Marvel Spotlight #25, 1975 “The Seventh Voyage of Sinbad”

In honor of one of my favorite filmmakers (yeah, I know he was just labeled as the “special effects” guy, but get real, those movies wouldn’t exist without him), Ray Harryhausen, I’ll be taking a look at Marvel Spotlight #25 (1975)! In this issue, we see an adaptation of “The Seventh Voyage of Sinbad,” which was one of Ray’s crowning achievements, in this bloggers humble opinion. Marvel decided to put that incredible movie into comic book format, and it delivers! We join Sinbad on the high seas, then see him battle a giant Cyclops, an unbelievable, fire-breathing dragon, and even a skeleton! Any fan of this movie must own this comic book!

Marvel selected quite a solid creative team for this one, and although these creators aren’t the biggest names from that decade, anyone that cares to research them will find out that they did some phenomenal work over their careers! Writer – John Warner (Son of Satan, Rampaging Hulk), pencils & inks – Sonny Trinidad (Marvel Classics, Marvel B&W Mags), colors by Petra Goldberg, letters by Jim Novak, edited by Marv Wolfman, and cover by Gil Kane! Take a look at these awesome pages!

 

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Marvel Team-Up #19, 1973 “The Coming of Stegron The Dinosaur Man!”

You know, I don’t remember being a huge dinosaur enthusiast as a youth, but my son definitely is/was. He knows more facts about them than I’ll ever know or understand, and his love and knowledge of dinosaurs is something that not only fascinates me, but is utterly endearing as well. In this especially awesome issue of MTU (Marvel Team-Up #19), Spidey must journey to the Savage Land, and of course almost immediately meets up with the Lord of the Hidden Jungle, Ka-Zar! The trip ends up being a bit more complicated than Spidey wanted (of course, that Parker luck!), and we are introduced to a new villain, Stegron the Dinosaur Man!

A story that has two parts (continuing in the next ish of MTU), was brought to us by Marvel super-scribe, “Lively” Len Wein! Everyone that is a fan of Marvel Comics in the Bronze Age knows of Len’s legendary contributions, and they would continue for a long time after that as well. If you’re going to have a story like this one, you need top-notch talent on the artwork, for sure. One of the all-time masters, Gil “Sugar” Kane penciled this one, and the inks of “Fearless” Frank Giacoia match up perfectly with Kane’s work. Not to be left out, are colorist Glynis Wein, and letter Dave Hunt! Sprinkle in the editorial wits of “Rascally” Roy Thomas, and you have a Bronze Age classic! Enjoy!

 

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Doctor Strange: From the Marvel Vault #1, 2011 “This Old House”

Contrary to the opinions of some, there a few decent comics books that were published after the 1980’s. Don’t get me wrong, I love the Bronze and Silver Age as a whole, much more than anything that’s come after, but there are some diamonds in  the rough, you just have to find them! Case in point, this 2011 offering from Marvel that features a story that Roger Stern wrote many years before, but it was never published. In this story, we see just how the old Doc took up residence on Bleeker street in NYC! At one time the house was considered haunted, and that’s why no one would live there. It just so happens that the Doc has just returned from doing some traveling, and learned a few tricks of his own!

The story from Roger Stern (plot aid from Joe Edkin) is a great one, and really seems like one that you would’ve read back in the Bronze Age. Artists Neil Vokes (pencils) and Jay Geldhof (inks), give us a spectacular job rendering the Doc, and all the demons inside the house! Not to be outdone is colorist, Lee Loughridge, who adds some eerie tones when needed, but also some bright tones that pop very nicely in the more brightly lit panels. A few really good black & white flashback scenes are the icing on the cake! Throw in an awesome cover by Mario Alberti, and you’ve got a gem that must be sought out by any fan of the Sorcerer Supreme! Enjoy and Merry Christmas!

 

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Doctor Strange #68, 1984 “Sword and Sorcery”

As the month draws closer to the end, so does my spotlight on Doctor Strange. One issue that I must talk about is this one, issue number sixty-eight. It features not only the Doc, but another one of my favorite characters, the Black Knight! Also, the lady named Victoria Bentley, and her relationship with both men. Dane Whitman (the current Black Knight and the one from this story), was just recently released from his curse that had entrapped him in stone, but he seems to now have some type of madness that is deadly for those around him! A duel between the Knight and the Sorcerer Supreme is upon us!

