Magazines and Monsters!

Journey into Mystery 14, 1974 “When Wakes the Sphinx!”

Posted on October 31, 2015 by billyd75

Another post on the same day? Uh, yeah, because it’s Halloween (and there will be a few more, too!). Hopefully by the time this post hits the airwaves, I’ll be enjoying some great deals at WildPig Comics, in New Jersey. I’ll be looking to fill some gaps in my collection, especially in the Bronze Age era! For now, though, you’ll have to settle for this little gem! We get four stories, and each one brings a different thing to the table. The first is a tale about an alien invasion, but one with unexpected results…for the aliens that is! The second one is called “The Thing on the Moon,” and deals with a giant creature on the moon that was placed there by inhabitants of Earth. Thirdly, we see a foreign substance that can eat the flesh off of a man right down to the bone! The last story shows an attractive woman and the scores of men after her affections. She suckers one of them into giving her ten-thousand dollars, but after he sees her with another man, he’s plots his revenge!

The initial story is by Steve Ditko (art), and isn’t the best work he’s ever produced, but certainly better than most. He does a great job on the Sphinx in the story, though. The next one is by Don Heck (art), and he brings his usual talents to the table. The last two have artists who I’m not all that familiar with, in Doug Wildey and Harry Anderson. Both men do a solid job on their respective stories, and keep the book at an even pace as far as the artwork. All stories have scripts by Stan Lee. The cover, which is fantastic, is by none other than “Rampaging” Ron Wilson!

Journey into Mystery 7, 1973 “The Scorpion Strikes!”

Posted on October 31, 2015 by billyd75

When I was a kid, I watched an episode of Jonny Quest, and it was super cool! There was a mad scientist that grew ordinary animals into behemoths! A crab, a spider, and a lizard, all grew to enormous size, and went crazy, killing on site. The lead story in this awesome book definitely has some similarities which makes me think the writers of that show were fans of comic books! A giant, mutated scorpion, a man who gets shrunken down to the size of a mouse (and subsequently terrorized by his own cat!), and an alien with a special chair! These three tales are perfect reading for the holiday or anytime!

The first two stories are just further proof that Jack “King” Kirby is a master of all genres. There’s nothing the man couldn’t do with a pencil. He did the penciling on the first two stories, with inks by Paul Reinman, and Dick Ayers, respectively (Ayers inked the cover over Kirby pencils as well). Both of those latter names were abundant during the Golden and Atom Ages (Silver Age as well), and rightly so, as they contributed heavily. The final story is by “Sturdy” Steve Ditko. His style fits perfectly for the story, and proves his mastery of weird, fantasy tales (plot/scripts credits to Stan Lee and possibly Larry Lieber as well)!

Monsters on the Prowl 29, 1974 ” A Monster at My Window!”

Posted on October 30, 2015 by billyd75

Watch out, here come more monsters! Yes, another post for the holiday, that revolves around some of the monsters from the pre-Marvel days. Believe me when I say that this one is solid! A giant alien monster that is the first to come to Earth to scout out the planet…or is he? Another tale that involves a sea monster terrorizing a ship at sea! The third installment is one that presents an alien that disguises himself as a human to study them. He finds out that it’s not all it’s cracked up to be. Finally, we get a joker that likes to play pranks on people, and sometimes hurting more than just their feelings. He himself finds out in the end that karma comes back at you in a hard way!

These stories have an edge over others, in that they have such powerhouse art talent behind them that even if the story is mundane, the artwork carries them through. The work of Jack “King” Kirby (cover and interior pencils to story one- Dick Ayers inked the cover) has been documented by many, and I could go on all day about how great it is, but if you don’t own much of his work, you need to remedy that now. “Joltin'” Joe Sinnott is mostly known for being an outstanding inker, but in this book, you get to see him flex his muscles with pencils and inks on one story! The man named Bill Walton isn’t one that’s familiar to me, but he does do a great job on the story in this particular issue. Last but certainly not least, is Steve Ditko. His weird and creepy work is one of legend, and elevates him to a pretty high status in the sci-fi/horror category. Of course, everyone knows him from Spider-Man and Dr. Strange, but dig deeper, and enjoy the treasures that you will find!

