Two enemies, that have seemingly forever been locked in combat. One, a science geek barely out of high school, that was endowed with spider-like powers due to the bite of a radioactive spider. The other is a scientist that was a victim of his own experiments, and through them turned into a vampire like creature that feeds on human blood. Spider-Man and Morbius. Both men with their own problems, and no solutions other than to do what they must. In these two issues, you get to see a fierce battle between these two, but also some interesting moments with MJ and Aunt May.
I’m not a big fan of the surprise “villain” or the deus ex machina in this one. That being said, I am a big fan of Archie Goodwin (writer/editor), and all the work he’s done over the decades. Whether it was his work for Warren Publishing, DC, or Marvel, he was always a reliable scripter. Next we have penciler Sal Buscema. Most people probably think of his run on Spectacular Spider-Man (with J.M. DeMatteis, and rightly so), but definitely seek out his work on The Defenders. His style fit that strange book perfectly. Inkers Jim Mooney (7), and Mike Esposito (8), are both a good fit for Sal’s pencils as neither takes away from them but adds their own touch. Letters on both issues were by John Costanza, and colors by Don Warfield (7) and Marie Severin (8), all add their usual talents to the books. The covers are both very good, as number seven has Dave Cockrum and Al Milgrom show the absolute ferocity of Morbius. The next issue has a young artist you should recognize in Paul Gulacy. He’s mostly heralded for his Master of Kung Fu work.
In the mid 1970’s, Marvel comics had a lot going good. The horror genre was pumping out books like crazy, the reprint era was in full swing, and the return of Jack Kirby cemented the company as the best in the business. The main man at Marvel for weird/wacky stories was undoubtedly Steve Gerber (and rightfully so, as no one can write those kind of great stories like he could), but Kirby gave him a run for his money during this era for sure! Anyway, is it even possible to not like a giant red T-Rex with a ape-like boy riding around on his back? Of course not! In this tale, Moonboy and DD run into a pack of humanoids that want to kill them, and if they don’t, the giant spider might!
Written, drawn, and edited by the king of comics, Jack Kirby! His contributions were already nothing short of legendary, but this era added some spice to the Kirby lore, and it will never be forgotten. A helping hand on inks was delivered by Mike Royer, colors by Petra Goldberg, and some editing assistance from Archie Goodwin!
The 1970’s had such an eclectic selection of comic books, that looking back, you can’t deny the place it has in history. It’s understood that without the Golden Age, and Silver Age, things wouldn’t have turned out that way, but that fact doesn’t diminish the greatness of the Bronze Age! Take for instance, the title, Black Goliath. In only five issues, it gave us a superhero of color, and one that was definitely a strong character. If you look back, that was something in short supply. The scientist, Bill Foster, was an employee of Stark Industries, and later became the scientific partner of Hank Pym. In this, the final issue of the series, Foster must do battle with a giant alien savage named Mortag! And also protect two others with no superpowers!
The story is pretty good, and with someone like Chris Claremont writing, you kind of expect it after all he’s done. The artist is the terribly underrated Keith Pollard (a guy I’ve spotlighted before on my blog). He had a good run on the Fantastic Four, and Thor, and if you check out those issues, you’ll be impressed. The colorist is Bonnie Wilford, and the letterer, Irv Watanabe. The short-lived editor, but always reliable writer, Archie Goodwin rounds out the team! Oh, and let us not forget the action packed cover by the master, Gil Kane (pencils) and another Marvel stalwart of the era, Al Milgrom (inks)!
Anyone that’s read any of my work knows I frequently salivate over certain creators, characters, and books. One of these things being Dr. Strange. Not just anything that the Doc has been in, but specifically his solo series from 1974, and his appearances in Marvel Premiere (1972). In issue #4, we see some material taken from the mind of Robert E. Howard (Conan, Kull, Red Sonja, etc.). In this adventure, the Doc has just survived a grave encounter with Nightmare, and now faces an even more vile thereat. An old friend has come calling about a problem in the New England area, and once there, Dr. Strange will meet his doom!
The creative team on this one is certainly top-notch. The story was written by “Amiable” Archie Goodwin, with the plot and editing by “Rascally” Roy Thomas. The pencils by none other than “Bashful” Barry Windsor-Smith, inks by “Far Out” Frank Brunner! Letters by John Costanza, and cover by BWS and Tom Palmer! Enjoy this classic tale from the past of Dr. Strange!
In my first ever purchase of this title, I’ve found that not only do I love it because of its hilarious action, but also that it has Dr. Doom, and who doesn’t love Doom? I mean, he’s the quintessential villain in the Marvel Universe. Everyone must face him at one time or another, even Squirrel Girl and Power Man had bouts with him! Doom also had another run in a certain anthology style book from Marvel in the 1970’s, and I’ll get to that in a couple of posts or so.
For now though, marvel at the work of Steve Englehart, Keith Giffen, Owen McCarron, Irv Watanabe, and others! You’ll see the quality of work this team did, and it will leave you wanting more! Some brilliant colors in this one as well, and we have Phil Rache to thank for that. Don’t miss my favorite page, where Namor beats up an elephant! Enjoy!
Another day, another post! And another great one from the ‘King’! No matter how many times I see an image of Captain America drawn by Jack Kirby, it still gets me pumped up about the star-spangled Avenger! It’s true, and in this adventure, Cap is searching for Falcon and Leila Taylor. He finds them, but they don’t recognize him. We then get a brawl between Cap and Falcon, and the following pages are some more Kirby magic! One splash page in particular sticks in my head, never to leave! It shows a scene of enthralled people (including Leila and Falcon), some of them sitting on a stone wall. Just the atmosphere alone is incredible!
Throw in a cowboy (Texas Jack), a fire-breathing rock monster, and the machinations of the Inquisitor, top it all off with some Kirby crackle, and you get more awesomeness from Kirby! This second coming for him on this title was quite refreshing, and it seems as though Kirby was really letting his creative freedoms flow right out on to the pages. Just look at these pages/panels, and I doubt you’ll disagree!
Today’s cover is one that initially appeared back in 1968 (Tales to Astonish #101), but in this reprint, it was in the mid 70’s. Story by Stan Lee, and pencils by Marie Severin! The inks by Frank Giacoia, and letters by Artie Simek. One story features the Hulk, as he travels across Bifrost (the rainbow bridge to Asgard), tossing Heimdall off in the process! The second tale about Prince Namor of Atlantis, was brought to us by Archie Goodwin, Gene Colan, and Dan Adkins! Imperious Rex! Cover by Jack ‘King’ Kirby! Enjoy!