This story was during the fantastic run of Roger Stern. He also wrote the great story that featured the second war between Dr. Strange and Dracula! The artist, Paul Smith, had a brief run on the title, and did  a solid job as well. Having a great inker like Terry Austin didn’t hurt either though, and we know all about his exploits with people like John Byrne, for example. Written by Roger Stern, pencils (and cover) by Paul Smith, inks by Terry Austin, colors by Bob Sharen, letters by Jim Novak, and edited by Carl Potts! Enjoy!

 

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Doctor Strange #42, 1980 “The Black Mirror!”

I think you’d be hard pressed to find a better cover/interior combination than this one. Gene Colan’s career had already seen some of the highest of the highs at this point, having already spanned over thirty years. Michael Golden was just getting started with his career, and he was a change of pace that the industry needed as far as I’m concerned. A great mix indeed, and when you get a strong story from another pro who was rather young in his comic book life, it cannot be denied that this was a good time for comics, and for the Sorcerer Supreme, Dr. Strange! In this wild tale, Clea and Sara have switched bodies for the moment, and the Doc ends up almost getting beheaded!

A story this awesome could only be brought to you by Chris Claremont (writer), Gene Colan (pencils), Dan Green (inks), Jim Novak (letters), Bob Sharen (colors), Michael Golden (cover) and Jo Duffy (editor)! Doctor Strange versus a cadre of sorcerers bent on his destruction, and a dragon that would make J.R.R. Tolkien jealous! All this and more wait inside the pages of this Bronze Age classic! Enjoy!

 

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Dr. Strange King-Size Annual #1, 1976 “and there will be worlds anew!”

Different decades mean different things to all of us, but certain eras are definitely made more spectacular by a select few. A couple of those names for me personally (for the 1970’s) are most certainly Marv Wolfman and P. Craig Russell. Both of these gentleman became big names in the 1970’s, and rightfully so. Wolfman for his work with Marvel Comics horror titles, initially (Tomb of Dracula, and wrote/edited many black & white mags), and Russell with his work also for Marvel, on the title Amazing Adventures featuring Killraven. Of course, both did spot jobs here and there on whatever they could get their hands on, but both have a knack for creating on titles with a supernatural or mystical aspect to them.

In this wild adventure, Dr. Strange must travel to an otherworldly plane to battle for his lover, Clea. The enemy he must face is beautiful as well though, but very dangerous and powerful! Get ready, because this one’s a real head trip! Co-plotted by Russell and Wolfman, scripted by Marv Wolfman, pencils, inks, and colors by P. Craig Russell, letters by John Costanza, and cover by Dave Cockrum! Enjoy!

 

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Doctor Strange #6, 1974 “Lift High The Veil of Fears!”

After just a few issues, the Englehart/Brunner team lost one of its members. The rigors of monthly comics just didn’t suit the style of Frank Brunner, so he stepped aside from that chore (still doing awesome covers like this one). It just so happened that someone else with incredible artistic talents was ready and willing to take up the job! Gene “The Dean” Colan returned to the character that he had worked on before back in the late Silver Age, along with Roy Thomas, Tom Palmer, and others. Colan has done a lot of magnificent work in his lifetime, but other than Tomb of Dracula, I think Dr. Strange was his best work. The character just seemed to fit his style perfectly, and Colan really added a more macabre feeling to the book.

In this issue, the Sorcerer Supreme and Clea are beset by the unyielding powers of Umar and of course, the Dread Dormammu! This fantastic issue was written by Steve Englehart, pencils by ‘Gentleman’ Gene Colan, inks by Mr. Klaus Janson, letters by Sir Tom Orzechowski, colors by the indomitable Petra Goldberg, and edited by ‘Lively’ Len Wein! Enjoy!

 

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Cinema Sunday: The Pirates of Blood River (1962)

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Title: The Pirates of Blood River

Distributor: Columbia Pictures/Hammer Studios

Writer: Jimmy Sangster

Director: John Gilling

Producer: Michael Carreras

Starring: Christopher Lee, Kerwin Mathews, Glenn Corbett, Oliver Reed, Michael Ripper, Andrew Keir, Marla Landi

Released: August 1962

MPAA: PG

 

Everyone knows about the horror films that Hammer Studios produced over the decades, but if you look even deeper into their catalog, you’ll find some other gems, such as this one. The range of the Hammer Studio was quite wide, but of course, they’re known for their Gothic horror films. But personally, I think they’re action/adventure films are a very close second.

This film in particular, gives you a (very small) bit of horror, but mostly just some great action with pirates fighting against a Huguenot colony. Action, intrigue, love, and war. Don’t take your eyes off of the screen for a minute, because you will miss something. An all-star cast, featuring some Hammer stalwarts, but also actors like Kerwin Mathews (7th Voyage of Sinbad)! Let’s get down to the plot!