Tomb of Darkness 22, 1976 “My Brother, This Monster!”

Posted on October 29, 2015 by billyd75

As Halloween is just around the corner, the hits just keep on coming! Another reprint of Atlas Era material is here, and this one doesn’t disappoint. Ghosts, ghouls, a robot, and just about anything else you can imagine! The first story is about a robot named “Grutan.”The scientist that creates him has a grudge against mankind, and wished to unleash his new robot to make them pay! The second tale involves twin brothers that are exact opposites in some ways, but ugly on the outside doesn’t always equal evil! The third story involves a ghastly figure, music, and a graveyard. The last story shows how a prison inmate makes a deal with the devil!

With all four stories credits going to Stan Lee, we are left to dive into the wonder of the artwork from some of the best of that time period. First up is Don Heck (pencils and inks on the first story). This guy was at marvel from the beginning with the rest of the giants, and somehow never gets mentioned with them. Study the man’s work, and I think you’ll find a fine craftsman. The name Mike Sekowsky might not be one of familiarity to Marvel zombies, but he was definitely someone who did a good bit of work for DC comics back in the day (credits as probable but not confirmed for the second and fourth stories). Lastly, we have Pete Morisi. He’s beat known for his work at Charlton, and was also a confidant of Don Heck! We get a great cover by the team of Mike Netzer and Pablo Marcos!

Beware 1, 1973 “The Werewolf was Afraid!”

Posted on October 28, 2015 by billyd75

When you get the opportunity to grab comics at a steep discount, you’ve got to take advantage. When it’s a number one issue, you pounce! Granted, this comic book is a reprint title, but still, it’s a good one! Anytime you get to see some of these classics, you gotta bite, especially when it starts off with a werewolf story! Killer robots, a witch, and a final tale of madness!

The cover is absolutely fantastic, and we have the incomparable Bill Everett to thank for it. His story is a sad one, being one of the greats that died before his time. The werewolf story has work by John Romita (art)(original stories by Stan Lee). It’s quite a bit different from what most will remember his work on in titles like Amazing Spider-Man, but still very cool. The second tale is by Vic Carabotta (pencils) and Jack Abel (inks). The latter gentleman’s work I know from various titles, but Carabotta is someone I don’t know much about. The third installment is one that offers a more familiar team, in Lee, Jack Kirby (pencils), and Dick Ayers (inks). If you’ve never seen Kirby’s horror stuff, you owe it to yourself to get out there and investigate. Finally, we have Joe Sinnott (pencils and inks). From what’s said, he’s one of the nicest guys in the industry, and one that one day soon hopefully, I’ll get the chance to meet!

Cinema Sunday: The Devil Bat (1940)

Posted on October 25, 2015 by billyd75

Title: The Devil Bat

Distributor: Producers Releasing Corporation

Writers: John T. Neville, George Bricker

Director: Jean Yarbrough

Producer: Jack Gallagher

Starring: Bela Lugosi, Suzanne Kaaren, Dave O’Brien, Guy Usher, Yolande Donlan

Released: December 1940

MPAA: Approved

Sunday is here, and so is another movie review! After thinking about it, I came to the realization that I hadn’t reviewed a movie with Bela Lugosi yet! Rather than just hit Dracula, I thought it would be way better to showcase one of his other films. This is one that isn’t nearly as famous, but definitely should be on your radar if you’re a classic horror fan.

The little upstart company known as PRC, had Lugosi under contract, and used him to make some noise in the industry. Think of them as the Hammer Studios of their time. They had very limited budgets, but delivered above expectations the majority of the time. Whether it was Westerns, Horror, or Crime, the studio did the best it could with its budgets, and the finished product usually surprised most viewers. Alright, let’s get to the story!

The film begins with a foreword telling the viewer that a “kindly village doctor,” named Paul Carruthers (Bela Lugosi), was loved by all, but harbored a secret taste for wild, and crazy experiments at his home on the property of his employer, Martin Heath (Edward Mortimer). You see, Heath’s family owns a huge company known for its fragrances, and the chief scientist behind these, was Carruthers. We then get to peek in on Carruthers engaging in one such experiment. He has a vile and beakers full of unknown substances, that he mixes, then he proceeds to a secret chamber. Once there, he enters a room that houses a bat. He talks to the creature as if it understands him, and assures the animal that things are progressing nicely.

