Marvel’s Unsung Heroes! -Alan Kupperberg!

The name Alan Kupperberg wasn’t familiar to me until a while after I started reading comics. Maybe he doesn’t get the recognition he deserves because he didn’t have an extended run on any one title, or possibly because he was busy with other work (different divisions of Marvel and commercial work). Whatever the reason, if you take a look at his body of work, you can see the pencils of a true craftsman that is under-appreciated, to say the least.

His work on The Invaders, is especially nice, but I also own some of his work on Thor, and a couple other gems you’ll find interesting. The man wasn’t limited in his work either, doing some writing, inking, coloring, lettering, and everything else you can think of  in the industry. So, here’s to you, Alan Kupperberg, thanks for all of your contributions to the greatest form of entertainment on the planet!

 

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Cinema Sunday: Horror Express (1972)

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Title: Horror Express

Distributor: Severin

Writers: Arnaud d’Usseau, Julian Zimet

Director: Eugenio Martin

Producers: Bernard Gordon, Gregorio Sacristan

Starring: Peter Cushing, Christopher Lee, Telly Savalas, Alberto de Mendoza

Released: October 1972

MPAA: R

 

Although the memory of the first time I watched this film is alluding me, one thing is for sure, it’s one of my favorite films starring Cushing and Lee. It definitely has a Hammer, or Amicus vibe to it, but isn’t a production of either studio. There’s so much to say about this Spanish horror flick, I’m just going to get right down to it!

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The film opens with Sir Alexander Saxton (Christopher Lee), as he and a search party are looking for fossils in Manchuria (image above). The trip is a complete success because they find something that looks half man/half ape, frozen in a block of ice. The scene quickly switches to the train station where the Trans-Siberian Express is about to head out from Shanghai. As Saxton is arguing with the man in charge at the train station, another man, Doctor Wells (Peter Cushing), and his assistant walk into the room. Wells then bribes the station manager to get two compartments, and storage space for his specimens. This infuriates Saxton, who then knocks everything off of the manager’s desk. Just as he’s about to get thrown out, a military man and a squad of soldiers show up, and offer their services to help, as they were commanded by their superior officer. Outside the office, a thief attempts to steal the ape creature from the crate, but winds up dead a few moments later.

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As Saxton returns to the crate outside, he sees a priest, Father Pujardov, as he’s trying to open the crate. A policeman, Inspector Mirov (Julio Peña),  investigates the attempted robbery, and asks Saxton what is in the crate. He tells him it’s only fossils, and the policeman seems skeptical. Meanwhile, the priest is trying to convince everyone involved that something evil is afoot, and the crate is inhabited by an evil presence.

Everyone boards the train, and in the baggage car, Saxton and Wells hear a moaning sound from inside the crate. Saxton denies hearing anything, and then a countess (Silvia Tortosa) enters the car. She checks  a bag that has something valuable, but then her dog is startled by the crate. Saxton assures her nothing is amiss, and they retreat to their cabins. Saxton ends up bunking up with Wells, and a strange woman has also made her way into the cabin, asking for Dr. Wells to help her get out of Shanghai. After a quick moment of awkwardness, we are also introduced to a scientist that’s aboard the train as well. In the private compartment of the Count (José Jaspe) and Countess, as they are joking about their mortal lives. Their religious companion, Pujardov (Alberto de Mendoza) gets angry at how flippant they are, but he gets put in his place by the Count.

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As the train speeds along, the baggage man is snooping around the crate that Saxton brought aboard. As he peeks inside, he’s hypnotized, then killed by the inhabitants of the crate. Soon after, Inspector Mirov discovers that the baggage man is missing, and orders Saxton to open the crate. He refuses even after he’s threatened with being pistol whipped. Inspector Mirov and his men use an axe to open the crate, and then find the dead baggage man inside the crate, but no frozen Yeti. Saxton is confined to his compartment, and then Inspector Mirov orders his men to search car by car until they find the Yeti. As two of the soldiers move in on the Yeti, it kills them both, and appears to exit the train.

