Back in the Silver Age, the X-Men weren’t a big deal. The book just never seemed to be able to find an audience. The early issues were a bit tough to get through reading, but the Kirby artwork obviously helped. That said, after issue 66, it went into reprints. That’s the part that baffles me, since leading up to that last issue of new material (the title was cancelled and went into reprints for over four years, until 1975), the book was producing the strongest material to date by a long shot!
This fantastic reprint book shows us issues 57-59, with that incredible story with the return of the Sentinels! Of course that means Trask as well, but we also see the dangerous Mesmero too (and Magneto…sort of)! The interpersonal relationships between the team members is on full display in these issues for sure.
Roy Thomas (writer) was certainly a gifted writer and that was clear on any kind of book, but his keen sense on writing team books was certainly felt by the readers of the X-Men. He knew how to weave the personal nature of the X-Men and the real world applications together seamlessly. The team of Neal Adams (pencils) and Tom Palmer (inks) put on quite a show in these issues as they did in pretty much everything else they touched as creators during their storied careers. The colors were courtesy of Daina Graziunas. Throw in a great wraparound cover by Mike Zeck (and Palmer on inks again), and throw in some extra art by Adams as well, and you get to see a visual feast!
Every once and a while, you get a comic book that reflects society, sometimes the bad parts of society that previously no one else wanted to show. Sometimes writers and artists have a tendency to ram messages about societal problems down a readers throat, and that of course is not a good thing. I won’t give any examples but in the 1980’s, you have plenty of comics that were critical darlings that weren’t very subtle in delivering a point about social issues. There are however titles like this one, that do an excellent job of showing things as they are for some people, and enlighten the people from the other side of the tracks on just how bad things can be.
When Doug Moench (writer) and Bill Sienkiewicz (artist) took over the reigns of the character Moon Knight, they made comics that were thought-provoking, edgy, and they did it without being overt about their intentions. Too many writers nowadays fall into the trap of beating the readers over the head with their own agendas, without ever considering whether they’re even remotely right or who they may alienate. Can you even imagine what these guys would create together in this day and age? The scary part is that there isn’t anybody in mainstream comics with the cajonies these guys had back in 1980! Pimps, drunks, drug addicts, and thieves, you get them all in this book!
After learning of the recent passing of artist, Paul Ryan, I thought it most fitting to give him a grand send-off from my blog. I’d become friends with him on Facebook, and thought he was a very genuine man who had good values, and was a very under-appreciated artist. I don’t own any of his DC work, only some of his Marvel jobs. So, this one will be all Marvel! The first three are from the back pages of Marvel Fanfare 52 (1990), the rest are from various issues of the Avengers (inks by Tom Palmer)! Godspeed, Paul!
It’s no secret that Doctor Strange is my favorite character. His 1974 series is undoubtedly one of the most underrated series of all time. From start to finish it’s incredible. And let’s be honest, with creators like Steve Englehart, Gene Colan, Roger Stern, Jim Starlin, Tom Sutton, Marv Wolfman, Rudy Nebres, Paul Smith (and more!), you can’t go wrong! This particular issue deals with the Doc, as he’s about to be in conflict with Eternity himself, for the soul of his recently deceased master, the Ancient One! A flashback of the insidious Baron Mordo, and the Doc and Clea see the world die!
As the creative tag-team of Steve Englehart (writer) and Gene Colan (pencils) was beginning to wind down, one might think that the material might suffer, but this is not so. Both men brought their “A” game until the end of the run. It’s to be expected though, as both were consummate pros throughout their comic book careers. Another link in the awesome creative chain, is Tom Palmer (inks, colors). His work alongside Colan is legendary, even if you only look at this title or Tomb of Dracula. Yet another name synonymous with Bronze Age royalty is Tom Orzechowski (letters). He was a constant at Marvel and definitely earned his place among these other greats with his diligence. Throw in Marv Wolfman (editor), and the credits are full of amazing creators that gave their best!
It’s time once again, to spotlight the best comic book title from the Bronze Age! Yes, you read that correctly. Not the best horror comic, THE best comic book, period. The Tomb of Dracula ran for 70 issues, from 1972 until 1979, and was without a doubt one of the best series ever. This little reprint book from 1992 has three issues in it. Two of the issues are back to back (45-46) and one is a standalone (30). The two consecutive issues revolve around Dracula using his influence on a satanic cult, and getting married. Good stuff, but I love the standalone issue better. That one shows Dracula reminiscing about some adventures he had in the past. One in particular where he meets a blind girl is quite fascinating.
The dream team of Marv Wolfman (writer), Gene Colan (pencils), and Tom Palmer (inks and colors), was in place for a while when these issues were published. They were on a roll by this point, and churning out fantastic stories. You add John Costanza (letters), and the crew is complete. This creative team would go on for 70 issues total in this series, and Wolfman and Colan would do more Dracula work in the future as well (Tomb of Dracula, 1991-92 – Epic, and The Curse of Dracula, 1998 – Dark Horse). Whatever the format, get out and grab one of the best books around!