We next get a wide shot of the room, and see that there are many bats there, but this one specifically, is enormous in stature. Carruthers takes it from the room, and heads to the lab. He then puts the bat into a chamber that houses a device that appears to use radioactivity to give the beast even more physical prowess. A ringing telephone interrupts Carruthers, and he finds out his boss invites him to a party tonight at his home. Carruthers initially tells him he can’t make it, but Heath persuades him. Heath and his partner, Henry Morton (Guy Usher) then talk about how surprised Carruthers will be when they give him a $5,00 bonus check at the party.

Carruthers then lets the viewers know that his intentions are to kill his employers and their family members as retribution for not compensating him appropriately for his making them rich by his work. We see that his plan is to let his pet giant bat get a sniff of his new fragrance, and then hand it out to unsuspecting victims of his choice (kind of like a bloodhound with the scent from a piece of clothing).

Meanwhile, over at the Heath mansion, Morton tells Roy Heath (John Ellis) not to tell Carruthers about the money until he says it’s time. Morton also tells Mary Heath (Suzanne Kaaren) and the others the same. Martin then informs the group that Carruthers wont be able to make it, as he’s been caught up longer than expected with his “experiments.” Roy gets volunteered to take it to him, and becomes the first to get a sample of the new fragrance. Carruthers gets aroused when Roy puts it on his neck, and we realize Roy is not long for this world. On his way home, Roy gets attacked by Carruthers pet bat, and dies on the street.

Once the story hits the news wire, a reporter from the city, Johnny Layden (Dave O’Brien) and his photographer sidekick, “One-shot” McGuire (Donald Kerr) come to town and help investigate the strange killing. Mary and her fiance hear the attack, but by the time they get there, he’s dead.

One by one, the family and it’ heirs get bumped off by Carruthers and his pets. Will the bumbling police and amateur sleuths be able to figure out the mystery or will they die in the process as well!

OK, here are my thoughts:

With very little special effects, this little film does a great job creating some good atmosphere. Lugosi, of course, is a big reason for the film’s success, and rightly so. He was a giant in the genre, and literally helped build the foundation for everything to come in said genre. He sets the tone from the first minute of the film, especially the scene where we hear his thoughts urging him to kill the ungrateful employers, and his subsequent actions. The rest of the cast is moderate in their performances. No one stands out much, but then again, none of them bring the film down either.

The bats in the film aren’t very menacing, and the low-budget has a lot to do with that. There a re a few shots where the camera does a close-up, to make them look bigger and scary, and I’m sure in 1940, it probably worked just fine. The sets were your standard fare for the times, but the night-time shots looked above average. The music score was pretty good for the low-budget, and helped set an ominous tone throughout the movie.

The film fell into public domain a very long time ago, so it’s easy to find and watch. The usual spots online have it, and of course a myriad of companies have released it on DVD, so if you feel the compulsion to own it, there’s that route as well.

Click here for a clip!

Fear 20, 1973 “Morbius the Living Vampire!”

Posted on October 25, 2015 by billyd75

The title “Fear,” was one that started out as a reprint vehicle for the giant monsters of the Atlas Age Comics. These stories featured work from some giants of the industry- Jack Kirby, Steve Ditko, Russ Heath, Gene Colan, and more. The book eventually morphed into one that contained all new material, starting with issue ten, and the Man-Thing, the book took a turn. We now saw new material, and material with an edge that had previously been unseen in the title (and most mainstream comics). In this story, Morbius is in the midst of a blood-lust, and attacks a woman. He then recounts his last few adventures (against the X-Men and a solo story), then meets two holy men. He seems to be calmed by their presence, but we soon find out why, and that one of these two men is not quite what he seems!

