Title: World Without End
Distributor: Allied Artists
Writer: Edward Bernds
Director: Edward Bernds
Producer: Richard Heermance
Starring: Hugh Marlowe, Nancy Gates, Rod Taylor, Nelson Leigh, Shawn Smith
Release: March 25, 1956
I’ve been dying to return to some Science Fiction, so why not return to the best decade for that genre, the 1950’s! The theme of space exploration was used heavily in this decade (and for the next couple), but for me, as long as the story is good, and the acting at least above average, it never gets old. This film has a solid cast, good sets, and a very good music score! Oh, and the first thing you see (even before the credits), is an atomic bomb detonating! C’mon, you know you’ve got a good movie on your hands when the beginning brings something that cool!
Well, rather than going on about this one for too long, I’ll just say that you should really see this film for no other reason than Rod Taylor, and a pack of gorgeous women! They have this film on Warner Archive now, so get over there and give it a watch!
The film begins with a group of military men telling the Pentagon that a ship out in space has gone silent for a couple of days. A spokesperson then tells some reporters that they can’t give any information about it until they investigate further. This same spokesman, comforts a woman and her children, because apparently her husband is one of the men on the mission. Switching to a TV station, a man tells the world that the space mission near Mars may have ended in disaster, with the ship losing communications with Earth. Speaking of the ship, we see it hurtling through space, as the communications officer, Ellis (Rod Taylor – The Time Machine, The Birds), informs the commander, Galbraithe (Nelson Leigh – Gunfight at the O.K. Corral), that they still cannot connect with Earth. Along with the rest of the crew, science officer, Borden (Hugh Marlowe – The Day the Earth Stood Still), and engineer, Jaffee (Christopher Dark), they are all optimistic about their return to Earth. Just as they finish some a last pass by the red planet, they ready themselves for the long trip home. Suddenly, the ship is tossed all over the place, and the crew hangs on for dear life!
After a crash landing, the crew believes they’ve landed on Mars or another nearby planet. As they look out the window, they see snow-covered mountaintops. They initially theorize, that they might be on Mars, but quickly discern that they are most certainly not. A Geiger counter tells them that there is some radiation, but nothing toxic. Ellis attempts to use the radio to contact someone, but gets static. The crew then packs up their gear, and heads out to explore this strange new world.
After walking for a while, they stop for a rest, and talk over a game plan. Jaffee is having a difficult time adjusting, and the rest of the crew wishes someone with a family hadn’t been allowed on the mission. They discover a cave, and upon exploring it, find a huge spiderweb. Ellis gets a bit too close though, and gets tangled up in it, then attacked by a huge spider! They wrestle with it, then shoot it at point-blank range. Another one tries to ambush them, but they put the kibosh to that one quickly with their pistols. Back outside, they find a clearing, but decide it will take too long to get anywhere else today, so they settle in for the night, and make camp.
During the night, we see a group of savages surround the camp, and they viciously attack the crew. Eventually, Ellis gets to his sidearm, and puts a couple of them down, and the rest flee. They notice that the attackers seem to be part human, part animal. The next day, they grab their gear and head off for the clearing they saw the day before. They come upon a gravestone, and it is then that they realize that they have time traveled into Earth’s future. Borden tells the rest of the crew that they were caught up in a time dilation, and pierced the sound barrier, and traveled into the far-flung future. Jaffee is having a tough time dealing with the fact that his family is long dead. They believe that there must have been a giant catastrophe that decimated the world, years before their arrival. They also think that the beasts that attacked them earlier are mutated human beings.
As they search on, Borden sees some unnatural smoke, and volunteers to investigate. The rest of the crew talks about his family, that died in a plane crash years ago. Just as they finish talking, another group of mutates attacks Borden, but between his fighting prowess, and the others hooting, they manage to fight off the mutates for a while. The mutates outnumber them by a long-shot though, so they hide in a tunnel nearby. As they look around, they find a steel door, that is obviously man-made, and harboring something. Another steel door closes to seal off the cave, and then another opens, inviting them inside. They enter, and are almost immediately met by a man who asks them to follow him down a corridor. They are brought before a council that informs them that Armageddon ravaged the planet, and that they are all that’s left of the human race, along with the mutates. And also, that it is now the year 2508!