 

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The film begins with a pirate ship sailing towards an island. On this island, there is a settlement of Huguenots. They live their lives, governed by the laws of the Bible, and are quite strict. Next, we see a young man, Jonathan Standing (Kerwin Mathews), and his lover, Maggie Mason (Marie Devereux), as they playfully run through the forest, to find a spot for some “courting.” They do, but before they can get busy, a whip strikes the back of Jonathan, and they both realize they’re in trouble. You see, Maggie is married to one of the town elders, and as stated earlier, they follow the teachings of God very strictly. Maggie runs away, but gets cornered near the river. She dives in, but as everyone else closes in on her, they back off, because the river is full of man-eating piranha. Maggie is toast.

 

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Back in the settlement, Jonathan is tried and convicted in record time. He’s convicted by his own father, Jason (Andrew Keir), and the rest of the council to spend fifteen years at the penal colony on the other side of the island. The chances of getting out of there alive are slim, because of the brutality of the guards, so when Jonathan gets his chance, he and another man work in tandem, and make a break for it. He ends up evading the guards long enough to be discovered by a pirate, Mack (Michael Ripper), that tells him his captain can help him get back to his settlement.

 

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As Jonathan is introduced to Captain LaRoche (Christopher Lee), he gets the feeling he’s hiding something, but also knows he needs his help in evading the guards, and getting back to his settlement, so he agrees to lead him to the other side of the island. The journey itself introduces other characters that are under LaRoche’s command. We meet Hench (Peter Arne), a man who clearly has his own intentions. We also see another, Brocaire (Oliver Reed), who despises Hench.

 

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Once the trip is nearing its end, a couple of Jonathan’s friends, and his sister, have moved outside of the settlement, in protest of Jonathan’s sentence. It is here, when LaRoche makes his true intentions clear, and states that the pirates will plunder the village of any and all supplies. He does state that as long as Jonathan helps him, no one will have to die. A small boy sees the pirates and that they have taken hostages, so he runs off to the settlement to warn them. As the pirates approach, a huge fight scene occurs, and it looks as if it will be a stalemate. Some of the pirates manage to get inside the settlement walls, and grab the women, and use them to make the men surrender.

 

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LaRoche then gathers everyone inside the great hall, and makes a proclamation. He states that if they don’t lead him to a treasure that supposedly resides here, that he will begin to execute a hostage regularly until his demands are met. Meanwhile, Jonathan, his sister, Bess (Maria Landi), and her husband, Henry (Glenn Corbett), concoct a plan to stop LaRoche. Inside the hall, Hench and Brocaire have had enough of each other, so they settle their difference by having a blindfolded sword duel. Hench ends up winning, and of course, in true pirate fashion, the other man dies. As people begin to be executed, Jonathan begs his father to tell LaRoche where the hidden treasure is, but he refuses. He seems to have a convoluted idea that he cannot give up some gold for the lives of his fellow-man.

I wont spoil the end, but rest assured, you will see another huge battle scene where many lives will be lost, the gold will be found, a mutiny will happen, and the piranha will get to feast once more!

 

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OK, here are my thoughts:

Hammer does an outstanding job with this movie in a way that some of their others films just can’t measure. You get an epic pirate movie, with so many characters, you can barely keep up. It does straddle that line slightly, but most movie aficionados will be fine. When you sit back at think that Christopher Lee, Oliver Reed, Michael Ripper, Andrew Keir, and Kerwin Mathews are all in this film, it makes your head spin! All of those actors can really bring it in their perspective roles,  and believe me when I say, that they truly do in this film.

The music score (Gary Hughes) offers some timely interludes, and the sets (Bernard Robinson) were magnificent. Not to be outdone, is Hammer makeup man, Roy Ashton. These actors and actresses looked like pirates and Huguenots. His work in this film should be applauded. The two “horror” scenes in the film seem slightly out of place, but don’t hinder the overall experience of the film. Heck, I would’ve loved more piranha action personally. And as always, you get some very lovely ladies (especially Marie Devereux! – image above) that give the film that Hammer feel! Check out the movie either at the usual spots (Amazon, etc.) or search for it online. You won’t be disappointed with this one!

 

Click here for the trailer!