He doesn’t get much credit, but Mike Friedrich (writer) has made a few very nice contributions to the comic book industry over the years, and deserves a high-five for them! I’m not sure, but this has to be one of the first works of Paul Gulacy (pencils) in the biz. He’s one of those guys that’s done a wide variety of work on both sides of the street. Jack Abel (inks) is a name I know from his contributions on Tomb of Dracula. He was active in the 1950’s and didn’t let up until the 1990’s. Marvel staples Tom Orzechowski (letters) and George Roussos (colors) are two more reasons that most of what Marvel published during the Bronze Age was incredibly consistent (plus Roy Thomas – editor). King of the covers, Gil Kane (pencils), and his oft collaborator, Frank Giacoia (inks), bring this fabulous cover to life!

The Wedding of Dracula (1991- Originally 1974-76) “Blood Rites”

Posted on October 22, 2015 by billyd75

It’s time once again, to spotlight the best comic book title from the Bronze Age! Yes, you read that correctly. Not the best horror comic, THE best comic book, period. The Tomb of Dracula ran for 70 issues, from 1972 until 1979, and was without a doubt one of the best series ever. This little reprint book from 1992 has three issues in it. Two of the issues are back to back (45-46) and one is a standalone (30). The two consecutive issues revolve around Dracula using his influence on a satanic cult, and getting married. Good stuff, but I love the standalone issue better. That one shows Dracula reminiscing about some adventures he had in the past. One in particular where he meets a blind girl is quite fascinating.

The dream team of Marv Wolfman (writer), Gene Colan (pencils), and Tom Palmer (inks and colors), was in place for a while when these issues were published. They were on a roll by this point, and churning out fantastic stories. You add John Costanza (letters), and the crew is complete. This creative team would go on for 70 issues total in this series, and Wolfman and Colan would do more Dracula work in the future as well (Tomb of Dracula, 1991-92 – Epic, and The Curse of Dracula, 1998 – Dark Horse). Whatever the format, get out and grab one of the best books around!

Vault of Evil 8, 1973 “The Vampire is My Brother!”

Posted on October 19, 2015 by billyd75

Another horrific comic book post to satiate your bloodthirsty minds! What lurks in the Vault of Evil! A bunch of Golden Age reprints, that’s what! I love these old stories because you never know what you’re going to get. Sometimes they are straight up horror, other times a thriller. Once and a while you get one that is pre-code and has a decapitation or something cool like that in it! These reprints usually consisted of three or four stories that usually revolved around murder, vampires, werewolves, or an atomic mutation. The first one in this book was a vampire story, the second was about the dead rising from the grave. The third story is about a female ghost, and the last is about a trunk that brings bad luck to its owners!

Al Eadeh, was a guy that worked in the comic book industry for a long time. His pencils and inks definitely give off that Golden Age vibe, and the man spent time in the Simon and Kirby studio, so, that should tell you about his prowess! Another name from that era is Ed Winiarski (pencils/inks). Another artist that had a grounding in crime, sci-fi, and horror books of that age, Winiarski had a similar style that definitely reminds me of the early horror work by Kirby and Simon. Sid Greene (pencils/inks) fits the same mold but also did some romance work as well. Last, but certainly not least, is Joe Sinnott (pencils/inks). He’ll go down in history as one of the greatest inkers of all time, and rightly so, as his work with Kirby, Perez, and a host of others was outstanding. If you dig a bit deeper though, you’ll find that the guy is quite an accomplished penciler as well, and issues like this prove it. We also get the treat of a great cover by Rich Buckler and Vicente Alcazar!

Cinema Sunday: Tower of London (1962)

Posted on October 18, 2015 by billyd75

Title: Tower of London

Distributor: Universal Pictures

Writers: Leo Gordon, Edward Small, F. Amos Powell

Director: Roger Corman

Producers: Gene Corman, Edward Small

Starring: Vincent Price, Michael Pate, Joan Freeman, Robert Brown, Charles MacCaulay

Released: October 1962

MPAA: Approved

After a brief hiatus (one weekend for a quick vacation!), Cinema Sunday has returned! And of course, with a film starring one of the all time greats (if not the greatest), Vincent Price! This film is one I’ve been dying to see, and now that I’ve watched it two or three times, I’ll be spotlighting it today! In typical Price fashion, we get some very disturbing scenes in this film, and his fabulous portrayal of this sinister character. Listen, not everyone can take a historical setting, elements from the works of Shakespeare, and murder, and turn them into gold. But yes, Vincent Price can do the impossible.