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Next, Dr. Wells is having dinner with the strange woman who asked for his help earlier. The scientist that made an appearance earlier sits down and recognizes the girl, but she tells the man that he must be mistaken. Suddenly, Inspector Mirov interrupts the dinner, and asks Wells to help out with another killing. He and his assistant, Miss Jones (Alice Reinheart), saw open the head of the baggage man, and notice that the brain is completely smooth, and devoid of any knowledge. Wells explains to Mirov that something has erased the memories of this man. We then see that the Yeti has not left the train, but made its way to the baggage car. As Wells and his “partner”  are settling in for the night, she excuses herself, and heads for the baggage car. Little does she know, that the Yeti is there, waiting for its next victim!

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The yeti kills the female thief, but doesn’t make it out the door as Inspector Mirov seems to shoot and kill the beast. As the creature is dying, it hypnotized Mirov, and he passes out. As the train speeds on, we now notice that Inspector Mirov is hiding something. The engineer has radioed ahead, and notified the next station that there has been a murder. They alert the Cossacks (image above) that are stationed there, and now we get to see the bizarre Captain Kazan (Telly Savalas). He begins to search the train, and question the passengers. Tensions are running high, and the train begins to once again move towards its destination of doom!

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OK, here are my thoughts:

Listen, this film is incredible, especially when you consider it was made for $300,000. You did have a strong cast with Cushing, Lee, and Savalas, so that brought the picture up, no doubt about it. Cushing almost didn’t do the film, because he was still grief-stricken over the loss of his wife. Lee convinced him to stay, and it was a good thing that he did, because the two played off of each other wonderfully. As if those two icons weren’t enough, we get to see Kojak himself, Telly Savalas, too! He plays the wild Cossack Captain that really brings a turbulent mood to the movie.

The sets were rather cheap, but with that budget, they did an admirable job. Its been reported that they only used one train car for every scene, readjusting it to accommodate each different need. That’s quite a feat, if you ponder it for a while. The music score was quite good as well, and we have John Cacavas to thank for that addition. There were some gruesome scenes that really were cool, especially for 1972. Cushing sawed a guy’s head open, the effect the creature had on its victims was pretty cool too (bleeding from the eyes, nose, and mouth).

The film has a few twists and turns, so don’t just write it off as something that it is not. Cossacks, a Yeti, zombies, you name it, this film has it all! Do yourself a favor, get out and grab this flick, because it certainly is one that should be in your collection. Severin is distributing it now, and it can be found on their site, Amazon, Ebay, and all the normal DVD haunts.

 

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Comics: The 1970’s Horror Explosion! Pt. 3

As I dig deeper into the horror craze of the 1970’s, we must make a stop at the best offering of the decade from Marvel. Of course, it’s the Tomb of Dracula, and the incredible creative team of Marv Wolfman and Gene Colan (along with Tom Palmer on inks), wove an incredible story of love and loss, blood and sacrifice. Whether it was Dracula fighting some incredible adversary, or the Vampire Hunters, led by Quincy Harker, this title gave you everything you could want or need from a comic book. Rather than prattling on about it for a year, I’ll just let the work speak for itself. Enjoy!

 

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Comics: The 1970’s Horror Explosion! Pt. Deux

Alright, so far, we’ve seen the beginnings of what would become Marvel’s foray into the horror genre in the late 1960’s/ early 1970’s, so now it’s time to open the flood gates, and see some more hardcore action from this publisher! One of the earliest (and one of my personal favorites) monsters to roam the 616 Universe, is the muck monster, Man-Thing! This beast was once a scientist that was betrayed by his wife, a subversive agent of A.I.M.! Ted Sallis was working on a formula (the Super-Soldier Formula that gave Steve Rogers his extraordinary powers), but was attacked by his wife and agents of A.I.M. Sallis fought his way out of the lab, and drove his car off into the swamp. He then injected himself with the serum, and crashed into the murky depths of the swamp. Little did he know though, that the specific area where he crashed, was near the Nexus of All Realities, an area ripe with magical properties. These three elements joined to change him into the shambling monster that he is today. The vampiric Morbius followed, and the floodgates were then thrust wide open for many more macabre characters to make their way into the limelight!

Let us now take a look at some of the more memorable moments from some of these Marvel monsters! Credits include- Gray Morrow, Roy Thomas, Gerry Conway, Howard Chaykin, Frank Robbins, Doug Moench, Bill Mantlo, Don Heck, Bernie Wrightson,and more! Enjoy!

