a slam against the interiors (Ross Andru and Rick Hoberg). It’s just that Jim Aparo (cover) is so good, he overshadows the other two gentleman. There is a two page splash, where The Spectre is fighting a demon that is fantastic. The script is fine but the story (Mike Barr) is very bare bones. A nice little action issue with solid art, but nothing Earth shattering.
IS there a video montage out there with Werewolf by Night panels while Warren Zevon’s “Werewolves of London” is playing? If not, could someone get on that asap please? Alright, so October is one of my favorite times of year, simply because it reinvigorates my love of horror comics and gives me renewed energy to blog about them. One of the best from the Bronze Age is most definitely Werewolf by Night. Most of that is thanks to Doug Moench and Don Perlin, but there is also Mike Ploog and a few others that did the hairy side of Jack Russell justice over time.
In this fantastic issue, we see Werewolf by Night and Spider-Man in San Francisco, as the two super-powered characters go at it! Jack is under the sway of Moondark (his first appearance), and maybe with Spidey’s help, he can shake it! Hopefully they can accomplish this before the Werewolf tears Spidey into ribbons!
The credits for this issue are a who’s who from the Bronze Age! Scripted by Len Wein, plot by Gerry Conway, pencils by Ross Andru, inks by Don Perlin, colors by Glynis Wein, letters by Charlotte Jetter, and cover by Gil Kane (pencils) and John Romita (inks)!
After a short break from posting (due to that absurdity called “work”), I’m back with a look at one of my favorite books of all time! Yes, and even though it’s a reprint, it still holds a huge place in my reading trophy case because it shows the formation of my second favorite team, The Defenders! To help pump up readers for the new series that came out that year (2012), Marvel reissued some of the classics that showed what an awesome team The Defenders were! The story shows how Dr. Strange faced an almost impossible situation, and called upon Namor and The Hulk to help him combat it (he actually peered in on the Silver Surfer, but he was knocked unconscious).
From the mind of Roy Thomas (writer), we get the beginnings of a most unusual, but also incredible teams in Marvel comics. Once the tam got their own title, and Steve Gerber began writing, it really went to another level. For now though, Thomas delivered the goods, as he just about always did in his career. The penciling chores were handled by two masters, in Ross Andru and Don Heck (Heck did the backup story in issue 1 of Marvel Feature, showing us the return of Dr. Strange, Andru penciled the rest). As if those two giants weren’t enough, you get inks by Bill Everett, Frank Giacoia, and Sal Buscema! Letters by Sam Rosen and Artie Simek, and edited of course, by Stan Lee (cover by Neal Adams).
In the early 1970’s, Marvel dove head-first into the black and white magazine market. Of course, that medium was already publishing fantastic stories thanks to the creators at Warren Publishing. Some of those creators would leave and join Marvel Comics, and help them ascend and to produce some of the best mags of the decade. One of the best being Savage Tales! Issue one was released in 1971, but it didn’t exactly fly off the stands. The next issue wasn’t released for two years, but when it hit, the market was in a different place, and it sold well. The floodgates were opened, and Marvel reaped the benefits.
Savage Tales was a good mix of action, adventure, sword and sorcery, and even horror. This specific issue gives us a Ka-Zar story (“Requiem for a Haunted Man”), and the creative team on that one is utterly fantastic. Gerry Conway (writer) and Russ Heath (pencils) are joined by the studio known as the Crusty Bunkers (inks), to give us the lord of the Savage Land, Zabu, and an unfamiliar face, as they fight savages, crocodiles, and more! A prose story (The Running of Ladyhound) by none other than sci-fi scribe, John Jakes (with a couple of images) and then a tale starring Shanna the She-Devil! This tale was scripted by Carla Conway (first wife of Gerry Conway), and the art team is Ross Andru and Vince Colleta! Not too bad, eh? Oh, and if that wasn’t enough, we get a cover by Boris Vallejo, as well!
Even though I don’t own a ton of this man’s work, his pencils have always left me looking for more! The late, great, Ross Andru, left an impression on the world of comics, whether you know his pencils from Spider-Man, or his work on DC’s war titles (GI Combat, Our Army at War, etc.), you have to admire his work ethic, and overall positive attitude he brought with him to the drawing table. Often teamed up with long time friend, Mike Esposito, Andru did some really good things for the industry, and deserves to be shown some love right now! So, here’s to you Ross Andru, thanks for the great memories!
Well, here we are on Christmas Eve! I must post a story that coincides with the impending holiday, right? So, here you go! A milestone issue from 1972, that showcases Spider-Man and his buddy, the Human Torch, as they battle the sinister Sandman! Written by Roy “the boy” Thomas, pencils by the late Ross Andru, inks by Mike Esposito, and letters by Artie Simek! As is that wasn’t enough of a crew, you also get a phenomenal cover by Gil Kane and Frank Giacoia! Enjoy!