As they get more familiar with each other, a door opens, and a beautiful woman enters, Garnet (Nancy Gates), and introduces herself as the leader’s daughter. She escorts the men to a room where they can relax, and then two other women, Deena (Lisa Montell), and Elaine (Shirley Patterson) . The weary explorers are at a loss for words. Galbraithe then asks the girls why they haven’t gone back above ground since the radiation levels are livable. She explains that they have come accustomed to living there, and that the mutates might kill them, so they’d rather live below in peace.
A few hours later, Galbraithe meets with the council to discuss some things, but they only want to talk about ancient history, and he wishes to discuss fixing the ship to explore the rest of the planet. One of the council members, Mories (Booth Coleman – Planet of the Apes), is very skeptical about their intentions, and wants them to either conform or leave. The men take a tour of the complex, and Garnet gives Borden a “private tour” because they seem to be sweet on each other. There’s a bit of jealousy on the part of Mories, as he gives Borden the evil eye when he sees Garnet giving him so much attention.
The crew repeatedly attempts to sway the council to rise to the surface, and defeat the mutates, and live as humans should, on top of the surface. The council seems to think the crew might have a point, but Mories keeps frightening them with stories of how they’ll be murdered by the mutates. The crew even asks to just be able to use some men to make it to their ship, and also use their factory to make weapons, but they are told that isn’t possible. Mories is then seen spying on them, and then tells the other council members that the crew is planning a coup. Garnet talks to her father, Timmek (Everett Glass), (the leader of the underground people), and tries to convince him that they are sincere, and just want harmony for all mankind.
One of the other council members reports this to Mories, who then devises a plan to frame the crew for crimes against the council. He steals the weapons of the crew (that were confiscated earlier), and then hides them in their room, and accuses them of subterfuge. The council has a kangaroo court that finds them guilty, and they’re locked up and told that they’ll be thrown out with nothing more than what they had when they came to the community. As Mories was stealing the weapons though, he was discovered by one of the other council members, so he killed him to hide his actions. He blames the crew for that as well. The women don’t believe it though ( as they’ve fallen in love with the crew members), so they agree to help them escape. Unbeknownst to Mories, Deena saw him enter the room of the crew, and tries to report him, but he attacks her as well. She eventually recovers, and outs Mories. He runs to the only place where he can get away, the outside world. Within seconds he’s savagely attacked and killed by the mutates.
The council changes their mind, and agrees to help the crew with furnishing weapons and some men to help them make their way to the ship. Will they be able to fight off the mutates, and make it to the ship? Will they ever see the 20th century again? Only watching the movie will get you those answers!
OK, here are my thoughts:
There’s no two ways to say this other than if you like Sci-Fi, you need to see this movie. It’s not as flashy as Forbidden Planet, but I’d guess that the budget was significantly less, so you’d have to factor that in the equation. The crew of the ship really do grow on you, and have you on their side from the beginning. Rod Taylor does a fantastic job at playing the young, cocky space-jocky type, and Hugh Marlowe and Nelson Leigh really excel at being the “father figure” types for the younger two crew members. Of course you get some of the same tropes in this film that you get in most others of this period, but if you think about it, they’re still being used to this day in one way or another, so they can’t be labeled as tiresome in a movie from 1956.
The sets/locations for this film were pretty good, and really looked best in the outdoor scenes. The underground community set was solid as well, and looked like something straight out of a Star Trek episode (even though this movie predates that series by ten years!). There’s a bit of social commentary in the film but it doesn’t get too heavy or ridiculous. The music score (Leith Stevens), was very good, and I haven’t personally ever heard of this gentleman, but I’m definitely going to keep my eyes open and look for more of his work.
As I said above, either grab this film on DVD (you can get it in a double pack with Satellite in the Sky (1956) for around $12-15. Or if you have any kind of tablet, download the Warner Archive app, because you can get a month of free movies, where this flick is available as of now. Do yourself a favor, and give some of these classics a shot. They really did lay the foundation for the rest of the movies and TV shows for years to come in this genre!