 

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Comics: The 1970’s Horror Explosion! Pt. 1

After those dreadful government hearings in the 1950’s about the comic book industry, the publishers decided to create an organization (The Comics Code Authority) that would oversee and approve of everything published. This stranglehold lasted until Lee, Kane, and Romita gave us “Green Goblin Reborn”, in 1971. This fantastic arc showed us the Osborn family, and their decent into madness. It also was a request from the government to show readers the dangers of drug use that prompted this story to be published. This helped relax the Comics Code Authority’s grip on what could and could not be shown in comics (from 1954 until that point- no Vampires, Werewolves, axe-wielding maniacs, drug use, etc., were allowed in comics, but Lee and Marvel decided to print the issues without the seal of approval).

People’s opinions vary, but it seems as if the Authority was created to more or less put EC Comics out of business. Why? Because they were the dominating force in horror/sci-fi comics, and nobody else could come close to doing what they were accomplishing. I haven’t personally read much of their content, simply because it’s very expensive, but from what I have seen (and heard from many people more knowledgeable than I), they were the best.

Marvel had given up doing horror books but did do a ton of stories that revolved around giant monsters and otherworldly beings from outer-space. These stories were created by giants like Jack ‘King’ Kirby, Steve Ditko, and Don Heck. Some of them were reprinted in books like Chamber of Chills, Monsters on the Prowl, and Where Monsters Dwell, just to name a few. There was the arrival of other titles that contained some new material as well (Chamber of Darkness), and were not hardcore horror, but “sophisticated suspense”, as DC Comics would call such material.

So, without further delay, let me present some of the reprint work, along with some new material from Marvel Comics, from the late 1960’s and the 1970’s! Enjoy!

 

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Superstar Artists- John Byrne! Pt. 3

In this, the last installment of my John Byrne tribute, we’ll see some of his spectacular work on Captain America (with collaborator Roger Stern), his brilliant X-Men (with partner Chris Claremont) work, and a couple of nuggets from the mid-1970’s, in Marvel Team-Up! Whether it was Josef Rubinstein or Terry Austin on inks, you cannot deny the power of Byrne’s pencils. He really knew how to grab the readers eyes, and have them glued to the panels! So, get ready and strap on your seat-belt, because we’re getting cosmic and crazy with this post! Enjoy!

 

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Superstar Artists- John Byrne! Pt. 2

After seeing some of John Byrne’s awesome work on the Fantastic Four in my earlier post, I thought it was time for some of his other work, you know, stuff off of the beaten path. His early Avengers work, the West Coast run, Silver Surfer, and a Hulk story from Marvel Fanfare that will knock your socks off will be featured in today’s post. So, get ready to be dazzled! Enjoy!

 

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Superstar Artists- John Byrne! Pt. 1

Another week, and another post that spotlights a giant in the comic book world! John Byrne has accomplished many things as an artist and a writer, but most hold him high for two specific runs in his lifetime (3 for me). First, is probably his X-Men work alongside longtime stalwart, Chris Claremont. That era of X-Men really put them on the map, and resurrected that team from the dead (HUGE thanks to Len Wein, Dave Cockrum (who’ll get his own spotlight soon!), and editor Marv Wolfman, as well). I’m going to start out with some of his work on Fantastic Four, and then move on to other titles. From action to the mundane, he could do it all. So, without further delay, get ready for some classic Byrne! Enjoy!

 

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Superstar Artists- George Perez! Pt. 3

In this, the finale of my George Perez spotlights, we will see his early Avengers work. Most long time fans will recognize it immediately, some newer comic book fans may not. Either way, get ready for a real treat, because what you are about to see is magic! With inkers such as Mike Esposito, Ernie Chan, and Pablo Marcos (just to name a few), you can’t go wrong! Perez was really the first guy post-Kirby to really elevate his style, and become an absolute rock star with his fantastic talent, and genuine personality. Let us now take the journey through some of the earliest work by this legend! Enjoy!

 

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Superstar Artists- George Perez! Pt. 2

In my first post about George Perez, I showed some of his brilliant covers. This time around, I’ll be posting some great interior work from this titan of comics! His work on The Avengers is definitely something coming soon on my blog, but for now, I’ll be showing some of his crazy good work on the Fantastic Four! His pencils on this book rank right up there with the John Byrne run, in my humble opinion (it might even exceed it!). Along with inker Joe Sinnott, and writer/editor Len Wein, Perez had some extremely memorable issues, and I now present a few of them to you. Enjoy!

 

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