Kull and the Barbarians 3, 1975 “Kull, Red Sonja, and Solomon Kane!”

It’s time for a return trip, back to black and white comic goodness! While these magazines are getting more expensive by the day it seems, but, when a bargain can be found I pull the trigger! A recent show netted me twenty mags for $20! Only a few Marvels, but a bunch of Warren mags (I’ll get to them down the road, no worries). OK, on to the main attraction!

In this issue, there are three comic stories, one prose story (with a couple of illustrations), a pin up of the landscape of the times of Kull, and one awesome pin up of Red Sonja (by Howard Chaykin!). All of this is kicked off with a good painted cover by Michael Whelan!

The first story is straight out of a Ray Harryhausen flick, as Kull is fighting a group of skeleton warriors, and upon returning to his homeland is in shock at how things look. He also must face his ultimate enemy, in Thulsa Doom! Written by Doug Moench, art by Vicente Alcazar!

The following story is a Solomon Kane bio written by Fred Blosser. It’s actually pretty good on its own, but there are some cool illustrations by Bob Budiansky (Duffy Vohland inks) and Gene Day!

“The Day of the Sword,” is next, and features everybody’s favorite ginger, Red Sonja! Who doesn’t want tot see her riding around and taking a broadsword to those that need it? Plot by Roy Thomas, script by Doug Moench, art by Howard Chaykin (some excellent work by Chaykin in this one).

Finally, a story by Robert E. Howard, adapted by Roy Thomas, and illustrated by Alan Weiss and Pablo Marcos! An adventure with my favorite Puritan in Africa! Very interesting story, and almost a love interest for Solomon? Definitely a good finisher to this great magazine!

 

 

Marvel Comics: Thongor Warrior of Lost Lemuria!

Led Zeppelin once famously said…”in the days of my youth I was told what it means to be a man.” Apparently the boys from England had a run in with Thongor Warrior of Lost Lemuria! He’s all man with his big muscles and sword (insert laughter here)! Overall, I find the possibilities of such theories fascinating, and its super cool that there are scientists out there today trying to find some facts to certain oddities and inconsistencies that exist in the world.

OK, back to facts! This character was created by sci-fi/fantasy writer Lin Carter in the 1960s. Carter wrote quite a bit of material, and was a colleague of L. Sprague de Camp (another huge name in sci-fi/fantasy). Both men (and countless others) were influenced by the giants Robert E. Howard and Howard Phillips Lovecraft. The character is very Conan-esque, but the setting really sets it apart from that other barbarian.

These stories were written by George Alec Effinger (issue 23), Gardner Fox (issue 26), and Steve Gerber (issue 28), respectively. Effinger was a sci-fi novelist that wrote only a few comics in his abbreviated life (he passed away at only 55 yrs old). Most will recognize the name of legend Fox, who wrote in the comic book industry from the 1940s into the 1970s, co-creating The Flash, Hawkman, Dr. Fate, and the JSA, and creating the DC multiverse in his story “Flash of Two Worlds!” The man is a giant, nuff said. Lastly, we have the extremely eclectic and influential Steve Gerber. Not going into the myriad of things he created and influenced, suffice to say he still doesn’t get the credit he deserves and was a renaissance man for sure. His ability to write stories with societal issues and the like, but was able to do it while forcing the reader to look at said issues without forcing an opinion on to them. A rare talent indeed.

Artistically, these books all have covers by ‘Jazzy Johnny Romita, and interiors by Val Mayerik (with inks by Vince Colletta on issue 23, and Wayne Howard on 26), and Vicente Alcazar (issue 28). Glynis Wein, George Roussos, Petra Goldberg (colorists), John Costanza, Tom Orzechowski, Charlotte Jetter (letters), and Roy Thomas (editor), round out the creative teams! There a repints in the back of each issue as well, so that just adds to the cool content you already get in this title (Ditko and Heck to name a couple of names)!

 

 

Vault of Evil 8, 1973 “The Vampire is My Brother!”

Another horrific comic book post to satiate your bloodthirsty minds! What lurks in the Vault of Evil! A bunch of Golden Age reprints, that’s what! I love these old stories because you never know what you’re going to get. Sometimes they are straight up horror, other times a thriller. Once and a while you get one that is pre-code and has a decapitation or something cool like that in it! These reprints usually consisted of three or four stories that usually revolved around murder, vampires, werewolves, or an atomic mutation. The first one in this book was a vampire story, the second was about the dead rising from the grave. The third story is about a female ghost, and the last is about a trunk that brings bad luck to its owners!

Al Eadeh, was a guy that worked in the comic book industry for a long time. His pencils and inks definitely give off that Golden Age vibe, and the man spent time in the Simon and Kirby studio, so, that should tell you about his prowess! Another name from that era is Ed Winiarski (pencils/inks). Another artist that had a grounding in crime, sci-fi, and horror books of that age, Winiarski had a similar style that definitely reminds me of the early horror work by Kirby and Simon. Sid Greene (pencils/inks) fits the same mold but also did some romance work as well. Last, but certainly not least, is Joe Sinnott (pencils/inks). He’ll go down in history as one of the greatest inkers of all time, and rightly so, as his work with Kirby, Perez, and a host of others was outstanding. If you dig a bit deeper though, you’ll find that the guy is quite an accomplished penciler as well, and issues like this prove it. We also get the treat of a great cover by Rich Buckler and Vicente Alcazar!

 

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