Cinema Sunday: World Without End (1956)

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Title: World Without End

Distributor: Allied Artists

Writer: Edward Bernds

Director: Edward Bernds

Producer: Richard Heermance

Starring: Hugh Marlowe, Nancy Gates, Rod Taylor, Nelson Leigh, Shawn Smith

Release: March 25, 1956

MPAA: PG

 

I’ve been dying to return to some Science Fiction, so why not return to the best decade for that genre, the 1950’s! The theme of space exploration was used heavily in this decade (and for the next couple), but for me, as long as the story is good, and the acting at least above average, it never gets old. This film has a solid cast, good sets, and a very good music score! Oh, and the first thing you see (even before the credits), is an atomic bomb detonating! C’mon, you know you’ve got a good movie on your hands when the beginning brings something that cool!

Well, rather than going on about this one for too long, I’ll just say that you should really see this film for no other reason than Rod Taylor, and a pack of gorgeous women! They have this film on Warner Archive now, so get over there and give it a watch!

 

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The film begins with a group of military men telling the Pentagon that a ship out in space has gone silent for a couple of days. A spokesperson then tells some reporters that they can’t give any information about it until they investigate further. This same spokesman, comforts a woman and her children, because apparently her husband is one of the men on the mission. Switching to a TV station, a man tells the world that the space mission near Mars may have ended in disaster, with the ship losing communications with Earth. Speaking of the ship, we see it hurtling through space, as the communications officer, Ellis (Rod Taylor The Time Machine, The Birds), informs the commander, Galbraithe (Nelson Leigh Gunfight at the O.K. Corral), that they still cannot connect with Earth. Along with the rest of the crew, science officer,  Borden (Hugh MarloweThe Day the Earth Stood Still), and engineer, Jaffee (Christopher Dark), they are all optimistic about their return to Earth. Just as they finish some a last pass by the red planet, they ready themselves for the long trip home. Suddenly, the ship is tossed all over the place, and the crew hangs on for dear life!

 

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After a crash landing, the crew believes they’ve landed on Mars or another nearby planet. As they look out the window, they see snow-covered mountaintops. They initially theorize, that they might be on Mars, but quickly discern that they are most certainly not. A Geiger counter tells them that there is some radiation, but nothing toxic. Ellis attempts to use the radio to contact someone, but gets static. The crew then packs up their gear, and heads out to explore this strange new world.

After walking for a while, they stop for a rest, and talk over a game plan. Jaffee is having a difficult time adjusting, and the rest of the crew wishes someone with a family hadn’t been allowed on the mission. They discover a cave, and upon exploring it, find a huge spiderweb. Ellis gets a bit too close though, and gets tangled up in it, then attacked by a huge spider! They wrestle with it, then shoot it at point-blank range. Another one tries to ambush them, but they put the kibosh to that one quickly with their pistols. Back outside, they find a clearing, but decide it will take too long to get anywhere else today, so they settle in for the night, and make camp.

 

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During the night, we see a group of savages surround the camp, and they viciously attack the crew. Eventually, Ellis gets to his sidearm, and puts a couple of them down, and the rest flee. They notice that the attackers seem to be part human, part animal. The next day, they grab their gear and head off for the clearing they saw the day before. They come upon a gravestone, and it is then that they realize that they have time traveled into Earth’s future. Borden tells the rest of the crew that they were caught up in a time dilation, and pierced the sound barrier, and traveled into the far-flung future. Jaffee is having a tough time dealing with the fact that his family is long dead. They believe that there must have been a giant catastrophe that decimated the world, years before their arrival. They also think that the beasts that attacked them earlier are mutated human beings.

As they search on, Borden sees some unnatural smoke, and volunteers to investigate. The rest of the crew talks about his family, that died in a plane crash years ago. Just as they finish talking, another group of mutates attacks Borden, but between his fighting prowess, and the others hooting, they manage to fight off the mutates for a while. The mutates outnumber them by a long-shot though, so they hide in a tunnel nearby. As they look around, they find a steel door, that is obviously man-made, and harboring something. Another steel door closes to seal off the cave, and then another opens, inviting them inside. They enter, and are almost immediately met by a man who asks them to follow him down a corridor. They are brought before a council that informs them that Armageddon ravaged the planet, and that they are all that’s left of the human race, along with the mutates. And also, that it is now the year 2508!

 

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As they get more familiar with each other, a door opens, and a beautiful woman enters, Garnet (Nancy Gates), and introduces herself as the leader’s daughter. She escorts the men to a room where they can relax, and then two other women, Deena (Lisa Montell), and Elaine (Shirley Patterson) . The weary explorers are at a loss for words. Galbraithe then asks the girls why they haven’t gone back above ground since the radiation levels are livable. She explains that they have come accustomed to living there, and that the mutates might kill them, so they’d rather live below in peace.