I know it’s heresy to say this being a big fan of Steve Gerber’s work, but I’m not really into Howard the Duck. That said, I do love horror stories, and most of them revolving around that character do fit into this genre. In this one for instance, we get to see Howard arrested, and in jail. The police are befuddled that a real duck is in their midst, and quite frankly have no idea what to do with him. The best part of the story lies with another character though, the Hellcow. Apparently, at a certain point in the life of Dracula, he swooped in and bit a cow. Normally, you don’t see animals come back as vampires but for some insane reason, this one does.
As I said above, Steve Gerber (writer) is nothing sort of fantastic. He can take the oddest of themes and turn them into gold. His work on The Defenders, Omega the Unknown, and several other books are all the proof that I need to prove that point. Another creator of this era that did incredible work, is artist, Frank Brunner (penciler). Even though he didn’t do a ton of work in comics, his impression on the industry is a lasting one, for sure. Tom Palmer (inks), Glynis Wein (colors), and Annette Kawecki (letters), finish off the creative team for this outstanding story! Of course, everyone knows of the fantastic work by Palmer, as he inked many books, and none more appreciated than his collaborations with Gene Colan in Tomb of Dracula!
Just for the record, I know virtually nothing about Doc Savage. That said, anytime you throw a classic monster in a comic book, I’m in! This wacky story reminds me of an episode of Johnny Quest (Werewolf of the Timberland) for several reasons. I wont get into them because it would spoil the issue, but you do get some good action, and some werewolf face-time as well. It’s part two of a story, so the circumstances leading up to this is lost on me, but that aside, it’s still very enjoyable. As the last issue in the series, you get the distinct impression it was cancelled abruptly because there’s no reference to cancellation at all.
As a whole, I like the work of Tony “The Tiger” Isabella (writer). He did some really cool horror stuff back in the early Bronze Age that’s worth looking up. The art team, led by “Riotous”Rich Buckler (cover pencils and interior layouts), are very solid. You get finishes and inks by “Terrific”Tom Palmer (Tomb of Dracula, The Avengers) and Jack Abel (GI Combat, Our Army at War) . Both men have had extensive careers in the industry, and proven themselves to be top-notch at their craft. Once again, the duo of “Titanic” Tom Orzechowski (letters) and “Genuine” George Roussos (colors), complete this list of comic book legends!
Anyone that’s read any of my work knows I frequently salivate over certain creators, characters, and books. One of these things being Dr. Strange. Not just anything that the Doc has been in, but specifically his solo series from 1974, and his appearances in Marvel Premiere (1972). In issue #4, we see some material taken from the mind of Robert E. Howard (Conan, Kull, Red Sonja, etc.). In this adventure, the Doc has just survived a grave encounter with Nightmare, and now faces an even more vile thereat. An old friend has come calling about a problem in the New England area, and once there, Dr. Strange will meet his doom!
The creative team on this one is certainly top-notch. The story was written by “Amiable” Archie Goodwin, with the plot and editing by “Rascally” Roy Thomas. The pencils by none other than “Bashful” Barry Windsor-Smith, inks by “Far Out” Frank Brunner! Letters by John Costanza, and cover by BWS and Tom Palmer! Enjoy this classic tale from the past of Dr. Strange!
Well, Halloween is over, so the monster theme will die down, for now, but don’t worry, I wont stray too long from going back to the horror well once again soon! What I will do is gravitate back to my all-time favorite artist, Gene ‘The Dean’ Colan! Before his legendary run on Tomb of Dracula, Gene had a short run on the Dr. Strange title, written by Roy Thomas. The two seemed tailor-made for each others style, and we saw some absolute magic (pun intended)! In issue #183, we see a story called “They Walk by Night,” and the Doc is in his mask phase, which never bothered me per se, but I certainly prefer him “unmasked.” Colan’s style was perfect for this character, and he did do some more work with the Doc in his second volume that started in 1974. Some great covers in that series came from Gene as well.
The story is from the mind of Roy Thomas, and he’s one of my (if not tops)all time favorite writers. He seemed to excel more at team books, but make no mistake, he can write anything. This story, along with a myriad of others is proof. Let us travel to the realm of darkness, and seek out these demonic beings, so that the Sorcerer Supreme may do battle with them! Story by Roy Thomas, art by Gene Colan, inks by Tom Palmer (cover inks by Bill Everett, Colan pencils), and Jean Izzo on letters! I know (and understand) why people love to talk about Steve Ditko’s work on Dr. Strange, but I think Colan did a better job at showing the worlds of the mystic arts that the Doc traversed!
Unbeknownst to me until recently, the incomparable Steve Ditko had a nice run on ROM! His rendering of the shiny superhero from Galador is quite awesome, and with other artists the caliber of Bob Layton,Jackson Guice, P. Craig Russell, and Tom Palmer inking his pencils, you were privileged to see a great comic book! In the mid-1980’s, Marvel was in high gear, but also competing with DC, who was churning out epic stories like Crisis on Infinite Earths, and Legends. Marvel had Secret Wars, but also had some little gems like I’m about to show you now! So, without further delay, let’s get right to the visual show!