The rest of the cast is good as well, and you should definitely recognize a few faces in this one. Murder, ghosts, and insanity, are all present in this gem! Alright, without further interruption, here we go!

The film begins with a narrator telling the viewer that the Tower of London, and the insanity that went on within the structure. The year is 1483, and Edward IV King of England is on his death-bed. He’s surrounded by his family, which includes his brother, Richard, The Duke of Gloucester (Vincent Price). We see Edward’s two sons as well, and they will take over once they become of age. In the meantime, Edward’s other brother, George (Charles Macaulay), Duke of Clarence, is named as protector of the young boys that will one day rule. The three son’s mother is also there, and she seems suspicious that Edward being weak, puts the throne and England in jeopardy.

Later that night, Richard and George (although Richard and Edward call him Clarence) are having a drink together, as they have not seen each other in many years. The two men compliment each other but Richard seems a bit illusory with his words. George then asks Richard for his help in protecting the boys, and puts out his hands for an embrace. As Richard hugs his brother, he pulls out a knife, and stabs him in the back! He then dumps the body into a barrel of water (to make sure the job is done?).

Richard then retreats to his room, where his wife, Anne (Joan Camden) knows about these plans, and urges Richard to wash the blood off of his hands. The others present then find George murdered, and call for Richard. Once he arrives and acts surprised, everyone notices that the blade bears a certain family crest on it, and it is the family of King Edward’s wife’s family, the Woodville’s. Edward’s wife (Sarah Selby) is present, and can’t believe what her family is being accused of this day. They all go to Edward’s chambers to give him the bad news, and in his grief, he thinks that his wife’s family may have done it, in a power play for the throne. Edward then names Richard as the new protector of the children.

Later that night, Richard is quoting Shakespeare to himself, but all of a sudden he hears a voice nearby. He then sees his dead brother (a ghost), and he tells Richard that there will be a reckoning. Richard tries to explain his actions but George tells him that he’ll die a violent death, and at the hands of a dead man. At this very moment, there’s an explosion (lighting, cannon misfires?), and it sends some rubble from the top of the Tower crashing down, almost killing Richard. George tells him again, that death will come for him soon. Richard scurries to him bedroom, and Anne attempts to calm him down, and he reveals to her that a ghost tried to kill him.

Richard goes to visit Edward one last time, and their mother is by his bedside. She speaks very sharply at Richard, and seems to know him for the malefactor that he has become. She urges him to see his dying brother, and as he bids him goodbye, he kisses him on the forehead. As he backs away, he sees blood where his lips touched his brother. He screams in fear, and his mother tells him she doesn’t see anything, and she accuses him of treachery. He shoots back at her, and blames her for his deformities (apparently he has something along the lines of curvature of the spine, and other physical handicaps).

The Queen then launches a secret investigation into the death of George. At this point, we have two factions in the castle. One loyal to Richard, and the others loyal to the Queen and her family. The aid of Sir Richard Ratcliffe (Michael Pate), helps Richard keep everyone off-balance for a while, but when he tries to coerce the Lady-in-waiting, Mistress Shore (Sandra Knight – image below), and later murders her, things really begin to get out of hand.

Will Richard’s plan to usurp the throne of England come to fruition? Or will the Woodville’s and their accomplices be able to stop him before he kills everyone in his way? Watch to learn the answers!

OK, here are my thoughts:

As far as films starring Vincent Price go, this is definitely a must see. It’s right up there with House of Wax, Last Man on Earth, The Fly, etc. His performance alone is worth the price of admission, but you do get solid jobs from Michael Pate (he plays a great weasel in this film), and even Charles MacCauly (Blacula) in just a couple of scenes that he has in this one.

The special effects are good, and Price really does an excellent job in the scenes with the ghosts. One scene in particular, which I didn’t mention above, is when one of the ghosts inhabits the body of Price’s wife in the film, and this causes him to go off the deep end even further, and he strangles his own wife, believing she’s the ghost. The sets were convincing for sure, but the music wasn’t anything you’ll remember.

Search this one out, and believe me when I say that it’s definitely worth owning. Even if you’re not a huge Price fan like I am, you’ll be impressed with this one after just one viewing!

Click here for a couple of clips!

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