A few hours later, Galbraithe meets with the council to discuss some things, but they only want to talk about ancient history, and he wishes to discuss fixing the ship to explore the rest of the planet. One of the council members, Mories (Booth Coleman Planet of the Apes), is very skeptical about their intentions, and wants them to either conform or leave. The men take a tour of the complex, and Garnet gives Borden a “private tour” because they seem to be sweet on each other. There’s a bit of jealousy on the part of Mories, as he gives Borden the evil eye when he sees Garnet giving him so much attention.

 

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The crew repeatedly attempts to sway the council to rise to the surface, and defeat the mutates, and live as humans should, on top of the surface. The council seems to think the crew might have a point, but Mories keeps frightening them with stories of how they’ll be murdered by the mutates. The crew even asks to just be able to use some men to make it to their ship, and also use their factory to make weapons, but they are told that isn’t possible. Mories is then seen spying on them, and then tells the other council members that the crew is planning a coup. Garnet talks to her father, Timmek (Everett Glass), (the leader of the underground people), and tries to convince him that they are sincere, and just want harmony for all mankind.

 

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One of the other council members reports this to Mories, who then devises a plan to frame the crew for crimes against the council. He steals the weapons of the crew (that were confiscated earlier), and then hides them in their room, and accuses them of subterfuge. The council has a kangaroo court that finds them guilty, and they’re locked up and told that they’ll be thrown out with nothing more than what they had when they came to the community. As Mories was stealing the weapons though, he was discovered by one of the other council members, so he killed him to hide his actions. He blames the crew for that as well. The women don’t believe it though ( as they’ve fallen in love with the crew members), so they agree to help them escape. Unbeknownst to Mories, Deena saw him enter the room of the crew, and tries to report him, but he attacks her as well. She eventually recovers, and outs Mories.  He runs to the only place where he can get away, the outside world. Within seconds he’s savagely attacked and killed by the mutates.

 

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The council changes their mind, and agrees to help the crew with furnishing weapons and some men to help them make their way to the ship. Will they be able to fight off the mutates, and make it to the ship? Will they ever see the 20th century again? Only watching the movie will get you those answers!

 

OK, here are my thoughts:

There’s no two ways to say this other than if you like Sci-Fi, you need to see this movie. It’s not as flashy as Forbidden Planet, but I’d guess that the budget was significantly less, so you’d have to factor that in the equation. The crew of the ship really do grow on you, and have you on their side from the beginning. Rod Taylor does a fantastic job at playing the young, cocky space-jocky type, and Hugh Marlowe and Nelson Leigh really excel at being the “father figure” types for the younger two crew members.  Of course you get some of the same tropes in this film that you get in most others of this period, but if you think about it, they’re still being used to this day in one way or another, so they can’t be labeled as tiresome in a movie from 1956.

The sets/locations for this film were pretty good, and really looked best in the outdoor scenes. The underground community set was solid as well, and looked like something straight out of a Star Trek episode (even though this movie predates that series by ten years!). There’s a bit of social commentary in the film but it doesn’t get too heavy or ridiculous. The music score (Leith Stevens), was very good, and I haven’t personally ever heard of this gentleman, but I’m definitely going to keep my eyes open and look for more of his work.

As I said above, either grab this film on DVD (you can get it in a double pack with Satellite in the Sky (1956) for around $12-15. Or if you have any kind of tablet, download the Warner Archive app, because you can get a month of free movies, where this flick is available as of now. Do yourself a favor, and give some of these classics a shot. They really did lay the foundation for the rest of the movies and TV shows for years to come in this genre!

 

 Click here for a clip!

 

 

Avengers Spotlight #39, 1990 – “Cry Crusader!”

One of my all-time favorite characters, is none other than the Black Knight! I think it goes back to the Spider-Man and His Amazing Friends episode where he guest starred. It was a tale featuring the menace of Mordred! Or maybe it’s my love of Arthurian times. Either way, the Black Knight kicks butt! A flying horse, (Valinor), and the Ebony Blade, make him quite a formidable fighter, and he’s proven his worth many times over as a member of the Avengers, or just as a solo hero.

In this awesome issue, the Black Knight gets framed for murder, and he must solve the puzzle of who is committing these murders using a sword, and wearing a cape and armor! With Roy & Dann Thomas writing, Greg Capullo on pencils, Tom Dzon inking, Bob Sharen on colors, and Joe Rosen lettering. An excellent story and solid artwork from a young Capullo (cover by Steve Lightle)! Enjoy!

 
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